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      Істмен Джонсон, 1824 – 1906

      Істмен Джонсон: 100 найвідоміших картин

      Серед усіх картин Істмен Джонсон найбільш відомою є William Hayes Fogg (1817-1884) (1887); вона експонується в Harvard Art Museums, Кембридж. Слідом за ними йдуть Grover Cleveland (1891) та Amos Adams Lawrence (1814-1886) (1887). Серед 208 робіт Істмен Джонсон у нашому каталозі ці 100 є найвідомішими: для кожної вказано дату створення, музей та історію.

      Рейтинг сформовано на основі нашого показника популярності, що поєднує кількість пошукових запитів, переглядів та замовлень для кожної роботи. Оновлено Жовтень 2026. Кожну картину на цій сторінці можна замовити як олійну репродукцію, написану вручну на лляному полотні, або як художній принт, виготовлений за обраним вами розміром.

      Портрет Істмен Джонсон
      Істмен Джонсон · 1824 – 1906
      Народився · помер
      1824 – 1906, Ловелл
      Рух
      American realism
      Роботи в нашому каталозі
      208
      Найвідоміші
      William Hayes Fogg (1817-1884) (1887)
      Найбільше робіт у
      Національна галерея мистецтв

      10 найвідоміших картин Істмен Джонсон

      William Hayes Fogg (1817-1884) (1887) роботи Істмен Джонсон
      1

      William Hayes Fogg (1817-1884)

      1887 · Oil On Canvas · Harvard Art Museums, Кембридж

      The room feels quiet, held in a heavy, dignified stillness. An elderly man, William Hayes Fogg, sits before us, his gaze drifting toward the upper left as if caught in a moment of private reflection. He is a figure of authority, draped in the somber weight of a dark frock coat that absorbs the light, leaving only the crisp white of his collar to catch the eye. His face, etched…

      Hand-painted oil reproduction from $178 26 × 38 cm
      Grover Cleveland (1891) роботи Істмен Джонсон
      2

      Grover Cleveland

      1891 · Oil · Метрополітен-музей, Нью-Йорк

      The face emerges from a heavy, dark void. In this 1891 oil portrait, Grover Cleveland sits caught in a sharp beam of light that carves his features out of the gloom. The background remains indistinct, a deep well of blacks and muted ochres that pushes the subject forward. His gaze is direct, meeting the viewer with a steady, unblinking weight. There is no movement here, only the stillness of a…

      Hand-painted oil reproduction from $178 27 × 37 cm
      Amos Adams Lawrence (1814-1886) (1887) роботи Істмен Джонсон
      3

      Amos Adams Lawrence (1814-1886)

      1887 · Oil On Canvas · Harvard Art Museums, Кембридж

      A formal three-quarter length portrait, this oil on canvas presents an older man emerging from a dark, atmospheric void. The composition centers the subject against a somber, monochromatic background of charcoal and deep brown, a choice that directs all visual attention to the face. Light falls with dramatic precision upon the forehead, cheeks, and nose, utilizing a chiaroscuro-like technique to sculpt the features from the shadows. The subject is dressed…

      Hand-painted oil reproduction from $178 26 × 38 cm
      Parke Godwin (1880) роботи Істмен Джонсон
      4

      Parke Godwin

      1880 · Oil · Національна портретна галерея, Вашингтон, округ Колумбія

      This 1880 oil portrait, titled Parke Godwin, presents a formal and dignified medium close-up of an elderly man. The subject is depicted from the waist up, positioned against a dark, indistinct background that emphasizes the somber and classical aesthetic of the composition. The lighting, appearing to originate from the upper left, casts a soft glow across the man's forehead, his white hair, and his full, bushy white beard, while leaving…

      Hand-painted oil reproduction from $178 29 × 35 cm
      Girl in the Woods [verso of On the Hillside] (1877) роботи Істмен Джонсон
      5

      Girl in the Woods [verso of On the Hillside]

      1877 · Oil · Yale University Art Gallery, Нью-Хейвен

      In "Girl in the Woods [verso of On the Hillside]", Eastman Johnson places us in a quiet, shadowed realm. The composition centers entirely on a young girl, a solitary figure positioned within a dense and dark woodland. This placement creates an immediate, intimate connection, as the eye-level perspective brings the viewer directly in front of the child. There is a certain stillness here, a sense of solitude that borders on…

      Hand-painted oil reproduction from $178 27 × 37 cm
      Grover Cleveland (1884) роботи Істмен Джонсон
      7

      Grover Cleveland

      1884 · Oil On Canvas · Національна портретна галерея, Вашингтон, округ Колумбія

      In this portrait of Grover Cleveland, Eastman Johnson employs a close-up bust view that brings the viewer into an immediate, quiet proximity with the subject. The composition is intentionally intimate, positioning the man slightly off-center to create a sense of natural presence rather than rigid formality. He is turned toward the right of the frame, his gaze directed away from the viewer, which lends the work a contemplative quality. This…

      Hand-painted oil reproduction from $178 28 × 35 cm
      Portrait of Mrs. Eastman Johnson (1888) роботи Істмен Джонсон
      8

      Portrait of Mrs. Eastman Johnson

      1888 · Oil On Canvas · Смитсонівський музей американського мистецтва, Вашингтон, округ Колумбія

      In Portrait of Mrs. Eastman Johnson, Jonathan Eastman Johnson employs a close-up, three-quarter view to establish an intimate perspective. The composition focuses tightly on the subject's head, shoulders, and hands, drawing the viewer into a contemplative state. This proximity creates a sense of quiet introspection, pulling the observer into the subject's private, melancholic mood.

      Hand-painted oil reproduction from $178 27 × 37 cm Same size as the original $289 58 × 80 cm Order at original size →
      Eastman Johnson Self-Portrait (1877) роботи Істмен Джонсон
      9

      Eastman Johnson Self-Portrait

      1877 · Oil On Board · Національна портретна галерея, Вашингтон, округ Колумбія

      We are looking at the Eastman Johnson Self-Portrait, a painting executed by the artist Jonathan Eastman Johnson in 1877. This work is a self-portrait, a genre in which the artist turns his gaze inward to capture his own likeness. In this specific instance, the subject of the work is the artist himself, Jonathan Eastman Johnson.

      Hand-painted oil reproduction from $178 32 × 32 cm

      Картини Істмен Джонсон у рейтингу від 11 до 100

      In the Fields (1878) роботи Істмен Джонсон
      #45

      In the Fields

      1878 · Детройтський інститут мистецтв

      Jonathan Eastman Johnson's "In the Fields," painted in 1878, isn’t merely a depiction of a rural scene; it’s a carefully constructed tableau of American life, imbued with a…

      Замовити це полотно from $278 →

      Найпопулярніші роботи Істмен Джонсон

      Чотири найпопулярніші сюжети на цих полотнах, кожен із найкращими зразками.

      Де виставляються полотна Істмен Джонсон

      8 музеїв, у яких зберігається найбільша кількість картин із цього списку.

      Музеї Місто Твори Істмен Джонсон Картини з цього списку
      Національна галерея мистецтв, ВашингтонНаціональна галерея мистецтв Вашингтон 10 Lambs, Nantucket, Joseph Wesley Harper, Jr., The Toilet
      Метрополітен-музей, Нью-ЙоркМетрополітен-музей Нью-Йорк 11 Grover Cleveland, Sanford Robinson Gifford, Christmas-Time, The Blodgett Family
      New York Historical Society, Нью-ЙоркNew York Historical Society Нью-Йорк 8 Knitting for the Soldiers, Grover Cleveland (1837-1908), Augustus Schell (1812–1884)
      Детройтський інститут мистецтв, ДетройтДетройтський інститут мистецтв Детройт 6 The Young Sweep, In the Fields, Mrs. Allan Shelden
      Музей образотв мистецтв, БостонМузей образотв мистецтв Бостон 5 The Little Convalescent, Writing to Father, The Field Hospital
      Yale University Art Gallery, Нью-ХейвенYale University Art Gallery Нью-Хейвен 4 Girl in the Woods [verso of On the Hillside], The Sugar Camp (also known as Making Maple Sugar or Susan Ray’s Maple Sugaring Kitchen), The Back Fence
      Fine Arts Museums of San Francisco, Сан-ФранцискоFine Arts Museums of San Francisco Сан-Франциско 4 The Mother, The Pension Claim Agent, A Different Sugaring Off
      Національна портретна галерея, Вашингтон, округ КолумбіяНаціональна портретна галерея Вашингтон, округ Колумбія 3 Parke Godwin, Grover Cleveland, Eastman Johnson Self-Portrait

      Десятиліття за десятиліттям: найвідоміші полотна Істмен Джонсон

      1. 1850s
        Southern Courtship (1859) роботи Істмен Джонсон
        Полотно 14 із 100

        Southern Courtship

        Вік 26 – 35 років · Музей витончених мистецтв
      2. 1860s
        The Young Sweep (1863) роботи Істмен Джонсон
        Місце в рейтингу: 10 із 100

        The Young Sweep

        Вік 36 – 45 років · Детройтський інститут мистецтв
      3. 1870s
        Girl in the Woods [verso of On the Hillside] (1877) роботи Істмен Джонсон
        Місце в рейтингу: 5 із 100

        Girl in the Woods [verso of On the Hillside]

        Вік 46 – 55 років · Yale University Art Gallery

        In "Girl in the Woods [verso of On the Hillside]", Eastman Johnson places us in a quiet, shadowed realm. The composition centers entirely on a young girl, a…

      4. 1880s
        William Hayes Fogg (1817-1884) (1887) роботи Істмен Джонсон
        Полотно 1 із 100

        William Hayes Fogg (1817-1884)

        Вік 56 – 65 років · Harvard Art Museums

        The room feels quiet, held in a heavy, dignified stillness. An elderly man, William Hayes Fogg, sits before us, his gaze drifting toward the upper left as if…

      5. 1890s
        Grover Cleveland (1891) роботи Істмен Джонсон
        Місце в рейтингу: 2 із 100

        Grover Cleveland

        Вік 66 – 75 років · Метрополітен-музей

        The face emerges from a heavy, dark void. In this 1891 oil portrait, Grover Cleveland sits caught in a sharp beam of light that carves his features out…

      Ваші запитання про картини Істмен Джонсон — відповіді на них

      Яка найвідоміша картина Істмен Джонсон?Прочитати відповідь

      William Hayes Fogg (1817-1884) (1887), Harvard Art Museums, Кембридж. Далі — Grover Cleveland (1891) та Amos Adams Lawrence (1814-1886) (1887).

      Скільки років було Істмен Джонсон на момент створення William Hayes Fogg (1817-1884)?Прочитати відповідь

      Істмен Джонсон, народився у 1824, мав 63 років: William Hayes Fogg (1817-1884) датована 1887 роком.

      Які десять найвідоміших картин належать Істмен Джонсон?Прочитати відповідь

      William Hayes Fogg (1817-1884), Grover Cleveland, Amos Adams Lawrence (1814-1886), Parke Godwin, Girl in the Woods [verso of On the Hillside], The Little Convalescent, Grover Cleveland, Portrait of Mrs. Eastman Johnson, Eastman Johnson Self-Portrait та The Young Sweep. Кожне полотно в рейтингу вище має зазначений рік створення та музей.

      Скільки відомих картин належить Істмен Джонсон?Прочитати відповідь

      У нашому каталозі представлено 208 робіт автора Істмен Джонсон, датованих періодом з 1853 по 1899.

      У яких музеях зберігаються найвідоміші полотна Істмен Джонсон?Прочитати відповідь

      Переважно в Національна галерея мистецтв (Вашингтон), Метрополітен-музей (Нью-Йорк) та New York Historical Society (Нью-Йорк); у списку вище наведено назву кожного музею та його полотна.

      У які роки Істмен Джонсон створив свої найзнаменитіші полотна?Прочитати відповідь

      У 1860s, що охоплює 33 із 100 робіт на цій сторінці, серед них — The Young Sweep.

      Які перша та остання відомі полотна Істмен Джонсон?Прочитати відповідь

      Найдавніший холст тут датований The Card Players (1853), а найновіший — The Right Reverend Henry Codman Potter (1835–1908) (1899).

      Які сюжети найчастіше зустрічаються на картинах Істмен Джонсон?Прочитати відповідь

      Man (8), Dark background (7) та Genre painting (4), у 100 роботах на цій сторінці.

      Чим зазвичай малював Істмен Джонсон?Прочитати відповідь

      Oil On Canvas, використано у 9 з 100 робіт на цій сторінці.

      До якого художнього напряму належить Істмен Джонсон?Прочитати відповідь

      American realism, як свідчать полотна на цій сторінці.

      Що я можу побачити у Істмен Джонсон у Національна галерея мистецтв?Прочитати відповідь

      У Національна галерея мистецтв, Вашингтон зберігається 9 творів із цієї сторінки, серед яких Lambs, Nantucket, Joseph Wesley Harper, Jr. та The Toilet.

      Чи можу я замовити написану вручну копію картини Істмен Джонсон?Прочитати відповідь

      Так. Кожну картину на цій сторінці можна замовити на її окремій сторінці як рукописну олійну репродукцію або як художній принт у обраному вами розмірі.

      Істмен Джонсон: історія художника

      Jonathan Eastman Johnson: The American Rembrandt

      Jonathan Eastman Johnson, a name that echoes with the quiet dignity of 19th-century America, was more than just a painter; he was a visual storyteller, meticulously documenting his era through a lens of honesty, nuance, and a subtle melancholy. Born in Lovell, Maine, in 1824, his artistic journey wasn’t one of immediate fanfare but rather a gradual unfolding shaped by familial connections, rigorous training, and an unwavering commitment to portraying the world as he truly saw it – with a profound respect for everyday life and its inherent beauty. His father, Philip Carrigan Johnson, held positions in business and fraternal organizations, instilling in young Eastman a deep sense of community engagement, a value that would profoundly influence his artistic subjects. Early experiences in Fryeburg and Augusta, Maine, provided the foundational bedrock upon which he built his understanding of American existence – an understanding he translated onto canvas with remarkable sensitivity and detail. His formal training began as an apprenticeship with a Boston lithographer in 1840, marking the initial step on a path defined by meticulous observation and technical mastery. This early experience honed his skills in capturing precise details and rendering textures, laying the groundwork for his later success.

      From European Masters to American Landscapes

      Johnson’s artistic development was a fascinating synthesis of influences. Initially drawn to portraiture, he quickly expanded his repertoire to encompass genre painting – scenes depicting the vibrant tapestry of everyday American life. This wasn't merely about creating representations; it was about capturing the *essence* of American society, offering glimpses into the lives of ordinary people often overlooked by grand historical narratives. A pivotal moment arrived during the 1850s when Johnson embarked on a transformative journey to The Hague and immersed himself in the works of 17th-century Dutch masters. This encounter proved profoundly influential. He absorbed their mastery of composition, lighting, and realism – particularly their ability to convey atmosphere and emotion through subtle brushstrokes – earning him the affectionate moniker “The American Rembrandt.” This influence is strikingly evident in his paintings: a subdued palette, dramatic chiaroscuro (the use of strong contrasts between light and dark), and an almost photographic attention to detail characterize his mature style. However, Johnson didn’t simply imitate; he synthesized these European techniques with his uniquely American sensibility, creating works that were both technically brilliant and deeply rooted in the social fabric of his time. He aligned himself with the burgeoning Realist movement, rejecting idealized representations in favor of accurate depictions of everyday life – a commitment that would define his artistic legacy and set him apart from many of his contemporaries.

      Witnessing an Era: Civil War and Beyond

      Johnson’s oeuvre is remarkably diverse, encompassing portraits of prominent figures like Abraham Lincoln, Nathaniel Hawthorne, Ralph Waldo Emerson, and Henry Wadsworth Longfellow alongside intimate scenes of domesticity and rural life. Yet, certain works stand out as particularly significant for their social commentary and artistic innovation. *Negro Life at the South* (1859), a painting that sparked intense debate and controversy, remains one of his most celebrated – and challenging – pieces. Depicting African Americans enjoying leisure time in a carefully constructed tableau, it offered a glimpse into a world rarely portrayed with such dignity and complexity. The ambiguity inherent in the scene—was it a romanticized portrayal or a subtle critique?—fueled discussions that resonated far beyond the art world, forcing viewers to confront uncomfortable truths about race relations and slavery. His response to the Civil War was equally poignant. Rather than focusing on battlefield heroics – a common theme in many war paintings of the era – Johnson turned his attention to the impact of conflict on civilian life, creating haunting images of anxious families, displaced communities, and scenes far removed from the front lines. *Ride For Liberty* (1862), depicting an enslaved family escaping to freedom, is a powerful testament to his commitment to social justice and his willingness to use art as a tool for advocacy. Furthermore, Johnson’s depictions of New England rural life – the rhythmic movements of maple sugar harvesting, the vibrant colors of cranberry picking – celebrated traditional American values and craftsmanship with a quiet reverence, capturing a sense of timelessness and connection to the land.

      A Legacy Etched in Stone: The Metropolitan Museum and Beyond

      Beyond his artistic achievements, Jonathan Eastman Johnson played a crucial role in shaping the American art landscape. His dedication to genre painting elevated it as a respected form of artistic expression, challenging prevailing notions of what constituted “high art.” He wasn’t merely an artist; he was a cultural advocate, deeply invested in promoting and preserving American artistic heritage. His commitment extended beyond his own practice, culminating in his co-founding of the Metropolitan Museum of Art in New York City – a testament to his belief in the power of art to educate, inspire, and foster a shared sense of national identity. His name is inscribed at its entrance, a permanent recognition of his significant contribution to the nation’s artistic heritage. Johnson's influence on American Realism is undeniable; his dedication to depicting everyday life with honesty and detail paved the way for future generations of artists who sought to capture the complexities of the human experience. He died in New York City in 1906, leaving behind a body of work that continues to captivate and inspire, ensuring his enduring recognition as a significant figure in American art history. His legacy lies not just in the beauty of his paintings but also in their ability to provoke thought, spark dialogue, and offer a poignant reflection on the human condition.

      Enduring Significance

      Johnson’s artistic journey is a remarkable story of synthesis – blending European techniques with uniquely American subject matter. His ability to imbue ordinary scenes with profound meaning, his willingness to engage with complex social issues, and his unwavering commitment to realism cemented his place as a pivotal figure in 19th-century American art. He wasn’t simply recording life; he was interpreting it, prompting viewers to reflect on their own values and beliefs. His work serves as a powerful reminder that true artistry lies not just in technical skill but also in the ability to connect with the human spirit and illuminate the world around us.