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      Orcagna, 1315 – 1368

      Orcagna: De 13 mest kända målningarna

      Av alla Orcagnas målningar är Saint John the Baptist (1355) den mest kända; den hänger på Yale University Art Gallery i New Haven. Tätt följs de av The Calling of St. Matthew (1367) och Throne of Grace (1400). Bland de 13 verk av Orcagna i vår katalog är dessa 13 de mest hyllade, var och en presenterad med sitt datum, sitt museum och sin historia.

      Rankade efter vår popularitetspoäng, som kombinerar sökningar, besök och beställningar för varje verk. Uppdaterad oktober 2026. Varje målning på denna sida kan beställas som en handmålad oljereproduktion på linnecanvas, eller som ett konsttryck i den storlek du väljer.

      Porträtt av Orcagna
      Orcagna · 1315 – 1368
      Född · död
      1315 – 1368, Florence
      Verk i vår katalog
      13
      Mest kända
      Saint John the Baptist (1355)
      Flest verk på
      Cappella Strozzi

      Orcagnas 10 mest hyllade målningar

      Orcagnas målningar rankade 11 till 13

      Mest målat av Orcagna

      De fyra motiv som oftast återkommer på dessa dukar, var och en med sitt mest älskade exempel.

      Där Orcagnas dukar hänger

      De 5 museer som innehar flest av målningarna på denna sida.

      Museum Stad Verk av Orcagna Målningar från denna lista
      Cappella Strozzi, FlorenceCappella Strozzi Florence 2 View of the Chapel, The Strozzi Altarpiece
      Yale University Art Gallery, New HavenYale University Art Gallery New Haven 1 Saint John the Baptist
      Nationalmuseet i Warszawa, WarszawaNationalmuseet i Warszawa Warszawa 1 Throne of Grace
      Palazzo Vecchio, FlorensPalazzo Vecchio Florens 1 The Expulsion of the Duke of Athens
      Rijksmuseum, AmsterdamRijksmuseum Amsterdam 1 Triptych with the Virgin and Child, and Saints Mary Magdalene and Ansanus, Andrea di Cione named Orcagna, 1350

      Decennium för decennium: Orcagnas mest hyllade dukar

      1. 1340s
      2. 1350s
      3. 1360s

      Dina frågor om Orcagnas målningar, besvarade

      Vilken är den mest hyllade målningen av Orcagna?Läs svaret

      Saint John the Baptist (1355), Yale University Art Gallery, New Haven. The Calling of St. Matthew (1367) och Throne of Grace (1400) följer.

      Hur gammal var Orcagna vid tillfället för Saint John the Baptist?Läs svaret

      Orcagna, född 1315, var 40 år gammal: Saint John the Baptist är från 1355.

      Vilka tio målningar är Orcagna mest känd för?Läs svaret

      Saint John the Baptist, The Calling of St. Matthew, Throne of Grace, The Burial of the Virgin, Tabernacle (detail), Tabernacle, Dormition and Assumption of the Virgin, detail of the Tabernacle, View of the Chapel, Hell (fragment) och The Expulsion of the Duke of Athens. Varje duk i rankningen ovan anges med sitt årtal och sitt museum.

      Hur många målningar av Orcagna är kända?Läs svaret

      13 verk av Orcagna finns i vår katalog, daterade 1343 till 1367.

      Vilka museer hyser Orcagnas mest kända målningar?Läs svaret

      Främst i Cappella Strozzi (Florence), Yale University Art Gallery (New Haven) och Nationalmuseet i Warszawa (Warszawa); listan ovan listar varje museum och dess målningar.

      Under vilka år målade Orcagna sina mest hyllade verk?Läs svaret

      Under 1350s, som utgör 8 av de 13 verk som finns på denna sida, varav Saint John the Baptist av dem.

      Vilka är de första och sista av Orcagnas berömda målningar?Läs svaret

      Den tidigaste duken här är The Expulsion of the Duke of Athens (1343); den senaste är The Calling of St. Matthew (1367).

      Vad kan jag se av Orcagna på Cappella Strozzi?Läs svaret

      Cappella Strozzi, Florence har 2 av verken på denna sida, bland annat View of the Chapel och The Strozzi Altarpiece.

      Kan jag beställa en handmålad kopia av en målning av Orcagna?Läs svaret

      Ja. Varje målning på denna sida kan beställas från sin egen sida som en handmålad oljereproduktion, eller som ett konsttryck i den storlek du väljer.

      Orcagna: konstnärens historia

      Andrea di Cione: The Architect of Florentine Vision

      The name Orcagna—a moniker bestowed upon him by local artisans—encompasses a remarkable figure in the history of Italian art: Andrea di Cione, a painter, sculptor, architect, and master craftsman who dominated the artistic landscape of Florence during the latter half of the 14th century. Born around 1308 within the bustling heart of the city, Orcagna’s life was inextricably linked to its burgeoning wealth, political intrigue, and fervent religious devotion—elements that profoundly shaped his distinctive style and enduring legacy. His story isn't one of solitary genius, but rather a testament to collaborative artistry, meticulous planning, and an unwavering commitment to both technical mastery and expressive power.

      Orcagna’s early life remains shrouded in some mystery, though it is believed he apprenticed under the renowned sculptor Andrea Pisano. This formative experience instilled within him a deep appreciation for classical forms and a sophisticated understanding of three-dimensional space—qualities that would later manifest in his monumental marble tabernacle for Orsanmichele. However, Orcagna’s artistic trajectory quickly diverged from his master's, developing a distinctly Florentine style characterized by dramatic figures, vibrant colors, and an innovative approach to composition. He was formally admitted into the painter’s guild in 1343-44 and later joined the stonemasons’ guild in 1352, demonstrating his versatility and ambition across multiple artistic disciplines.

      The Grandeur of Orvieto: Mosaic Master

      Orcagna's most celebrated achievement undoubtedly lies in his contribution to the magnificent façade of the cathedral in Orvieto. Commissioned in 1358, this project demanded a level of technical skill and artistic vision that pushed Orcagna to the very limits of his abilities. He oversaw the creation of an extensive mosaic decoration, including a breathtaking rose window—a masterpiece of Byzantine-inspired design that exemplifies the lavishness and spiritual intensity characteristic of the period. The mosaics themselves are characterized by their rich palette, intricate detailing, and powerful emotional impact, reflecting Orcagna’s mastery of color theory and his ability to imbue religious subjects with palpable drama.

      The scale of this undertaking was immense, requiring meticulous planning and coordination. Orcagna's role extended beyond mere execution; he served as a consultant, guiding the work of numerous skilled artisans and ensuring that every element harmonized within the overall design. The Orvieto mosaics stand as a testament to his organizational prowess and his ability to synthesize diverse artistic talents into a cohesive whole.

      The Sculptural Triumph: Orsanmichele’s Tabernacle

      Perhaps Orcagna's most enduring legacy resides in the monumental marble tabernacle he designed and oversaw for the Orsanmichele, a former confraternity hall now serving as a public art gallery. Completed between 1352 and 1359, this architectural marvel is a complex and ambitious undertaking that showcases Orcagna’s exceptional skill as an architect and sculptor. The tabernacle's intricate façade is adorned with a multitude of sculpted figures—a veritable encyclopedia of biblical narratives, allegorical symbols, and classical motifs. Each figure is rendered with remarkable detail and expressive power, reflecting Orcagna’s deep understanding of human anatomy and his ability to convey complex emotions through gesture and expression.

      The tabernacle's design incorporates a sophisticated system of arches, vaults, and niches, creating a dynamic interplay of light and shadow. The use of color—particularly the vibrant hues of the inlaid marble—further enhances its visual impact. Orcagna’s work on Orsanmichele demonstrates his mastery of both architectural form and sculptural technique, solidifying his reputation as one of Florence's most accomplished artists.

      A Legacy of Innovation

      Orcagna’s influence extended far beyond the immediate commissions he undertook. His innovative approach to composition—characterized by dynamic figures, dramatic lighting, and a heightened sense of realism—helped to shape the course of Florentine painting in the late 14th century. He bridged the gap between the Gothic traditions inherited from his predecessors and the emerging Renaissance style, paving the way for future generations of artists. His work served as an inspiration to many of Florence’s leading painters, including Jacopo di Cione, his brother, who continued Orcagna's artistic legacy after his death in 1368.

      Orcagna’s untimely death at the age of sixty is a poignant reminder of the fragility of life and the immense loss suffered by the Florentine art world. Despite his relatively short career, he left behind a remarkable body of work that continues to captivate audiences today—a testament to his extraordinary talent, unwavering dedication, and enduring vision.

      Alla 13 verk av Orcagna →