Av alla Stefano di Giovannis målningar är Madonna of Humility (1432) den mest kända; den hänger på Staatliche Museen zu Berlin i Berlin. Tätt följs de av Virgin with Child and Four Saints (detail) (1435) och Saint Francis and the Poor Knight, and Francis's Vision (1437). Bland de 56 verk av Stefano di Giovanni i vår katalog är dessa 56 de mest hyllade, var och en presenterad med sitt datum, sitt museum och sin historia.
Rankade efter vår popularitetspoäng, som kombinerar sökningar, besök och beställningar för varje verk. Uppdaterad oktober 2026. Varje målning på denna sida kan beställas som en handmålad oljereproduktion på linnecanvas, eller som ett konsttryck i den storlek du väljer.
In the quiet sanctity of the early fifteenth century, few images capture the profound intimacy of the divine as gracefully as Sassetta’s Madonna of Humility. Painted around 1432, this masterpiece serves as a breathtaking window into a period where the ethereal meets the earthly. The composition centers on the Virgin Mary, not seated upon a distant, golden throne, but nestled in a posture of profound humility that defines her very…
The panel titled Saint Francis and the Poor Knight, and Francis's Vision emerges from the hand of the artist Sassetta. Created about 1437, this work exists as the first of eight distinct paintings that once formed the back of a large, richly coloured and elaborate altarpiece. It belongs to the larger San Sepolcro Altarpiece, a significant assembly of devotional imagery.
The work is titled The Funeral of Saint Francis and Verification of the Stigmata. It was executed by the artist Sassetta (Stefano Di Giovanni) between 1437 and 1444. This panel functions as the final movement in a larger narrative cycle, serving as the eighth and concluding scene in a series of eight depictions of the life of Saint Francis.
The Agony in the Garden is a poignant and spiritually charged tempera painting from the Early Renaissance period. The composition depicts the biblical scene of Christ's agony in the Garden of Gethsemane, set against a dark, star-studded nocturnal sky and a landscape of rolling hills and a winding path. In the foreground, several apostles are shown in various states of deep sleep, their bodies slumped and heads bowed in a…
The work titled Saint Francis before the Sultan is a creation of the artist Sassetta. It emerged from the studio between 1437 and 1444. This panel was originally conceived as part of the San Sepolcro Altarpiece, a large and complex structure commissioned for the Franciscans of Borgo Sansepolcro, Italy. The piece functioned as part of a double-sided polyptych, a structural arrangement that allowed the sacred narrative to unfold on both…
In Saint John the Evangelist by Sassetta, a single, elongated figure commands the entire vertical space. The saint occupies the center of the panel, his presence exerting a heavy spiritual gravity that anchors the viewer's gaze. He stands upon a small, rocky ground adorned with intricate patterns, a modest stage for such a monumental figure. The saint holds a book and a stylus, the tools of his sacred vocation, which…
The air feels heavy with the scent of woodsmoke and the weight of a gathering crowd. In this 1423 tempera work, a public execution unfolds under a deep blue sky, framed by the soft, rolling hills of the Italian landscape. At the center of the chaos, a figure is bound to a stake, consumed by bright orange flames that lick upward against the dark, charred tones of the victim. The…
This tempera on poplar panel, dating to c. 1435, presents a solitary figure of Saint Margaret against a shimmering gold ground. The composition is vertical and centered, emphasizing a sense of stillness and spiritual focus. She is draped in a heavy, dark mantle over a deep crimson tunic, her head tilted with a gentle, serene expression. At her feet, a dark, dragon-like creature is visible, a symbolic representation of her…
In this vertical composition, Sassetta presents Saint Apollonia as a single, centered figure. The saint is positioned against a flat, decorative gold background that emphasizes her presence through a sense of divine stillness. Her expression remains calm and contemplative, a quietude that contrasts with the heavy symbolism of her attributes. She holds the pincers used in her martyrdom, a specific detail that identifies her within the religious tradition. This object,…
This vertical and narrow tempera painting on a wood panel, created in 1430, depicts St. Nicholas of Bari in a formal, iconographic pose. The subject is presented as…
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The air within the grand hall feels heavy with a sacred stillness, as if time itself has paused to witness this celestial assembly. At the heart of the…
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In the quiet, hallowed atmosphere of the early Italian Renaissance, few works capture the profound intimacy of spiritual transcendence as exquisitely as Sassetta’s The Ecstasy of St. Francis…
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The air feels heavy with the weight of impending tragedy as a crowded procession moves steadily from left to right across the panel. Jesus walks at the center…
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The scene captures the precise instant of Judas's kiss, a moment of profound spiritual and human tension. Within a crowded, shallow space, the figures are compressed together, creating…
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The Madonna of Humility emerges from the golden light of the early fifteenth century, a sacred vision rendered by the hand of Sassetta. Dating to about 1432, this…
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St. Anthony of Padua is a religious panel painting executed by the Sienese artist Sassetta. Known to history as Stefano di Giovanni, the painter was a central figure…
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The painting presents a formal, hierarchical arrangement of figures set against a luminous gold background. At the center, the Madonna is enthroned, her form draped in a mantle…
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The figure of Saint Matthew emerges from a shimmering expanse of gold leaf, his presence commanding a quiet, sacred space. He stands with a dignified stillness, an elderly…
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The heavens open in a rhythmic surge of light and shadow. At the center of this vertical movement, the Virgin Mary ascends, her form caught in a moment…
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is a work by Sassetta (Stefano Di Giovanni), executed between 1437 and 1444. It forms part of a larger cycle, specifically the fifth of eight scenes illustrating the…
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The air in the room seems to settle around the figures, held in a stillness that feels heavy with grace. A woman sits with a gentle, grounded presence,…
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In the quietude of the early fifteenth century, the Sienese master Sassetta captured a moment of profound spiritual intimacy that continues to resonate across the centuries. St Thomas…
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The artwork titled Damnation of the Soul of the Miser of Citerna was executed by the artist Sassetta. This specific panel originated in 1437. It was created as…
The Ecstasy of St Francis is a renowned painting by the Italian artist Sassetta (Stefano Di Giovanni), created in 1437. This tempera on panel artwork, measuring 190 x…
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The image presents a detailed view of a section of a tempera on wood panel painting from 1423. In the foreground, several open books rest upon a wooden…
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In the quiet, hallowed atmosphere of the early Italian Renaissance, few moments capture the intersection of the earthly and the divine as poignantly as Stefano di Giovanni’s The…
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In the delicate brushstrokes of Sassetta, specifically within this exquisite detail from the Virgin with Child and Four Saints, we find ourselves transported to the heart of the…
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In the quiet, luminous corridors of the early Italian Renaissance, few works capture the intersection of earthly devotion and celestial grace as profoundly as Sassetta’s Virgin and Child…
Stefano di Giovanni, known as Sassetta, gifted us with “The Blessed Ranieri Frees the Poor from a Jail in Florence,” a captivating panel painted around 1444 that transcends…
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Stefano di Giovanni, known to art history as Sassetta, gifted us with a profoundly moving and technically brilliant depiction of “St. Thomas Before the Cross” in 1423 –…
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Stefano di Giovanni, known as Sassetta, was a pivotal figure in the transition from late Gothic to early Renaissance painting in Siena during the 15th century. His work…
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The Last Supper by Sassetta (Stefano Di Giovanni) is a remarkable painting that showcases the artist's skill in capturing complex emotional states and conveying religious narratives. Created in…
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The painting St Anthony the Hermit Tortured by the Devils by Sassetta (Stefano Di Giovanni) is a remarkable work of art that showcases the artist's skill in capturing…
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A Moment of Reverence: Sassetta’s St Thomas Inspired by the Dove The painting “St Thomas Inspired by the Dove of the Holy Ghost,” attributed to Sassetta (Stefano di…
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The Madonna sits upon a throne of red and gold, her skin pale against the heavy weight of her garments. She holds the infant Christ, whose small limbs…
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Stefano di Giovanni’s “The Meeting of St. Anthony and St. Paul,” painted around 1440, isn't merely a religious depiction; it’s a profound meditation on faith, solitude, and the…
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To gaze upon Sassetta's "The Journey of the Magi" is to step directly into the luminous heart of the early Italian Renaissance. This exquisite panel, dating from 1435,…
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Stefano di Giovanni och Äktenskapet mellan Sankt Franciscus och Moder Överflöd – Ett Mästerverk från Sienese Skolan Stefano di Giovanni, även känd som Sassetta (c. 1392–1450), var en…
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A Moment of Severance Saint Francis renounces his Earthly Father captures a pivotal moment of spiritual transition through a structured, multi-arched architectural framework. The composition uses pink-toned arches…
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In the quiet sanctity of the Sienese Renaissance, few images capture the profound intimacy of the divine as gracefully as Sassetta’s Madonna of Humility with Four Saints. Created…
In the quiet, luminous corridors of the early Italian Renaissance, few works capture the intersection of earthly devotion and celestial grace as profoundly as Sassetta’s The Virgin and…
Ta hem detta ljus →De fyra motiv som oftast återkommer på dessa dukar, var och en med sitt mest älskade exempel.
De 8 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Stefano di Giovanni | Målningar från denna lista |
|---|---|---|---|
 National Gallery |
London | 6 | Saint Francis and the Poor Knight, and Francis's Vision, The Funeral of Saint Francis, Saint Francis before the Sultan |
 Szépművészeti Múzeum |
Budapest | 5 | St Thomas Inspired by the Dove of the Holy Ghost, St Thomas Inspired by the Dove of the Holy Ghost, St Thomas Inspired by the Dove of the Holy Ghost (detail) |
 Museo Diocesano |
Cortona | 4 | Virgin with Child and Four Saints (detail), Virgin with Child and Four Saints (detail), Virgin with Child and Four Saints (detail) |
 National Gallery of Art |
Washington | 4 | Saint Margaret, Saint Apollonia, Madonna of Humility |
 Louvre |
Paris | 4 | Damnation of the Soul of the Miser of Citerna, The Blessed Ranieri Frees the Poor from a Prison in Florence, Virgin and Child with Saints |
 Pinacoteca Nazionale |
Siena | 4 | St Jerome (detail), The Last Supper, St Anthony the Hermit Tortured by the Devils |
 Detroit Institute of Arts |
Detroit | 3 | The Agony in the Garden, The Procession to Calvary, The Betrayal of Christ |
 Metropolitan Museum of Art |
New York | 3 | The Annunciation ", Madonna and Child with Angels, The Journey of the Magi |
In Saint John the Evangelist by Sassetta, a single, elongated figure commands the entire vertical space. The saint occupies the center of the panel, his presence exerting a…
The air feels heavy with the scent of woodsmoke and the weight of a gathering crowd. In this 1423 tempera work, a public execution unfolds under a deep…
In the quiet sanctity of the early fifteenth century, few images capture the profound intimacy of the divine as gracefully as Sassetta’s Madonna of Humility. Painted around 1432,…
The work is titled The Funeral of Saint Francis and Verification of the Stigmata. It was executed by the artist Sassetta (Stefano Di Giovanni) between 1437 and 1444.…
The work titled Saint Francis before the Sultan is a creation of the artist Sassetta. It emerged from the studio between 1437 and 1444. This panel was originally…
Madonna of Humility (1432), Staatliche Museen zu Berlin, Berlin. Virgin with Child and Four Saints (detail) (1435) och Saint Francis and the Poor Knight, and Francis's Vision (1437) följer.
Stefano di Giovanni, född 1392, var 40 år gammal: Madonna of Humility är från 1432.
Madonna of Humility, Virgin with Child and Four Saints (detail), Saint Francis and the Poor Knight, and Francis's Vision, The Funeral of Saint Francis, The Agony in the Garden, Saint Francis before the Sultan, Saint John the Evangelist, The burning of a heretic, Saint Margaret och Saint Apollonia. Varje duk i rankningen ovan anges med sitt årtal och sitt museum.
56 verk av Stefano di Giovanni finns i vår katalog, daterade 1412 till 1450.
Främst i National Gallery (London), Szépművészeti Múzeum (Budapest) och Museo Diocesano (Cortona); listan ovan listar varje museum och dess målningar.
Under 1430s, som utgör 27 av de 56 verk som finns på denna sida, varav Madonna of Humility av dem.
Den tidigaste duken här är Saint John the Evangelist (1412); den senaste är Saint Francis before the Sultan (1450).
People (10), Gold background (9) och Woman (7), fördelat på 56 verk på denna sida.
Tempera On Panel, som används i 27 av de 56 verk som finns på denna sida.
Early renaissance, som dukarna på denna sida visar.
National Gallery, London har 6 av verken på denna sida, bland annat Saint Francis and the Poor Knight, and Francis's Vision, The Funeral of Saint Francis och Saint Francis before the Sultan.
Ja. Varje målning på denna sida kan beställas från sin egen sida som en handmålad oljereproduktion, eller som ett konsttryck i den storlek du väljer.
Under det italienska Quattrocentos lysande era var få namn så djupt förknippade med den känsliga övergången från medeltid till modernitet som Stefano di Giovanni, av historien mer kärleksfullt kallad Sassetta. Som en central gestalt inom den sienesiska skolan utgör hans konstnärskap en djupgående bro mellan den sena gotikens dekorativa elegans och renässansens framväxande realism. Medan de exakta omständigheterna kring hans liv förblir höljda i tidens dimmor – där forskare debatterar om han föddes i Siena eller kanske i Cortona – är hans närvaro i det toskanska landskapet odiskutabel. Hans verk bär Sienas rytmiska och lyriska själ, men de andas samtidigt med en ny, iakttagande vitalitet som vittnar om en konstnär djupt engagerad i sin tids föränderliga strömningar.
Sassettas kreativa resa var en sofistikerad syntes. Han besatt en sällsynt förmåga att hedra den traditionella sienesiska stilen – kännetecknad av dess intrikata detaljrikedom och andliga djup – samtidigt som han absorberade de revolutionerande innovationer som växte fram i Florens. Inflytandet från mästare som Masaccio, Masolino och Gentile da Fabriano kan förnimmas i hans förfinade kontroll över rumsliga relationer och användningen av ljus. Han kopierade inte dessa nya tekniker blint; snarare integrerade han dem för att genomstråla sina figurer med ett naturalistiskt sken, vilket lät ljuset övertygande forma deras kroppar och skapa en känsla av ett sammanhängande, levande rum inom hans kompositioner.
Sassettas samlade verk är ett vittnesbörd om hans mästerskap inom narrativt måleri, där varje penseldrag tjänar ett högre andligt syfte. Hans verk fungerar ofta som fönster mot det gudomliga, där en sofistikerad färgpalett och rytmiska kompositioner vägleder betraktaren genom heliga historier. I mästerverk som Nattvarden uppvisar han en extraordinär förmåga att fånga komplexa emotionella tillstånd, genom att använda jordnära toner och ett noggrant perspektiv för att förankra det djupa religiösa narrativet i en påtaglig, högtidlig verklighet. Hans förmåga att balansera den gotiska traditionens ornamentala skönhet med en spirande känsla för mänskligt drama gör hans paneler unikt fängslande.
Utöver de mer intima skalen i hans mindre paneler uppnådde Sassetta stor berömmelse genom betydelsefulla altarskåp och polyptykon som definierade sin tids religiösa landskap. Bland hans mest framstående konstnärliga prestationer återfinns:
Sassettas historiska betydelse ligger i hans roll som både väktare och innovatör. Han såg till att den unika identiteten hos den sienesiska skolan inte gick förlorad i skuggan av Florens dominans, utan istället utvecklades för att omfatta det nya språket av realism och djup. Hans målningar är inte bara reliker från en svunnen tid; de är levande dialoger mellan den gamla och den nya världen. Genom sin subtila hantering av ljuset, sin behärskning av symbolisk ikonografi och sin djupa empati för sina motiv, lämnade Sassetta ett outplånligt avtryck i den italienska konsthistorien och säkrade sin plats som en av de viktigaste företrädarna för den sienesiska renässansen.
