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View of Banff with the Bridge over the River Deveron
Handmålad oljereproduktion från $178 36 × 28 cm
Samma storlek som originalet $238 63 × 47 cm Beställ i originalstorlek →
John Fleming, 1792 – 1845
John Flemings 1 mest kända målningar
View of Banff with the Bridge over the River Deveron (1825) är det målning som John Fleming är mest känd för; den finns i Scottish National Gallery, Edinburgh. Vår katalog innehåller 1 verk av John Fleming. Här är de 1 mest kända, med årtal, museum och historien bakom varje duk.
Rankade efter vår popularitetspoäng, som kombinerar sökningar, besök och beställningar för varje verk. Uppdaterad november 2026. Varje målning på denna sida kan beställas som en handmålad oljereproduktion på linnecanvas, eller som ett konsttryck i den storlek du väljer.
- Född · död
- 1792 – 1845
- Verk i vår katalog
- 1
- Mest kända
- View of Banff with the Bridge over the River Deveron (1825)
- Flest verk på
- Scottish National Gallery
De tio mest älskade målningarna av John Fleming
Där John Flemings dukar hänger
Museet som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av John Fleming | Målningar från denna lista |
|---|---|---|---|
 Scottish National Gallery |
Edinburgh | 1 | View of Banff with the Bridge over the River Deveron |
John Flemings mest kända dukar, år efter år
De daterade dukarna av John Fleming på denna sida är alla från 1825: här är de, i ordning efter kändisskap.
John Flemings dukar, fråga för fråga
Vilken målning är John Fleming mest känd för?Läs svaret
View of Banff with the Bridge over the River Deveron (1825)
View of Banff with the Bridge over the River Deveron: hur gammal var John Fleming när verket målades?Läs svaret
John Fleming, född 1792, var 33 år gammal: View of Banff with the Bridge over the River Deveron är från 1825.
Hur många målningar skapade John Fleming?Läs svaret
1 verk av John Fleming finns i vår katalog.
Var hänger John Flemings mest kända dukar idag?Läs svaret
Främst i Scottish National Gallery (Edinburgh); listan ovan listar varje museum och dess målningar.
Var kan jag köpa en reproduktion av en John Fleming-målning?Läs svaret
Ja. Varje målning på denna sida kan beställas från sin egen sida som en handmålad oljereproduktion, eller som ett konsttryck i den storlek du väljer.
Möt konstnären: John Fleming
A Life Painted in Scenery and Service
John Fleming began his path in the world of color not as a scholar, but through the practical labor of a house painter. At fourteen, he entered an apprenticeship that grounded him in the physical reality of pigments and surfaces. This early training likely shaped his eye for the subtle textures found in the Scottish landscape. After spending time in London, where he worked as a housepainter and studied the works held in various galleries, he eventually settled in Greenock. His life was deeply tied to this community, moving between premises on William Street and Hamilton Street.
While his hands were often busy with the practicalities of trade, his mind was focused on the quiet beauty of his homeland. He became a man who recorded the changing face of his surroundings, capturing the development of Greenock through his brush. His work was not merely about grand vistas; it was about the specific, lived reality of the places he knew.
The Art of the View
Fleming found a particular rhythm in creating small-scale paintings of Scottish scenery. He did not seek to overwhelm the viewer with scale, but rather to offer intimate glimpses of the land. Much of his most recognized work came from a close professional bond with the engraver and publisher Joseph Swan. Together, they brought detailed views of the local landscape to a wider audience through several published series:
- Select Views of Glasgow and its environs (1828)
- Select Views on the Clyde (1830)
- Select Views of the Lakes of Scotland (1834)
The publication regarding the lakes of Scotland was especially well-received, appearing in multiple editions throughout the 1830s. These prints allowed his observations of the natural world to reach beyond the borders of Greenock. Alongside these landscapes, he also worked as a portrait painter, often capturing the likenesses of local merchants who lived and traded in the same streets where he worked.
A Presence in the Scottish Arts
Fleming was an active participant in the growing artistic community of his time. He was an original member of the Institution for Promoting and Encouraging the Fine Arts in the West of Scotland, formed in 1821. His dedication to the local arts scene was further evidenced by his membership in the Watt Club and his election to the West of Scotland Academy in 1841. He also shared his work with the Royal Scottish Academy, exhibiting landscapes there in 1828, 1830, and 1837.
His death in February 1845 left a void in the local community, a sentiment reflected in the gravestone erected by friends and admirers. Today, the traces of his life's work remain held in several important collections, including the McLean Museum and Art Gallery in Greenock, the National Galleries of Scotland, and the University of Edinburgh. Through these pieces, the landscapes he once walked continue to be seen.