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      James Mcbey, 1883 – 1959

      James Mcbeys 79 mest kända målningar

      Tul Keram A Retreating Turkish Column Bombed and Machine Gunned by Airmen in the Defile at Tul Keram, 26 September 1918 (1918) är det målning som James Mcbey är mest känd för. The Allies Entering Jerusalem, 11 December 1917 General Allenby with Colonel de Piépape Commanding the French Detachment and Lieutenant Colonel D'Agostio Commanding the Italian Detachment, Entering the City by the Jaffa Gate (1919) och Black and White Puppy Lying on a Bed fullbordar trion av de mest älskade målningarna. Vår katalog innehåller 80 verk av James Mcbey. Här är de 79 mest kända, med årtal, museum och historien bakom varje duk.

      Rankade efter vår popularitetspoäng, som kombinerar sökningar, besök och beställningar för varje verk. Uppdaterad oktober 2026.

      Porträtt av James Mcbey
      James Mcbey · 1883 – 1959
      Född · död
      1883 – 1959, Newburgh
      Rörelse
      Impressionism
      Verk i vår katalog
      80
      Mest kända
      Tul Keram A Retreating Turkish Column Bombed and Machine Gunned by Airmen in the Defile at Tul Keram, 26 September 1918 (1918)
      Flest verk på
      Paisley Art Institute Collection

      De tio mest älskade målningarna av James Mcbey

      The Allies Entering Jerusalem, 11 December 1917 General Allenby with Colonel de Piépape Commanding the French Detachment and Lieutenant Colonel D'Agostio Commanding the Italian Detachment, Entering the City by the Jaffa Gate (1919) av James Mcbey
      2

      The Allies Entering Jerusalem, 11 December 1917 General Allenby with Colonel de Piépape Commanding the French Detachment and Lieutenant Colonel D'Agostio Commanding the Italian Detachment, Entering the City by the Jaffa Gate

      1919

      The painting "The Allies Entering Jerusalem, 11 December 1917 General Allenby with Colonel de Piépape Commanding the French Detachment and Lieutenant Colonel D'Agostio Commanding the Italian Detachment, Entering the City by the Jaffa Gate" by James McBey is a significant historical representation of the Allied forces entering Jerusalem during World War I. Created in 1919, this oil on canvas painting measures 107 x 152 cm and captures a pivotal moment…

      James Mcbey: dukar 11 till 79 på rankingen

      The Musician (1896) av James Mcbey
      #11

      The Musician

      1896

      The Musician is a captivating painting by the renowned artist James McBey, created in 1896. This artwork showcases the artist's skill in depicting the subject matter, capturing the…

      The Musician (1896) av James Mcbey
      #66

      The Musician

      1896

      The painting The Musician by James McBey is a captivating work of art that showcases the artist's skill and attention to detail. Created in 1896, this oil on…

      James Mcbeys dukar, period för period

      Mest målat av James Mcbey

      De fyra motiv som oftast återkommer på dessa dukar, var och en med sitt mest älskade exempel.

      Där James Mcbeys dukar hänger

      Museet som innehar flest av målningarna på denna sida.

      Museum Stad Verk av James Mcbey Målningar från denna lista
      Paisley Art Institute Collection, PaisleyPaisley Art Institute Collection Paisley 1 Church Villefranche

      James Mcbeys mest kända duk, decennium efter decennium

      1. 1890s
        The Musician (1896) av James Mcbey
        Duk 11 av 79

        The Musician

        Ålder 7 – 16

        The Musician is a captivating painting by the renowned artist James McBey, created in 1896. This artwork showcases the artist's skill in depicting the subject matter, capturing the…

      2. 1900s
      3. 1910s
      4. 1920s
      5. 1930s

      James Mcbeys dukar, fråga för fråga

      Vilken målning är James Mcbey mest känd för?Läs svaret

      Tul Keram A Retreating Turkish Column Bombed and Machine Gunned by Airmen in the Defile at Tul Keram, 26 September 1918 (1918), följt av The Allies Entering Jerusalem, 11 December 1917 General Allenby with Colonel de Piépape Commanding the French Detachment and Lieutenant Colonel D'Agostio Commanding the Italian Detachment, Entering the City by the Jaffa Gate (1919) och Black and White Puppy Lying on a Bed.

      Tul Keram A Retreating Turkish Column Bombed and Machine Gunned by Airmen in the Defile at Tul Keram, 26 September 1918: hur gammal var James Mcbey när verket målades?Läs svaret

      James Mcbey, född 1883, var 35 år gammal: Tul Keram A Retreating Turkish Column Bombed and Machine Gunned by Airmen in the Defile at Tul Keram, 26 September 1918 är från 1918.

      Vilka är James Mcbeys tio mest kända målningar?Läs svaret

      Tul Keram A Retreating Turkish Column Bombed and Machine Gunned by Airmen in the Defile at Tul Keram, 26 September 1918, The Allies Entering Jerusalem, 11 December 1917 General Allenby with Colonel de Piépape Commanding the French Detachment and Lieutenant Colonel D'Agostio Commanding the Italian Detachment, Entering the City by the Jaffa Gate, Black and White Puppy Lying on a Bed, Miss Gillespie, Volendam Girl, Tetouan Market Place, Morocco, James Hutcheon (d.c.1933), Venice, Ythan Mouth och El Marrakeshia. Varje duk i rankningen ovan anges med sitt årtal och sitt museum.

      Hur många målningar skapade James Mcbey?Läs svaret

      80 verk av James Mcbey finns i vår katalog, daterade 1896 till 1938.

      Var hänger James Mcbeys mest kända dukar idag?Läs svaret

      Främst i Paisley Art Institute Collection (Paisley); listan ovan listar varje museum och dess målningar.

      När målade James Mcbey sina mest kända verk?Läs svaret

      Under 1930s, som utgör 22 av de 79 verk som finns på denna sida, varav Ythan Mouth av dem.

      Vilken av de kända James Mcbey-målningarna kom först, och vilken kom sist?Läs svaret

      Den tidigaste duken här är The Musician (1896); den senaste är Atlas Mountains, Morocco (sketch) (1938).

      Vilka motiv målade James Mcbey mest av?Läs svaret

      Portrait (2) och Portrait painting (2), fördelat på 79 verk på denna sida.

      Vilken konstinriktning förknippas James Mcbey med?Läs svaret

      Impressionism och Contemporary realism, som dukarna på denna sida visar.

      Möt konstnären: James Mcbey

      A Visionary Etcher Bridging Scottish Tradition and Global Exploration

      James McBey was a master of the line and light, an artist whose life story is as much a narrative of self-invention as the evocative landscapes he captured on copper plates and canvas. Born in 1883 in Newburgh, Aberdeenshire, McBey’s journey from a humble clerk in a local bank to one of Scotland’s most celebrated printmakers is nothing short of extraordinary. Lacking formal academic training in his youth, he possessed an insatiable curiosity that led him to study the technical treatises of masters like Maxime Lalanne by candlelight. This self-directed discipline allowed him to develop a visual vocabulary rooted in meticulous detail and atmospheric depth, eventually establishing him as a cornerstone of the early 20th-century etching revival.

      His early artistic impulses were deeply tethered to the rugged beauty of his homeland. The dramatic vistas of the Scottish Highlands, with their sweeping heather moorlands and mist-shrouded mountains, provided the perfect crucible for honing his mastery of tonal subtlety. Influenced by the atmospheric legacies of Turner and the delicate precision of Whistler, McBey learned to manipulate light to evoke emotion, a skill that would later serve him as his horizons expanded far beyond the borders of Scotland. His work during this period established a foundational strength in composition, where every etched line served to build a sense of place and permanence.

      From the Highlands to the Heart of History

      As McBey’s reputation grew, so too did the geographical scope of his subject matter. The artist’s life became a tapestry of global encounters, moving from the familiar terrains of Britain to the sun-drenched landscapes of North Africa and the Middle East. This period of exploration brought about some of his most significant historical contributions. During the First World War, McBey acted as a vital visual chronicler, capturing the monumental shifts of geopolitical power with a raw, journalistic precision. His masterpiece, The Allies Entering Jerusalem, 11 December 1917, stands as a profound testament to this era, rendering the complex movement of cavalry and infantry through the Jaffa Gate with both historical gravity and artistic grace.

      This fascination with the "other" and the exotic allowed him to explore themes of light and texture in ways that were impossible in the muted tones of Scotland. His travels through Morocco and Spain introduced a vibrant palette and a new interest in the interplay of shadow and heat. Whether rendering the rhythmic movement of a Spanish figure in Felix Sanchez (The Picador) or the delicate, colorful bloom of Red Hibiscus, McBey possessed a unique ability to translate the sensory experiences of foreign lands into a language that resonated with a global audience. His work became a bridge between the intimate observations of a traveler and the grand narratives of history.

      A Legacy of Education and Artistic Stewardship

      Beyond his personal output of prints and paintings, McBey’s impact on the art world was cemented through his profound commitment to the next generation of creators. Serving as the Director of the Dundee Art School from 1920 until 1959, he transformed the institution into a vital center for Scottish art instruction. He did not merely teach technique; he championed a philosophy of direct observation and experimental courage. By fostering an environment where students could engage with diverse traditions while maintaining their own unique voices, he ensured that his influence would ripple through decades of subsequent artistic movements.

      McBey’s life concluded in 1959 in Tangier, Morocco, a fitting end for an artist whose soul was forever entwined with the far reaches of the world. His legacy remains preserved not only in the prestigious collections of museums worldwide but also in the very spirit of printmaking excellence he helped define. To look upon a McBey etching is to witness a moment frozen in time—a blend of historical truth and poetic interpretation that continues to captivate the modern eye.