Untitled (1963) är det målning som Kees Jansen är mest känd för; den finns i Museum van Bommel van Dam, Venlo. Vår katalog innehåller 1 verk av Kees Jansen. Här är de 1 mest kända, med årtal, museum och historien bakom varje duk.
Rankade efter vår popularitetspoäng, som kombinerar sökningar, besök och beställningar för varje verk. Uppdaterad november 2026.
Museet som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Kees Jansen | Målningar från denna lista |
|---|---|---|---|
| Venlo | 1 | Untitled |
De daterade dukarna av Kees Jansen på denna sida är alla från 1963: här är de, i ordning efter kändisskap.
Untitled (1963)
Kees Jansen, född 1946, var 17 år gammal: Untitled är från 1963.
1 verk av Kees Jansen finns i vår katalog.
Främst i Museum van Bommel van Dam (Venlo); listan ovan listar varje museum och dess målningar.
Born in 1946, Kees Jansen has spent decades shaping form through the medium of sculpture. His work exists in the physical space between the viewer and the object, demanding a certain awareness of volume and mass. While many artists seek to capture a fleeting moment, Jansen’s practice is rooted in the permanence of the material, a pursuit that has seen his pieces find a place within significant collections.
His presence in the contemporary art landscape is marked by a quiet, steady development. Rather than following the loud trends of a specific movement, his output suggests a focused engagement with the tactile nature of his craft. This dedication to the physical reality of sculpture is reflected in the way his works are preserved and studied by institutions.
The significance of an artist is often measured by the permanence of their work in public and private repositories. For Jansen, this recognition is anchored in the Netherlands, specifically within the curated environments of regional museums. His contributions are held within the following collections:
The inclusion of his work in the Museum van Bommel van Dam highlights a connection to the modern and contemporary art history of the Venlo region. This placement ensures that his sculptural language remains part of a larger, evolving dialogue regarding Dutch modernism.
The trajectory of his career can be traced through specific, early instances of his creative output. In 1963, his work Untitled was already being recognized, appearing in the collection of the Museum van Bommel van Dam. This early entry into the record of significant art collections suggests a long-standing commitment to his chosen discipline. His work remains a part of the ongoing study of form and space within the Dutch sculptural tradition.