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      Albert André, 1869 – 1954

      Albert Andrés 27 mest kända målningar

      House in the Olive Trees (1897) är det målning som Albert André är mest känd för; den finns i The Phillips Collection, Washington, D.C.. Woman Reading Before Window (1903) och Lemons and Tangerines (1913) fullbordar trion av de mest älskade målningarna. Vår katalog innehåller 27 verk av Albert André. Här är de 27 mest kända, med årtal, museum och historien bakom varje duk.

      Rankade efter vår popularitetspoäng, som kombinerar sökningar, besök och beställningar för varje verk. Uppdaterad oktober 2026. Varje målning på denna sida kan beställas som en handmålad oljereproduktion på linnecanvas, eller som ett konsttryck i den storlek du väljer.

      Porträtt av Albert André
      Albert André · 1869 – 1954
      Född · död
      1869 – 1954, 2nd arrondissement of Lyon
      Rörelse
      Post-impressionism
      Verk i vår katalog
      27
      Mest kända
      House in the Olive Trees (1897)
      Flest verk på
      The Phillips Collection

      De tio mest älskade målningarna av Albert André

      Albert André: dukar 11 till 27 på rankingen

      Mest målat av Albert André

      De fyra motiv som oftast återkommer på dessa dukar, var och en med sitt mest älskade exempel.

      Där Albert Andrés dukar hänger

      De 2 museer som innehar flest av målningarna på denna sida.

      Museum Stad Verk av Albert André Målningar från denna lista
      The Phillips Collection, Washington, D.C.The Phillips Collection Washington, D.C. 7 House in the Olive Trees, Lemons and Tangerines, The Concert
      Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 3 Woman Reading Before Window, Place des Batignolles, Paris, By the Sea, Dieppe

      Albert Andrés mest kända duk, decennium efter decennium

      1. 1890s
      2. 1900s
      3. 1910s
      4. 1920s

      Albert Andrés dukar, fråga för fråga

      Vilken målning är Albert André mest känd för?Läs svaret

      House in the Olive Trees (1897), The Phillips Collection, Washington, D.C.. Woman Reading Before Window (1903) och Lemons and Tangerines (1913) följer.

      House in the Olive Trees: hur gammal var Albert André när verket målades?Läs svaret

      Albert André, född 1869, var 28 år gammal: House in the Olive Trees är från 1897.

      Vilka är Albert Andrés tio mest kända målningar?Läs svaret

      House in the Olive Trees, Woman Reading Before Window, Lemons and Tangerines, Young woman sewing, (1913), Place des Batignolles, Paris, By the Sea, Dieppe, The Concert, Woman sewing, (1925), The Terrace at Laudun och Renoir in His Studio. Varje duk i rankningen ovan anges med sitt årtal och sitt museum.

      Hur många målningar skapade Albert André?Läs svaret

      27 verk av Albert André finns i vår katalog, daterade 1893 till 1921.

      Var hänger Albert Andrés mest kända dukar idag?Läs svaret

      Främst i The Phillips Collection (Washington, D.C.) och Art Institute of Chicago (Chicago); listan ovan listar varje museum och dess målningar.

      När målade Albert André sina mest kända verk?Läs svaret

      Under 1910s, som utgör 5 av de 27 verk som finns på denna sida, varav Lemons and Tangerines av dem.

      Vilken av de kända Albert André-målningarna kom först, och vilken kom sist?Läs svaret

      Den tidigaste duken här är Place des Batignolles, Paris (1893); den senaste är Interior, Woman Reading (1921).

      Vilka motiv målade Albert André mest av?Läs svaret

      Women (3), Roads (3) och Vase (2), fördelat på 27 verk på denna sida.

      Vilken konstinriktning förknippas Albert André med?Läs svaret

      Post-impressionism, som dukarna på denna sida visar.

      Vilka målningar av Albert André finns i The Phillips Collections samlingar?Läs svaret

      The Phillips Collection, Washington, D.C. har 7 av verken på denna sida, bland annat House in the Olive Trees, Lemons and Tangerines och The Concert.

      Var kan jag köpa en reproduktion av en Albert André-målning?Läs svaret

      Ja. Varje målning på denna sida kan beställas från sin egen sida som en handmålad oljereproduktion, eller som ett konsttryck i den storlek du väljer.

      Möt konstnären: Albert André

      Albert André: A Quiet Master of Intimacy

      Albert André (1869-1954) wasn’t a name that frequently echoes through the halls of grand museums, yet his paintings possess a profound and enduring appeal. He was, in essence, a quiet master—a Post-Impressionist painter who eschewed the dramatic gestures of some contemporaries for a deeply personal exploration of domestic interiors, still lifes, and the subtle beauty of everyday Parisian life. Born in Lyon, André’s early artistic training wasn't marked by grand ambition but rather by a practical inclination towards designing patterns for silk—a craft that instilled in him an appreciation for color, texture, and meticulous detail, qualities he would later translate into his paintings.

      André’s journey to becoming a recognized artist began with a move to Paris in 1889. He enrolled at the Académie Julian, immersing himself in the artistic currents of the time. Crucially, it was here that he encountered Paul Ranson and the burgeoning group known as Les Nabis—a collective that included figures like Bonnard, Vuillard, and Denis. This association proved pivotal, exposing André to a new approach to painting: one that valued suggestion over explicit representation, prioritizing mood and atmosphere alongside formal elements. The Nabis’ influence is evident in André's later work – his use of muted palettes, flattened perspectives, and an emphasis on capturing the fleeting effects of light.

      The Renoir Connection and Early Recognition

      A defining moment in André’s career arrived through his close friendship with Pierre-Auguste Renoir. The two artists, separated by a considerable age difference, forged a bond built on mutual respect and artistic admiration. Renoir, recognizing André's talent, became a generous patron, introducing him to the influential art dealer Paul Durand-Ruel, who secured exhibitions for André’s work in Paris and, significantly, in New York City. This connection with Renoir wasn’t merely personal; it profoundly shaped André’s artistic trajectory. He meticulously studied Renoir's techniques—his handling of color, his ability to capture the nuances of light and shadow, and his characteristic approach to portraiture – striving to emulate the master while developing his own distinct voice.

      André’s early exhibitions at the Salon des Indépendants in 1894 garnered considerable attention. His paintings, characterized by their intimate scale and evocative atmosphere, were praised for their sensitivity and quiet beauty. The success of these works led to further opportunities, including participation in prestigious salons such as the Salon d'Automne and the Exposition d’Art Nouveau. Notably, André’s 1904 exhibition at the Salon de la Libre Esthétique in Brussels showcased his evolving style—a synthesis of Impressionistic color palettes with Nabis-influenced spatial distortions.

      A Life Anchored in Laudun

      Following World War I, André sought refuge from the turmoil of Parisian life and relocated to the small village of Laudun in Provence. This move proved transformative, providing him with a sense of peace and stability that profoundly influenced his art. Laudon, nestled amongst vineyards and olive groves, became a constant source of inspiration—a place where he could reconnect with nature and rediscover the simple pleasures of life. It was here, in his family home, that André painted some of his most beloved works – scenes of domestic interiors bathed in the golden light of Provence, still lifes featuring flowers and fruit, and evocative portraits of friends and acquaintances.

      André’s approach to painting during this period reflected a shift towards greater introspection. He abandoned the more overtly decorative elements of his earlier work, focusing instead on capturing the essence of everyday life—the quiet moments of contemplation, the subtle beauty of ordinary objects, and the enduring bonds of friendship. His paintings became increasingly characterized by their intimacy and emotional resonance.

      Legacy and Artistic Significance

      Albert André’s artistic legacy is one of understated elegance and profound sensitivity. He wasn't a painter who sought fame or recognition; his primary motivation was to capture the beauty and complexity of the world around him—particularly the intimate corners of domestic life. His paintings, often overlooked in favor of more flamboyant works by contemporaries, possess a quiet power that continues to resonate with viewers today.

      André’s influence extends beyond his own artistic output. His meticulous study of Renoir's work and his dedication to preserving the artist's legacy resulted in one of the most comprehensive and insightful biographies of Renoir ever written—a testament to André’s deep appreciation for his friend and mentor. Today, André’s paintings are held in prestigious collections around the world – including the Musée d’Orsay in Paris, the Art Institute of Chicago, and the Modern Art Museum of New York – ensuring that his quiet yet profound contribution to Post-Impressionism will continue to be appreciated for generations to come.

      Alla 27 verk av Albert André →