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      Frederic Yates, 1854 – 1919

      16 найвідоміших картин Frederic Yates за рейтингом

      Найпопулярніший витвір Frederic Yates — це Charlotte Mason (1842–1923) (1902). Наступними серед полотен, які найкраще знають читачі, є Path on Nab Scar (1900) та At Dent, August 1904 (1904). Наш каталог містить 16 робіт Frederic Yates: перед вами 16 найвідоміших, з указанням року створення, музею та особливостей, що роблять кожну з них незабутньою.

      Рейтинг сформовано на основі нашого показника популярності, що поєднує кількість пошукових запитів, переглядів та замовлень для кожної роботи. Оновлено Листопад 2026. Кожну картину на цій сторінці можна замовити як олійну репродукцію, написану вручну на лляному полотні, або як художній принт, виготовлений за обраним вами розміром.

      Портрет Frederic Yates
      Frederic Yates · 1854 – 1919
      Народився · помер
      1854 – 1919, Southampton
      Роботи в нашому каталозі
      16
      Найвідоміші
      Charlotte Mason (1842–1923) (1902)
      Найбільше робіт у
      Abbot Hall Art Gallery

      10 найкращих картин Frederic Yates: полотна, які знають усі

      Charlotte Mason (1842–1923) (1902) авторства Frederic Yates
      1

      Charlotte Mason (1842–1923)

      1902 · Oil On Canvas

      The room holds a stillness that feels heavy with thought. A woman sits, her gray hair catching the light, her hands pressed gently against her chin in a gesture of deep reflection. She wears a dark, somber dress and a scarf that wraps around her neck, grounding her presence against the warmth of the red table before her. Nearby, a book rests, its presence suggesting the source of her meditation…

      Копія олією ручної роботи від $178 27 × 37 cm Розмір як у оригіналу $211 40 × 52 cm Замовити в оригінальному розмірі →

      Більше полотен Frederic Yates, від 11 до 16

      Де виставляються полотна Frederic Yates

      5 музеїв, у яких зберігається найбільша кількість картин із цього списку.

      Музей Місто Твори Frederic Yates Картини зі цього списку
      Abbot Hall Art Gallery, КендалAbbot Hall Art Gallery Кендал 5 Path on Nab Scar, Rydal Valley, View near Rydal
      Kendal Town Hall, КендалKendal Town Hall Кендал 3 Frederick Punchard, John Holme (1830–1905), Chairman of the Board of Guardians (1851–1905), William Dilworth Crewdson (c.1838–1908), High Sheriff of Westmorland (1888) and Chairman of Westmorland County Council (1906–1907)
      Cumbria Archive And Local Studies Centre, Barrow-in-FurnessCumbria Archive And Local Studies Centre Barrow-in-Furness 1 At Dent, August 1904
      University of Birmingham, БірмінгемUniversity of Birmingham Бірмінгем 1 Ernest de Sélincourt (1870–1943), Professor of English
      Laing Art Gallery, Ньюкасл-апон-ТайнLaing Art Gallery Ньюкасл-апон-Тайн 1 Japanese Shrine

      Найулюбленіші полотна Frederic Yates рік за роком

      15 років біля мольберта, від 1900 до 1914: найулюбленіші полотна Frederic Yates рік за роком.

      1. 1900
      2. 1901
        Girl with a Pigeon (1901) авторства Frederic Yates
        16 з 16

        Girl with a Pigeon

        Вік 47 · Abbot Hall Art Gallery

        The painting "Girl with a Pigeon" by Frederic Yates is a stunning example of early 20th-century art. Created in 1901, this oil on canvas piece measures 32 x…

      3. 1902
        Charlotte Mason (1842–1923) (1902) авторства Frederic Yates
        Полотно 1 із 16

        Charlotte Mason (1842–1923)

        Вік 48

        The room holds a stillness that feels heavy with thought. A woman sits, her gray hair catching the light, her hands pressed gently against her chin in a…

      4. 1904
      5. 1904
      6. 1907
      7. 1914
        Rydal Water (1914) авторства Frederic Yates
        Місце в рейтингу: 6 із 16

        Rydal Water

        Вік 60

      Про полотна Frederic Yates: відповіді на ваші запитання

      Яка найвідоміша картина Frederic Yates?Прочитати відповідь

      Charlotte Mason (1842–1923) (1902), далі Path on Nab Scar (1900) та At Dent, August 1904 (1904).

      Скільки років було Frederic Yates, коли було написано Charlotte Mason (1842–1923)?Прочитати відповідь

      Frederic Yates, народився у 1854, мав 48 років: Charlotte Mason (1842–1923) датована 1902 роком.

      Які 10 найвідоміших картин Frederic Yates?Прочитати відповідь

      Charlotte Mason (1842–1923), Path on Nab Scar, At Dent, August 1904, John Henry Bridges (1832–1906), Ernest de Sélincourt (1870–1943), Professor of English, Rydal Water, Rydal Valley, View near Rydal, Frederick Punchard та John Holme (1830–1905), Chairman of the Board of Guardians (1851–1905). Кожне полотно в рейтингу вище має зазначений рік створення та музей.

      Скільки всього робіт написав Frederic Yates?Прочитати відповідь

      У нашому каталозі представлено 16 робіт автора Frederic Yates, датованих періодом з 1900 по 1914.

      Де я можу побачити найвідоміші полотна Frederic Yates?Прочитати відповідь

      Переважно в Abbot Hall Art Gallery (Кендал), Kendal Town Hall (Кендал) та Cumbria Archive And Local Studies Centre (Barrow-in-Furness); у списку вище наведено назву кожного музею та його полотна.

      Коли Frederic Yates написав свої найвідоміші полотна?Прочитати відповідь

      У 1904, що охоплює 2 із 16 робіт на цій сторінці, серед них — At Dent, August 1904.

      Які найранніші та найпізніші відомі полотна Frederic Yates?Прочитати відповідь

      Найдавніший холст тут датований Path on Nab Scar (1900), а найновіший — Rydal Water (1914).

      Які полотна Frederic Yates виставлені в Abbot Hall Art Gallery?Прочитати відповідь

      У Abbot Hall Art Gallery, Кендал зберігається 5 творів із цієї сторінки, серед яких Path on Nab Scar, Rydal Valley та View near Rydal.

      Чи можу я купити репродукцію полотна Frederic Yates?Прочитати відповідь

      Так. Кожну картину на цій сторінці можна замовити на її окремій сторінці як рукописну олійну репродукцію або як художній принт у обраному вами розмірі.

      Frederic Yates: життя у фарбах

      A Life Painted in Light: The Story of Frederic Yates

      Frederic Yates, born Frederick Keeping in 1854 and passing in 1919, remains a compelling figure within the landscape tradition of Victorian Britain. Though perhaps not a household name today, his evocative paintings – often signed simply as “F. Yates” – capture a particular mood of romantic contemplation that resonates deeply with viewers even now. His life story is one woven into the fabric of artistic shifts and societal changes, a journey from early promise to a dedicated practice focused on capturing the beauty of the English countryside and the dignity of portraiture. While biographical details are somewhat scarce, piecing together his exhibition history and stylistic development reveals an artist deeply attuned to both the technical demands of his craft and the emotional power of light and atmosphere.

      Early Years and Artistic Training

      The early life of Frederick Keeping is shrouded in some mystery. Records suggest a formal artistic education, though the specifics remain elusive. It’s believed he studied at the prestigious South Kensington Art Schools – later to become the Royal College of Art – during a period when academic realism was dominant. This foundation undoubtedly instilled in him a mastery of technique and an understanding of composition. However, Yates quickly moved beyond strict imitation, developing a style that embraced a more subjective interpretation of nature. The adoption of “Frederic Yates” as his professional name suggests a deliberate forging of a new artistic identity, perhaps distancing himself from the constraints of earlier training or seeking to establish a unique presence in the crowded art market. His early works demonstrate a clear influence of the Barbizon school and artists like John Constable, evident in their naturalistic depictions of rural scenes and subtle handling of light.

      The Alluring Landscapes: A Romantic Vision

      Yates’s most celebrated work centers around his landscapes. These are not merely topographical representations; they are imbued with a sense of quiet drama and emotional depth. He favored idyllic settings – rolling hills, tranquil woodlands, shimmering rivers – often bathed in the soft glow of dawn or dusk. His paintings evoke a feeling of nostalgia for a vanishing rural England, a sentiment that resonated strongly with Victorian audiences undergoing rapid industrialization. Yates’s technique is characterized by delicate brushwork and a masterful use of color to create atmospheric effects. He wasn't interested in grand, sweeping vistas but rather in intimate scenes that invited contemplation. The influence of the Pre-Raphaelites can be seen in his attention to detail and his desire to capture the beauty of the natural world with almost photographic accuracy, yet he infused these details with a romantic sensibility. He skillfully balanced realism with an emotional response to the landscape, creating works that are both visually stunning and deeply moving.

      Portraiture: Capturing Character and Dignity

      Alongside his landscapes, Yates also produced a significant body of portrait work. These portraits, often depicting members of the middle class, reveal a sensitivity to character and an ability to capture the inner life of his sitters. Unlike the flamboyant poses and elaborate costumes favored by some Victorian portraitists, Yates’s portraits are characterized by their simplicity and directness. He focused on conveying the personality and dignity of his subjects through subtle nuances of expression and gesture.
      • His use of light is particularly effective in portraiture,
      • softening features and creating a sense of intimacy.
      • He often employed a muted color palette,
      • allowing the sitter’s character to take center stage.

      Legacy and Historical Significance

      While Frederic Yates may not be as widely recognized as some of his contemporaries, his work offers a valuable insight into the artistic sensibilities of Victorian Britain. His landscapes represent a continuation of the romantic tradition, while his portraits reflect a growing interest in psychological realism. He successfully navigated the demands of the art market, producing works that were both commercially viable and artistically satisfying. Today, his paintings are increasingly sought after by collectors who appreciate their quiet beauty and emotional depth. Yates’s legacy lies not in groundbreaking innovation but in his ability to capture a particular moment in time – a fleeting glimpse of rural England and the enduring dignity of the human spirit. His work serves as a reminder of the power of art to evoke emotion, preserve memory, and connect us to the past.