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      Masaccio, 1401 – 1428

      De 97 mest kända Masaccio-målningarna, rankade

      Den mest älskade målningen av Masaccio är Treenigheten (1428). Tiondet (1425) och Utdrivningen ur paradiset (1426) följer därefter bland de dukar som läsarna känner bäst till. Vår katalog innehåller 97 verk av Masaccio: här är de 97 mest kända, var och en med sitt årtal, sitt museum och vad som gör dem minnesvärda.

      Rankade efter vår popularitetspoäng, som kombinerar sökningar, besök och beställningar för varje verk. Uppdaterad oktober 2026. Varje målning på denna sida kan beställas som en handmålad oljereproduktion på linnecanvas, eller som ett konsttryck i den storlek du väljer.

      Porträtt av Masaccio
      Masaccio · 1401 – 1428
      Född · död
      1401 – 1428, San Giovanni Valdarno
      Rörelse
      Tidig renässans
      Verk i vår katalog
      97
      Mest kända
      Treenigheten (1428)
      Flest verk på
      Santa Maria del Carmine

      Topp 10 Masaccio-målningar: de dukar som alla känner till

      Treenigheten (1428) av Masaccio
      1

      Treenigheten

      1428 · Fresko

      The Trinity by Masaccio is a fresco painting that marked the beginning of the Renaissance in Italy. Created in 1425, it is considered one of the most important works of the early Renaissance period. The painting is housed in the Santa Maria Novella church in Florence, Italy. Artistic Innovations The Trinity by Masaccio was a groundbreaking work that introduced several artistic innovations. It is one of the first monumental Renaissance…

      Tiondet (1425) av Masaccio
      2

      Tiondet

      1425 · Fresko

      Scenen utspelar sig i Brancacci-kapellet i basilikan Santa Maria del Carmine i Florens. Här ger fresken med titeln Tiondet av Masaccio ett bibliskt narrativ liv på kapellets väggar. Detta verk, beställt av Felice Brancacci, utgör en betydelsefull del av en större cykel tillägnad Sankt Petrus liv. Luften i kapellet tycks bära på tyngden av denna heliga historia, medan gestalterna rör sig genom ett ögonblick av djup betydelse.

      Utdrivningen ur paradiset (1426) av Masaccio
      3

      Utdrivningen ur paradiset

      1426 · Fresko

      Den tunga tystnaden i Brancacci-kapellet i kyrkan Santa Maria del Carmine i Florens, Italien, bär på tyngden av en djup tragedi. Här andas väggarna berättelsen om Utdrivningen ur paradiset, en fresco målad av Masaccio omkring år 1425. Luften tycks förtätas kring gestalterna när de står inför sin plötsliga, oåterkalleliga utvisning från paradiset. Denna scen markerar början på ett större narrativ och fungerar som den första frescon i en serie tillägnad…

      Rendering av Tribute Money (Detalj) av Masaccio
      4

      Rendering av Tribute Money (Detalj)

      Fresko

      Denna fängslande detalj härstammar från Masaccios banbrytande fresk, ”Tribute Money”, ett avgörande verk i Brancacci-kapellet i Florens. Verket, som utfördes omkring 1426, representerar en vändpunkt i den västerländska konsten genom att röra sig bort från den gotiska tidens stiliserade konventioner mot en ny era av naturalism och humanistiskt uttryck.

      Predella panel from the Pisa Altar (1426) av Masaccio
      5

      Predella panel from the Pisa Altar

      1426 · Oil On Panel · Staatliche Museen zu Berlin, Berlin

      To stand before this Predella panel from the Pisa Altar is to encounter a moment frozen in time, yet vibrating with raw, undeniable human drama. Dating to 1426, this work captures Masaccio at the zenith of his revolutionary power. It is not merely a depiction of the Crucifixion; it is a profound meditation on sacrifice, community, and the weight of divine narrative rendered with startling immediacy. The composition draws the…

      The Madonna of Humility (1424) av Masaccio
      6

      The Madonna of Humility

      1424 · Tempera On Panel

      In the quiet, profound stillness of Masaccio’s The Madonna of Humility, we encounter one of the most moving snapshots of the Early Italian Renaissance. Created around 1424, this masterpiece transcends mere religious iconography to offer a window into a moment of raw, maternal intimacy. The scene is set not upon a celestial throne, but on the earth itself, where the Virgin Mary sits upon a blue patterned cushion. This choice…

      Trinity (detail) (1425) av Masaccio
      7

      Trinity (detail)

      1425 · Fresco · Santa Maria Novella, Florens

      The image presents a detail from a fresco painting created in 1425 by Masaccio. Within this specific view, a figure is depicted that appears to be Mary Magdalene, identified by the traditional iconography of her long hair and a head covering. She possesses a contemplative expression, directing her gaze slightly downwards toward an object held in her right hand, which may be interpreted as a symbol of faith or devotion.

      Two panels from the Pisa Altarpiece (1426) av Masaccio
      8

      Two panels from the Pisa Altarpiece

      1426 · Tempera On Panel · Staatliche Museen zu Berlin, Berlin

      In the quiet, hallowed halls of art history, few works capture the dawn of a new era as poignantly as Masaccio’s Two Panels from the Pisa Altarpiece. Completed in 1426, these panels are far more than mere fragments of a lost polyptych; they are windows into a transformative moment when the rigid conventions of the Gothic period began to dissolve, giving way to the profound humanism of the Early Italian…

      Trinity (1425) av Masaccio
      9

      Trinity

      1425 · Fresco · Santa Maria Novella, Florens

      To step before Masaccio’s Holy Trinity is to witness the exact moment when the flattened, symbolic world of the Middle Ages dissolved into the profound, breathing reality of the Renaissance. Painted between 1425 and 1427 within the hallowed walls of Santa Maria Novella in Florence, this fresco does not merely depict a religious scene; it carves a hole in the very wall of the chapel, inviting the viewer to step…

      Trinity (detail) (1425) av Masaccio
      10

      Trinity (detail)

      1425 · Acrylic On Canvas · Santa Maria Novella, Florens

      Masaccio’s “Trinity (detail),” housed within the magnificent Santa Maria Novella in Florence, isn't merely a fresco; it’s a pivotal moment in art history – a visual manifesto declaring the arrival of the High Renaissance. Painted between 1425 and 1427, this intimate section captures the essence of Masaccio’s revolutionary approach to depicting reality, a departure from the stylized elegance of the preceding Gothic era and a profound influence on generations of…

      Fler canvasmålningar av Masaccio, 11 till 97

      Trinity (scheme of the perspective) (1425) av Masaccio
      #12

      Trinity (scheme of the perspective)

      1425 · Santa Maria Novella

      Masaccio’s “Trinity (Scheme of the Perspective),” painted in 1425-1427, isn’t merely a depiction of a sacred subject; it’s a profound demonstration of artistic innovation—a pivotal moment where the…

      Beställ denna canvas →
      Madonna Casini (1426) av Masaccio
      #16

      Madonna Casini

      1426

      The Madonna Casini is a painting by the artist Masaccio. This intimate work carries several other names, including Madonna del Solletico, Madonna col bambino, Madonna con bambino, and…

      Låt det målas för hand →
      Adam and Eve banished from Paradise (1427) av Masaccio
      #17

      Adam and Eve banished from Paradise

      1427

      Adam and Eve banished from Paradise by Masaccio is a single scene from a larger fresco cycle located in the Brancacci Chapel of Santa Maria del Carmine in…

      Freskoer i Brancacci Kapellen (vänster vy) (1426) av Masaccio
      #19

      Freskoer i Brancacci Kapellen (vänster vy)

      1426 · Santa Maria del Carmine

      Masaccio’s Frescoes in the Cappella Brancacci är ett verk som inte bara förändrade måleriet utan också satte standarden för hela den italienska renässansens konstnärliga utveckling. Detta mästerverk, placerat…

      Ta hem detta ljus →
      Crucifixion (1426) av Masaccio
      #22

      Crucifixion

      1426 · Museo di Capodimonte

      Masaccio’s Crucifixion, painted in 1426 during his tragically brief career, isn’t merely a depiction of a pivotal biblical event; it’s a foundational moment in Western art. Born in…

      Låt det målas för hand →
      Distribution of Alms and Death of Ananias (1425) av Masaccio
      #48

      Distribution of Alms and Death of Ananias

      1425

      In the quiet, profound depths of Masaccio’s Distribution of Alms and Death of Ananias, we encounter a moment where the divine intersects with the earthly through the simple,…

      Portrait of a Young Woman (1425) av Masaccio
      #64

      Portrait of a Young Woman

      1425

      The Portrait of a Young Woman is a captivating painting by the renowned Italian artist Masaccio, created in 1425. This early Renaissance masterpiece measures 42 x 32 cm…

      Ta hem detta ljus →
      Madonna with Child and Angels (1426) av Masaccio
      #78

      Madonna with Child and Angels

      1426 · National Gallery

      Masaccio's "Madonna with Child and Angels," painted in 1426, stands as a monumental work—a pivotal moment in the burgeoning Renaissance. More than simply a depiction of the Virgin…

      Ta hem detta ljus →
      Adoration of the Magi (1426) av Masaccio
      #85

      Adoration of the Magi

      1426 · Staatliche Museen zu Berlin

      To stand before Masaccio’s Adoration of the Magi is not merely to observe a painting; it is to step directly into the revolutionary atmosphere of the early Italian…

      Låt det målas för hand →
      Martyrdom of San Giovanni Battista (1426) av Masaccio
      #86

      Martyrdom of San Giovanni Battista

      1426 · Gemäldegalerie

      The Martyrdom of San Giovanni Battista is a captivating painting by the renowned Italian artist Masaccio (Ser Giovanni, Mone Cassai), created in 1426. This early Renaissance masterpiece measures…

      Ta hem detta ljus →
      St. Andrew (1426) av Masaccio
      #93

      St. Andrew

      1426 · J. Paul Getty Museum

      A Revolutionary Vision of Faith: Masaccio’s St. Andrew Masaccio's *St. Andrew*, painted in 1426, is a landmark work of the Early Renaissance, embodying the seismic shift towards naturalism…

      Beställ denna canvas →
      Crucifixion of St Peter (1426) av Masaccio
      #97

      Crucifixion of St Peter

      1426 · Staatliche Museen zu Berlin

      Masaccio's 1426 painting, *Crucifixion of St. Peter*, is not merely a depiction of a pivotal moment in Christian history; it’s a foundational cornerstone of the Early Italian Renaissance.…

      Ta hem detta ljus →

      Masaccios dukar, period för period

      Mest målat av Masaccio

      De fyra motiv som oftast återkommer på dessa dukar, var och en med sitt mest älskade exempel.

      Där Masaccios dukar hänger

      De 8 museer som innehar flest av målningarna på denna sida.

      Museum Stad Verk av Masaccio Målningar från denna lista
      Santa Maria del Carmine, FlorensSanta Maria del Carmine Florens 7 Vy över Cappella Brancacci (innan restaurering), Freskoer i Cappella Brancacci (högra vy) 1426-82, Freskoer i Brancacci Kapellen (vänster vy)
      Staatliche Museen zu Berlin, BerlinStaatliche Museen zu Berlin Berlin 6 Predella panel from the Pisa Altar, Two panels from the Pisa Altarpiece, Plate of Nativity (Berlin Tondo)
      Gemäldegalerie, BerlinGemäldegalerie Berlin 5 Martyrdom of San Giovanni Battista, A Bearded Carmelite Saint, San Agustín
      Santa Maria Novella, FlorensSanta Maria Novella Florens 4 Trinity (detail), Trinity, Trinity (detail)
      Lindenau-Museum, AltengauLindenau-Museum Altengau 3 Christ in the Garden of Gethsemane (detail), Christ in the Garden of Gethsemane (detail), Christ in the Garden of Gethsemane
      National Gallery of Art, WashingtonNational Gallery of Art Washington 2 Profile Portrait of a Young Man, Madonna of Humility
      National Gallery, LondonNational Gallery London 2 Madonna with Child and Angels, St.Girolamo end Giovanni Battista
      Museo di Capodimonte, NeapelMuseo di Capodimonte Neapel 1 Crucifixion

      Masaccios mest älskade målningar, år för år

      Cirka tio år av måleri, från 1420 till 1428, finns bevarat på de daterade dukarna av Masaccio på denna sida: bläddra igenom dem år för år.

      1. 1420
      2. 1422
      3. 1422
      4. 1422
        San Giovenale Triptych. Left panel (1422) av Masaccio
        Duk 63 av 97

        San Giovenale Triptych. Left panel

        Ålder 21

        The San Giovenale Triptych, Left Panel by Masaccio is a seminal work of art that showcases the artist's innovative style and technique. Created in 1422, this painting is…

      5. 1422
      6. 1423
      7. 1423
      8. 1424
        The Madonna of Humility (1424) av Masaccio
        6 av 97

        The Madonna of Humility

        Ålder 23

        In the quiet, profound stillness of Masaccio’s The Madonna of Humility, we encounter one of the most moving snapshots of the Early Italian Renaissance. Created around 1424, this…

      9. 1424
        Christ in the Garden of Gethsemane (detail) (1424) av Masaccio
        21 av 97

        Christ in the Garden of Gethsemane (detail)

        Ålder 23 · Lindenau-Museum

        The garden holds a heavy stillness. In this detail from 1424, a single figure kneels upon the earth, hands clasped in a tight knot of devotion. The light…

      10. 1424
      11. 1424
        Christ in the Garden of Gethsemane (1424) av Masaccio
        62 av 97

        Christ in the Garden of Gethsemane

        Ålder 23 · Lindenau-Museum

        The painting Christ in the Garden of Gethsemane is a renowned work by the Italian artist Masaccio, created in 1424. This tempera painting, measuring 62 x 44 cm,…

      12. 1425
        Tiondet (1425) av Masaccio
        Duk 2 av 97

        Tiondet

        Ålder 24

        Scenen utspelar sig i Brancacci-kapellet i basilikan Santa Maria del Carmine i Florens. Här ger fresken med titeln Tiondet av Masaccio ett bibliskt narrativ liv på kapellets väggar.…

      13. 1425
        Trinity (detail) (1425) av Masaccio
        7 av 97

        Trinity (detail)

        Ålder 24 · Santa Maria Novella

        The image presents a detail from a fresco painting created in 1425 by Masaccio. Within this specific view, a figure is depicted that appears to be Mary Magdalene,…

      14. 1425
        Trinity (1425) av Masaccio
        9 av 97

        Trinity

        Ålder 24 · Santa Maria Novella

        To step before Masaccio’s Holy Trinity is to witness the exact moment when the flattened, symbolic world of the Middle Ages dissolved into the profound, breathing reality of…

      15. 1425
        Trinity (detail) (1425) av Masaccio
        10 av 97

        Trinity (detail)

        Ålder 24 · Santa Maria Novella

        Masaccio’s “Trinity (detail),” housed within the magnificent Santa Maria Novella in Florence, isn't merely a fresco; it’s a pivotal moment in art history – a visual manifesto declaring…

      16. 1426
        Utdrivningen ur paradiset (1426) av Masaccio
        Rankad 3 av 97

        Utdrivningen ur paradiset

        Ålder 25

        Den tunga tystnaden i Brancacci-kapellet i kyrkan Santa Maria del Carmine i Florens, Italien, bär på tyngden av en djup tragedi. Här andas väggarna berättelsen om Utdrivningen ur…

      17. 1426
        Predella panel from the Pisa Altar (1426) av Masaccio
        Duk 5 av 97

        Predella panel from the Pisa Altar

        Ålder 25 · Staatliche Museen zu Berlin

        To stand before this Predella panel from the Pisa Altar is to encounter a moment frozen in time, yet vibrating with raw, undeniable human drama. Dating to 1426,…

      18. 1426
        Two panels from the Pisa Altarpiece (1426) av Masaccio
        Rankad 8 av 97

        Two panels from the Pisa Altarpiece

        Ålder 25 · Staatliche Museen zu Berlin

        In the quiet, hallowed halls of art history, few works capture the dawn of a new era as poignantly as Masaccio’s Two Panels from the Pisa Altarpiece. Completed…

      19. 1426
        Vy över Cappella Brancacci (innan restaurering) (1426) av Masaccio
        Rankad 11 av 97

        Vy över Cappella Brancacci (innan restaurering)

        Ålder 25 · Santa Maria del Carmine

        Masaccios View of the Cappella Brancacci (before restoration), skapad mellan 1426 och 1428, är inte bara en kyrkofoto – det är ett monument över den tidiga renässansens genombrott.…

      20. 1427
        Adam and Eve banished from Paradise (1427) av Masaccio
        Rankad 17 av 97

        Adam and Eve banished from Paradise

        Ålder 26

        Adam and Eve banished from Paradise by Masaccio is a single scene from a larger fresco cycle located in the Brancacci Chapel of Santa Maria del Carmine in…

      21. 1427
        Baptism of the Neophytes (1427) av Masaccio
        20 av 97

        Baptism of the Neophytes

        Ålder 26

        The Baptism of the Neophytes is a renowned fresco painted by Masaccio in the early 15th century. This iconic artwork is part of the decoration of the Brancacci…

      22. 1427
        Plate of Nativity (Berlin Tondo) (1427) av Masaccio
        77 av 97

        Plate of Nativity (Berlin Tondo)

        Ålder 26 · Staatliche Museen zu Berlin

        In the quiet intimacy of the Plate of Nativity (Berlin Tondo), we witness one of the most profound transformations in the history of Western art. Painted in 1427…

      23. 1428
        Treenigheten (1428) av Masaccio
        1 av 97

        Treenigheten

        Ålder 27

        The Trinity by Masaccio is a fresco painting that marked the beginning of the Renaissance in Italy. Created in 1425, it is considered one of the most important…

      24. 1428
      25. 1428

      Om Masaccios dukar: dina frågor besvarade

      Vilken är den mest kända målningen av Masaccio?Läs svaret

      Treenigheten (1428), följt av Tiondet (1425) och Utdrivningen ur paradiset (1426).

      Hur gammal var Masaccio när Treenigheten målades?Läs svaret

      Masaccio, född 1401, var 27 år gammal: Treenigheten är från 1428.

      Vilka är de 10 mest kända målningarna av Masaccio?Läs svaret

      Treenigheten, Tiondet, Utdrivningen ur paradiset, Rendering av Tribute Money (Detalj), Predella panel from the Pisa Altar, The Madonna of Humility, Trinity (detail), Two panels from the Pisa Altarpiece, Trinity och Trinity (detail). Varje duk i rankningen ovan anges med sitt årtal och sitt museum.

      Hur många verk målade Masaccio totalt?Läs svaret

      97 verk av Masaccio finns i vår katalog, daterade 1420 till 1428.

      Var kan jag se Masaccios mest kända målningar?Läs svaret

      Främst i Santa Maria del Carmine (Florens), Staatliche Museen zu Berlin (Berlin) och Gemäldegalerie (Berlin); listan ovan listar varje museum och dess målningar.

      När målade Masaccio sina mest älskade dukar?Läs svaret

      Under 1426, som utgör 41 av de 97 verk som finns på denna sida, varav Utdrivningen ur paradiset av dem.

      Vilka är Masaccios tidigaste och senaste kända målningar?Läs svaret

      Den tidigaste duken här är Madonna of Humility (1420); den senaste är Treenigheten (1428).

      Vad målade Masaccio oftast?Läs svaret

      Saints (29), Religious (24) och Renaissance (15), fördelat på 97 verk på denna sida.

      Vilket medium målade Masaccio oftast i?Läs svaret

      Tempera On Panel, som används i 7 av de 97 verk som finns på denna sida.

      Vilken konstinriktning tillhör Masaccios målning?Läs svaret

      Tidig renässans, som dukarna på denna sida visar.

      Vilka av Masaccios dukar hänger på Santa Maria del Carmine?Läs svaret

      Santa Maria del Carmine, Florens har 7 av verken på denna sida, bland annat Vy över Cappella Brancacci (innan restaurering), Freskoer i Cappella Brancacci (högra vy) 1426-82 och Freskoer i Brancacci Kapellen (vänster vy).

      Kan jag köpa en reproduktion av en Masaccio på duk?Läs svaret

      Ja. Varje målning på denna sida kan beställas från sin egen sida som en handmålad oljereproduktion, eller som ett konsttryck i den storlek du väljer.

      Masaccio: ett liv i färg

      Masaccio (1401-1428): The Dawn of Renaissance Realism

      Tommaso di Ser Giovanni di Simone Guidi Cassai, better known as Masaccio (meaning "clumsy Tom"), was a pivotal figure in the Early Italian Renaissance. Born on December 21, 1401, in San Giovanni Valdarno, Italy, and dying tragically young in 1428, his brief career revolutionized painting with groundbreaking realism, perspective, and chiaroscuro (the use of strong contrasts between light and dark). Despite his short life, Masaccio’s impact on subsequent generations of artists was profound, establishing a new standard for naturalism and influencing the course of Western art.

      Early Life and Training

      Masaccio's origins were humble; he descended from a family involved in cabinet making – Ser Giovanni di Simone Cassai, his father, was a notary, and Monna Iacopa di Martinozzo di Dino, his mother. Orphaned at age five when his father died unexpectedly, Masaccio’s brother, Giovanni (Lo Scheggia), also pursued artistic endeavors, though he signed only one painting – a testament to the secretive nature of Renaissance artists' lives. The details surrounding Masaccio’s formative years remain frustratingly sparse; no definitive master has been identified, which contributes to the enduring mystery surrounding his rapid ascent to artistic mastery and his revolutionary techniques. Despite this lack of documented training, scholars believe he likely apprenticed around 1415, absorbing influences from masters like Giotto di Bondone – a predecessor celebrated for his pioneering naturalism – and Filippo Brunelleschi, whose rediscovery of linear perspective fundamentally reshaped artistic representation.

      Artistic Development and Major Works

      Masaccio’s artistic journey began with an initial fascination for Giotto's expressive frescoes in Padua Cathedral, where he meticulously studied the artist’s masterful use of color and emotion. However, Masaccio swiftly surpassed Giotto’s achievements in perspective and anatomical accuracy, demonstrating a profound understanding of mathematical principles and human anatomy—skills honed through observation and experimentation. He was profoundly impacted by Brunelleschi's architectural innovations, particularly his groundbreaking application of linear perspective in the Duomo of Florence – an endeavor that inspired Masaccio to translate these spatial concepts into his paintings. His artistic breakthroughs centered around mastering linear perspective and chiaroscuro. Masaccio skillfully employed vanishing points and mathematical precision to create a convincing illusion of depth on a two-dimensional surface, mirroring Brunelleschi’s architectural vision. Simultaneously, he achieved unparalleled realism by manipulating light and shadow—a technique known as chiaroscuro—to sculpt forms and imbue his figures with palpable emotion. This dramatic interplay of light and dark elevated Masaccio's paintings beyond mere representation; they conveyed a sense of psychological depth previously unheard of in art. Masaccio’s most celebrated achievement was undoubtedly the Brancacci Chapel frescoes in Santa Maria del Carmine, Florence – a collaborative effort with Masolino—which remain among the finest examples of Early Renaissance painting. The frescoes depict scenes from Saint Peter's life, capturing dramatic narratives and conveying profound emotional resonance through masterful use of perspective and chiaroscuro. Particularly noteworthy is “The Tribute Money,” where Masaccio’s innovative depiction of spatial recession and anatomical detail established a new standard for naturalism—a standard that would inspire Leonardo da Vinci and Michelangelo centuries later. His influence extended beyond Florence, shaping the artistic sensibilities of artists across Italy and cementing his place as one of the foundational figures of Western art history.

      Historical Significance and Legacy

      Masaccio’s legacy transcends mere stylistic innovation; he fundamentally altered the intellectual landscape of Renaissance art. By rejecting medieval conventions and embracing humanist ideals—inspired by classical antiquity—he ushered in a new era of artistic exploration and creativity. Giorgio Vasari, the renowned biographer of artists, recognized Masaccio's genius as unparalleled, proclaiming him "the best painter of his generation" and highlighting his ability to imitate nature with breathtaking precision. Despite dying prematurely at the age of twenty-six – circumstances shrouded in mystery—Masaccio’s brief but brilliant career continues to captivate scholars and artists alike, serving as a poignant reminder of the transformative power of artistic talent and innovation. His work remains an enduring testament to the dawn of Renaissance realism and its profound impact on Western culture.

      Alla 97 verk av Masaccio →