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      Wilhelm Morgner, 1891 – 1917

      Wilhelm Morgner: De 39 mest kända målningarna

      Av alla Wilhelm Morgners målningar är Goats (1911) den mest kända. Tätt följs de av The Lumberjack (1911) och Soest Farmer (1912). Bland de 39 verk av Wilhelm Morgner i vår katalog är dessa 39 de mest hyllade, var och en presenterad med sitt datum, sitt museum och sin historia.

      Rankade efter vår popularitetspoäng, som kombinerar sökningar, besök och beställningar för varje verk. Uppdaterad oktober 2026. Varje målning på denna sida kan beställas som en handmålad oljereproduktion på linnecanvas, eller som ett konsttryck i den storlek du väljer.

      Porträtt av Wilhelm Morgner
      Wilhelm Morgner · 1891 – 1917
      Född · död
      1891 – 1917, Soest
      Rörelse
      Expressionism
      Verk i vår katalog
      39
      Mest kända
      Goats (1911)
      Flest verk på
      Museum Ostwall

      Wilhelm Morgners 10 mest hyllade målningar

      Wilhelm Morgners målningar rankade 11 till 39

      Där Wilhelm Morgners dukar hänger

      De 2 museer som innehar flest av målningarna på denna sida.

      Museum Stad Verk av Wilhelm Morgner Målningar från denna lista
      Museum Ostwall, DortmundMuseum Ostwall Dortmund 1 Entry of Christ into Jerusalem
      Städel Museum, FrankfurtStädel Museum Frankfurt 1 Astrale Komposition VI

      År för år: Wilhelm Morgners mest hyllade dukar

      Från 1909 till 1913, totalt 5 år, berättar Wilhelm Morgners daterade dukar en kort historia: här är den, år för år.

      1. 1909
      2. 1909
      3. 1909
      4. 1910
      5. 1910
      6. 1910
        Sower (1910) av Wilhelm Morgner
        Duk 24 av 39

        Sower

        Ålder 19
      7. 1911
        Goats (1911) av Wilhelm Morgner
        Duk 1 av 39

        Goats

        Ålder 20
      8. 1911
      9. 1911
      10. 1911
      11. 1911
      12. 1911
      13. 1911
      14. 1911
      15. 1911
        Mason (1911) av Wilhelm Morgner
        Rankad 17 av 39

        Mason

        Ålder 20
      16. 1912
      17. 1912
      18. 1912
      19. 1912
      20. 1912
      21. 1912
      22. 1912
      23. 1912
      24. 1912
      25. 1913

      Dina frågor om Wilhelm Morgners målningar, besvarade

      Vilken är den mest hyllade målningen av Wilhelm Morgner?Läs svaret

      Goats (1911), följt av The Lumberjack (1911) och Soest Farmer (1912).

      Hur gammal var Wilhelm Morgner vid tillfället för Goats?Läs svaret

      Wilhelm Morgner, född 1891, var 20 år gammal: Goats är från 1911.

      Vilka tio målningar är Wilhelm Morgner mest känd för?Läs svaret

      Goats, The Lumberjack, Soest Farmer, The Lumberjack with the Crucified, Self-Portrait XV, Mother with Child, Schulte Stands at Open Door, Man with Blue Car in Ornamental Landscape, Striding Woman in Landscape och The Porter. Varje duk i rankningen ovan anges med sitt årtal och sitt museum.

      Hur många målningar av Wilhelm Morgner är kända?Läs svaret

      39 verk av Wilhelm Morgner finns i vår katalog, daterade 1909 till 1913.

      Vilka museer hyser Wilhelm Morgners mest kända målningar?Läs svaret

      Främst i Museum Ostwall (Dortmund) och Städel Museum (Frankfurt); listan ovan listar varje museum och dess målningar.

      Under vilka år målade Wilhelm Morgner sina mest hyllade verk?Läs svaret

      Under 1911, som utgör 15 av de 39 verk som finns på denna sida, varav Goats av dem.

      Vilka är de första och sista av Wilhelm Morgners berömda målningar?Läs svaret

      Den tidigaste duken här är Schulte Stands at Open Door (1909); den senaste är Ascension (1913).

      Vilken konstinriktning tillhör Wilhelm Morgner?Läs svaret

      Expressionism, som dukarna på denna sida visar.

      Kan jag beställa en handmålad kopia av en målning av Wilhelm Morgner?Läs svaret

      Ja. Varje målning på denna sida kan beställas från sin egen sida som en handmålad oljereproduktion, eller som ett konsttryck i den storlek du väljer.

      Wilhelm Morgner: konstnärens historia

      The Brief, Radiant Life of Wilhelm Morgner

      In the fleeting dawn of the twentieth century, few voices resonated with as much raw, spiritual intensity as that of Wilhelm Morgner. Born on January 27, 1891, in the Westphalian town of Soest, Morgner’s life was a short but brilliant arc of creative evolution, cut tragically short by the ravages of war. His early years were marked by a profound tension between duty and desire; while his mother, an artistically inclined woman, envisioned a future for him in the pulpit as a Protestant minister, the young Morgner felt the irresistible pull of the canvas. This internal struggle between the structured expectations of his upbringing and the chaotic beauty of modern art would eventually fuel the expressive power of his work.

      Morgner’s journey into the heart of the avant-garde began in 1908, when, guided by the wisdom of Otto Modersohn, he moved to the renowned artists' colony of Worpswede. It was here, under the mentorship of the Expressionist painter Georg Tappert, that Morgner’s artistic identity truly began to coalesce. Tappert did more than teach technique; he opened a window into the burgeoning world of modernism, introducing his pupil to the radical possibilities of en plein aire painting and the vibrant energy of contemporary movements. As Morgner matured, his early works—often characterized by a heavy, somber realism and dark moods—began to shed their weight, gradually transforming into something far more ethereal and luminous.

      A Symphony of Color and Abstraction

      As Morgner moved toward the great art centers like Berlin, his style underwent a breathtaking metamorphosis. The influence of Pointillism, Futurism, and the haunting emotional depth of Vincent van Gogh began to permeate his brushwork. He did not merely observe these movements; he assimilated them, distilling their essence into a personal language of pure color and spiritual inquiry. His fascination with the interplay of light and pigment led him away from the literal depiction of rural laborers and landscapes toward an increasingly abstract realm. For Morgner, color was not just a descriptive tool but a vessel for the divine, a means to convey profound spiritual truths that transcended the physical world.

      This period of intense experimentation saw his work featured in some of the most prestigious and radical publications and exhibitions of the era, including:

      • Der Sturm: The legendary magazine that served as a beacon for the international avant-garde.
      • Die Aktion: A platform for the most provocative voices of German Expressionism.
      • The Sonderbund Exhibition in Cologne: A monumental gathering of modern art that solidified his standing among his peers.
      • The Blauer Reiter in Munich: Where his work caught the eye of masters like Franz Marc, who was reportedly deeply impressed by Morgner's vision.

      A Legacy Forged in Fire and Memory

      The trajectory of Morgner’s meteoric rise was violently interrupted by the onset of World War I. Conscripted into military service, he found himself thrust onto the battlefields of the Western and Eastern Fronts. The physical and psychological toll of the conflict stripped him of the ability to work in oils, yet even amidst the devastation of war, his creative spirit refused to be extinguished. He turned to the more portable mediums of watercolor and drawing, continuing to document the world through a lens of fragmented, expressive beauty. His service, which earned him the Iron Cross, ultimately led to his untimely death near Langemark, Belgium, in August 1917, at the age of only twenty-six.

      Though his life was tragically brief, Wilhelm Morgner left behind a legacy that continues to captivate the modern soul. He remains a pivotal figure in the German Expressionist movement, representing a bridge between the heavy realism of the nineteenth century and the spiritual abstraction of the twentieth. His ability to find the sacred within the spectrum of color serves as a poignant reminder of the power of art to transcend even the darkest of human experiences. Today, his works stand as luminous fragments of a lost era, echoing with the vibrant, unfulfilled potential of a true visionary.

      Alla 39 verk av Wilhelm Morgner →