Серед усіх картин Samuel Spode найбільш відомою є A Dark Bay Racehorse held by a Trainer in a Landscape (1833); вона експонується в Florence Court. Серед 2 робіт Samuel Spode у нашому каталозі ці 2 є найвідомішими: для кожної вказано дату створення, музей та історію.
Рейтинг сформовано на основі нашого показника популярності, що поєднує кількість пошукових запитів, переглядів та замовлень для кожної роботи. Оновлено Листопад 2026. Кожну картину на цій сторінці можна замовити як олійну репродукцію, написану вручну на лляному полотні, або як художній принт, виготовлений за обраним вами розміром.
1 музеїв, у яких зберігається більшість картин на цій сторінці.
| Музей | Місто | Твори Samuel Spode | Картини зі цього списку |
|---|---|---|---|
| 1 | A Dark Bay Racehorse held by a Trainer in a Landscape |
Один рік, 1833, охоплює всі датовані полотна Samuel Spode на цій сторінці: ось вони, спочатку найвідоміші.
A Dark Bay Racehorse held by a Trainer in a Landscape (1833)
Samuel Spode, народився у 1798, мав 35 років: A Dark Bay Racehorse held by a Trainer in a Landscape датована 1833 роком.
У нашому каталозі представлено 2 робіт художника Samuel Spode.
Переважно в Florence Court; у списку вище наведено назву кожного музею та його полотна.
Так. Кожну картину на цій сторінці можна замовити на її окремій сторінці як рукописну олійну репродукцію або як художній принт у обраному вами розмірі.
Samuel Spode was a British painter who specialized in equestrian sporting scenes, with a particular focus on the portraiture of military and sporting horses. His work often captured the essence of horse racing and fox hunting, frequently featuring prominent animals such as Birdcatcher, Caractacus, and Voltager. He also portrayed significant historical horses, including the Duke of Wellington's war horse, Copenhagen, and the charger Ronald, which was ridden by Lord Cardigan during the Charge of the Light Brigade.
Spode's career was marked by significant movement; he emigrated to Van Diemen's Land with his wife, Mary Crewe, and his brother Josiah, before returning to England in 1826. During his time in England, he stayed at Heron Cottage in the Staffordshire Potteries. His artistic output included works for various patrons, such as the Earl of Lonsdale and John Dawson Duckett, and some of his paintings were reproduced in The Sporting Magazine.
In the 1830s, Spode traveled frequently to Ireland to seek commissions, and he also spent time working as a horse trainer at the Curragh Racecourse. His dedication to his passion for animal painting meant that he worked solely on commissions, and as a result, he never exhibited at well-known exhibitions. Around 1845, he painted several works with Stonehenge in the background, suggesting a period of residence near Amesbury.
Spode's life was characterized by several marriages; he was widowed three times before eventually marrying a girl named Delia in Dublin. He died in Dublin, leaving behind a legacy defined by the many famous horses he depicted throughout his career.