Jan Gossaerts mest älskade målning är Adam and Eve (1525), som hänger på Rhode Island School of Design Museum of Art i Providence. Portrait of a man (1528) och Man of Sorrow (1525) följer därefter bland de dukar som läsarna känner bäst till. Vår katalog innehåller 241 verk av Jan Gossaert: här är de 100 mest kända, var och en med sitt årtal, sitt museum och vad som gör dem minnesvärda.
Rankade efter vår popularitetspoäng, som kombinerar sökningar, besök och beställningar för varje verk. Uppdaterad oktober 2026. Varje målning på denna sida kan beställas som en handmålad oljereproduktion på linnecanvas, eller som ett konsttryck i den storlek du väljer.
In the profound stillness of Jan Gossaert’s 1525 masterpiece, Adam and Eve, we are invited into a moment of primordial intimacy that transcends the boundaries of time. This breathtaking oil painting serves as a cornerstone of Northern Renaissance artistry, capturing the very dawn of humanity with a level of anatomical precision and dramatic flair that was revolutionary for its era. The composition centers on the tender, almost vulnerable embrace of…
The gaze of the subject in Portrait of a man by Jan Gossaert meets the viewer with a steady, unwavering presence. Created about 1530, this work captures a man seated within a space that feels both cramped and cozy, a private nook where the tools of a specific life reside. The artist, Jan Gossaert, who is also known by the moniker Mabuse, renders the figure with a profound sense of…
The body of Christ hangs heavy, a pale anchor in a sea of deep reds and shadows. Every muscle is rendered with a sharp, anatomical clarity that feels almost tactile, as if the skin might still hold warmth despite the stillness of death. Light strikes the torso from a single direction, carving out the hollows of the ribs and the tension in the limbs. Around this central suffering, figures gather…
Step closer and observe the stillness of this young man. He is presented in a bust-length view, framed within a gentle oval that focuses our attention entirely on his psychological state. There is a certain gravity in his gaze, a stoic and thoughtful expression that suggests a life of intellectual depth and high social standing. He does not perform for us; he simply exists in a moment of quiet contemplation.…
The heavy wooden panels of the triptych stand partially open, revealing a world caught in a moment of sacred stillness. These two exterior wings, crafted in 1521, act as a threshold between the mundane and the divine. On one side, a woman holds a book, her gaze steady and quiet; on the other, an angel appears, bringing a celestial presence to the earthly realm. They exist within a framework of…
To gaze upon Jan Gossaert’s Virgin and Child Enthroned is to step directly into the luminous, deeply spiritual atmosphere of the Northern Renaissance. This masterpiece, painted in 1527, transcends mere portraiture; it is a profound theological statement rendered with breathtaking technical skill. At its heart sits the Virgin Mary, regal and serene, enthroned as she cradles the infant Jesus. The immediate visual impact is drawn to the vibrant sweep of…
A middle-aged man is captured in a bust-length composition, his gaze directed toward the left of the frame. He wears a dark, beret-style hat and a black doublet over a white undershirt, with a single gold ring featuring a gemstone visible on his hand. The lighting is directional, descending from the upper left to cast soft shadows across the right side of his face and neck. This chiaroscuro effect provides…
The Holy Family is a painting by Jan Gossaert, executed in 1507. This oil on panel work captures a quiet, domestic moment within a grander architectural framework. The Virgin Mary occupies the center of the scene, her hands cradling the Christ Child. Their presence forms the heart of the composition, anchored by the weight of their figures against the stone and sky.
Two figures sit locked in a quiet, muscular embrace. Hercules and Deianeira occupy a marble-paneled niche, their limbs entwined in a way that feels both heavy and strangely delicate. The man’s skin carries the sculptural weight of antiquity, his form defined by the tension of bone and muscle. Beside him, Deianeira rests, her pose a study in soft curves and sudden stillness. They do not look at the viewer; they…
The Triptych of the Holy Family is a religious oil on panel painting dating to 1501. This work is presented in a classic triptych format, housed within an ornate, carved wooden frame featuring scalloped tops. The central panel is the largest and most complex, depicting the Holy Family—the Virgin Mary, Saint Joseph, and the Christ Child—arranged in a pyramidal composition and surrounded by an angelic host within a lush landscape.…
The scene unfolds within a structured, architectural interior where the sacred meets the mundane. A seated Virgin Mary prepares to bathe the Christ Child, a moment of quiet…
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In "Madonna with the Child" by Jan Gossaert, the artist presents a close-up, pyramidal arrangement of the figures. The subject matter focuses on the Madonna nursing the Christ…
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The scene unfolds through the quiet presence of Virgin and child in the veil, a work that invites a moment of stillness. Jan Gossaert brings this religious subject…
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The artwork titled Madonna with child is a painting by the artist Jan Gossaert. This work depicts the Virgin Mary and the infant Jesus. It is a product…
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This portrait of Isabella of Austria, painted by Jan Gossaert, offers a quiet glimpse into the lineage of the House of Habsburg. The subject, Isabella of Austria—also known…
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A formal, dignified portrait of a nobleman, this bust-length composition captures Floris van Egmond, Count of Buren, with a steady, observant gaze. He is positioned slightly off-center, facing…
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In this 1512 oil painting, Jan Gossaert presents Saint Jerome in a moment of profound scholarly and spiritual reflection. The subject is an elderly man, his presence defined…
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The darkness of the night settles heavily over the rocky landscape, rendered in deep blues and earthy browns. In this nocturnal scene, a young woman kneels in prayer,…
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A single gaze meets the viewer from the shadows of 1515. The man’s face emerges from a deep, somber darkness, his features carved by a sharp, directional light.…
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The Beheading of St John the Baptist by Jan Gossaert presents a pivotal moment from the New Testament. Created about 1510, the work focuses on the execution of…
Beställ denna canvas →![Saint Jerome Penitent [right panel] (1512) av Jan Gossaert](/media/artworks/images-thumb/95/ad/95ada119db2ef8e277bc791f8836200f.jpg)
The oil on panel known as Saint Jerome Penitent [right panel] emerged from the brush of Jan Gossaert in 1512. It captures a moment of solitary devotion, a…
Beställ denna canvas →![Saint Jerome Penitent [left panel] (1512) av Jan Gossaert](/media/artworks/images-thumb/d3/f3/d3f3c45e9279abe486979f615cf3518c.jpg)
A single tree anchors the composition, its bark rough and unyielding against the pale skin of a man. Saint Jerome clings to the trunk, his body a landscape…
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The air feels still, held in a quiet suspension as the Virgin Mary cradles the infant Jesus. She sits with a grace that seems to defy the weight…
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Jan Gossaert presents the biblical scene of Jesus Christ in the Garden of Gethsemane in this work from about 1510. The subject matter focuses on the moment of…
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The artwork titled Holy Family with Coats of Arms of Charles... was executed by the artist Jan Gossaert. This oil on panel work is dated 1528. The subject…
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Jan Gossaert executed Virgin and Child in a Landscape in 1531. The work belongs to the Northern Renaissance and Romanist movements, reflecting a period of stylistic transition in…
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A man stares directly from the shadows, his presence filling the space with an intense, quiet gravity. He sits slightly off-center, a figure of profound psychological weight, wrapped…
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Jan Gossaert executed Madonna and Child in 1527. The work focuses on the Virgin Mary and the infant Jesus, presenting a quiet moment of maternal connection. This composition…
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Christ on Mount Olive is an oil painting by the artist Jan Gossaert. This work is dated 1507 and belongs to the Renaissance period. The composition focuses on…
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This Northern Renaissance oil painting on panel, dated 1520, presents a tender and intimate depiction of the Holy Family. The composition is a close-up, pyramidal arrangement that focuses…
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The Portrait of Henry III, Count of Nassau is a significant work by the Netherlandish painter Jan Gossaert, often referred to by his moniker, Mabuse. This portrait captures…
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Christ sitting on the Cold Stone is an oil on panel by Jan Gossaert. Created in 1531, the work measures 24 x 18 cm. It remains an intimate…
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In this 1530 oil on panel, the meticulous precision of the Northern Renaissance meets the sculptural weight of the Italian Renaissance. The composition is tightly cropped, pulling the…
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The Portrait of Anna de Bergh, Marquise de Veere is a formal oil on panel work by the artist Jan Gossaert. Created about 1530, the painting captures a…
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The air in the corridor feels heavy with the scent of old marble and fresh pigment. Through a precise mathematical lens, the space recedes into a sunlit cityscape,…
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The work before us is Portrait of a Man, a significant creation by the artist Jan Gossaert. Painted in 1525, this piece emerged during the Northern Renaissance, a…
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The work before us is titled Madonna with Child Jesus, a piece that invites a quiet contemplation of the maternal bond. It is attributed to Jan Gossaert, a…
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In the painting Christus rust na de geseling by Jan Gossaert, the composition centers on the semi-nude, muscular figure of Christ. He sits upon a stone block, his…
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In this intimate encounter, we find the Madonna and Child, a work painted by Jan Gossaert in 1527. The scene captures the Virgin Mary and the infant Jesus…
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The air in the room feels still, held in a quiet suspension as the Virgin Mary cradles her infant son. There is a profound softness to the scene,…
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In this monochromatic engraving, we find ourselves witnessing a moment of profound human tragedy. The scene depicts the violent confrontation between Cain and Abel, a narrative of primal…
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Created in 1524, this portrait emerges from a transformative period in the early sixteenth century. It captures a moment where the sharp, tactile realism of the Northern Renaissance…
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This monochromatic pen and ink drawing, created in 1520, presents a dramatic and intricate biblical scene. The composition is characterized by a dense, almost claustrophobic arrangement of foliage…
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The Martyrdom of St Cyriacus and His Companions is a work by Jan Gossaert dated 1520. The composition centers on a chaotic apocalyptic event. Within this crowded scene,…
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The panel is a structured vision of grace, held within a heavy, ornamented arch. At the center, Christ sits elevated, his hand raised in a gesture of blessing…
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The air in the room feels heavy, thick with the scent of old parchment and the stillness of a monastery. Abbot Johann Ingenray sits behind a stone table,…
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Jan Gossaert painted The Adoration of the Kings about 1510. This work remains a significant early piece in the artist's career. It is rendered in the ornate style…
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The air in the room feels heavy with a quiet, sacred stillness. A man and a woman sit close together, their presence anchored by a heavy wooden table…
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In the religious work Virgin and Child by Jan Gossaert, the Virgin Mary is shown holding the Christ Child within a palace interior. The infant Jesus is depicted…
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is a work by Jan Gossaert (Mabuse) executed in 1510. This piece belongs to the Northern Renaissance style, a period marked by the integration of Flemish technical precision…
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This work, titled Danaë (detail), was painted by Jan Gossaert in 1527. It offers a focused glimpse into a profound moment of classical mythology. The scene captures the…
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This diptych presents two distinct yet connected scenes from 1517. On the left panel, Jean Carondelet is captured in a moment of quiet study, his gaze directed toward…
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A single shaft of light pierces the heavy silence of a bronze chamber. Within this enclosure, Danaë sits upon the ground, her hands clasped against her chest in…
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A Glimpse into Renaissance Courtly Life: Jan Gossaert's "Two Kings and a Woman Leaving a Palace" This intricate black and white pen and ink drawing by Jan Gossaert…
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In this 1527 portrait, we find a moment of profound stillness. The Virgin Mary is depicted with a regal presence, her head adorned with a crown that signals…
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The gaze of the subject meets us directly in Portrait of a Man, possibly Jan Snoeck, a work that captures a quiet, scholarly intensity. Painted by the hand…
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De fyra motiv som oftast återkommer på dessa dukar, var och en med sitt mest älskade exempel.
De 8 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Jan Gossaert | Målningar från denna lista |
|---|---|---|---|
 Statens Museum for Kunst |
Köpenhamn | 5 | Saint Jerome, Virgin and Child with a Patron, Scenes from the Life of St Giles |
 National Gallery of Art |
Washington | 4 | Saint Jerome Penitent [right panel], Saint Jerome Penitent [left panel], Portrait of a Man, possibly Jan Snoeck |
 Alte Pinakothek |
München | 3 | Danaë, Danaë (detail), Danaë |
 Gemäldegalerie |
Berlin | 9 | Christ on the Mount of Olives, Mary with Child |
 National Gallery |
London | 7 | An Elderly Couple, The Adoration of the Kings |
 Kungliga museerna för sköna konster i Belgien |
Bryssel | 4 | Portrait of a man, Virgin and child in the veil |
 Koninklijk Museum voor Schone Kunsten Antwerpen |
Antwerpen | 4 | Portrait of a Man, Christ sitting on the Cold Stone |
 Kunsthistorisches Museum |
Wien | 3 | Virgin and child enthroned, Portrait of a man |
The artwork titled Madonna with child is a painting by the artist Jan Gossaert. This work depicts the Virgin Mary and the infant Jesus. It is a product…
The Holy Family is a painting by Jan Gossaert, executed in 1507. This oil on panel work captures a quiet, domestic moment within a grander architectural framework. The…
Two figures sit locked in a quiet, muscular embrace. Hercules and Deianeira occupy a marble-paneled niche, their limbs entwined in a way that feels both heavy and strangely…
In the profound stillness of Jan Gossaert’s 1525 masterpiece, Adam and Eve, we are invited into a moment of primordial intimacy that transcends the boundaries of time. This…
Jan Gossaert executed Virgin and Child in a Landscape in 1531. The work belongs to the Northern Renaissance and Romanist movements, reflecting a period of stylistic transition in…
Adam and Eve (1525), Rhode Island School of Design Museum of Art, Providence. Portrait of a man (1528) och Man of Sorrow (1525) följer.
Jan Gossaert, född 1478, var 47 år gammal: Adam and Eve är från 1525.
Adam and Eve, Portrait of a man, Man of Sorrow, Portrait of a Man, Two Wings from a Triptych (exterior), Virgin and child enthroned, Portrait of a man, The Holy Family, Hercules and Deianeira och Triptych of the Holy Family. Varje duk i rankningen ovan anges med sitt årtal och sitt museum.
241 verk av Jan Gossaert finns i vår katalog, daterade 1495 till 1532.
Främst i Statens Museum for Kunst (Köpenhamn), National Gallery of Art (Washington) och Alte Pinakothek (München); listan ovan listar varje museum och dess målningar.
Under 1510s, som utgör 39 av de 100 verk som finns på denna sida, varav Hercules and Deianeira av dem.
Den tidigaste duken här är Madonna with child (1495); den senaste är Madonna and Child (1532).
Woman (25), Man (24) och Child (15), fördelat på 100 verk på denna sida.
Oil On Panel, som används i 38 av de 100 verk som finns på denna sida.
Nordisk renässans, som dukarna på denna sida visar.
Statens Museum for Kunst, Köpenhamn har 5 av verken på denna sida, bland annat Saint Jerome, Virgin and Child with a Patron och Scenes from the Life of St Giles.
Ja. Varje målning på denna sida kan beställas från sin egen sida som en handmålad oljereproduktion, eller som ett konsttryck i den storlek du väljer.
I det föränderliga landskapet under det tidiga sextonde århundradet var få konstnärer lika skickliga på att överbrygga klyftan mellan Nordens noggranna traditioner och Söderns framväxande humanism som Jan Gossaert. Historien känner honom genom det stämningsfulla smeknamnet Mabuse, en visionär målare från Maubeuge i Frankrike som kom att bli en hörnsten i den romanistiska rörelsen. Hans livsverk representerar en djup metamorfos inom nederländsk konst, där de flamländska mästarnas skarpa och taktila realism mötte den italienska renässansens storslagna, skulpturala elegans. Att studera Gossaert är att bevittna det exakta ögonblicket då den medeltida själen började omfamna antikens klassiska ljus.
Även om de exakta detaljerna kring hans tidiga utbildning förblir höljda i tidens dimmor, var Gossaerts konstnärliga DNA djupt rotat i de låga ländernas traditioner. Det antas vida att hans formativa år ägnades åt att absorbera den tekniska skickligheten hos mästare som Rogier van der Weyden och Hugo van der Goes. Från dessa föregångare ärvde han en oöverträffad hängivenhet till detaljer – ett sätt att återge texturer, tyger och ljus som kändes nästan påtagligt för betraktaren. Gossaert var dock långt ifrån en enkel efterföljare av det förflutna; han besatt en outsläcklig nyfikenhet på det nya och blickade mot söder för att integrera den anatomiska precisionen och den arkitektoniska storslagenheten från den italienska renässansen i sin egen inhemska stil.
Mabuses sanna geni ligger i hans förmåga att harmonisera två till synes skilda världar. Hans utveckling som en romanistisk målare markerade ett brott med den rent gotiska estetik som länge dominerat Nordeuropa. Där tidigare konstnärer fokuserade på symboliskt djup och religiös ikonografi, introducerade Gossaert en känsla av fysisk tyngd och klassiska proportioner. Han studerade den mänskliga formen med en ny, vetenskaplig kraft, vilket lät hans figurer inta rummet med en skulptural närvaro som kändes revolutionerande för hans samtid.
Denna stilistiska evolution är som tydligast i hans behandling av ljus och atmosfär. I hans händer lyser ljuset inte bara upp en scen; det skulpterar den. Han använde atmosfäriskt perspektiv för att skapa vidsträckta, omslutande landskap som tycks dra sig tillbaka i oändligheten, vilket skapade en dramatisk scen för hans motiv. Hans kompositioner präglas ofta av ett komplext samspel mellan skugga och briljans, en teknik som ger hans religiösa och mytologiska scener en nästan teatralisk intensitet. Denna mästerskap gjorde det möjligt för honom att navigera den känsliga balansen mellan den djupa andliga kontemplation som religiösa beställningar krävde, och den intellektuella storslagenhet som tidens humanistiska lärda eftersträvade.
Gossaerts produktiva karriär upprätthölls av ett prestigefyllt nätverk av beskyddare, allt från förmögna köpmän till högt uppsatta kyrkliga ledare och adeln. Hans produktion var anmärkningsvärt mångsidig och sträckte sig från monumentala altartavlor som förankrade katedralernas interiörer till intima porträtt som fångade betraktarens psykologiska väsen. Bland hans mest bestående bidrag finns:
Jan Gossaerts historiska betydelse kan inte överskattas. Han fungerade som en livsviktig länk som transporterade Italiens klassiska ideal över Alperna och planterade dem stadigt i Nederländernas bördiga jord. Genom att sammanväva det flamländska hantverkets noggrannhet med de strukturella innovationerna från den romerska renässansen, banade han väg för framtida generationer av nordiska konstnärer. Hans arv förblir etsat i konsthistoriens själva väv som en triumferande era av kulturell syntes och konstnärlig pånyttfödelse.
