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      Frédéric Bazille, 1841 – 1870

      De 88 mest kända Frédéric Bazille-målningarna, rankade

      Frédéric Bazilles mest älskade målning är Baddragare (Sommarscen) (1869), som hänger på Fogg Art Museum i Cambridge. Familjemöte (1867) och The Pink Dress (1864) följer därefter bland de dukar som läsarna känner bäst till. Vår katalog innehåller 88 verk av Frédéric Bazille: här är de 88 mest kända, var och en med sitt årtal, sitt museum och vad som gör dem minnesvärda.

      Rankade efter vår popularitetspoäng, som kombinerar sökningar, besök och beställningar för varje verk. Uppdaterad oktober 2026. Varje målning på denna sida kan beställas som en handmålad oljereproduktion på linnecanvas, eller som ett konsttryck i den storlek du väljer.

      Porträtt av Frédéric Bazille
      Frédéric Bazille · 1841 – 1870
      Född · död
      1841 – 1870, Montpellier
      Rörelse
      Impressionist landscape
      Verk i vår katalog
      88
      Mest kända
      Baddragare (Sommarscen) (1869)
      Flest verk på
      Musée Fabre

      Topp 10 Frédéric Bazille-målningar: de dukar som alla känner till

      Baddragare (Sommarscen) (1869) av Frédéric Bazille
      1

      Baddragare (Sommarscen)

      1869 · Olja på duk · Fogg Art Museum, Cambridge

      Jean Frédéric Bazille och Sommarskådet – En Hymn till Ungdomens Vitalitet Jean Frédéric Bazille är en konsthistorisk figur vars verk fortsätter att fascinera oss än idag, särskilt hans målning ”Sommarskådet” från 1869. Detta mästerverk är inte bara ett tekniskt briljant exempel på impressionismen utan också ett psykologiskt och kulturellt betydelsefullt dokument över en viktig epok inom konsthistorien. Bazille lyckades fånga essensen av ungdomens energi och glädje till sommaren genom sina…

      Familjemöte (1867) av Frédéric Bazille
      2

      Familjemöte

      1867 · Olja på duk · Musée d'Orsay, Paris

      Jean Frédéric Bazille’s “Family Reunion” (1867) är en fascinerande och detaljerad representation av ett socialt samtal utomhus, en bild som fångar en livlig scen under ett stort träd. Verket, skapat i en tid av snabba förändringar inom konstvärlden, är inte bara en målning; det är en inblick i 19:e seklets franska samhälle och den nya impressionistiska rörelsens uppkomst. Bazille, en ung konstnär som var nära förhållningssamma till andra framstående impressionister…

      The Pink Dress (1864) av Frédéric Bazille
      3

      The Pink Dress

      1864 · Acrylic On Canvas · Musée d'Orsay, Paris

      Marilyn Monroe’s “Pink Dress,” designed by William Travilla for Howard Hawks’ 1953 film *Gentlemen Prefer Blondes*, transcends mere costume; it embodies an enduring symbol of glamour, ambition, and the seductive allure of Hollywood. The dress itself—a shocking pink silk satin gown adorned with black satin lining and a large bow—represents more than just fabric and embellishments; it encapsulates a pivotal moment in cinematic history and continues to fascinate audiences today.

      La Toilette (1870) av Frédéric Bazille
      4

      La Toilette

      1870 · Acrylic On Canvas · Musée Fabre, Montpellier

      The Painting's Significance and Context La Toilette, an oil-on-canvas painting by Jean Frédéric Bazille, is a remarkable work of art that showcases the artist's skill in capturing intimate moments. Created in 1869-1870, this painting is one of Bazille's last works before his untimely death in the Franco-Prussian War. Composition and Symbolism The painting depicts three women in a room, with one woman lying on a bed while the other two…

      Landscape on the Shore of Lez (1870) av Frédéric Bazille
      5

      Landscape on the Shore of Lez

      1870 · Oil

      Landscape on the Shore of Lez is a significant work by Frédéric Bazille, an artist whose life was marked by a brief but intense period of creativity. Born in 1841, Bazille’s career was tragically cut short when he died in 1870. This particular painting, completed in June 1870, represents one of his final artistic statements. It is a large landscape that the artist himself described as an eclogue, a term…

      The Family Gathering (1867) av Frédéric Bazille
      6

      The Family Gathering

      1867 · Oil On Canvas · Musée d'Orsay, Paris

      To stand before The Family Gathering is to step directly into a sun-dappled afternoon of pure, unscripted joy. This painting by Jean Frédéric Bazille captures more than just a social assembly; it arrests the very essence of conviviality. One feels the gentle warmth emanating from the canvas, as if the viewer has stumbled upon this private moment in time. The composition is masterfully arranged beneath the generous canopy of a…

      The Scoter (1864) av Frédéric Bazille
      7

      The Scoter

      1864 · Oil · Musée Fabre, Montpellier

      The painting depicts a bird perched upon a wooden surface that possesses a yellowish hue. The central subject is a bird that appears to be dead or in the process of dying. This bird is positioned near the center of the frame and occupies most of the composition.

      Le petit jardinier, ca Museum of Fine Arts, (1867) av Frédéric Bazille
      8

      Le petit jardinier, ca Museum of Fine Arts,

      1867 · Oil On Canvas · Museum of Fine Arts, Houston, Houston

      A woman in a pink dress occupies the center of this 1867 composition, her form integrated into a lush, verdant landscape. She holds a watering can, a quiet gesture of tending to the earth. Around her, the garden is alive with color and movement. A large bush erupts with red flowers, providing a sharp contrast to the deep greens of the foliage. In the distance, another figure walks away, adding…

      Portrait of an Unknown Sitter as a Troubadour (1875) av Frédéric Bazille
      10

      Portrait of an Unknown Sitter as a Troubadour

      1875 · Oil On Canvas · Dallas Museum of Art, Dallas

      In this intimate oil portrait, we find ourselves drawn into a quiet, private moment with a young man. The composition is a close-up, bust-length study that pushes the subject toward the viewer through a dramatic use of chiaroscuro. A deep, nearly black background provides a void from which the sitter emerges, illuminated by a highly directional light source. This light catches the contours of his face, leaving the other side…

      Fler canvasmålningar av Frédéric Bazille, 11 till 88

      View of the Village (1868) av Frédéric Bazille
      #18

      View of the Village

      1868 · Musée Fabre

      Jean Frédéric Bazille’s “View of the Village,” painted in 1868, stands as a quintessential example of the Impressionist spirit—a movement that sought to capture fleeting impressions of light…

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      Portrait of Renoir (1867) av Frédéric Bazille
      #20

      Portrait of Renoir

      1867 · Musée d'Orsay

      Jean Frédéric Bazille's “Portrait of Renoir” stands as a testament to the burgeoning Impressionist movement, capturing not merely an likeness but also a palpable sense of contemplative emotion.…

      Ta hem detta ljus →
      Portrait of Edmond Maitre (1869) av Frédéric Bazille
      #22

      Portrait of Edmond Maitre

      1869 · National Gallery of Art

      In the quiet corners of art history, certain works possess the power to halt time, offering a window into a moment of profound stillness. Jean Frédéric Bazille’s “Portrait…

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      Reclining Nude (1864) av Frédéric Bazille
      #23

      Reclining Nude

      1864 · Musée Fabre

      Jean Frédéric Bazille's 'Reclining Nude,' painted in 1864, is more than just a depiction of the human form; it’s a carefully constructed evocation of serenity and sensual grace,…

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      Fontainebleau forest (1865) av Frédéric Bazille
      #24

      Fontainebleau forest

      1865 · Musée d'Orsay

      In this 1865 oil on canvas, we find ourselves standing at the edge of the Fontainebleau forest. The composition is asymmetrical, drawing the eye toward a dense, dark…

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      Portrait of Edouard Blau (1866) av Frédéric Bazille
      #25

      Portrait of Edouard Blau

      1866 · National Gallery of Art

      “Portrait of Édouard Blau,” painted by Jean Frédéric Bazille in 1866, stands as a testament to the burgeoning Impressionist movement's fascination with capturing fleeting moments of light and…

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      Self Portrait (1870) av Frédéric Bazille
      #26

      Self Portrait

      1870

      In this poignant Self Portrait, painted in 1870, we encounter Frédéric Bazille not merely as a painter, but as a man caught in the delicate transition between youthful…

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      Portrait of a Man (1867) av Frédéric Bazille
      #27

      Portrait of a Man

      1867

      In the quiet intensity of Frédéric Bazille’s Portrait of a Man, painted in 1867, we are invited into a moment of profound stillness. This work serves as a…

      Ta hem detta ljus →
      Self-Portrait (1867) av Frédéric Bazille
      #28

      Self-Portrait

      1867 · Minneapolis Institute of Art

      Self-Portrait is an oil on canvas painting by the artist Frédéric Bazille. Created in France, this work belongs to the Impressionism movement. The subject of the painting is…

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      Queens Gate at Aigues-Mortes (1867) av Frédéric Bazille
      #63

      Queens Gate at Aigues-Mortes

      1867 · Metropolitan Museum of Art

      Jean Frédéric Bazille's "Queens Gate at Aigues-Mortes," painted in 1867, isn’t merely a depiction of a medieval fortification; it’s an exquisite distillation of Impressionist philosophy and a poignant…

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      Landscape at Chailly (1865) av Frédéric Bazille
      #65

      Landscape at Chailly

      1865 · Art Institute of Chicago

      Jean Frédéric Bazille’s “Landscape at Chailly,” painted in 1865, isn't merely a depiction of a Swiss hillside; it’s a distilled essence of Impressionist philosophy—a fleeting capture of light,…

      Låt det målas för hand →
      Toilet (1870) av Frédéric Bazille
      #70

      Toilet

      1870 · Musée Fabre

      Painted in 1870, tragically just months before Jean Frédéric Bazille's untimely death at the age of twenty-nine, *Toilet* (La Toilette) is a pivotal work within the burgeoning Impressionist…

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      The Fisherman with a Net (1868) av Frédéric Bazille
      #71

      The Fisherman with a Net

      1868 · Arp Museum Bahnhof Rolandseck

      The painting The Fisherman with a Net by Jean Frederic Bazille, created in 1868, is an exemplary work of the Impressionist movement. This oil on canvas piece showcases…

      Ta hem detta ljus →
      Summer Scene (Bathers) av Frédéric Bazille
      #72

      Summer Scene (Bathers)

      Fogg Museum

      Jean Frédéric Bazille's “Summer Scene (Bathers)” captures a quintessential moment of leisure and joy, transporting the viewer to the sun-drenched landscapes of Provence. Painted in 1873, just months…

      Ta hem detta ljus →
      Self Portrait with Palette (1865) av Frédéric Bazille
      #80

      Self Portrait with Palette

      1865 · Art Institute of Chicago

      Jean Frédéric Bazille's "Self Portrait with Palette," painted in 1865, is more than just a depiction of an artist; it’s a poignant snapshot of ambition, vulnerability, and the…

      Ta hem detta ljus →
      Portrait of Renoir (1867) av Frédéric Bazille
      #82

      Portrait of Renoir

      1867 · Cleveland Museum of Art

      The Portrait of Renoir is an oil on canvas figure portrait created by the artist Frédéric Bazille. Executed in 1867, this work depicts Pierre-Auguste Renoir, who was a…

      Låt det målas för hand →
      Edouard Blau (1869) av Frédéric Bazille
      #83

      Edouard Blau

      1869 · National Gallery of Art

      This oil on canvas work, titled Edouard Blau, was executed by the French artist Frédéric Bazille. It offers a quiet study of the sitter, a French dramatist, critic,…

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      Frédéric Bazilles dukar, period för period

      Mest målat av Frédéric Bazille

      De fyra motiv som oftast återkommer på dessa dukar, var och en med sitt mest älskade exempel.

      Där Frédéric Bazilles dukar hänger

      De 8 museer som innehar flest av målningarna på denna sida.

      Museum Stad Verk av Frédéric Bazille Målningar från denna lista
      Musée Fabre, MontpellierMusée Fabre Montpellier 23 La Toilette, The Scoter, Petite Italienne chanteuse des rues
      Musée d'Orsay, ParisMusée d'Orsay Paris 8 Familjemöte, The Pink Dress, The Family Gathering
      National Gallery of Art, WashingtonNational Gallery of Art Washington 6 Portrait of Edmond Maitre, Portrait of Edouard Blau, Edmond Maître
      Minneapolis Institute of Art, MinneapolisMinneapolis Institute of Art Minneapolis 2 Self-Portrait, The Banks of the Lez
      Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 2 Landscape at Chailly, Self Portrait with Palette
      Fogg Art Museum, CambridgeFogg Art Museum Cambridge 1 Baddragare (Sommarscen)
      Museum of Fine Arts, Houston, HoustonMuseum of Fine Arts, Houston Houston 1 Le petit jardinier, ca Museum of Fine Arts,
      Dallas Museum of Art, DallasDallas Museum of Art Dallas 1 Portrait of an Unknown Sitter as a Troubadour

      Frédéric Bazilles mest älskade dukar för varje decennium

      1. 1850s
      2. 1860s
        Baddragare (Sommarscen) (1869) av Frédéric Bazille
        1 av 88

        Baddragare (Sommarscen)

        Ålder 19 – 28 · Fogg Art Museum

        Jean Frédéric Bazille och Sommarskådet – En Hymn till Ungdomens Vitalitet Jean Frédéric Bazille är en konsthistorisk figur vars verk fortsätter att fascinera oss än idag, särskilt hans…

      3. 1870s
        La Toilette (1870) av Frédéric Bazille
        Duk 4 av 88

        La Toilette

        Ålder 29 · Musée Fabre

        The Painting's Significance and Context La Toilette, an oil-on-canvas painting by Jean Frédéric Bazille, is a remarkable work of art that showcases the artist's skill in capturing intimate…

      Om Frédéric Bazilles dukar: dina frågor besvarade

      Vilken är den mest kända målningen av Frédéric Bazille?Läs svaret

      Baddragare (Sommarscen) (1869), Fogg Art Museum, Cambridge. Familjemöte (1867) och The Pink Dress (1864) följer.

      Hur gammal var Frédéric Bazille när Baddragare (Sommarscen) målades?Läs svaret

      Frédéric Bazille, född 1841, var 28 år gammal: Baddragare (Sommarscen) är från 1869.

      Vilka är de 10 mest kända målningarna av Frédéric Bazille?Läs svaret

      Baddragare (Sommarscen), Familjemöte, The Pink Dress, La Toilette, Landscape on the Shore of Lez, The Family Gathering, The Scoter, Le petit jardinier, ca Museum of Fine Arts,, Saint-Saveur och Portrait of an Unknown Sitter as a Troubadour. Varje duk i rankningen ovan anges med sitt årtal och sitt museum.

      Hur många verk målade Frédéric Bazille totalt?Läs svaret

      88 verk av Frédéric Bazille finns i vår katalog, daterade 1859 till 1870.

      Var kan jag se Frédéric Bazilles mest kända målningar?Läs svaret

      Främst i Musée Fabre (Montpellier), Musée d'Orsay (Paris) och National Gallery of Art (Washington); listan ovan listar varje museum och dess målningar.

      När målade Frédéric Bazille sina mest älskade dukar?Läs svaret

      Under 1860s, som utgör 54 av de 88 verk som finns på denna sida, varav Baddragare (Sommarscen) av dem.

      Vilka är Frédéric Bazilles tidigaste och senaste kända målningar?Läs svaret

      Den tidigaste duken här är Mystic marriage of Saint Catherine (1859); den senaste är La Toilette (1870).

      Vad målade Frédéric Bazille oftast?Läs svaret

      Portraits (6), Men (6) och Man (5), fördelat på 88 verk på denna sida.

      Vilket medium målade Frédéric Bazille oftast i?Läs svaret

      Oil On Canvas, som används i 23 av de 88 verk som finns på denna sida.

      Vilken konstinriktning tillhör Frédéric Bazilles målning?Läs svaret

      Impressionist landscape, som dukarna på denna sida visar.

      Vilka av Frédéric Bazilles dukar hänger på Musée Fabre?Läs svaret

      Musée Fabre, Montpellier har 23 av verken på denna sida, bland annat La Toilette, The Scoter och Petite Italienne chanteuse des rues.

      Kan jag köpa en reproduktion av en Frédéric Bazille på duk?Läs svaret

      Ja. Varje målning på denna sida kan beställas från sin egen sida som en handmålad oljereproduktion, eller som ett konsttryck i den storlek du väljer.

      Frédéric Bazille: ett liv i färg

      The Brief Radiance of Jean Frédéric Bazille

      Jean Frédéric Bazille’s story is one of immense promise tragically cut short, a fleeting yet significant contribution to the burgeoning Impressionist movement. Born in Montpellier, France, on December 6, 1841, into a prosperous Protestant family involved in wine production, Bazille initially seemed destined for a life far removed from the world of art. His parents, while supportive, insisted he pursue medical studies alongside his artistic inclinations – a compromise reflecting the societal expectations of the time and their desire for his financial security. This duality would shape his early years, dividing his attention between anatomical dissection and the captivating allure of color and light. However, it was within the vibrant atmosphere of Paris, where he relocated in 1862 to continue his medical training, that Bazille’s artistic path truly began to unfold.

      Forging a Path Amongst Giants

      Paris proved to be a crucible for young Bazille. He quickly fell in with a circle of artists who would become synonymous with Impressionism: Claude Monet, Pierre-Auguste Renoir, and Alfred Sisley. Studying under Charles Gleyre provided him with formal training, but it was the shared passion and radical ideas exchanged amongst these friends that truly ignited his artistic vision. Bazille’s financial stability – a fortunate contrast to the often precarious existence of his companions – allowed him to generously support them, offering studio space and materials. This generosity wasn't merely practical; it stemmed from a deep camaraderie and belief in their collective potential. He became a vital hub for this emerging group, fostering an environment of experimentation and mutual encouragement. His early works, like *The Pink Dress* (c. 1864), already demonstrate a keen eye for capturing fleeting moments and the effects of light – hallmarks that would define Impressionism. He wasn’t simply mimicking established styles; he was actively participating in the creation of something entirely new. The influence of Eugène Delacroix, with his bold use of color and dramatic compositions, is subtly felt in Bazille's early work, yet he moved beyond academic conventions to embrace a more modern sensibility.

      A Style Defined by Light and Friendship

      Bazille’s artistic style, though developing rapidly, possessed a unique character within the broader Impressionist aesthetic. While sharing their fascination with *plein air* painting – working outdoors to directly capture the nuances of natural light – his compositions often exhibited a more structured quality than Monet’s or Renoir’s. He frequently combined figure painting with landscape, placing his subjects thoughtfully within their environment, as seen in masterpieces like *Family Reunion* (1867-1868). This work is not merely a depiction of familial gathering; it's an exploration of light filtering through the trees, animating the scene and imbuing it with a sense of warmth and intimacy. His paintings weren’t just about *what* he saw, but *how* he saw it – the emotional resonance evoked by color, form, and light. He was deeply influenced by Claude Monet, particularly in his exploration of capturing the ephemeral effects of sunlight, yet he retained a more grounded approach than his friend, often incorporating carefully considered compositional elements. Bazille’s palette tended to be richer and darker than many of his Impressionist colleagues, reflecting his Languedoc roots and a desire for greater depth and contrast.

      A Life Interrupted: Legacy and Remembrance

      The blossoming career of Jean Frédéric Bazille was brutally interrupted by the Franco-Prussian War in 1870. Driven by a sense of patriotic duty, he joined a Zouave regiment just months after the conflict erupted. Tragically, he was killed in action on November 28, 1870, at the young age of 28, near Beaune-la-Rolande. His death sent shockwaves through the artistic community, robbing them of a talented friend and generous benefactor. His premature demise meant his work remained relatively unknown for many years. However, in recent decades, Bazille’s contributions have been increasingly recognized and celebrated. Today, his paintings are held in prestigious museums like the Musée d'Orsay in Paris, and reproductions allow art lovers worldwide to experience the beauty and innovation of his vision. Bazille’s legacy extends beyond his artistic output; he embodies the spirit of youthful idealism, unwavering dedication, and the power of friendship that defined the early days of Impressionism. He remains a poignant reminder of the potential lost, yet also a testament to the enduring impact of a brief but brilliant career.

      Key Works and Influences

      Bazille’s oeuvre, though limited in size, is remarkably diverse. *The Pink Dress* (1864) exemplifies his early exploration of capturing fleeting moments and atmospheric effects. *Family Reunion* (1867-1868), a complex composition featuring multiple figures bathed in dappled sunlight, showcases his ability to integrate figure painting with landscape. *Studio in Rue de Furstenberg* (c. 1869) offers a glimpse into the social life of Parisian artists, while *Bathers (Summer Scene)* (1874), painted shortly before his death, reveals his fascination with capturing the beauty of the human form in natural settings. Beyond Monet and Renoir, Bazille was influenced by Eugène Delacroix’s dramatic use of color and composition, as well as the Realist painters like Gustave Courbet who emphasized direct observation and social commentary. His work reflects a synthesis of these diverse influences, resulting in a unique artistic voice that deserves greater recognition.

      A Lasting Impression

      Despite his tragically short life, Frédéric Bazille left an indelible mark on the development of Impressionism. His willingness to experiment with *plein air* painting, his innovative compositional techniques, and his deep appreciation for light and color helped pave the way for future generations of artists. His generosity and unwavering support of his fellow painters further cemented his place as a vital figure in the Parisian art scene. Bazille’s story serves as a powerful reminder that artistic genius can flourish even amidst personal hardship, and that the briefest of flames can illuminate an entire movement.

      Alla 88 verk av Frédéric Bazille →