Self-portrait (1379) är det målning som Peter Parler är mest känd för; den finns i St. Vitus-katedralen, Köln. Head of Charles IV (1375) och Selvporträtt (1379) fullbordar trion av de mest älskade målningarna. Vår katalog innehåller 4 verk av Peter Parler. Här är de 4 mest kända, med årtal, museum och historien bakom varje duk.
Rankade efter vår popularitetspoäng, som kombinerar sökningar, besök och beställningar för varje verk. Uppdaterad oktober 2026. Varje målning på denna sida kan beställas som en handmålad oljereproduktion på linnecanvas, eller som ett konsttryck i den storlek du väljer.
To look upon this relief is to encounter a man caught in a moment of quiet contemplation. Carved from stone around 1379, this bust offers a rare, intimate glimpse into the identity of Peter Parler. He presents himself not as a distant figure of authority, but as a man of flesh and bone, rendered with a startling degree of naturalism. The head is slightly tilted, a subtle movement that breaks…
A heavy silence resides in the gray stone of this bust. The face of Charles IV emerges from the material, a study in rigid dignity and the weight of a crown. Light falls across the brow, catching the deep-set eyes and the sharp, carved lines of a beard that seems to hold the dust of centuries. It is a portrait of a man who shaped a kingdom, rendered in the…
Peter Parler’s Self-Portrait: A Reflection of Gothic Grandeur Peter Parler’s “Self-Portrait,” created around 1379, stands as an extraordinary testament to the artistic sensibilities of Late Medieval Europe—specifically, Bohemia and Germany. This remarkable sculpture, housed within the magnificent St. Vitus Cathedral in Prague, transcends mere representation; it embodies a profound engagement with humanist ideals subtly interwoven into the stylistic conventions of Gothic art. The image itself captures a moment of contemplative…
De fyra motiv som oftast återkommer på dessa dukar, var och en med sitt mest älskade exempel.
De 2 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Peter Parler | Målningar från denna lista |
|---|---|---|---|
 St. Vitus-katedralen |
Köln | 3 | Self-portrait, Head of Charles IV, Selvporträtt |
 Sankt Vitus-katedralen |
Prag | 1 | Tomb of Ottokar II |
Peter Parlers daterade dukar på denna sida sträcker sig från 1375 till 1379, endast 5 år: här är de, år för år.
A heavy silence resides in the gray stone of this bust. The face of Charles IV emerges from the material, a study in rigid dignity and the weight…
To look upon this relief is to encounter a man caught in a moment of quiet contemplation. Carved from stone around 1379, this bust offers a rare, intimate…
Peter Parler’s Self-Portrait: A Reflection of Gothic Grandeur Peter Parler’s “Self-Portrait,” created around 1379, stands as an extraordinary testament to the artistic sensibilities of Late Medieval Europe—specifically, Bohemia…
Self-portrait (1379), St. Vitus-katedralen, Köln. Head of Charles IV (1375) och Selvporträtt (1379) följer.
Peter Parler, född 1330, var 49 år gammal: Self-portrait är från 1379.
4 verk av Peter Parler finns i vår katalog, daterade 1375 till 1379.
Främst i St. Vitus-katedralen (Köln) och Sankt Vitus-katedralen (Prag); listan ovan listar varje museum och dess målningar.
Under 1379, som utgör 2 av de 4 verk som finns på denna sida, varav Self-portrait av dem.
Den tidigaste duken här är Head of Charles IV (1375); den senaste är Self-portrait (1379).
Stone, som används i 2 av de 4 verk som finns på denna sida.
St. Vitus-katedralen, Köln har 3 av verken på denna sida, bland annat Self-portrait, Head of Charles IV och Selvporträtt.
Ja. Varje målning på denna sida kan beställas från sin egen sida som en handmålad oljereproduktion, eller som ett konsttryck i den storlek du väljer.
In the heart of the Late Middle Ages, a period defined by soaring spires and profound devotion, Peter Parler emerged as one of the most influential architects and sculptors of his era. Born into a distinguished dynasty of master builders, he carried the weight of tradition while simultaneously forging a new, expressive language for European architecture. Known variously as Peter von Gemünd or Petr Parléř, his identity was inextricably linked to the Parler family, a lineage of craftsmen whose influence stretched across much of Central Europe. His journey began in the town of Schwäbisch Gmünd, Germany, where he received his early training, eventually leading him to work at significant medieval building sites including Strasbourg, Cologne, and Nuremberg.
The trajectory of Parler’s career reached its zenith when he moved to Prague, the capital of the Kingdom of Bohemia. Here, under the patronage of the Holy Roman Empire, he was able to realize a vision of architectural grandeur that would define the skyline of the city for centuries. His work at St. Vitus Cathedral stands as his most enduring legacy, a monumental achievement where he utilized complex networks of ribbed vaults to create an interior that seems to defy gravity. Through his engineering brilliance, the heavy stone walls appear light and ethereal, allowing for expansive windows that transform the cathedral into a vessel for celestial light.
Parler was not merely a builder of structures but a sculptor of profound emotional depth. His ability to breathe life into cold stone allowed him to bridge the gap between the rigid forms of earlier Gothic traditions and a more naturalistic, human-centric approach. This mastery is perhaps most intimately captured in his Self-Portrait, an evocative piece that offers a rare glimpse into the artist's own contemplative soul. In this work, one can observe the meticulous craftsmanship required to render the subtle textures of hair and the serene expression of a man deeply engaged with both his faith and his craft.
His sculptural contributions often complemented his architectural feats, creating a unified aesthetic experience within the sacred spaces he designed. Notable works such as the Head of Charles IV demonstrate his ability to capture individual character and royal dignity through the Late Gothic style. His achievements were not isolated incidents but part of a broader movement of artistic innovation that saw:
Through his hands, the stone became a chronicle of history, an enduring testament to the skill of the Parler family. His life's work remains etched in the very fabric of Europe, serving as a bridge between the medieval world and the burgeoning complexities of the later centuries.
