Av alla Jules Andrés målningar är View Taken at Tendu, near Argenton sur Creuse (1850) den mest kända; den hänger på Palais Bourbon i Paris. Bland de 1 verk av Jules André i vår katalog är dessa 1 de mest hyllade, var och en presenterad med sitt datum, sitt museum och sin historia.
Rankade efter vår popularitetspoäng, som kombinerar sökningar, besök och beställningar för varje verk. Uppdaterad november 2026. Varje målning på denna sida kan beställas som en handmålad oljereproduktion på linnecanvas, eller som ett konsttryck i den storlek du väljer.
Museet som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Jules André | Målningar från denna lista |
|---|---|---|---|
| Paris | 1 | View Taken at Tendu, near Argenton sur Creuse |
Ett år, 1850, omfattar varje daterad duk av Jules André på denna sida: här är de, de mest kända först.
View Taken at Tendu, near Argenton sur Creuse (1850)
Jules André, född 1807, var 43 år gammal: View Taken at Tendu, near Argenton sur Creuse är från 1850.
1 verk av Jules André finns i vår katalog.
Främst i Palais Bourbon (Paris); listan ovan listar varje museum och dess målningar.
Ja. Varje målning på denna sida kan beställas från sin egen sida som en handmålad oljereproduktion, eller som ett konsttryck i den storlek du väljer.
Born in the 5th arrondissement of Paris, Jules André spent his life observing the subtle shifts of light and terrain. His early years were defined by the guidance of André Jolivard and Louis Étienne Watelet, who helped him find his footing in the demanding world of painting. He was a man of movement, finding inspiration not just in the streets of his home city, but through travels across Belgium, the south of France, and the Rhine country. These excursions allowed him to gather a wide variety of scenery to translate onto canvas.
His professional life was marked by a steady, disciplined progression. He spent time working at the porcelain manufactory at Sèvres, a role that required a keen eye for detail and color. This technical background likely informed the precision found in his later landscape works. He occupied a unique space in the art world, working in a manner that sat between the classical traditions of old French landscape painters and the emerging modern school.
The mid-19th century brought significant validation for his talent. His ability to capture the essence of a place earned him a second-class medal in 1835. By 1853, his contributions to French art were formally honored with the decoration of the Légion d'honneur. His work was not limited to small canvases; he was entrusted with executing decorative panels for important locations, including the new Louvre Palace and the Hôtel d'Albe.
While his own career was distinguished, his influence extended into the next generation through his son, Edmond Maethe Alphonse André. Edmond followed in his father's footsteps, studying under him before becoming a genre painter of some repute. The family's connection to the arts was deep, though Edmond's life was cut short in Algiers.
The following details summarize the milestones of his career:
Jules André passed away in Paris in 1869. His paintings remain held in significant collections, including the Galleries of the Luxembourg and Lille. His work, such as the view taken at Tendu near Argenton sur Creuse, reflects a life spent looking closely at the natural world. He remains a figure of merit in the history of French landscape painting, remembered for his ability to bridge the gap between the old ways and the new.