Av alla Robert Burrowss målningar är Evening den mest kända; den hänger på Darlington Library i Darlington. Tätt följs de av Bridge, West of Stoke Bridge, Suffolk (1847) och Gainsborough's Lane (1868). Bland de 21 verk av Robert Burrows i vår katalog är dessa 18 de mest hyllade, var och en presenterad med sitt datum, sitt museum och sin historia.
Rankade efter vår popularitetspoäng, som kombinerar sökningar, besök och beställningar för varje verk. Uppdaterad november 2026. Varje målning på denna sida kan beställas som en handmålad oljereproduktion på linnecanvas, eller som ett konsttryck i den storlek du väljer.
De fyra motiv som oftast återkommer på dessa dukar, var och en med sitt mest älskade exempel.
De 4 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Robert Burrows | Målningar från denna lista |
|---|---|---|---|
| Darlington | 4 | Evening, Gainsborough's Lane, Cattle on Road | |
| Ipswich | 2 | Gipping near Oil Mills, Suffolk, Landscape in Christchurch Park, Suffolk | |
| Sunderland | 1 | Gainsborough's Lane | |
| Sudbury | 1 | Cattle Watering |
Evening, Darlington Library, Darlington. Bridge, West of Stoke Bridge, Suffolk (1847) och Gainsborough's Lane (1868) följer.
Evening, Bridge, West of Stoke Bridge, Suffolk, Gainsborough's Lane, Foxhall Road, Ipswich, Cattle Watering, River Scene, River Orwell from Gainsborough Lane, Suffolk, Orwell from Bridleway, Ipswich, Old Gippeswyck Hall, Suffolk och Back of Cauldwell Hall, Suffolk. Varje duk i rankningen ovan anges med sitt årtal och sitt museum.
21 verk av Robert Burrows finns i vår katalog, daterade 1847 till 1883.
Främst i Darlington Library (Darlington), Christchurch Mansion (Ipswich) och Sunderland Museum - Winter Gardens (Sunderland); listan ovan listar varje museum och dess målningar.
Under 1880s, som utgör 8 av de 18 verk som finns på denna sida, varav River Scene av dem.
Den tidigaste duken här är Bridge, West of Stoke Bridge, Suffolk (1847); den senaste är River Scene (1883).
Rural landscape (2) och Pastoral scene (2), fördelat på 18 verk på denna sida.
Darlington Library, Darlington har 4 av verken på denna sida, bland annat Evening, Gainsborough's Lane och Cattle on Road.
Ja. Varje målning på denna sida kan beställas från sin egen sida som en handmålad oljereproduktion, eller som ett konsttryck i den storlek du väljer.
Robert Burrows was born in Ipswich, Suffolk, in 1810. He was the eldest son of a silversmith, Robert Burrows, and Elizabeth Cordy. Growing up in a household shaped by the precise work of a silversmith, he eventually moved toward the study of fine art. He traveled to London to receive his training at the Royal Academy, where he learned the formal foundations of his craft.
His connection to the local art community in Ipswich remained strong throughout his life. Shortly after Henry Davy established the Ipswich Society of Professional & Amateur Artists in 1832, Robert Burrows joined the group. He became deeply involved in the organization's inner workings, eventually taking on the role of secretary. This involvement placed him at the center of the local creative circle during a period of significant change in how people captured the world around them.
Burrows found his subject matter in the quiet corners of the Suffolk countryside. Much of his work focuses on the immediate surroundings of Ipswich, capturing the specific light and textures of the local terrain. He spent much of his time observing the way the landscape settled around the river valleys and the small lanes that connected the rural settlements.
In 1866, he painted Gainsborough’s Lane, a scene that looks closely at a typical Victorian village street. The work focuses on the cottages and the cobblestones under the afternoon light. His interest in the water is evident in his 1883 depictions, such as the Orwell River from Gainsborough Lane, Suffolk, and his views of Old Cauldwell. These paintings look at the Orwell River valley, focusing on the stillness of the water and the way the light sits upon the landscape. He also turned his attention to the architecture of the region, as seen in his 1883 painting of Old Gippeswyck Hall, Suffolk.
Burrows worked primarily with oil paints on canvas, applying pigment in thin layers to build a sense of light. His approach relied on meticulous observation and a steady hand. He favored controlled, deliberate brushstrokes that allowed him to capture the specific textures of the natural world. In his depictions of the Suffolk countryside, he focused on the way light interacts with different surfaces, particularly the movement of water and the density of foliage.
There is a quiet precision in how he handled tonal harmony. He did not rely on sudden shifts in color but instead worked through subtle gradations to create depth. This method is evident in his treatment of landscape elements, where he sought to replicate the actual appearance of the terrain through careful layering. His work often centers on the interplay between light and shadow in rural settings, such as the following pieces:
His method required a patient, close-up study of his subjects. By prioritizing the physical reality of textures, he achieved a sense of atmospheric depth without losing the specific details of the landscape. This focus on the tangible qualities of nature—the roughness of a path or the stillness of a river—defines his visual language.
Burrows represents a specific chapter in the history of Suffolk art and photography. His landscapes offer a way to see how Victorian life was perceived in the rural countryside. By using early photographic techniques, he showed an interest in capturing reality through these new mediums. His work remains a record of the changing landscape and the way light fell across the fields and river valleys of his home.
Several collections hold his paintings. The Darlington Library contains five of his works. In Ipswich, Christchurch Mansion holds two pieces. Other works can be found in the Sudbury Town Hall and the Sunderland Museum - Winter Gardens.