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Number 3

Ім'я Клас Дата

Джексон Поллонк, Number 3 (1948). Общественное достояние

Основна інформація

Автор
Джексон Поллонк topimpressionists.com/uk/artists/%D0%B4%D0%B6%D0%B5%D0%BA%D1%81%D0%BE%D0%BD-%D0%BF%D0%BE%D0%BB%D0%BB%D0%BE%D0%BD%D0%BA_uk/
Дати створення автором
1912 – 1956
Живопис
1948
Матеріал
Акрил на полотні
Початковий розмір
77 x 57 cm
Рух
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Період
— Модерн

У контексті

Number 3 — Джексон Поллонк

Розмір

Оригінальні розміри складають 77 × 57 см (висота × ширина), представлено поруч із дорослою людиною середнього зросту.

Коли це було написано?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950

Затінення: життя Джексон Поллонк (1912–1956) ▲ ця робота, 1948

Схожі твори мистецтва

  • Номер 1, 1949, 1950 topimpressionists.com/uk/art/%D0%B4%D0%B6%D0%B5%D0%BA%D1%81%D0%BE%D0%BD-%D0%BF%D0%BE%D0%BB%D0%BB%D0%BE%D0%BD%D0%BA-%D0%BD%D0%BE%D0%BC%D0%B5%D1%80-1-1949-8EWJX6-uk/
  • Осінній Ритм. № 30, 1950 topimpressionists.com/uk/art/%D0%B4%D0%B6%D0%B5%D0%BA%D1%81%D0%BE%D0%BD-%D0%BF%D0%BE%D0%BB%D0%BB%D0%BE%D0%BD%D0%BA-%D0%BE%D1%81%D1%96%D0%BD%D0%BD%D1%96%D0%B9-%D1%80%D0%B8%D1%82%D0%BC-no-30-1950-8EWJW5-uk/
  • Збіг (Zbig) topimpressionists.com/uk/art/%D0%B4%D0%B6%D0%B5%D0%BA%D1%81%D0%BE%D0%BD-%D0%BF%D0%BE%D0%BB%D0%BB%D0%BE%D0%BD%D0%BA-%D0%B7%D0%B1%D1%96%D0%B3-zbig-8EWJWJ-uk/

Оберіть одну з робіт вище: назвіть дві спільні риси з цією роботою та одну відмінність.

Більше творів, що доповнюють цей: topimpressionists.com/uk/art/similar/paul-jackson-pollock-number-3-8XYAGF-en/

Кольорова палітра

Виміряно за зображенням

    Основний колір

    Еспресо #363b32

    Збережена палітра

    • #363B32
    • #D7D3AC
    • #0C0E10
    • #A58551
    Назва основного кольору
    Еспресо
    Інтенсивність
    Монохромність Наскільки насиченими та різноманітними є кольори: від одного приглушеного відтінку до багатьох яскравих.
    Контрастність
    Заява Ступінь відмінності кольорів за світлотою та насиченістю в межах картини.
    Гармонія
    Диссонуюча палітра Наскільки вдало поєднуються кольори — від контрастних до повністю гармонійних.
    Яскравість
    Глибока тінь Загальна світлотінь картини: від глибокої тіні до яскравого світла.
    Насиченість
    Ніжний колір Наскільки чистими та насиченими є кольори — від майже сірих до максимально яскравих.

    Про цей витвір мистецтва

    Number 3 — Джексон Поллонк

    Jackson Pollock: A Revolutionary in Abstract Expressionism

    Jackson Pollock (1912-1956) stands as a monumental figure within the abstract expressionist movement, forever altering the trajectory of modern art. His groundbreaking approach to painting—characterized by spontaneous gesture and unconventional materials—challenged established artistic conventions and cemented his place among the most influential artists of the 20th century. Pollock’s legacy continues to inspire contemporary creatives, demonstrating the enduring power of innovation and emotional resonance in visual art.

    Early Life and Influences

    Paul Jackson Pollock was born January 28, 1912, in Cody, Wyoming—a formative experience that instilled a restless spirit within him. His upbringing involved frequent relocations due to his father’s profession as a land surveyor, fostering an environment of instability which arguably fueled his artistic inclination. Despite pursuing formal studies at NYU and the Art Students League, Pollock's initial artistic explorations were shaped by regionalist painters like Thomas Hart Benton and David Alfaro Siqueiros—artists who championed depictions of American landscapes and social realities. Furthermore, he absorbed significant inspiration from Surrealism, particularly the techniques of automatism and dreamlike imagery, alongside Native American art forms that emphasized ritualistic patterns and symbolic representations.

    Artistic Development & Technique

    Pollock’s artistic journey began with representational works reflecting his teachers' stylistic sensibilities—scenes rendered in a regionalist style imbued with meticulous detail. However, he swiftly transitioned toward experimentation, delving into diverse mediums and approaches. During the 1930s, Pollock honed his skills in watercolor and gouache, mastering tonal gradations and blending techniques—skills that would prove invaluable as he developed his signature drip technique. This method involved pouring or splashing liquid household paint onto a horizontal surface, allowing Pollock to engage with the canvas from all angles and creating an immersive artistic experience for both himself and the viewer. The resulting paintings are characterized by dynamic compositions, vibrant colors, and intricate patterns that seem to dance across the surface—a deliberate departure from traditional painting methods.

    “Number 3” – An Emblematic Work

    Number 3,” created in 1948, exemplifies Pollock’s revolutionary drip technique and embodies his artistic philosophy. This monumental canvas—measuring 77.2 by 57.2 centimeters—is a testament to his unwavering commitment to spontaneity and process-based artmaking. The painting's palette is dominated by shades of blue, red, yellow, and orange, interwoven with black lines that contribute to the artwork’s textural complexity. Pollock meticulously applied paint using a drip method, resulting in an astonishing array of shapes and textures—a visual manifestation of his inner turmoil and a bold assertion of artistic freedom. The painting was showcased at the Betty Parsons Gallery in New York City during 1948, marking a pivotal moment in Pollock’s artistic career and establishing him as a leader within the burgeoning abstract expressionist movement.

    Historical Context & Legacy

    Number 3” emerged against the backdrop of a period marked by profound social and intellectual upheaval—the postwar era witnessed an explosion of creativity fueled by anxieties about nuclear war and a yearning for new forms of artistic expression. Pollock’s work resonated deeply with fellow artists like Willem de Kooning, fostering a collaborative spirit that propelled the abstract expressionist movement forward. His innovative technique not only challenged conventional notions of beauty but also fundamentally altered the way artists approached their craft—inspiring generations of creatives who followed in his footsteps and shaping the landscape of contemporary art. The painting’s enduring influence is undeniable, serving as a bridge between traditional painting traditions and modern abstraction.

    Exhibitions & Recognition

    Number 3” gained considerable acclaim upon its debut at the Museum of Modern Art (MoMA) retrospective exhibition in New York City in 1956—a recognition that underscored Pollock’s impact on the art world and solidified his status as a visionary artist. This monumental undertaking showcased the breadth of Pollock's oeuvre, demonstrating his mastery across various mediums and styles. The painting continues to captivate audiences today, reflecting the timeless appeal of abstract expressionism and its capacity to evoke profound emotional responses.

    Jackson Pollock - A major figure in the abstract expressionist movement.

    Number 3 - A painting that exemplifies Pollock’s drip technique and artistic philosophy.

    Painting by 'Jackson Pollock' | Jackson Pollock:Number 3 (77 x 57 cm,Abstract Expressionism,Enamel,)

    Museum of Modern Art - Hosted a memorial retrospective exhibition for Pollock in 1956.

    AllPaintingsStore.com offers high-quality, handmade oil painting reproductions of “Number 3” and other works by Jackson Pollock. These reproductions capture the essence of his original paintings, providing art enthusiasts with an opportunity to own a piece of history. For more information on Jackson Pollock and his works, visit Jackson Pollock:Number 3 at AllPaintingsStore.com.

    Митець та музей

    Автор

    Джексон Поллонк

    Місце народження Ко́ди, Спеціа́льна адміністрація́ Ко́смічного проме́джу

    Early Life and the Seeds of Innovation

    Paul Jackson Pollock, born in Cody, Wyoming, in 1912, was a restless spirit from the very beginning. His early life was marked by constant movement as his father, LeRoy Pollock, pursued work as a land surveyor across the vast landscapes of the American West. This itinerant existence instilled in young Pollock a deep connection to the natural world and an exposure to diverse cultures – particularly through encounters with Native American art during those surveying trips. These experiences left an indelible mark on his artistic vision, subtly shaping his later approach without direct imitation. Though he never explicitly referenced Indigenous styles, the raw energy and spiritual resonance of these early interactions undoubtedly influenced his work.

    Pollock’s formal artistic training commenced at the Manual Arts High School in Los Angeles, followed by studies at the Art Students League of New York under the guidance of Thomas Hart Benton. Benton, a prominent figure in the Regionalist movement, emphasized rhythmic composition and narrative themes rooted in American life. While Pollock initially absorbed these lessons, his inherent inclination leaned toward more abstract explorations. He was also profoundly impacted by Mexican muralists like José Clemente Orozco, whose powerful depictions of social struggle resonated deeply with him. These early influences provided a foundation, but it was the burgeoning world of Surrealism that truly unlocked Pollock’s artistic potential – a movement focused on expressing the workings of the subconscious through fantastical imagery and unexpected juxtapositions.

    The Birth of Action Painting and a Revolutionary Technique

    The 1930s saw Pollock experimenting with various techniques, seeking alternatives to traditional brushwork. He began pouring paint onto canvases, exploring its fluidity and unpredictable nature. However, it was around 1947 that his artistic trajectory underwent a radical transformation. Abandoning the easel altogether, Pollock laid canvases directly on the floor, initiating what would become known as his “drip technique.” He then proceeded to drip, splash, and fling paint onto the canvas from above, orchestrating a dynamic dance between artist, medium, and surface.

    This wasn’t merely about applying paint; it was about embodying the act of creation itself. Pollock's canvases became arenas for physical expression, capturing the immediacy of his gestures and emotions. The resulting paintings are characterized by their “all-over” composition – a lack of central focus that invites the viewer to explore the entire surface as a unified field of energy. Intricate networks of lines and colors intertwine, creating a visual complexity that is both captivating and challenging. He employed unconventional tools—sticks, knives, even syringes—to manipulate the paint in unpredictable ways, further emphasizing the spontaneous nature of his process.

    This innovative approach positioned Pollock as a central figure in the burgeoning Abstract Expressionist movement, which emerged in post-World War II New York City. Abstract Expressionism prioritized spontaneous gesture, large scale, and non-representational imagery, reflecting a broader cultural shift away from traditional artistic conventions. His marriage to fellow artist Lee Krasner was also pivotal; she provided unwavering emotional support and actively encouraged his artistic development, recognizing the groundbreaking nature of his work.

    Iconic Works and Lasting Legacy

    Pollock’s most celebrated works—such as Number 1, 1950 (Lavender Mist), One: Number 31, 1950, Blue Poles: Number 11, 1952, and Convergence—are testaments to his revolutionary technique. These paintings are not simply images; they are records of a performance, imbued with the artist’s physical presence and emotional intensity. The dynamic energy that emanates from these canvases is palpable, drawing viewers into a world of pure abstraction.

    The influence of Surrealism is evident in the seemingly random yet carefully orchestrated patterns created through his drip technique. He explored themes of chance, intuition, and the subconscious mind, seeking to capture the essence of human experience through abstract forms. His work reflects a deep engagement with Jungian psychology, delving into archetypes and primal energies.

    A Complex Figure and Enduring Influence

    Jackson Pollock’s life was marked by both artistic brilliance and personal struggles. He battled alcoholism for much of his career, a condition that often exacerbated his volatile personality. Despite these challenges, he remained fiercely committed to his art, constantly pushing the boundaries of painting and challenging conventional notions of representation. His untimely death in 1956 at the age of 44 cut short a remarkable artistic journey, but his legacy continues to resonate profoundly within the art world.

    Pollock’s impact on the history of art is immeasurable. He fundamentally altered the way artists approached painting, breaking free from easel-based methods and embracing a more performative approach. His work helped solidify New York City's position as a global center for modern art, shifting the focus away from European dominance. His influence can be seen in the work of countless artists who followed, including those associated with Color Field painting and later forms of abstract expressionism. He remains an icon of American innovation and a testament to the power of artistic vision.

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    QR-код, що веде на сторінку завантаження Number 3

    topimpressionists.com/uk/art/download/paul-jackson-pollock-number-3-8XYAGF-en/

    Цитування цього твору мистецтва

    MLA
    Поллонк, Джексон. Number 3. 1948, https://topimpressionists.com/uk/art/paul-jackson-pollock-number-3-8XYAGF-en/
    APA
    Поллонк, Джексон (1948). Number 3 [Painting]. https://topimpressionists.com/uk/art/paul-jackson-pollock-number-3-8XYAGF-en/
    Chicago
    Джексон Поллонк. Number 3. 1948. https://topimpressionists.com/uk/art/paul-jackson-pollock-number-3-8XYAGF-en/
    Harvard
    Поллонк, Джексон (1948) Number 3. Available at: https://topimpressionists.com/uk/art/paul-jackson-pollock-number-3-8XYAGF-en/

    Придивіться уважніше

    Number 3 — Джексон Поллонк

    Придивіться уважніше

    Відповідайте власними словами. Тут немає неправильних відповідей — лише такі, які ви можете пояснити.

    1. Що першим привертає вашу увагу і чому?
    2. Які кольори чи форми створюють настрій — і що це за настрій?
    3. Поверніться до розгляду Номер 1, 1949 (1950), що було раніше в цьому посібнику. Назвіть дві спільні риси цього твору з цією роботою та одну відмінність.
    4. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Де саме в цій роботі це можна помітити?
    5. Джексон Поллонк було близько 36 років, коли була створена ця робота. Що саме в ній вказує на такий етап творчості митця?

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