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      Ferdinand Bol, 1616 – 1680

      De 100 mest kända Ferdinand Bol-målningarna, rankade

      Ferdinand Bols mest älskade målning är Portrait of Michiel Adriaansz de Ruyter (1667), som hänger på Rijksmuseum i Amsterdam. Portret van Ferdinand Bol (1653) och Bacchus and Ariadne (1664) följer därefter bland de dukar som läsarna känner bäst till. Vår katalog innehåller 167 verk av Ferdinand Bol: här är de 100 mest kända, var och en med sitt årtal, sitt museum och vad som gör dem minnesvärda.

      Rankade efter vår popularitetspoäng, som kombinerar sökningar, besök och beställningar för varje verk. Uppdaterad oktober 2026. Varje målning på denna sida kan beställas som en handmålad oljereproduktion på linnecanvas, eller som ett konsttryck i den storlek du väljer.

      Porträtt av Ferdinand Bol
      Ferdinand Bol · 1616 – 1680
      Född · död
      1616 – 1680, Dordrecht
      Rörelse
      Baroque
      Verk i vår katalog
      167
      Mest kända
      Portrait of Michiel Adriaansz de Ruyter (1667)
      Flest verk på
      Rijksmuseum

      Topp 10 Ferdinand Bol-målningar: de dukar som alla känner till

      Portrait of Michiel Adriaansz de Ruyter (1667) av Ferdinand Bol
      1

      Portrait of Michiel Adriaansz de Ruyter

      1667 · Oil On Canvas · Rijksmuseum, Amsterdam

      Ferdinand Bol’s “Portrait of Admiral Michiel Adriaansz. de Ruyter” stands as a testament to the artistic fervor of the Dutch Golden Age, capturing not merely an individual likeness but also the spirit of a pivotal moment in European history – the Anglo-Dutch Wars. Painted in 1667, this monumental canvas transcends mere representation; it’s imbued with symbolism and executed with Bol's signature mastery of light and color, cementing its place as…

      Portret van Ferdinand Bol (1653) av Ferdinand Bol
      2

      Portret van Ferdinand Bol

      1653 · Oil On Canvas · Rijksmuseum, Amsterdam

      A single man leans over a stone ledge, his presence anchored in the heavy silence of a dark room. He wears a wide-brimmed hat that casts a soft shadow across his brow, while a golden-yellow doublet catches the light, revealing the intricate texture of patterned sleeves. A deep red cloak falls from his shoulders, adding a weight of color to the somber atmosphere. In his left hand, he holds the…

      Bacchus and Ariadne (1664) av Ferdinand Bol
      3

      Bacchus and Ariadne

      1664 · Oil On Canvas · Ermitaget, Sankt Petersburg

      Ferdinand Bol's “Bacchus and Ariadne,” painted in 1664, is a captivating portrait that transcends mere representation to become a profound meditation on love, loss, and the sublime beauty of the natural world. Often overshadowed by the towering legacy of Rembrandt van Rijn, Bol’s work reveals a remarkable sensitivity to light, color, and psychological nuance – qualities that elevate this painting beyond its mythological subject matter and firmly establish it as…

      Portret van Elisabeth Dell (1653) av Ferdinand Bol
      4

      Portret van Elisabeth Dell

      1653 · Oil On Canvas · Rijksmuseum, Amsterdam

      The light enters from the upper left, a soft and directional glow that carves the features of Elisabeth Dell out of the surrounding shadows. She sits in a moment of calm contemplation, her gaze drifting away from the viewer toward something unseen in the distance. There is a profound stillness in her posture as she leans against a dark, heavy ledge. Her skin possesses a porcelain-like quality, luminous against the…

      Self-portrait (1647) av Ferdinand Bol
      5

      Self-portrait

      1647 · Oil On Canvas · Toledo Museum of Art, Toledo

      This painting, titled Self-portrait, was executed by the Dutch artist Ferdinand Bol in 1647. It offers a direct encounter with the artist himself, captured during a period of significant development in the Netherlands. Bol, who was born in Dordrecht in 1616, lived until 1680, leaving behind a body of work that reflects the evolving sensibilities of the seventeenth century.

      Self-Portrait (1669) av Ferdinand Bol
      6

      Self-Portrait

      1669 · Oil On Canvas · Rijksmuseum, Amsterdam

      To stand before this self-portrait is to encounter not merely a likeness, but a carefully constructed statement of status, intellect, and enduring confidence. Rendered in the opulent style of the Baroque period, this work captures the sitter at a moment of profound self-possession. The composition immediately draws the eye into the central figure, whose very bearing speaks of wealth and established dignity. Notice how the artist has utilized dramatic lighting—the…

      Portrait of an Unknown Woman (1644) av Ferdinand Bol
      7

      Portrait of an Unknown Woman

      1644 · Oil On Canvas · Kenwood House, London

      The woman sits in a quiet, suspended moment, her gaze drifting toward the left of the frame as if caught by a sudden thought or a distant sound. She is a figure of quiet dignity, draped in heavy, dark garments that seem to absorb the very air around her. A brilliant white millstone ruff encircles her neck, its crisp, radiating pleats catching a strong light that carves her features out…

      Young Woman at a Window (1649) av Ferdinand Bol
      8

      Young Woman at a Window

      1649 · Oil On Canvas · Ermitaget, Sankt Petersburg

      A Study in Light and Introspection A young woman leans against a stone windowsill, her gaze directed downward in quiet contemplation. The composition utilizes a medium close-up to establish an intimate connection with the subject. Bathed in directional light from the upper left, her features are defined by soft shadows and a precise application of chiarosc de lum. This technique creates a palpable three-dimensional depth, pulling the figure forward from…

      The Fearlessness of Fabricius in the Camp of Pyrrhus (1655) av Ferdinand Bol
      9

      The Fearlessness of Fabricius in the Camp of Pyrrhus

      1655 · Oil On Canvas · Amsterdam Museum, Amsterdam

      A massive elephant looms in the shadows, its rough skin a heavy contrast to the polished steel of a soldier's armor. This is the camp of King Pyrrhus, a place of tension where diplomacy meets the threat of brute force. The air feels thick with the scent of dust and the weight of an impending decision. In the center of this theatrical arrangement, the Roman consul Fabricius stands firm. He…

      Salomo ontvangt geschenken (1662) av Ferdinand Bol
      10

      Salomo ontvangt geschenken

      1662 · Oil On Canvas · Rijksmuseum, Amsterdam

      In this grand, large-scale composition, we find ourselves drawn into a theatrical moment of historical significance. The scene depicts King Solomon receiving his tribute, a subject that allows for a profound exploration of power and ceremony. The arrangement is crowded and deliberate, guiding the eye through a bustling assembly of attendants and onlookers toward the central figure. There is a palpable sense of weight here, found in the heavy folds…

      Fler canvasmålningar av Ferdinand Bol, 11 till 100

      Portrait of a Man (1670) av Ferdinand Bol
      #16

      Portrait of a Man

      1670 · Los Angeles County Museum of Art

      A man sits in a quiet moment of introspection, his gaze meeting the viewer from across the centuries. He is draped in heavy, opulent fabrics that catch the…

      Ta hem detta ljus →
      Portrait of a woman (1655) av Ferdinand Bol
      #21

      Portrait of a woman

      1655 · Art Institute of Chicago

      A single female figure emerges from a deep, dark background, her presence defined by dramatic chiaroscuro lighting. The composition is a close-up bust portrait, positioning the subject slightly…

      Beställ denna canvas →
      Portrait of An Old Woman (1640) av Ferdinand Bol
      #24

      Portrait of An Old Woman

      1640 · Nationalmuseet i Warszawa

      Ferdinand Bol's "Portrait of an Elderly Woman," painted circa 1640, is not merely a depiction of a subject; it’s a profound meditation on age, wisdom, and the quiet…

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      The holy Women at the Sepulchre (1644) av Ferdinand Bol
      #44

      The holy Women at the Sepulchre

      1644 · Statens Museum for Kunst

      In this 1644 oil on canvas, we find ourselves witnessing a profound intersection between the earthly and the celestial. The scene depicts the myrrhbearers at the empty tomb,…

      Ta hem detta ljus →
      Esther and Mordecai (1654) av Ferdinand Bol
      #74

      Esther and Mordecai

      1654 · Ermitaget

      Esther and Mordecai is an oil on canvas work by the Dutch painter Ferdinand Bol. Executed in the Netherlands, the painting dates to 1654. It currently resides within…

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      The Toper (1651) av Ferdinand Bol
      #96

      The Toper

      1651 · Wallace Collection

      In this intimate genre art piece, a single male figure occupies the center of our attention. He leans forward, caught in a quiet moment of indulgence as he…

      Beställ denna canvas →
      Portrait of a Scholar (1659) av Ferdinand Bol
      #97

      Portrait of a Scholar

      1659 · Indianapolis konstmuseum

      Ferdinand Bol's “Portrait of a Scholar,” painted in 1659, isn’t merely a likeness; it’s a carefully constructed meditation on intellect, dignity, and the quiet contemplation inherent in scholarly…

      Låt det målas för hand →
      Angel Appearing to Elijah (1642) av Ferdinand Bol
      #100

      Angel Appearing to Elijah

      1642 · The Leiden Collection

      Ferdinand Bol's “Angel Appearing to Elijah,” painted in 1642, is more than just a biblical scene; it’s a profound meditation on faith, mortality, and the enduring power of…

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      Ferdinand Bols dukar, period för period

      Mest målat av Ferdinand Bol

      De fyra motiv som oftast återkommer på dessa dukar, var och en med sitt mest älskade exempel.

      Där Ferdinand Bols dukar hänger

      De 8 museer som innehar flest av målningarna på denna sida.

      Museum Stad Verk av Ferdinand Bol Målningar från denna lista
      Rijksmuseum, AmsterdamRijksmuseum Amsterdam 30 Portrait of Michiel Adriaansz de Ruyter, Portret van Ferdinand Bol, Portret van Elisabeth Dell
      Ermitaget, Sankt PetersburgErmitaget Sankt Petersburg 8 Bacchus and Ariadne, Young Woman at a Window, Woman looking in a Mirror with a Maidservant
      Amsterdam Museum, AmsterdamAmsterdam Museum Amsterdam 4 The Fearlessness of Fabricius in the Camp of Pyrrhus, An allegory of the admiralty, Elisha refuses the gifts of Naäman
      Gemäldegalerie, BerlinGemäldegalerie Berlin 4 Portrait of an older Women, Half-length portrait of a young man, Venus and Amor
      Statens Museum for Kunst, KöpenhamnStatens Museum for Kunst Köpenhamn 3 Portrait of Admiral Michael Adriansz de Ruijter, Portrait of a Woman, The holy Women at the Sepulchre
      Museum Gouda, GoudaMuseum Gouda Gouda 3 Portrait of a Man in a High Beret, The War Council of the Goudse Schutterij under the leadership of Colonel Govert Suijs, Five officers of the Gouda city militia
      Nationalmuseet i Warszawa, WarszawaNationalmuseet i Warszawa Warszawa 5 Portrait of An Old Woman, Man in Golden Helmet (Mars)
      Dordrechts Museum, DordrechtDordrechts Museum Dordrecht 3 couple in landscape, Self portrait with baret

      Ferdinand Bols mest älskade dukar för varje decennium

      1. 1630s
        Woman looking in a Mirror with a Maidservant (1630) av Ferdinand Bol
        11 av 100

        Woman looking in a Mirror with a Maidservant

        Ålder 14 – 23 · Ermitaget

        The room holds its breath in deep umber and heavy black. A young woman leans forward, her gaze pulled downward toward the unseen surface of a mirror. She…

      2. 1640s
        Self-portrait (1647) av Ferdinand Bol
        Rankad 5 av 100

        Self-portrait

        Ålder 24 – 33 · Toledo Museum of Art

        This painting, titled Self-portrait, was executed by the Dutch artist Ferdinand Bol in 1647. It offers a direct encounter with the artist himself, captured during a period of…

      3. 1650s
        Portret van Ferdinand Bol (1653) av Ferdinand Bol
        2 av 100

        Portret van Ferdinand Bol

        Ålder 34 – 43 · Rijksmuseum

        A single man leans over a stone ledge, his presence anchored in the heavy silence of a dark room. He wears a wide-brimmed hat that casts a soft…

      4. 1660s
        Portrait of Michiel Adriaansz de Ruyter (1667) av Ferdinand Bol
        Rankad 1 av 100

        Portrait of Michiel Adriaansz de Ruyter

        Ålder 44 – 53 · Rijksmuseum

        Ferdinand Bol’s “Portrait of Admiral Michiel Adriaansz. de Ruyter” stands as a testament to the artistic fervor of the Dutch Golden Age, capturing not merely an individual likeness…

      5. 1670s
        Portrait of a Man (1670) av Ferdinand Bol
        Rankad 16 av 100

        Portrait of a Man

        Ålder 54 – 63 · Los Angeles County Museum of Art

        A man sits in a quiet moment of introspection, his gaze meeting the viewer from across the centuries. He is draped in heavy, opulent fabrics that catch the…

      Om Ferdinand Bols dukar: dina frågor besvarade

      Vilken är den mest kända målningen av Ferdinand Bol?Läs svaret

      Portrait of Michiel Adriaansz de Ruyter (1667), Rijksmuseum, Amsterdam. Portret van Ferdinand Bol (1653) och Bacchus and Ariadne (1664) följer.

      Hur gammal var Ferdinand Bol när Portrait of Michiel Adriaansz de Ruyter målades?Läs svaret

      Ferdinand Bol, född 1616, var 51 år gammal: Portrait of Michiel Adriaansz de Ruyter är från 1667.

      Vilka är de 10 mest kända målningarna av Ferdinand Bol?Läs svaret

      Portrait of Michiel Adriaansz de Ruyter, Portret van Ferdinand Bol, Bacchus and Ariadne, Portret van Elisabeth Dell, Self-portrait, Self-Portrait, Portrait of an Unknown Woman, Young Woman at a Window, The Fearlessness of Fabricius in the Camp of Pyrrhus och Salomo ontvangt geschenken. Varje duk i rankningen ovan anges med sitt årtal och sitt museum.

      Hur många verk målade Ferdinand Bol totalt?Läs svaret

      167 verk av Ferdinand Bol finns i vår katalog, daterade 1630 till 1670.

      Var kan jag se Ferdinand Bols mest kända målningar?Läs svaret

      Främst i Rijksmuseum (Amsterdam), Ermitaget (Sankt Petersburg) och Amsterdam Museum (Amsterdam); listan ovan listar varje museum och dess målningar.

      När målade Ferdinand Bol sina mest älskade dukar?Läs svaret

      Under 1650s, som utgör 38 av de 100 verk som finns på denna sida, varav Portret van Ferdinand Bol av dem.

      Vilka är Ferdinand Bols tidigaste och senaste kända målningar?Läs svaret

      Den tidigaste duken här är Woman looking in a Mirror with a Maidservant (1630); den senaste är Portrait of a Man (1670).

      Vad målade Ferdinand Bol oftast?Läs svaret

      Man (12), Woman (9) och Drapery (6), fördelat på 100 verk på denna sida.

      Vilket medium målade Ferdinand Bol oftast i?Läs svaret

      Oil On Canvas, som används i 32 av de 100 verk som finns på denna sida.

      Vilken konstinriktning tillhör Ferdinand Bols målning?Läs svaret

      Baroque, som dukarna på denna sida visar.

      Vilka av Ferdinand Bols dukar hänger på Rijksmuseum?Läs svaret

      Rijksmuseum, Amsterdam har 7 av verken på denna sida, bland annat Portrait of Michiel Adriaansz de Ruyter, Portret van Ferdinand Bol och Portret van Elisabeth Dell.

      Kan jag köpa en reproduktion av en Ferdinand Bol på duk?Läs svaret

      Ja. Varje målning på denna sida kan beställas från sin egen sida som en handmålad oljereproduktion, eller som ett konsttryck i den storlek du väljer.

      Ferdinand Bol: ett liv i färg

      Ferdinand Bol: A Forgotten Jewel of the Dutch Golden Age

      Ferdinand Bol, a name perhaps less familiar than those of his illustrious contemporaries Rembrandt van Rijn and Johannes Vermeer, nevertheless occupies a significant, if often overlooked, position within the pantheon of 17th-century Dutch Masters. Born in Dordrecht in 1616, Bol’s artistic journey was deeply intertwined with that of Rembrandt, serving as a pupil in the master's Amsterdam studio during a formative period. This apprenticeship profoundly shaped his style, initially leading to works so convincingly reminiscent of Rembrandt that attribution could prove challenging even for seasoned experts. However, to simply categorize Bol as a mere imitator would be a disservice to his own unique artistic voice and considerable talent. His early life laid the groundwork for a career marked by both technical brilliance and an evolving stylistic independence. While details regarding his initial training remain somewhat scarce – possibilities include tutelage under Jacob Cuyp in Dordrecht or Abraham Bloemaert in Utrecht – it was undoubtedly his time with Rembrandt that proved pivotal, immersing him in the dramatic lighting, psychological depth, and masterful brushwork characteristic of the Baroque period.

      Rembrandt’s Influence: The Early Years

      Bol's artistic development can be traced through a fascinating trajectory—one beginning with faithful emulation and gradually blossoming into a distinctive personal style. In his early works, the influence of Rembrandt is undeniable; compositions often echo those of his teacher, employing similar chiaroscuro effects – that dramatic contrast between light and dark – and a penchant for portraying figures in moments of intense emotional or psychological drama. These initial paintings, predominantly portraits and genre scenes, were so strikingly reminiscent of Rembrandt that they frequently sparked debate amongst art critics and collectors. Bol’s early style was characterized by a somewhat heavy, almost brooding quality, reflecting the somber mood often found in Rembrandt's works. However, as Bol matured, he began to refine his technique, moving towards a greater emphasis on clarity, elegance, and refined detail. His palette lightened considerably, shifting from the dark, earthy tones favored by Rembrandt to brighter, more vibrant hues. This shift is particularly evident in his portraits, which gradually acquired a more polished, aristocratic bearing. He also developed a greater sense of spatial depth and a more sophisticated use of perspective, moving away from the flattened compositions typical of earlier Dutch painting.

      From Rembrandt’s Shadow to Independent Vision

      Bol's artistic development can be traced through a fascinating trajectory—one beginning with faithful emulation and gradually blossoming into a distinctive personal style. In his early works, the influence of Rembrandt is undeniable; compositions often echo those of his teacher, employing similar chiaroscuro effects and a penchant for portraying figures in moments of intense emotional or psychological drama. However, as Bol matured, he began to refine his technique, moving towards a greater emphasis on clarity, elegance, and refined detail. His palette lightened, and his figures acquired a more polished, aristocratic bearing. This shift is particularly evident in his portraits, which became increasingly sought after by Amsterdam’s wealthy elite. He quickly rose through the ranks of Amsterdam's artistic community, becoming a burgher in 1652 and marrying into a family with connections to both the Admiralty and the wine merchants’ guild – affiliations that undoubtedly contributed to securing prestigious commissions. Notably, he received orders for chimney pieces for the new Amsterdam Town Hall, designed by Jacob van Campen, a testament to his growing reputation and artistic standing. He even took on pupils of his own, most notably Godfrey Kneller, who would later achieve fame as an English portrait painter.

      Historical Narratives and Portraiture: A Diverse Oeuvre

      Bol’s oeuvre is remarkably diverse, encompassing historical subjects, portraits, *tronies* (character studies), and even some landscape elements. He demonstrated a particular aptitude for large-scale historical paintings, imbuing them with a sense of grandeur and dramatic tension. The Peace Negotiations between Claudius Civilis and Quintus Petillius Cerealis on the Demolished Bridge, now housed in a museum collection, stands as a prime example of his skill in depicting complex narratives with compelling visual impact. The painting showcases not only his mastery of composition and perspective but also his ability to convey the weight of historical events through expressive gestures and carefully rendered details. However, it was perhaps in the realm of portraiture that Bol truly excelled. He possessed an uncanny ability to capture the likenesses of his sitters while simultaneously revealing their inner character and social status. His portraits are characterized by a refined elegance and psychological insight, offering glimpses into the lives and personalities of Amsterdam’s prominent citizens. Works like Man in Golden Helmet (Mars), now residing in Warsaw's National Museum, exemplify this talent, presenting a figure imbued with both authority and vulnerability.

      Legacy and Rediscovery

      Despite his success during his lifetime, Ferdinand Bol’s reputation waned considerably after his death in 1680. His works were often misattributed to Rembrandt, obscuring his individual contributions to Dutch Golden Age painting. It wasn't until the 20th century that concerted efforts began to re-evaluate his oeuvre and establish him as a significant artist in his own right. Today, scholars and collectors are increasingly recognizing the unique qualities of Bol’s work—his masterful technique, his evolving stylistic independence, and his ability to capture both the outward appearance and inner lives of his subjects. While his output remains relatively small compared to some of his contemporaries, the surviving paintings offer a captivating window into the artistic and cultural landscape of 17th-century Amsterdam. His legacy continues to inspire admiration and intrigue, ensuring that this once-forgotten master will continue to be rediscovered and appreciated by generations to come. The Museum Van Loon in Amsterdam and the Rembrandt House Museum both provide opportunities to encounter his work within the context of the era that shaped him.

      Alla 167 verk av Ferdinand Bol →