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      Jerónimo Cosida, 1510 – 1592

      Jerónimo Cosidas 3 mest kända målningar

      Blessed Bridget (1550) är det målning som Jerónimo Cosida är mest känd för; den finns i University of Navarra Museum, Pamplona. The birth of John the Baptist (1578) och Noli Me Tangere (1570) fullbordar trion av de mest älskade målningarna. Vår katalog innehåller 3 verk av Jerónimo Cosida. Här är de 3 mest kända, med årtal, museum och historien bakom varje duk.

      Rankade efter vår popularitetspoäng, som kombinerar sökningar, besök och beställningar för varje verk. Uppdaterad november 2026. Varje målning på denna sida kan beställas som en handmålad oljereproduktion på linnecanvas, eller som ett konsttryck i den storlek du väljer.

      Porträtt av Jerónimo Cosida
      Jerónimo Cosida · 1510 – 1592
      Född · död
      1510 – 1592, Zaragoza
      Verk i vår katalog
      3
      Mest kända
      Blessed Bridget (1550)
      Flest verk på
      University of Navarra Museum

      De tio mest älskade målningarna av Jerónimo Cosida

      Noli Me Tangere (1570) av Jerónimo Cosida
      3

      Noli Me Tangere

      1570 · Oil On Panel · Museo del Prado, Madrid

      The scene unfolds in Noli Me Tangere, a work by the Spanish Renaissance painter Jerónimo Cosida. Created around 1570, this oil on pine wood captures a profound moment of spiritual encounter. The painting presents a biblical episode that many interpret as the Resurrection, specifically the moment Jesus meets Mary Magdalene. There is a palpable tension in the air as the figures interact within this sacred narrative.

      Handmålad oljereproduktion från $253 27 × 37 cm Samma storlek som originalet $310 47 × 61 cm Beställ i originalstorlek →

      Där Jerónimo Cosidas dukar hänger

      De 3 museer som innehar flest av målningarna på denna sida.

      Museum Stad Verk av Jerónimo Cosida Målningar från denna lista
      University of Navarra Museum, PamplonaUniversity of Navarra Museum Pamplona 1 Blessed Bridget
      Saragossa Museum, SaragossaSaragossa Museum Saragossa 1 The birth of John the Baptist
      Museo del Prado, MadridMuseo del Prado Madrid 1 Noli Me Tangere

      Jerónimo Cosidas mest kända dukar, år efter år

      29 år av Jerónimo Cosidas ljus och färg, från 1550 till 1578: de mest kända dukarna för varje år, en efter en.

      1. 1550
      2. 1570
        Noli Me Tangere (1570) av Jerónimo Cosida
        Rankad 3 av 3

        Noli Me Tangere

        Ålder 60 · Museo del Prado

        The scene unfolds in Noli Me Tangere, a work by the Spanish Renaissance painter Jerónimo Cosida. Created around 1570, this oil on pine wood captures a profound moment…

      3. 1578

      Jerónimo Cosidas dukar, fråga för fråga

      Vilken målning är Jerónimo Cosida mest känd för?Läs svaret

      Blessed Bridget (1550), University of Navarra Museum, Pamplona. The birth of John the Baptist (1578) och Noli Me Tangere (1570) följer.

      Blessed Bridget: hur gammal var Jerónimo Cosida när verket målades?Läs svaret

      Jerónimo Cosida, född 1510, var 40 år gammal: Blessed Bridget är från 1550.

      Hur många målningar skapade Jerónimo Cosida?Läs svaret

      3 verk av Jerónimo Cosida finns i vår katalog, daterade 1550 till 1578.

      Var hänger Jerónimo Cosidas mest kända dukar idag?Läs svaret

      Främst i University of Navarra Museum (Pamplona), Saragossa Museum (Saragossa) och Museo del Prado (Madrid); listan ovan listar varje museum och dess målningar.

      Vilken av de kända Jerónimo Cosida-målningarna kom först, och vilken kom sist?Läs svaret

      Den tidigaste duken här är Blessed Bridget (1550); den senaste är The birth of John the Baptist (1578).

      Var kan jag köpa en reproduktion av en Jerónimo Cosida-målning?Läs svaret

      Ja. Varje målning på denna sida kan beställas från sin egen sida som en handmålad oljereproduktion, eller som ett konsttryck i den storlek du väljer.

      Möt konstnären: Jerónimo Cosida

      The Renaissance Master of Aragon

      In the golden era of the Spanish Renaissance, few figures commanded as much versatility and devotion as Jerónimo Vicente Vallejo Cósida. Born into a noble family around 1510, Cósida was far more than a mere painter; he was a true polymath of the sixteenth century, weaving his creative spirit through the disciplines of sculpture, goldsmithing, and architecture. His life, spanning nearly sixty years of tireless artistic production, was deeply rooted in the province of Zaragoza, where he became a cornerstone of the Aragonese Renaissance. As an artist who never traveled to Italy, his mastery was not born of direct pilgrimage to the heart of the Renaissance, but rather through a profound ability to absorb and translate the most sophisticated European currents into a uniquely Spanish vernacular.

      The evolution of Cósida’s hand is a journey from the meticulous precision of his early training to the sweeping, emotive grandeur of Mannerism. Having studied in Valencia under the guidance of Vicente Masip, he began his career with a focus on the intricate details of altarpieces and mural paintings. His early works, such as the Altarpiece of San Juan Bautista for the Tarazona Cathedral, reveal a craftsman obsessed with the delicate nuances of form. As his career matured, Cósida became a pioneer of innovation in Aragon, working alongside the Italian master Tomás Peliguet to introduce a new level of sophistication to the region's sacred art. His style eventually blossomed into a sophisticated Mannerism, where he drew inspiration from the divine grace of Raphael and the subtle, atmospheric shadows of Leonardo da Vinci.

      A Legacy of Devotion and Detail

      To gaze upon a work by Cósida is to witness a profound dialogue between technical rigor and spiritual elegance. He possessed an extraordinary capacity for detail, particularly in his treatment of the feminine figure and the delicate textures of drapery. His compositions were often elaborate, utilizing complex spatial arrangements that guided the viewer's eye through sacred narratives with a sense of rhythmic grace. This meticulousness was not merely decorative; it served to elevate the theological weight of his subjects, making the divine feel tangibly present within the earthly realm.

      His professional life was marked by significant patronage and monumental achievements that left an indelible mark on Spanish ecclesiastical history:

      • Artistic Stewardship: Serving as the artistic adviser to Hernando de Aragón, the Archbishop of Zaragoza, Cósida secured a position of immense influence, allowing him to maintain a prolific workshop and decorate the most prestigious local cathedrals.
      • Mastery of the Altarpiece: He is credited with decorating over twenty-five altarpieces, works that served as the visual and spiritual focal points for countless communities, even though many have been lost to the passage of time.
      • Stylistic Synthesis: His ability to blend the linear precision of Albrecht Dürer with the soft, idealized beauty of the Italian masters created a unique aesthetic that defined an era in Spanish art.
      • Enduring Works: Notable surviving pieces, such as the Birth of St. John the Baptist altarpiece from the Charterhouse of Aula Dei, stand as testaments to his ability to capture profound emotion through stylized canons and luminous color palettes.

      Though much of his physical output has been dispersed or destroyed, the historical significance of Jerónimo Cosida remains unshakeable. He was a bridge between eras, a man who took the burgeoning influences of the High Renaissance and anchored them firmly in the soil of Spain. Through his work, the elegance of gesture, the intricacy of detail, and the majesty of sacred composition found a permanent home in the heart of Aragon, ensuring that his name would forever be linked to the dawn of Spanish modern painting.