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      Benjamin West, 1738 – 1820

      De 100 mest kända Benjamin West-målningarna, rankade

      Benjamin Wests mest älskade målning är Döden till general Wolfe (1770), som hänger på Art Gallery of Ontario i Toronto. The Last Supper (1786) och The Bard (1778) följer därefter bland de dukar som läsarna känner bäst till. Vår katalog innehåller 360 verk av Benjamin West: här är de 100 mest kända, var och en med sitt årtal, sitt museum och vad som gör dem minnesvärda.

      Rankade efter vår popularitetspoäng, som kombinerar sökningar, besök och beställningar för varje verk. Uppdaterad oktober 2026. Varje målning på denna sida kan beställas som en handmålad oljereproduktion på linnecanvas, eller som ett konsttryck i den storlek du väljer.

      Porträtt av Benjamin West
      Benjamin West · 1738 – 1820
      Född · död
      1738 – 1820, Springfield Township
      Rörelse
      Neoclassical painting
      Verk i vår katalog
      360
      Mest kända
      Döden till general Wolfe (1770)
      Flest verk på
      Yale Center for British Art

      Topp 10 Benjamin West-målningar: de dukar som alla känner till

      Döden till general Wolfe (1770) av Benjamin West
      1

      Döden till general Wolfe

      1770 · Olja på duk · Art Gallery of Ontario, Toronto

      Döden till general Wolfe: Ett mästerverk inom historisk konst Historisk kontext och betydelse "The Death of General Wolfe" av Benjamin West är en ikonisk målning som fångar ett avgörande ögonblick i historien – slaget vid Quebec den 13 september 1759. Detta slag, som var en del av Sjuårskriget, avgjorde ödet för Frankrikes kolonier i Nordamerika. General James Wolfe, som ledde de brittiska styrkorna till seger, blev dödligt sårad under konflikten.…

      The Last Supper (1786) av Benjamin West
      2

      The Last Supper

      1786 · Oil · Detroit Institute of Arts, Detroit

      Benjamin West's "The Last Supper," painted in 1786, isn’t merely a depiction of a biblical event; it’s a profound exploration of human emotion and the genesis of faith. This monumental oil on canvas, currently residing at the Detroit Institute of Arts, transcends its historical subject matter to become a timeless meditation on betrayal, disbelief, and the quiet dignity of sacrifice. West, a pivotal figure bridging the worlds of Neoclassicism and…

      The Bard (1778) av Benjamin West
      3

      The Bard

      1778 · Oil On Canvas · Tate Britain, London

      Benjamin West's "The Bard," painted in 1778, is more than just a portrait; it’s a carefully constructed meditation on the role of the poet, the weight of classical learning, and perhaps, a subtle reflection of the burgeoning revolutionary spirit taking hold across the Atlantic. Measuring a modest 22 x 29 cm, this oak panel painting currently resides within the hallowed halls of Tate Britain in London, yet its impact resonates…

      Alexander III of Scotland Rescued from the Fury of a Stag by the Intrepidity of Colin Fitzgerald ( (1786) av Benjamin West
      4

      Alexander III of Scotland Rescued from the Fury of a Stag by the Intrepidity of Colin Fitzgerald (

      1786 · Oil On Canvas · Scottish National Gallery, Edinburgh

      Benjamin West's "Alexander III of Scotland Rescued from the Fury of a Stag by the Intrepidity of Colin Fitzgerald" – often referred to as “The Death of the Stag” – is more than just a historical painting; it’s a visceral tableau of courage, loyalty, and the very essence of Highland legend. Completed in 1786, this monumental work, now residing within the Scottish National Gallery, transports us directly into a pivotal…

      St. George and the Dragon (1786) av Benjamin West
      5

      St. George and the Dragon

      1786 · Oil · Reading Public Museum, Reading

      In St. George and the Dragon, Benjamin West orchestrates a scene of intense movement through a precise diagonal arrangement. The knight, mounted upon a rearing white horse, descends from the upper left toward the dragon positioned in the lower right. This structural choice directs the eye through the center of the struggle, emphasizing the momentum of the descent. The composition is tight and immersive, utilizing a close-up perspective that creates…

      Death on a Pale Horse (1796) av Benjamin West
      6

      Death on a Pale Horse

      1796 · Oil On Canvas · Detroit Institute of Arts, Detroit

      Benjamin West's "Death on a Pale Horse," painted in 1796, isn't merely a depiction of a biblical scene; it’s an immersive plunge into the heart of human anxiety and the sublime terror of impending doom. Born amidst the burgeoning intellectual currents of colonial America, West was a painter who defied easy categorization, seamlessly blending Neoclassical restraint with Romantic fervor. This particular work, one of three versions created around the same…

      The Death of Hyacinth (1771) av Benjamin West
      7

      The Death of Hyacinth

      1771 · Acrylic On Canvas · Philadelphia Museum of Art, Philadelphia

      Benjamin West’s “The Death of Hyacinth,” completed in 1771, stands as a cornerstone of British Romanticism's nascent influence on the American artistic landscape. Currently residing within the Philadelphia Museum of Art, this monumental oil painting transcends mere depiction; it embodies an emotional resonance that continues to captivate viewers centuries later.

      Portrait of George, Prince of Wales, and Prince Frederick, later Duke of York (1778) av Benjamin West
      8

      Portrait of George, Prince of Wales, and Prince Frederick, later Duke of York

      1778 · Oil On Canvas · Ermitaget, Sankt Petersburg

      Benjamin West’s “Portrait of George, Prince of Wales, and Prince Frederick, later Duke of York” (1778) is more than just a likeness; it's a meticulously crafted tableau vivant offering a rare glimpse into the social dynamics and burgeoning political currents of 18th-century Britain. Housed within the walls of The Hermitage in St. Petersburg, this oil on canvas masterpiece transcends mere portraiture, becoming a study in power, familial connection, and the…

      The Death of Procris (1770) av Benjamin West
      9

      The Death of Procris

      1770 · Oil On Panel · Art Institute of Chicago, Chicago

      The forest air hangs heavy and still, thick with the scent of damp earth and ancient leaves. Within this dark, atmospheric woodland, a profound tragedy unfolds in a single, frozen moment of grief. A woman lies motionless across the lower half of the canvas, her pale skin catching a sharp, theatrical light that seems to pierce through the murky canopy above. She is draped in deep, ultramarine blue fabric, her…

      Fler canvasmålningar av Benjamin West, 11 till 100

      Joseph Banks (1773) av Benjamin West
      #11

      Joseph Banks

      1773 · Usher Art Gallery

      Joseph Banks och Benjamin Wests Porträtt av en Lugn Elefant För att förstå Joseph Banks betydelse som konsthistorisk figur krävs det mer än bara ett namn på ett…

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      Paetus and Arria (1766) av Benjamin West
      #12

      Paetus and Arria

      1766 · Yale Center for British Art

      The air in the room feels heavy, thick with the scent of old stone and impending finality. A man leans forward, his hand pressed against his forehead in…

      Låt det målas för hand →
      King Lear (1788) av Benjamin West
      #14

      King Lear

      1788

      The heavy weight of tragedy hangs over King Lear, a work by the artist Benjamin West. Executed in 1788, this oil on canvas captures a moment of profound…

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      The Death of Chatham (1778) av Benjamin West
      #15

      The Death of Chatham

      1778 · Yale Center for British Art

      The composition anchors itself upon a slumped figure, the center of a collapsing world. This man, likely William Pitt the Elder, rests amidst a crowd of mourning dignitaries.…

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      The Cave of Despair (1772) av Benjamin West
      #18

      The Cave of Despair

      1772 · Yale Center for British Art

      In 1772, Benjamin West painted The Cave of Despair, a scene drawn from the verses of Edmund Spenser’s Faerie Queen. The narrative centers on St. George, known as…

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      King Lear (1788) av Benjamin West
      #21

      King Lear

      1788 · Detroit Institute of Arts

      The oil on canvas titled King Lear was executed by the artist Benjamin West in 1788. This work was originally commissioned for the Shakespeare Gallery in London, a…

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      Self-Portrait (1818) av Benjamin West
      #22

      Self-Portrait

      1818 · Harvard Art Museums

      Benjamin West, an American artist born in Springfield, PA, produced this Self-Portrait during his later years. Created in the United States/North America, the work dates to about 1818.…

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      Portrait of a Man (1794) av Benjamin West
      #26

      Portrait of a Man

      1794 · Art Institute of Chicago

      An elderly man sits within a wooden chair, positioned slightly off-center in a three-quarter length pose. He wears a dark, heavy coat featuring visible buttons and a crisp…

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      Cymon and Iphigenia (1766) av Benjamin West
      #29

      Cymon and Iphigenia

      1766 · Yale Center for British Art

      The scene unfolds in a quiet moment of repose within Cymon and Iphigenia, an oil on panel work by Benjamin West. Created about 1766, the painting captures a…

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      Queen Charlotte (1777) av Benjamin West
      #34

      Queen Charlotte

      1777 · Yale Center for British Art

      The gaze of Queen Charlotte meets the viewer through this oil on canvas portrait painting, a work that captures the regal presence of the German-born British queen consort.…

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      Harvesting at Windsor av Benjamin West
      #90

      Harvesting at Windsor

      The sun warms the fields in Harvesting at Windsor, a genre painting by Benjamin West. Created in 1795, the scene captures a moment of intense activity amidst the…

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      The Conversion of St. Paul (1786) av Benjamin West
      #91

      The Conversion of St. Paul

      1786 · Dallas Museum of Art

      The Conversion of St. Paul is a significant work by Benjamin West, executed in 1786 CE. This painting emerged from the artist's period in England, a time when…

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      The Artist and His Family (1772) av Benjamin West
      #94

      The Artist and His Family

      1772 · Yale Center for British Art

      In this intimate group portrait, The Artist and His Family, painted by Benjamin West about 1772, captures a quiet moment of domestic connection. The scene brings together the…

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      Benjamin Wests dukar, period för period

      Mest målat av Benjamin West

      De fyra motiv som oftast återkommer på dessa dukar, var och en med sitt mest älskade exempel.

      Där Benjamin Wests dukar hänger

      De 8 museer som innehar flest av målningarna på denna sida.

      Museum Stad Verk av Benjamin West Målningar från denna lista
      Yale Center for British Art, New HavenYale Center for British Art New Haven 16 Paetus and Arria, Elizabeth West (née Shewell), and Her son Raphael, The Death of Chatham
      Royal Collection, LondonRoyal Collection London 27 Edward III (1312 1377) with the Black Prince (1330 1376) after the Battle of Crecy (1346), St. Peter Denying Christ, Queen Charlotte (1744-1818) with Charlotte, Princess Royal (1766-1828)
      Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 4 The Death of Procris, Queen Philippa at the Battle of Neville's Cross, Portrait of a Man
      National Gallery of Art, WashingtonNational Gallery of Art Washington 10 The Expulsion of Adam and Eve from Paradise, Portrait of Colonel Guy Johnson and Karonghyontye, Cupid, Stung by a Bee, Is Cherished by his Mother
      Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 7 The Last Supper, Death on a Pale Horse, King Lear
      New York Historical Society, New York CityNew York Historical Society New York City 4 Charles Willson Peale (1741–1827), Thetis Bringing the Armor to Achilles
      Fine Arts Museums of San Francisco, San FranciscoFine Arts Museums of San Francisco San Francisco 3 George Harry Grey, Lord Grey (later the Fifth Earl of Stamford), Cupid Stung by a Bee
      Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 3 Elizabeth Shewell West and Her Son, Raphael, British Manufactory; A Sketch

      Benjamin Wests mest älskade dukar för varje decennium

      1. 1750s
        Portrait of Dr. Enoch Edwards (1750) av Benjamin West
        Duk 16 av 100

        Portrait of Dr. Enoch Edwards

        Ålder 12 – 21 · Brooklyn Museum

        A single, steady gaze meets the viewer from the shadows of the late eighteenth century. Dr. Enoch Edwards sits in a three-quarter view, his presence defined by the…

      2. 1760s
        Paetus and Arria (1766) av Benjamin West
        Duk 12 av 100

        Paetus and Arria

        Ålder 22 – 31 · Yale Center for British Art

        The air in the room feels heavy, thick with the scent of old stone and impending finality. A man leans forward, his hand pressed against his forehead in…

      3. 1770s
        Döden till general Wolfe (1770) av Benjamin West
        Duk 1 av 100

        Döden till general Wolfe

        Ålder 32 – 41 · Art Gallery of Ontario

        Döden till general Wolfe: Ett mästerverk inom historisk konst Historisk kontext och betydelse "The Death of General Wolfe" av Benjamin West är en ikonisk målning som fångar ett…

      4. 1780s
        The Last Supper (1786) av Benjamin West
        2 av 100

        The Last Supper

        Ålder 42 – 51 · Detroit Institute of Arts

        Benjamin West's "The Last Supper," painted in 1786, isn’t merely a depiction of a biblical event; it’s a profound exploration of human emotion and the genesis of faith.…

      5. 1790s
        Death on a Pale Horse (1796) av Benjamin West
        Rankad 6 av 100

        Death on a Pale Horse

        Ålder 52 – 61 · Detroit Institute of Arts

        Benjamin West's "Death on a Pale Horse," painted in 1796, isn't merely a depiction of a biblical scene; it’s an immersive plunge into the heart of human anxiety…

      6. 1800s
      7. 1810s
        Self-Portrait (1818) av Benjamin West
        Rankad 22 av 100

        Self-Portrait

        Ålder 72 – 81 · Harvard Art Museums

        Benjamin West, an American artist born in Springfield, PA, produced this Self-Portrait during his later years. Created in the United States/North America, the work dates to about 1818.…

      Om Benjamin Wests dukar: dina frågor besvarade

      Vilken är den mest kända målningen av Benjamin West?Läs svaret

      Döden till general Wolfe (1770), Art Gallery of Ontario, Toronto. The Last Supper (1786) och The Bard (1778) följer.

      Hur gammal var Benjamin West när Döden till general Wolfe målades?Läs svaret

      Benjamin West, född 1738, var 32 år gammal: Döden till general Wolfe är från 1770.

      Vilka är de 10 mest kända målningarna av Benjamin West?Läs svaret

      Döden till general Wolfe, The Last Supper, The Bard, Alexander III of Scotland Rescued from the Fury of a Stag by the Intrepidity of Colin Fitzgerald (, St. George and the Dragon, Death on a Pale Horse, The Death of Hyacinth, Portrait of George, Prince of Wales, and Prince Frederick, later Duke of York, The Death of Procris och The Expulsion of Adam and Eve from Paradise. Varje duk i rankningen ovan anges med sitt årtal och sitt museum.

      Hur många verk målade Benjamin West totalt?Läs svaret

      360 verk av Benjamin West finns i vår katalog, daterade 1750 till 1818.

      Var kan jag se Benjamin Wests mest kända målningar?Läs svaret

      Främst i Yale Center for British Art (New Haven), Royal Collection (London) och Art Institute of Chicago (Chicago); listan ovan listar varje museum och dess målningar.

      När målade Benjamin West sina mest älskade dukar?Läs svaret

      Under 1770s, som utgör 30 av de 100 verk som finns på denna sida, varav Döden till general Wolfe av dem.

      Vilka är Benjamin Wests tidigaste och senaste kända målningar?Läs svaret

      Den tidigaste duken här är Portrait of Dr. Enoch Edwards (1750); den senaste är Self-Portrait (1818).

      Vad målade Benjamin West oftast?Läs svaret

      Man (21), Woman (17) och Horse (7), fördelat på 100 verk på denna sida.

      Vilket medium målade Benjamin West oftast i?Läs svaret

      Oil On Canvas, som används i 33 av de 100 verk som finns på denna sida.

      Vilken konstinriktning tillhör Benjamin Wests målning?Läs svaret

      Neoclassical painting, som dukarna på denna sida visar.

      Vilka av Benjamin Wests dukar hänger på Yale Center for British Art?Läs svaret

      Yale Center for British Art, New Haven har 13 av verken på denna sida, bland annat Paetus and Arria, Elizabeth West (née Shewell), and Her son Raphael och The Death of Chatham.

      Kan jag köpa en reproduktion av en Benjamin West på duk?Läs svaret

      Ja. Varje målning på denna sida kan beställas från sin egen sida som en handmålad oljereproduktion, eller som ett konsttryck i den storlek du väljer.

      Benjamin West: ett liv i färg

      A Pioneer Bridging Worlds: The Life and Legacy of Benjamin West

      Born in 1738 amidst the burgeoning landscape of colonial Pennsylvania, Benjamin West emerged as a pivotal figure in the transatlantic art world, a painter who skillfully navigated the currents of Neoclassicism and Romanticism while forging a uniquely American artistic identity. His story is one of remarkable self-education, unwavering ambition, and an extraordinary ability to connect with both aristocratic patrons and revolutionary ideals. From humble beginnings—his father an innkeeper in Springfield—West’s innate talent was nurtured by early exposure to the arts, reportedly learning rudimentary techniques from Native Americans before receiving any formal training. This unconventional start instilled within him a spirit of innovation that would characterize his entire career. He quickly established himself as a sought-after portraitist in Philadelphia and New York, but a thirst for deeper artistic knowledge propelled him towards Europe in 1760, embarking on a journey that would irrevocably alter the course of American art.

      From Italy to London: Forging a Path to Recognition

      West’s arrival in Italy marked a turning point. Immersing himself in the artistic heartland of Europe, he studied the masters—Titian, Raphael—and engaged with contemporary Neoclassical thinkers like Anton Rafael Mengs and Angelica Kauffman. This period was crucial in shaping his aesthetic sensibilities, instilling within him an appreciation for classical form and historical narrative. He meticulously copied works by these great artists, absorbing their techniques and understanding of composition. However, it was London that ultimately became his adopted home and artistic center. Arriving in 1763, West swiftly ascended the ranks of the British art scene, captivating audiences with his ambitious canvases and securing the patronage of King George III. This royal endorsement not only provided financial stability but also cemented his position as a leading figure within the establishment. A defining moment came with his election to the Royal Academy in 1769, an institution he would later preside over as President from 1792 until his death. His influence extended beyond his own artistic production; West became a champion for American artists seeking training in Europe, offering guidance and support to generations of aspiring painters like Allston, Copley, and Morse.

      Revolutionizing Historical Painting: Technique and Controversy

      West’s impact on the art world wasn't merely about achieving technical mastery; it was about challenging conventions. He dared to reimagine historical painting, moving away from rigid adherence to classical precedent and embracing a more contemporary sensibility. The Death of General Wolfe (1770), arguably his most famous work, exemplifies this revolutionary approach. By depicting the fallen general surrounded by figures in *contemporary* military attire rather than traditional Roman garb, West sparked considerable debate. Critics questioned the historical accuracy, but audiences were captivated by the immediacy and emotional resonance of the scene. This bold move signaled a shift towards greater realism and narrative power in history painting, influencing countless artists who followed. His style evolved over time, incorporating elements of Romanticism into his later works, yet always retaining a commitment to ambitious composition and detailed execution. Other notable pieces like Thetis Bringing the Armor to Achilles, The Three Sisters, The Fright of Astyanax, and The Cave of Despair demonstrate his versatility and mastery across a range of mythological and historical themes. The meticulous detail in his brushwork, combined with dramatic lighting and dynamic compositions, created works that were both visually stunning and emotionally engaging.

      A Lasting Legacy: Shaping Artistic Identity

      Benjamin West’s legacy extends far beyond the canvases he created. He fundamentally altered the landscape of American art, establishing history painting as a viable genre for American artists and fostering a sense of national artistic identity. His presidency of the Royal Academy solidified his influence on British art, promoting innovation and supporting emerging talent.
      • He championed a more accessible and emotionally engaging style of historical representation.
      • His studio became a haven for American artists seeking training in Europe.
      • He bridged the gap between Neoclassicism and the burgeoning Romantic movement.
      West’s innovative spirit, coupled with his diplomatic skills and unwavering dedication to his craft, earned him lasting recognition as “the American Raphael.” He died in London in 1820, leaving behind a body of work that continues to inspire awe and admiration. His story serves as a testament to the power of artistic vision, the importance of cultural exchange, and the enduring legacy of an artist who dared to challenge conventions and forge his own path.

      Key Works

      * The Death of General Wolfe (1770): A pivotal work that redefined historical painting with its contemporary setting and dramatic composition. * Thetis Bringing the Armor to Achilles (c. 1769): Demonstrates West’s skill in rendering mythological subjects with a classical sensibility. * Agrippina with Germanicus’ Ashes (1768): A poignant portrait reflecting themes of loss and remembrance. * Kleombrotos’ Departure (c. 1770): A dynamic depiction of a historical event, showcasing West's ability to capture movement and emotion.

      Influences

      West drew inspiration from a diverse range of sources, including: * **Italian Renaissance Masters:** Titian, Raphael, and Michelangelo profoundly influenced his understanding of composition, color theory, and human anatomy. * **Neoclassical Thinkers:** Mengs and Angelica Kauffman shaped his approach to classical form and historical narrative. * **Contemporary Artists:** West’s work was also impacted by the innovations of artists like Joshua Reynolds and Gavin Hamilton.

      Legacy

      Benjamin West's contributions to art history are significant. He not only produced a vast body of influential paintings but also played a crucial role in fostering artistic exchange between America and Europe, shaping the development of American painting for generations to come. His legacy continues to be celebrated as an example of artistic innovation, cultural diplomacy, and enduring creative vision.

      Alla 360 verk av Benjamin West →