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Emperor Constantine

Ім'я Клас Дата

Джан Лоренцо Берніні, Emperor Constantine (1654), Палаццо Понтифіци. Общедоступне надбання Погляньте на це полотно в рухомому світлі: малюнок, справжній колір під лаком, чистий пігмент

Факти про об'єкт

Автор
Джан Лоренцо Берніні topimpressionists.com/uk/artists/%D0%B4%D0%B6%D0%B0%D0%BD-%D0%BB%D0%BE%D1%80%D0%B5%D0%BD%D1%86%D0%BE-%D0%B1%D0%B5%D1%80%D0%BD%D1%96%D0%BD%D1%96_uk/
Дати створення автором
1598 – 1680
Живопис
1654
Техніка виконання
Painting
Рух
Baroque Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action.
Період
Early Modern
Місце проведення
Палаццо Понтифіци topimpressionists.com/uk/museums/%D0%BF%D0%B0%D0%BB%D0%B0%D1%86%D1%86%D0%BE-%D0%BF%D0%BE%D0%BD%D1%82%D0%B8%D1%84%D1%96%D1%86%D0%B8-%D0%B2%D0%B0%D1%82%D0%B8%D0%BA%D0%B0%D0%BD_uk/
Artistic style
Baroque
Notable elements or techniques
Scepter, Crown, Horse
Subject or theme
Emperor's power and authority

У контексті

Emperor Constantine — Джан Лоренцо Берніні

Коли це було написано?

  1. 1590
  2. 1600
  3. 1610
  4. 1620
  5. 1630
  6. 1640
  7. 1650
  8. 1660
  9. 1670
  10. 1680

Верхній рядок: роки. Нижній рядок: вік митця на початку та в кінці кожного періоду — 0 при народженні, 82 на момент смерті.

Написано, коли художнику було 56. Митець дожив до 82 років. 107 із 148 датованих робіт цього митця в нашому каталозі були створені раніше.

Затінення: життя Джан Лоренцо Берніні (1598–1680) ▲ ця робота, 1654 кожна картина з датуванням, десятиліття за десятиліттям

Перші роботи: до 1624 Основні роки творчості: 1624–1655 Пізні роботи: з 1655

Ці три сегменти поділяють роботи, датовані в цьому каталозі, на перший квартал, середину та останній квартал. Вони не є повним переліком творчості митця: певна прогалина може бути лише розривом у записах, а не періодом творчого затишшя. Роки, що переплітаються з життям митця

Порівняти з

Оберіть одну з робіт вище: назвіть дві спільні риси з цією роботою та одну відмінність.

Більше творів, що гармоніюють із цим: topimpressionists.com/uk/art/similar/gian-lorenzo-bernini-emperor-constantine-8Y334N-en/

Кольори

Виміряно за зображенням

    Основний колір

    Black #120906

    Каталог палітр

    • #120906
    • #A2773F
    • #DFBE8C
    • #5A391C

    Ці кольори в межах усієї палітри художника Шукати інші картини за кольором

    Палітра
    Earthy Переважаюча колірна гама зображення.
    Назва основного кольору
    Black
    Насиченість
    Balanced Наскільки насиченими та різноманітними є кольори: від одного приглушеного відтінку до багатьох яскравих.
    Контрастність
    Statement Ступінь відмінності кольорів за світлотою та насиченістю в межах картини.
    Гармонія
    Unified Palette Наскільки вдало поєднуються кольори — від контрастних до повністю гармонійних.
    Яскравість
    Deep_shadow Загальна світлотінь картини: від глибокої тіні до яскравого світла.
    Насиченість
    Balanced Soft Наскільки чистими та насиченими є кольори — від майже сірих до максимально яскравих.

    У яких куточках світу переглядають цю картину?

    • менше ніж 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% і більше
    Ця картина окремо має занадто мало зареєстрованих відвідувачів для створення карти, тому на плакаті представлено всі роботи Джан Лоренцо Берніні за останні дванадцять місяців — загалом 20 країн. Джерела цих даних

    Десять провідних країн

    1. 1 Китай 46,6%
    2. 2 Сполучені Штати Америки 9,5%
    3. 3 Гонконг 6,0%
    4. 4 Іспанія 5,2%
    5. 5 Франція 5,2%
    6. 6 Італія 5,2%
    7. 7 Бразилія 3,4%
    8. 8 Німеччина 3,4%
    9. 9 Сінгапур 2,6%
    10. 10 Венесуела 2,6%
    11. · 10 інші країни 10,3%

    Знайдіть на карті три найтемніші країни. Чи є серед них та, де розташований музей, у якому зберігається ця картина? Напишіть одну причину, чому люди з далеких країв можуть захотіти її подивитися.

    20 найбільш переглянутих робіт Джан Лоренцо Берніні

    1. 1 The Louvre, East Façade (study for the First Project), 1664 5,4%
    2. 2 Рабство Просерпины (задний вид), 1621 5,4%
    3. 3 Apollo and Daphne, 1622 4,8%
    4. 4 Bust of Cardinal Armand de Richelieu, 1640 4,8%
    5. 5 Daniel and the Lion, 1650 3,6%
    6. 6 The Martyrdom of St Lawrence, 1614 3,0%
    7. 7 Self-Portrait, 1635 3,0%
    8. 8 David (detail), 1623 3,0%
    9. 9 The Goat Amalthea with the Infant Jupiter and a Faun, 1615 2,4%
    10. 10 Aeneas, Anchises, and Ascanius, 1618 2,4%
    11. 11 Fontana del Tritone, 1624 2,4%
    12. 12 Bust of Thomas Baker, 1638 2,4%
    13. 13 Model for the lion on the Four rivers Fountain 1,8%
    14. 14 Bust of Cardinal Scipione Borghese 1,8%
    15. 15 Angel with the Superscription, 1667 1,8%
    16. 16 Self-Portrait as a Young Man, 1623 1,8%
    17. 17 Neptune and Triton, 1620 1,8%
    18. 18 Francesco I d'Este, 1650 1,8%
    19. 19 Saint Andrew and Saint Thomas, 1627 1,2%
    20. — Emperor Constantine, 1654 ця картина 0,0%

    Разом ці роботи становлять 54,6% усієї уваги, яку приділяли картинам цього художника протягом останніх дванадцяти місяців. Каталог містить 166 робіт цього митця, з яких 79 були переглянуті принаймні один раз. Цю картину ще ніхто не переглядав за цей період — вона завершує список без рейтингу. Показники не змінюються, місяць за місяцем

    Смужки вимірюють увагу, а не якість. Оберіть роботу на самому верху та цю: назвіть одну річ, яка може принести картині славу, окрім майстерності її виконання.

    Про цей витвір мистецтва

    Emperor Constantine — Джан Лоренцо Берніні

    The Majesty of Imperial Power: An Encounter with Bernini's Constantine

    To stand before a depiction such as Gian Lorenzo Bernini’s Emperor Constantine is not merely to observe a painting; it is to be swept into the very heart of Roman grandeur. This work captures a moment of supreme authority, freezing the dynamic energy of imperial might in time. The composition immediately commands attention through its central figure: a powerful emperor mounted upon a magnificent steed. Bernini, master sculptor and painterly visionary, has imbued this scene with an almost palpable sense of drama, making the viewer feel the weight of history and the sheer force of human will radiating from the painted canvas.

    Technique and Theatrical Grandeur

    While the original medium is a painting, the enduring power lies in Bernini’s ability to evoke sculptural dynamism. Observe the handling of the horse—its musculature rendered with breathtaking vitality, suggesting movement even in stillness. The emperor himself, crowned and armed with a scepter, embodies classical ideals of rule. Bernini was a master showman; his art rarely whispers; it proclaims. Here, the technique serves to amplify this proclamation. Every fold of drapery, every gesture of the hand holding that symbol of dominion, is executed with an academic precision married to raw, dramatic flair. It speaks to an era where art served not just as decoration, but as potent political statement.

    Historical Echoes and Symbolism

    The subject matter itself—Emperor Constantine—is steeped in layers of late Roman history and Christian transformation. The iconography is rich with symbolism: the crown signifies divine right, while the scepter is the tangible extension of earthly law. When considering this piece for a collector's space or an opulent interior design scheme, one must appreciate that it speaks to themes far beyond mere portraiture. It evokes cycles of power, the weight of legacy, and the enduring human desire for order and recognition. The black and white photograph itself strips away color, forcing the viewer to concentrate purely on form, gesture, and the dramatic interplay of light and shadow—the very elements Bernini manipulated so masterfully.

    Bringing Imperial Drama Home

    For those seeking an artwork that anchors a room with undeniable gravitas, this reproduction offers unparalleled depth. It is not simply a depiction of a historical figure; it is an embodiment of aspiration. Imagine the presence of such authority lending its aura to your drawing-room or gallery. The drama inherent in Bernini’s vision—the tension between man and beast, ruler and realm—provides a focal point that conversationally rich. Owning this piece allows one to curate not just walls with art, but an atmosphere steeped in timeless, dramatic narrative.

    Митець та музей

    Автор

    Джан Лоренцо Берніні

    Народився в Неаполь, Італія

    A Roman Genius: The Life and Legacy of Gian Lorenzo Bernini

    Gian Lorenzo Bernini, a name synonymous with the Baroque era, was more than just a sculptor; he was an architect, painter, stage designer, and a true embodiment of the Renaissance ideal – uomo universale. Born in Naples in 1598, his journey to becoming Rome’s most celebrated artist began within a family steeped in artistic tradition. His father, Pietro Bernini, a respected sculptor himself, provided the initial foundation for Gian Lorenzo's prodigious talent, nurturing it within their workshop and exposing him to the classical heritage of Italy. This early immersion wasn’t merely about technical training; it was a deep dive into the forms and principles that would shape his artistic vision for decades to come.

    Bernini’s innate skill quickly outstripped even his father's, hinting at the revolutionary force he was destined to become. He possessed an almost preternatural ability to capture emotion and movement in marble, transforming cold stone into expressions of profound psychological depth. This talent immediately attracted the attention of Cardinal Maffeo Barberini, who would later ascend to the papacy as Urban VIII and become Bernini’s most influential patron. Barberini recognized Bernini's extraordinary potential and provided him with unprecedented opportunities, shaping not only his career but also fundamentally altering the aesthetic landscape of Rome itself.

    Sculpting Emotion: The Birth of Baroque Drama

    Bernini is unequivocally considered the preeminent sculptor of the Baroque period – a style characterized by its dynamism, emotional intensity, and sheer grandeur. He didn’t simply sculpt figures; he breathed life into marble, capturing moments of intense action or spiritual climax with unparalleled skill. Unlike the idealized forms of the Renaissance, Bernini embraced movement, theatricality, and the raw power of human emotion. His work moved beyond mere representation to evoke a visceral response in the viewer – a feeling that resonated long after seeing the sculpture. Key elements defined his distinctive style: an extraordinary ability to convey complex emotions through facial expressions and body language; an astonishing technical proficiency that allowed him to render textures—flowing hair, delicate fabrics, smooth skin—with breathtaking realism; and above all, a commitment to dramatic narrative, depicting moments of intense action or spiritual climax. The Ecstasy of Saint Teresa, housed in the Cornaro Chapel of Santa Maria della Vittoria, remains perhaps his most iconic achievement – a swirling composition of marble, bronze, and light that captures a mystical experience with an almost overwhelming emotional force. The sculpture’s dynamism, its sense of movement and drama, set a new standard for Baroque art.

    Alongside The Ecstasy of Saint Teresa, other masterpieces like Apollo and Daphne and David showcase this same dynamic energy, transforming stone into fleeting moments of transformation and poised tension. Bernini's genius lay not just in his technical skill but also in his ability to infuse his sculptures with a sense of life – as if they were about to step off the pedestal and engage the viewer in an intimate dialogue.

    Beyond Sculpture: Architecture and Urban Visions

    Bernini’s artistic vision extended far beyond the realm of sculpture; he was a remarkably versatile artist who made significant contributions to architecture and urban planning, fundamentally reshaping the cityscape of Rome. His architectural designs were never conceived in isolation; they were always integrated with his sculptural work, creating unified artistic experiences that blurred the boundaries between disciplines. The monumental Baldacchino (candelabrum) above the high altar of St. Peter’s Basilica is a testament to this holistic approach – a soaring bronze canopy that dominates the space and draws the eye upwards in awe. He also played a pivotal role in redesigning several Roman piazzas, transforming them into vibrant public spaces. The Fountain of the Four Rivers in Piazza Navona, with its allegorical figures representing major rivers from different continents, is a prime example of his ability to create dynamic and engaging urban environments – a celebration of Rome’s connection to the world.

    His work on St. Peter’s Basilica, including the expansive colonnade that embraces visitors as they approach, dramatically altered the basilica's appearance and created a grand ceremonial space befitting the heart of Christendom. Bernini didn’t just build structures; he crafted entire experiences – spaces designed to inspire awe, wonder, and a sense of connection with the divine.

    A Lasting Influence: Bernini’s Historical Significance

    Gian Lorenzo Bernini profoundly impacted the course of Western art. His innovative approach to sculpture established the Baroque style as a dominant force in European art for over a century, influencing generations of artists with his dramatic compositions and technical virtuosity. He wasn't merely an imitator of classical forms; he synthesized them with a new sense of dynamism and emotional intensity, creating something entirely original. His integration of sculpture, architecture, and painting into unified artistic experiences set a new standard for artistic expression, demonstrating the power of art to engage all the senses and evoke profound emotions. As Howard Hibbard eloquently noted, Bernini’s impact was so significant that he stands as “the greatest sculptor of the 17th century.” His works continue to inspire awe and admiration, solidifying his place as one of history's most important artists – a true uomo universale whose legacy continues to resonate today.

    Family & Further Achievements

    Pietro Bernini: Gian Lorenzo’s father, a sculptor who provided early training and guidance.

    Cardinal Scipione Borghese: An early patron whose commissions allowed Bernini to develop his signature style.

    Pope Urban VIII: Bernini's most significant patron, providing extensive opportunities for architectural and sculptural projects in Rome.

    Architectural Projects: Beyond St. Peter’s Basilica, Bernini designed churches like Sant’Andrea al Quirinale and contributed to the design of Palazzo Barberini.

    Theatrical Designs: He was also a playwright and stage designer, creating elaborate sets and machinery for theatrical productions.

    Музей

    Палаццо Понтифіци

    Виставлено в Ватикан, Італія

    A Journey Through Papal Power: Unveiling the Palazzi Pontifici

    Nestled within the very heart of Vatican City, the Palazzi Pontifici represent far more than just a collection of opulent buildings; they are living embodiments of centuries of papal authority, artistic innovation, and profound spiritual devotion. These palaces—originally modest residences clustered around Old St. Peter’s Basilica – have evolved through dramatic transformations into a sprawling complex that encapsulates the very essence of Western civilization. A visit to this extraordinary ensemble isn't merely sightseeing; it’s an immersive journey through history, art, and faith, offering a rare opportunity to witness masterpieces that continue to inspire awe and contemplation. The Palazzi stand as a testament to the enduring power of patronage, showcasing a breathtaking continuity of artistic styles spanning from the Renaissance to the Baroque, all within the intimate confines of this sovereign state.

    The architectural evolution here is a captivating narrative, reflecting the shifting aesthetic sensibilities of the Renaissance and beyond. While the foundations trace back earlier periods, it was during this transformative era that the palaces truly blossomed into expressions of refined elegance and artistic ambition. The Loggia of Pope Leo X, a breathtaking open-air gallery commissioned by Raphael himself, immediately commands attention. This isn’t simply decorative; it's carefully considered narrative, a visual sermon illustrating theological themes and reinforcing papal authority. Raphael masterfully employed disegno, the Renaissance principle of intellectual conception and skillful draftsmanship, resulting in compositions that are both visually stunning and intellectually engaging. Notice the graceful arches, classical proportions, and the vibrant frescoes depicting scenes from the lives of David and Isaac and Rebecca Spied upon by Abimelech – each element meticulously planned to evoke a sense of harmony and balance, mirroring the Renaissance ideal. The overall design demonstrates an understanding of light and space that anticipates later Baroque developments, showcasing a remarkable blend of classical restraint and burgeoning dynamism. The sheer scale of the Loggia, combined with Raphael’s masterful use of perspective and color, creates an experience that transcends mere observation; it invites contemplation on faith, power, and artistic genius.

    The Raphael Rooms: A Tapestry of Faith and Art

    Adjacent to the Loggia of Pope Leo X lie the Raphael Rooms, a series of five magnificent frescoed halls that represent the apex of Renaissance artistry. Commissioned by Pope Leo X in 1509, these rooms were intended as a grand reception hall for foreign dignitaries. Raphael and his workshop masterfully executed this ambitious project, creating a cohesive ensemble that celebrates humanist ideals, classical mythology, and Christian theology. Each room tells a distinct story: the Disputation of the Holy Sacrament, the School of Athens, the Judgment of Plutus, the Triumph of Faith over Error, and the Philosopher. Pay close attention to Raphael’s use of perspective, his idealized figures, and his ability to seamlessly blend classical and Christian themes. The School of Athens, in particular, is a landmark achievement – a vibrant depiction of philosophical discourse featuring portraits of Plato and Aristotle alongside contemporary artists and scholars. The room's central composition, with its meticulously rendered figures engaged in animated debate, embodies the Renaissance fascination with knowledge and reason. Notice how Raphael subtly incorporates elements of classical architecture into the setting, creating a harmonious blend of ancient wisdom and Christian faith. The Judgment of Plutus is equally compelling, depicting the triumph of divine justice over earthly greed through a dramatic interplay of light and shadow. These rooms offer a profound insight into the intellectual and artistic climate of the High Renaissance – a period marked by a renewed interest in classical antiquity and a celebration of human potential.

    A Divine Revelation: Michelangelo’s Sistine Chapel

    No exploration of the Palazzi Pontifici is complete without acknowledging the monumental masterpiece housed within them: Michelangelo’s Sistine Chapel ceiling. This breathtaking fresco, completed between 1508 and 1512, represents a pinnacle of Renaissance art and a testament to human artistic potential. The scenes depicted—from the Creation of Adam to the Flood—are not merely decorative; they are carefully considered narratives that embody profound theological themes. Observe the dynamism of the figures, the masterful use of chiaroscuro (the dramatic contrast between light and shadow), and the sheer scale of the undertaking – a feat of engineering and artistic skill that continues to captivate viewers centuries later. The Creation of Adam, arguably the most famous image within the chapel, is particularly striking for its depiction of God reaching out to bestow life upon humanity. The figures are rendered with an unprecedented level of anatomical accuracy and emotional intensity, conveying a sense of awe and wonder. The Sistine Chapel is more than just a painting; it’s an experience—a journey into the heart of human creativity and spiritual contemplation. The meticulous detail, the vibrant colors (astonishingly preserved considering their age), and the sheer ambition of the project are truly awe-inspiring.

    Historical Significance & Legacy

    The history of the Palazzi Pontifici is inextricably linked to the papacy itself, forming a continuous thread through centuries of political intrigue, religious reform, and artistic flourishing. The Apostolic Palace, the official residence of the Pope, transcends its role as a dwelling; it serves as the seat of spiritual leadership for over a billion Catholics worldwide. Within these walls, crucial decisions impacting global affairs have been made, theological doctrines formulated, and an unparalleled level of artistic patronage fostered. The Lateran Treaty of 1929, which formally established Vatican City as an independent state, solidified the palaces’ role as a symbol of sovereignty and spiritual authority – a testament to the Church's enduring power. Throughout their history, the Palazzi witnessed periods of immense wealth and influence, alongside times of political turmoil and religious reform. They served as a backdrop for pivotal moments in Church history, including papal conclaves—the sacred gatherings where cardinals elect new popes—most notably within the Sistine Chapel, intrinsically linked to the Palazzi both in proximity and historical significance. The ongoing restoration efforts ensure that these magnificent buildings will continue to inspire generations to come.

    Notable Exhibitions & Unique Features

    The Palazzi Pontifici host a rotating selection of exhibitions showcasing both permanent collections and temporary displays, often focusing on specific artists, periods, or themes within the broader context of Vatican art history. Recent exhibitions have explored the evolution of papal portraiture, the influence of Mannerism on Renaissance painting, and the intricate symbolism embedded in the palace’s decorative arts. Beyond the grand frescoes and sculptures, visitors can explore lesser-known chambers and corridors, revealing hidden details and offering a glimpse into the daily lives of those who once resided within these walls. The meticulously maintained gardens surrounding the Palazzi provide a tranquil oasis amidst the bustling city, offering stunning views of St. Peter’s Basilica and the Roman skyline. A guided tour is highly recommended to fully appreciate the historical significance and artistic treasures contained within this extraordinary complex.

    Де почитати докладніше

    Шукайте онлайн

    QR-код, що веде на сторінку завантаження Emperor Constantine

    topimpressionists.com/uk/art/download/gian-lorenzo-bernini-emperor-constantine-8Y334N-en/

    Як цитувати цей твір

    MLA
    Берніні, Джан Лоренцо. Emperor Constantine. 1654, Палаццо Понтифіци. https://topimpressionists.com/uk/art/gian-lorenzo-bernini-emperor-constantine-8Y334N-en/
    APA
    Берніні, Джан Лоренцо (1654). Emperor Constantine [Painting]. Палаццо Понтифіци. https://topimpressionists.com/uk/art/gian-lorenzo-bernini-emperor-constantine-8Y334N-en/
    Chicago
    Джан Лоренцо Берніні. Emperor Constantine. 1654. Палаццо Понтифіци. https://topimpressionists.com/uk/art/gian-lorenzo-bernini-emperor-constantine-8Y334N-en/
    Harvard
    Берніні, Джан Лоренцо (1654) Emperor Constantine. Палаццо Понтифіци. Available at: https://topimpressionists.com/uk/art/gian-lorenzo-bernini-emperor-constantine-8Y334N-en/

    Придивіться уважніше

    Emperor Constantine — Джан Лоренцо Берніні

    Придивіться ближче

    Відповідайте власними словами. Тут немає неправильних відповідей — лише такі, які ви можете пояснити.

    1. Що першим привертає вашу увагу і чому?
    2. Які кольори чи форми створюють настрій — і що це за настрій?
    3. У нашому каталозі ця робота класифікована за тегами: emperor constantine, riding horse, scepter. Ви згодні? Що б ви додали або прибрали?
    4. Поверніться до розгляду David (detail) (1623), що було раніше в цьому посібнику. Назвіть дві спільні риси цього твору з цією роботою та одну відмінність.
    5. Baroque: Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action. Де саме в цій роботі це можна помітити?

    Ваша відповідь

    Напишіть короткий абзац про цей витвір мистецтва, використовуючи факти з попередніх розділів цього посібника та ваші відповіді вище.

    Арт-вікторина

    Emperor Constantine — Джан Лоренцо Берніні

    Наскільки добре ви знаєте цей витвір мистецтва?

    Оберіть одну правильну відповідь на кожне з 5 запитань нижче. Кожне з них має лише одну вірну відповідь.

    1. 1. Who is the artist credited with creating the artwork 'Emperor Constantine'?

      • A Michelangelo
      • B Gian Lorenzo Bernini
      • C Raphael
    2. 2. What is a prominent feature depicted in the artwork that emphasizes the central figure's status?

      • A A flowing cloak
      • B A scepter and crown
      • C A kneeling posture
    3. 3. The style of 'Emperor Constantine' is associated with which artistic period?

      • A Renaissance
      • B Baroque
      • C Neoclassicism
    4. 4. According to the provided information, in what year was this artwork created?

      • A 1598
      • B 1654
      • C 1680
    5. 5. The description mentions the emperor is riding on what animal?

      • A A lion
      • B A chariot
      • C A horse

    Мій результат: ____ із 5

    Ключ до відповідей — для вчителя

    Це починається з окремої друкованої сторінки, тому її можна просто не включати до копій.

    1A · 2A · 3A · 4A · 5B

    Перевірте будь-яку відповідь за каталожним описом цієї картини

    Питання та відповіді

    Звідки приходять відвідувачі «Emperor Constantine» роботи Джан Лоренцо Берніні?

    Сторінка Статистика переглядів для роботи «Emperor Constantine» роботи Джан Лоренцо Берніні містить статистику публічних переглядів: кількість щомісячних відвідувань цього твору, порівняння з найбільш популярними роботами митця та географію відвідувачів.

    Де я можу переглянути попередній перегляд "Emperor Constantine"?

    Щоб переглянути репродукцію «Emperor Constantine» роботи Джан Лоренцо Берніні, відкрийте сторінку попереднього перегляду Перегляд у інтер'єрі цього твору.

    Чи доступне завантаження "Emperor Constantine" у високій роздільній здатності?

    Щоб отримати цифровий файл твору «Emperor Constantine» роботи Джан Лоренцо Берніні, замовте завантаження цифрового зображення високої роздільної здатності на його сторінці Цифрове зображення високої якості.