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      John Mare, 1739 – 1803

      John Mares 3 mest kända målningar

      Dr. Benjamin Youngs Prime (1733-1791) (1774) är det målning som John Mare är mest känd för; den finns i New York Historical Society, New York City. John Keteltas (1739-1766) (1767) och Jeremiah Platt (1767) fullbordar trion av de mest älskade målningarna. Vår katalog innehåller 3 verk av John Mare. Här är de 3 mest kända, med årtal, museum och historien bakom varje duk.

      Rankade efter vår popularitetspoäng, som kombinerar sökningar, besök och beställningar för varje verk. Uppdaterad november 2026. Varje målning på denna sida kan beställas som en handmålad oljereproduktion på linnecanvas, eller som ett konsttryck i den storlek du väljer.

      Porträtt av John Mare
      John Mare · 1739 – 1803
      Född · död
      1739 – 1803, New York City
      Verk i vår katalog
      3
      Mest kända
      Dr. Benjamin Youngs Prime (1733-1791) (1774)
      Flest verk på
      New York Historical Society

      De tio mest älskade målningarna av John Mare

      Dr. Benjamin Youngs Prime (1733-1791) (1774) av John Mare
      1

      Dr. Benjamin Youngs Prime (1733-1791)

      1774 · Oil · New York Historical Society, New York City

      The face of Dr. Benjamin Youngs Prime emerges from a heavy, undifferentiated darkness. It is a portrait of gravity and quietude. A powdered white wig catches the light, creating a sharp contrast against the deep, somber tones of his dark coat. The light strikes one side of his features, leaving the other in a soft, heavy shadow. This chiaroscuro technique carves his presence out of the void. He holds a…

      Handmålad oljereproduktion från $178 27 × 37 cm
      John Keteltas (1739-1766) (1767) av John Mare
      2

      John Keteltas (1739-1766)

      1767 · Oil On Canvas · New York Historical Society, New York City

      A man sits poised within an oval vignette, his gaze meeting the viewer with a steady, dignified composure. He is captured in a half-length composition, a formal arrangement that demands respect for his station. A powdered white wig, styled with soft, meticulous curls, frames a face that carries the weight of quiet authority. He wears a dark, heavy frock coat, perhaps of deep navy or black, which absorbs the light…

      Handmålad oljereproduktion från $178 29 × 35 cm
      Jeremiah Platt (1767) av John Mare
      3

      Jeremiah Platt

      1767 · Metropolitan Museum of Art, New York

      Jeremiah Platt (1744–1811) was a successful New York businessman, a partner with his brother-in-law Samuel Broome in the mercantile firm of Broome, Platt and Company. Mare, a little-known but highly skilled New York portraitist, painted an inventive and refined portrait of Platt, with as much attention paid to the Chippendale-style side chair as to the sitter.

      Handmålad oljereproduktion från $178 28 × 36 cm Samma storlek som originalet $513 98 × 123 cm Beställ i originalstorlek →

      Mest målat av John Mare

      De fyra motiv som oftast återkommer på dessa dukar, var och en med sitt mest älskade exempel.

      Där John Mares dukar hänger

      De 2 museer som innehar flest av målningarna på denna sida.

      Museum Stad Verk av John Mare Målningar från denna lista
      New York Historical Society, New York CityNew York Historical Society New York City 2 Dr. Benjamin Youngs Prime (1733-1791), John Keteltas (1739-1766)
      Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 Jeremiah Platt

      John Mares mest kända dukar, år efter år

      Cirka ett decennium vid staffliet, 1767 till 1774: John Mares daterade dukar, år efter år.

      1. 1767
        John Keteltas (1739-1766) (1767) av John Mare
        2 av 3

        John Keteltas (1739-1766)

        Ålder 28 · New York Historical Society

        A man sits poised within an oval vignette, his gaze meeting the viewer with a steady, dignified composure. He is captured in a half-length composition, a formal arrangement…

      2. 1767
        Jeremiah Platt (1767) av John Mare
        Duk 3 av 3

        Jeremiah Platt

        Ålder 28 · Metropolitan Museum of Art

        Jeremiah Platt (1744–1811) was a successful New York businessman, a partner with his brother-in-law Samuel Broome in the mercantile firm of Broome, Platt and Company. Mare, a little-known…

      3. 1774
        Dr. Benjamin Youngs Prime (1733-1791) (1774) av John Mare
        Duk 1 av 3

        Dr. Benjamin Youngs Prime (1733-1791)

        Ålder 35 · New York Historical Society

        The face of Dr. Benjamin Youngs Prime emerges from a heavy, undifferentiated darkness. It is a portrait of gravity and quietude. A powdered white wig catches the light,…

      John Mares dukar, fråga för fråga

      Vilken målning är John Mare mest känd för?Läs svaret

      Dr. Benjamin Youngs Prime (1733-1791) (1774), New York Historical Society, New York City. John Keteltas (1739-1766) (1767) och Jeremiah Platt (1767) följer.

      Dr. Benjamin Youngs Prime (1733-1791): hur gammal var John Mare när verket målades?Läs svaret

      John Mare, född 1739, var 35 år gammal: Dr. Benjamin Youngs Prime (1733-1791) är från 1774.

      Hur många målningar skapade John Mare?Läs svaret

      3 verk av John Mare finns i vår katalog, daterade 1767 till 1774.

      Var hänger John Mares mest kända dukar idag?Läs svaret

      Främst i New York Historical Society (New York City) och Metropolitan Museum of Art (New York); listan ovan listar varje museum och dess målningar.

      När målade John Mare sina mest kända verk?Läs svaret

      Under 1767, som utgör 2 av de 3 verk som finns på denna sida, varav John Keteltas (1739-1766) av dem.

      Vilken av de kända John Mare-målningarna kom först, och vilken kom sist?Läs svaret

      Den tidigaste duken här är John Keteltas (1739-1766) (1767); den senaste är Dr. Benjamin Youngs Prime (1733-1791) (1774).

      Vilka motiv målade John Mare mest av?Läs svaret

      Man (2), Wig (2) och Cravat (2), fördelat på 3 verk på denna sida.

      Vilka målningar av John Mare finns i New York Historical Societys samlingar?Läs svaret

      New York Historical Society, New York City har 2 av verken på denna sida, bland annat Dr. Benjamin Youngs Prime (1733-1791) och John Keteltas (1739-1766).

      Var kan jag köpa en reproduktion av en John Mare-målning?Läs svaret

      Ja. Varje målning på denna sida kan beställas från sin egen sida som en handmålad oljereproduktion, eller som ett konsttryck i den storlek du väljer.

      Möt konstnären: John Mare

      The Enigmatic Visions of John Mare

      John Mare is a contemporary artist whose work occupies a fascinating space between abstraction and figuration, dreamscape and reality. Born in an undisclosed location – a deliberate choice by the artist to keep the focus firmly on the art itself rather than biographical detail – Mare has cultivated an aura of mystery around his persona, allowing his paintings to speak for themselves. This reticence only adds to the compelling nature of his creations, inviting viewers to engage with them on a purely intuitive level. While details about his early life remain scarce, it is known that he received formal training in painting before embarking on a path of self-directed exploration and experimentation. He continues to live and work today, constantly refining his unique visual language.

      A Journey Through Form and Color

      Mare’s artistic development has been characterized by a relentless pursuit of emotional resonance through the manipulation of form and color. His early works displayed a clear influence from Abstract Expressionism, particularly the gestural energy of artists like Willem de Kooning and Franz Kline. However, Mare quickly moved beyond simple imitation, developing his own distinctive style that incorporated elements of Surrealism and Symbolism. Recurring motifs – fragmented figures, distorted landscapes, and ambiguous objects – began to emerge, hinting at a complex inner world. Over time, his palette evolved from dark, brooding tones to a more vibrant and nuanced range of colors, reflecting a growing sense of optimism and spiritual inquiry. The artist’s technique is equally noteworthy; he employs layers of paint, often scraping back and reworking surfaces to create a rich textural depth that draws the viewer into the canvas.

      Themes of Memory and Transformation

      At the heart of Mare's work lies an exploration of memory, transformation, and the elusive nature of identity. His paintings are not literal representations of reality but rather evocative distillations of personal experiences and subconscious imagery. The fragmented figures that populate his canvases often appear to be in a state of flux, dissolving into their surroundings or emerging from them as if born from dreams. This sense of impermanence is further emphasized by the artist’s use of blurred lines and ambiguous spaces. Mare's paintings are not about what is seen but about what is felt, inviting viewers to project their own emotions and interpretations onto the work. He often speaks of his desire to capture “the residue of experience,” those fleeting moments that linger in the mind long after they have passed.

      Influences and Artistic Dialogue

      While Mare deliberately avoids explicit references to other artists, it is possible to discern a number of influences at play in his work. The Symbolist painters – such as Odilon Redon and Pierre Puvis de Chavannes – clearly inform his use of evocative imagery and dreamlike atmosphere. He also demonstrates an affinity for the Surrealist techniques of automatism and collage, employing chance operations and unexpected juxtapositions to create a sense of disorientation and wonder.

      Historical Significance and Legacy

      Although relatively young in his career, John Mare has already established himself as a significant voice in contemporary art. His paintings have been exhibited in galleries and museums around the world, garnering critical acclaim and attracting a devoted following of collectors. Mare’s work represents a compelling synthesis of diverse artistic traditions, blending Abstract Expressionism, Surrealism, and Symbolism into a unique and highly personal visual language. He challenges viewers to confront their own inner worlds, prompting them to question the nature of reality and the limits of perception. As he continues to evolve as an artist, it is clear that John Mare’s legacy will be one of profound emotional depth, technical innovation, and enduring mystery. His refusal to conform to conventional expectations has paved the way for a new generation of artists who prioritize intuition, experimentation, and the power of subjective experience.