Francis Devlans mest älskade målning är End of the Day (1857), som hänger på Reading Public Museum i Reading. Study in Rocks (1861) och Gibraltar Furnace - Seyfert's Mill (1868) följer därefter bland de dukar som läsarna känner bäst till. Vår katalog innehåller 15 verk av Francis Devlan: här är de 15 mest kända, var och en med sitt årtal, sitt museum och vad som gör dem minnesvärda.
Rankade efter vår popularitetspoäng, som kombinerar sökningar, besök och beställningar för varje verk. Uppdaterad november 2026. Varje målning på denna sida kan beställas som en handmålad oljereproduktion på linnecanvas, eller som ett konsttryck i den storlek du väljer.
Museet som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Francis Devlan | Målningar från denna lista |
|---|---|---|---|
| Reading | 15 | End of the Day, Study in Rocks, Gibraltar Furnace - Seyfert's Mill |
12 år vid staffliet, från 1857 till 1868: Francis Devlans mest älskade dukar, år för år.
End of the Day (1857), Reading Public Museum, Reading. Study in Rocks (1861) och Gibraltar Furnace - Seyfert's Mill (1868) följer.
Francis Devlan, född 1835, var 22 år gammal: End of the Day är från 1857.
End of the Day, Study in Rocks, Gibraltar Furnace - Seyfert's Mill, Seyfert's Forge, Gibraltar, Summer, Landscape Study - Autumnal, Landscape Study, Landscape, Cattle (White Bull) och Cows in Pasture. Varje duk i rankningen ovan anges med sitt årtal och sitt museum.
15 verk av Francis Devlan finns i vår katalog, daterade 1857 till 1868.
Främst i Reading Public Museum (Reading); listan ovan listar varje museum och dess målningar.
Under 1864, som utgör 3 av de 15 verk som finns på denna sida, varav Landscape Study - Autumnal av dem.
Den tidigaste duken här är End of the Day (1857); den senaste är Gibraltar Furnace - Seyfert's Mill (1868).
Reading Public Museum, Reading har 15 av verken på denna sida, bland annat End of the Day, Study in Rocks och Gibraltar Furnace - Seyfert's Mill.
Ja. Varje målning på denna sida kan beställas från sin egen sida som en handmålad oljereproduktion, eller som ett konsttryck i den storlek du väljer.
Francis Devlan was an American painter who lived a relatively brief life, passing away in 1870. His work focused heavily on the natural world, capturing the quiet details of the land and the animals that inhabited it. Though his time was short, his presence in the mid-19th century art scene is felt through the surviving pieces that remain in public collections.
His hands were often busy with oil on canvas, a medium that allowed him to build texture and depth in his depictions of the earth. He had a particular interest in the ruggedness of the terrain, as seen in his 1855 work, a rocky landscape. This piece shows an early interest in the structural elements of nature, focusing on the physical presence of stone and earth.
Devlan’s brushwork often turned toward the living creatures that moved through these landscapes. He had a way of grounding his scenes with a sense of stillness. One of his notable subjects was a white bull, a piece titled Cattle (White Bull), which is held in the collection of the Reading Public Museum. This work, alongside his other landscape paintings, remains a part of the legacy associated with his style of painting.
His compositions often included:
His paintings are held in places like the Reading Public Museum, where they offer a glimpse into the visual language of the 1860s. These works provide a window into how the American landscape was perceived during his lifetime, focusing on the tangible reality of the environment rather than the abstract.