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      Хайм Сутін, 1893 – 1943

      Хайм Сутін's 100 Most Famous Paintings

      Chicken Hanging in Front of a Brick Wall (1924) is the painting Хайм Сутін is best remembered for; it belongs to the Kunstmuseum Bern, Берн. Підвішена качка (1925) and Suburban Landscape with Red Houses (1917) complete the trio of best-loved canvases. Our catalogue counts 118 works by Хайм Сутін. Here are the 100 most famous, with the year, the museum and the story of each canvas.

      Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated Жовтень 2026. Each painting on this page can be ordered as an oil reproduction painted by hand on linen canvas, or as a fine art print, made to the size you choose.

      Portrait of Хайм Сутін
      Хайм Сутін · 1893 – 1943
      Born · died
      1893 – 1943, Смиловичі
      Movement
      Expressionism
      Works in our catalogue
      118
      Most famous
      Chicken Hanging in Front of a Brick Wall (1924)
      Most works at
      Musée de l'Orangerie

      The ten best-loved paintings by Хайм Сутін

      Підвішена качка (1925) by Хайм Сутін
      2

      Підвішена качка

      1925 · Олія на полотні · Ohara Museum of Art, Kurashiki

      Художник та Шедевр: Чайм Сoutine та Картина «Підвішена Канарейка» Чайм Сoutine (1893–1943) – один із найвидатніших художників початку XX століття, що належить до руху експресіонізму. Його творчість характеризується глибокою емоційністю та інтуїтивним мисленням, що відбивається у складних композиціях і насиченими кольорами полотен. Сoutine був надзвичайно самостійним художником, який відмовився від прийняття усталених тенденцій свого часу, створюючи власний унікальний стиль, що поєднує традиції російського живопису з впливом західної культури. Його мистецький…

      Suburban Landscape with Red Houses (1917) by Хайм Сутін
      3

      Suburban Landscape with Red Houses

      1917 · Олія на полотні

      In the turbulent landscape of early 20th-century modernism, few voices resonate with as much raw, visceral energy as that of Chaim Soutine. His 1917 masterpiece, Suburban Landscape with Red Houses, serves as a breathtaking window into the heart of Expressionism. This is not merely a depiction of a quiet neighborhood; it is an emotional upheaval captured on canvas. The painting invites the viewer into a world where the boundaries between…

      Girl in Red (1919) by Хайм Сутін
      4

      Girl in Red

      1919 · Oil

      A woman sits, draped in a heavy shade of red. The color is thick, a visceral weight of pigment that seems to pulse against the surface. She is seated upon a chair, her hands resting upon its back, while a smaller chair sits in the distance, a silent companion in the room. A handbag lies near her feet, a solitary object in a space defined by shadow. Her face remains…

      Portrait of a Child (1937) by Хайм Сутін
      5

      Portrait of a Child

      1937 · Oil

      In this intimate work, titled Portrait of a Child, the artist Chaim Soutine turns his gaze toward the quiet vulnerability of youth. Created about 1937, the painting presents a portrait of a young child, capturing a moment of profound stillness. There is a certain weight to the subject's presence, a sense of being caught in a private moment of thought.

      Untitled (1411) by Хайм Сутін
      6

      Untitled (1411)

      A woman sits draped in red. The color is heavy, a thick weight of pigment that seems to pulse against the paper. She turns her head away, her gaze lost to something unseen. A hat, dark and perhaps mystical, rests upon her hair. She is a solitary anchor in a shifting space. Around her, the edges of the world dissolve into shadows and half-formed shapes.

      Beef and calf's head (1923) by Хайм Сутін
      7

      Beef and calf's head

      1923 · Oil On Canvas · Musée de l'Orangerie, Париж

      The composition is dominated by a large, central mass of meat that occupies most of the frame. To the left, a severed animal head is positioned within the arrangement. The color palette relies on highly saturated, warm tones, specifically crimson, vermilion, and ochre, which contrast against dark, murky browns and blacks in the background. Thick, gestural lines create a sense of movement across the surface. The shapes are organic and…

      The Gipsy (1926) by Хайм Сутін
      8

      The Gipsy

      1926 · Oil On Canvas · Statens Museum For Kunst, Копенгаген

      The Gipsy by Chaim Soutine, created about 1926, is a centered, bust-length portrait of a single figure. The subject possesses dark hair and directs the gaze slightly off-center rather than toward the viewer. This figure is positioned against a dark, indistinct background that lacks measurable depth, which focuses the attention entirely on the person. A saturated red scarf is wrapped around the neck, providing a sharp contrast to the surrounding…

      Return from School After the Storm by Хайм Сутін
      9

      Return from School After the Storm

      Oil

      Two children navigate a dirt path through an open field, their figures positioned closely as they walk under a heavy, cloud-scattered sky. The scene captures a moment of transition, where the aftermath of a storm leaves a sense of stillness in the air. In the distance, a solitary figure moves away from the pair, adding a layer of quiet isolation to the natural setting. The composition focuses on the relationship…

      Хайм Сутін: canvases 11 to 100 of the ranking

      The big altar boy (1925) by Хайм Сутін
      #13

      The big altar boy

      1925 · Центр Помпіду

      The big altar boy is an oil on canvas portrait by Chaim Soutine. Created about 1925, the work presents a young figure, likely an altar boy, centered within…

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      Man with Horse (1920) by Хайм Сутін
      #21

      Man with Horse

      1920 · Метрополітен-музей

      In Man with Horse, Chaim Soutine presents a scene of heavy, shifting forms. Painted about 1920, the work centers on a figure, likely a man, moving alongside a…

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      Duck on Blue Background (1925) by Хайм Сутін
      #23

      Duck on Blue Background

      1925 · Staatliche Kunsthalle Karlsruhe

      A single avian form, likely a duck, is caught in a violent, swirling vortex of color. The subject is not rendered with anatomical precision but through a series…

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      Little Girl in Blue (1935) by Хайм Сутін
      #24

      Little Girl in Blue

      1935 · Kunstmuseum Bern

      Chaim Soutine's "Little Girl in Blue," painted circa 1934-1935, is not merely a portrait; it’s an immersion into the heart of emotional vulnerability. This arresting canvas, currently residing…

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      Dead Fowl (1926) by Хайм Сутін
      #25

      Dead Fowl

      1926 · Art Institute of Chicago

      is an oil on canvas painted by Chaim Soutine in 1926. The work is part of the Joseph Winterbotham Collection. It is also known by the alternate titles…

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      The Table (1919) by Хайм Сутін
      #27

      The Table

      1919 · Musée de l'Orangerie

      The Table is an oil on canvas work by Chaim Soutine. Created circa 1919, this still life captures a moment of domestic disarray. It resides within the collection…

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      The Turkey (1925) by Хайм Сутін
      #28

      The Turkey

      1925 · Musée de l'Orangerie

      is an oil on canvas created by Chaim Soutine. Executed about 1925, the work belongs to the Jean Walter et Paul Guillaume collection. It is currently held at…

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      Селянка [La Fille de Ferme] (1919) by Хайм Сутін
      #50

      Селянка [La Fille de Ferme]

      1919 · Nagoya City Art Museum

      Хайма Сьойне (1893–1943), родом із бідної єврейської сім'ї в Смоліковічах, Білорусь (нині Беларусь), пережив дитинство, сповнене труднощів та обмежень ортодоксальної громади. Ці ранні досвідження глибоко вплинули на його…

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      The old mill by Хайм Сутін
      #65

      The old mill

      The old mill is an oil on canvas by Chaim Soutine. It emerged from the artist's brush around 1922-23. The paint clings to the fabric in thick, restless…

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      Landscape with trees in the wind (1919) by Хайм Сутін
      #66

      Landscape with trees in the wind

      1919 · The Ema Klabin House Museum

      This arresting landscape, titled “Landscape with trees in the wind,” offers a profound glimpse into the artistic world of Chaim Soutine (1894-1943), a painter whose intensely personal and…

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      Windy Day, Auxerre by Хайм Сутін
      #67

      Windy Day, Auxerre

      The Phillips Collection

      Windy Day, Auxerre is a work by Chaim Soutine. Created in the summer of 1939, the painting captures a specific moment of atmospheric tension. The scene is situated…

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      The Pheasant by Хайм Сутін
      #69

      The Pheasant

      The Phillips Collection

      The Pheasant is a work by Chaim Soutine, executed between c. 1926 and c. 1927. The artist was born near Minsk, Russia, in what is now Belarus. Following…

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      Woman in Profile by Хайм Сутін
      #70

      Woman in Profile

      The Phillips Collection

      Woman in Profile is a portrait of Madame Tennent painted by Chaim Soutine. This work was created about 1937. The composition focuses on the subject from a side…

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      Хайм Сутін's canvases, period by period

      What Хайм Сутін painted most

      The four subjects that return most often on these canvases, each with its best-loved example.

      Where Хайм Сутін's canvases hang

      The 8 museums that hold the most of the paintings on this page.

      Museum City Works by Хайм Сутін Paintings from this list
      Musée de l'Orangerie, ПарижMusée de l'Orangerie Париж 9 Beef and calf's head, The Table, The Turkey
      Метрополітен-музей, Нью-ЙоркМетрополітен-музей Нью-Йорк 7 Woman in Red Blouse, Man with Horse, Apples
      The Phillips Collection, Вашингтон, округ КолумбіяThe Phillips Collection Вашингтон, округ Колумбія 4 Windy Day, Auxerre, The Pheasant, Woman in Profile
      Nagoya City Art Museum, НагояNagoya City Art Museum Нагоя 3 Still Life with Fowl [Nature Morte à La Volaille], Селянка [La Fille de Ferme], Landscape at Céret [Paysage à Céret]
      Ізраїльський музей, ЄрусалимІзраїльський музей Єрусалим 3 Landscape, Hill in Céret, Calf and Red Curtain
      Kunstmuseum Bern, БернKunstmuseum Bern Берн 2 Chicken Hanging in Front of a Brick Wall, Little Girl in Blue
      Клівлендський музей мистецтва, КлівлендКлівлендський музей мистецтва Клівленд 2 Seated Woman, Still Life with Rayfish
      Art Institute of Chicago, ЧикагоArt Institute of Chicago Чикаго 2 Dead Fowl, Landscape at Cagnes

      Хайм Сутін's most famous canvas, decade after decade

      1. 1910s
        Suburban Landscape with Red Houses (1917) by Хайм Сутін
        Canvas 3 of 100

        Suburban Landscape with Red Houses

        Age 17 – 26

        In the turbulent landscape of early 20th-century modernism, few voices resonate with as much raw, visceral energy as that of Chaim Soutine. His 1917 masterpiece, Suburban Landscape with…

      2. 1920s
        Chicken Hanging in Front of a Brick Wall (1924) by Хайм Сутін
        Ranked 1 of 100

        Chicken Hanging in Front of a Brick Wall

        Age 27 – 36 · Kunstmuseum Bern

        The painting titled Chicken Hanging in Front of a Brick Wall emerged from the restless hand of Chaim Soutine. Created about 1924, the work captures a singular, heavy…

      3. 1930s
        Portrait of a Child (1937) by Хайм Сутін
        Ranked 5 of 100

        Portrait of a Child

        Age 37 – 46

        In this intimate work, titled Portrait of a Child, the artist Chaim Soutine turns his gaze toward the quiet vulnerability of youth. Created about 1937, the painting presents…

      Хайм Сутін's canvases, question by question

      Which canvas is Хайм Сутін most remembered for?Read the answer

      Chicken Hanging in Front of a Brick Wall (1924), Kunstmuseum Bern, Берн. Підвішена качка (1925) and Suburban Landscape with Red Houses (1917) follow.

      Chicken Hanging in Front of a Brick Wall: how old was Хайм Сутін when it was painted?Read the answer

      Хайм Сутін, born in 1893, was 31 years old: Chicken Hanging in Front of a Brick Wall dates from 1924.

      What are Хайм Сутін's ten most famous canvases?Read the answer

      Chicken Hanging in Front of a Brick Wall, Підвішена качка, Suburban Landscape with Red Houses, Girl in Red, Portrait of a Child, Untitled (1411), Beef and calf's head, The Gipsy, Return from School After the Storm and Ceret Lanscape. Each canvas in the ranking above comes with its year and its museum.

      How many paintings did Хайм Сутін create?Read the answer

      118 works by Хайм Сутін are in our catalogue, dated 1916 to 1937.

      Where do Хайм Сутін's most famous canvases hang today?Read the answer

      Mostly in Musée de l'Orangerie (Париж), Метрополітен-музей (Нью-Йорк) and The Phillips Collection (Вашингтон, округ Колумбія); the list above names each museum and its canvases.

      When did Хайм Сутін paint the most famous canvases?Read the answer

      In 1920s, which gave 38 of the 100 works on this page, Chicken Hanging in Front of a Brick Wall among them.

      Which famous Хайм Сутін canvas came first, and which came last?Read the answer

      The earliest canvas here is Self-Portrait (1916); the latest is Portrait of a Child (1937).

      Which subjects did Хайм Сутін paint most?Read the answer

      Meat (4), Portrait (4) and Portrait painting (4), across the 100 works on this page.

      Which medium appears most in Хайм Сутін's paintings?Read the answer

      Oil On Canvas, used in 14 of the 100 works on this page.

      Which movement is Хайм Сутін associated with?Read the answer

      Expressionism, as the canvases on this page show.

      Which paintings by Хайм Сутін are held by the Musée de l'Orangerie?Read the answer

      The Musée de l'Orangerie, Париж holds 7 of the works on this page, among them Beef and calf's head, The Table and The Turkey.

      Where can I buy a reproduction of a Хайм Сутін painting?Read the answer

      Yes. Every painting on this page can be ordered from its own page as an oil reproduction painted by hand, or as a fine art print, in the size you choose.

      Meet the painter: Хайм Сутін

      A Life Forged in Turmoil: The World of Chaim Soutine

      Chaim Soutine, a name synonymous with turbulent landscapes and emotionally charged portraits, was born into a world of profound hardship that irrevocably shaped his artistic vision. His early life in Smilovichi, a small Jewish shtetl near Minsk (present-day Belarus) in 1893, was steeped in poverty and the constraints of Orthodox religious observance – experiences that would become central themes within his intensely personal art. Despite a childhood marked by material scarcity and limited opportunities, Soutine’s innate talent for drawing began to blossom, hinting at the passionate intensity he would later unleash upon the canvas. Formal artistic training at an academy in Vilna (now Vilnius) from 1910 to 1913 provided him with foundational skills, but it was his emigration to Paris in 1913 that proved to be a pivotal turning point, immersing him within a vibrant and challenging artistic community. Initially struggling with extreme poverty – a reflection of the emotional turmoil he sought to express – Soutine’s early years in Paris were characterized by relentless struggle and a profound sense of isolation, yet they also laid the groundwork for his unique and groundbreaking style.

      An Expressionist Apart: Style and Influences

      While often categorized as an Expressionist, reducing Soutine solely to this label significantly diminishes the complexity of his artistic approach. His style was profoundly individual, a masterful synthesis of traditional European painting – particularly the evocative works of Dutch Masters like Rembrandt and Chardin, and the stark realism of Courbet – filtered through a lens of raw emotional intensity. He didn’t merely imitate these masters; he absorbed their techniques—their mastery of light, composition, and brushwork—and then violently reinterpreted them to convey his own deeply personal and often unsettling inner world. Soutine's canvases are immediately recognizable for their bold colors – applied with thick, impastoed strokes that create a palpable sense of physicality and texture – and agitated brushwork, conveying a feeling of restless energy and emotional turbulence. He deliberately rejected precise representation, prioritizing the capture of an object’s *essence* rather than its literal appearance. This focus on emotion led him to imbue his subjects—whether landscapes, portraits, or still lifes—with a sense of unease, psychological tension, and often, a haunting beauty. The influence of Rembrandt is particularly evident in Soutine's use of chiaroscuro – the dramatic contrast between light and shadow – which he employed not just for technical effect but to heighten the emotional impact of his scenes. Similarly, Courbet’s commitment to depicting the realities of everyday life informed Soutine’s unflinching portrayal of working-class individuals and humble subjects.

      Development and Defining Works

      Soutine's artistic journey unfolded through distinct phases, each marked by evolving stylistic approaches and thematic explorations. His early Parisian years (1913-1917) were a period of intense experimentation and struggle as he navigated the challenges of establishing himself within the city’s vibrant art scene. The time spent in Céret, southern France, between 1919 and 1922, proved to be particularly formative. Surrounded by the dramatic landscapes of the Pyrenees, Soutine produced a remarkable body of work characterized by vibrant colors, distorted forms, and an almost violent energy. These paintings—landscapes dominated by swirling trees, jagged cliffs, and fields of intense color—became emblematic of his mature style. Landscapes became vehicles for expressing not just what he saw but how he *felt* in the presence of these powerful natural elements. His portraits, too, stand apart for their psychological depth, often depicting working-class individuals with a raw honesty that challenged conventional portraiture and revealed the dignity and vulnerability of his subjects. Recurring themes—such as food, animals, and domestic objects—emerged throughout his oeuvre, reflecting both personal experiences rooted in childhood poverty and Jewish ritualistic traditions. Notable works from this period include studies related to “The Dance of Life,” alongside numerous landscapes capturing the essence of Céret, and poignant portraits of Russian émigrés in Paris.

      Recognition, Legacy, and Lasting Impact

      Despite facing initial skepticism and limited recognition during his lifetime, Chaim Soutine’s unique artistic vision gradually gained traction within the art world. The influential art dealer Leopold Zborowski played a crucial role in promoting Soutine's work and securing his financial stability, recognizing the singular power of his expressive style. While he remained largely outside of prevailing trends, Soutine’s paintings—particularly those produced during the 1920s and 30s—began to attract attention from collectors and critics alike. His innovative use of color, texture, and brushwork resonated with a generation of artists seeking to break free from traditional artistic conventions. Soutine's influence extended far beyond the Expressionist movement, impacting later artists such as Willem de Kooning and Francis Bacon, who admired his willingness to push the boundaries of representation in pursuit of authentic emotional expression. Today, Chaim Soutine is rightfully recognized as a major figure in 20th-century art—a pivotal bridge between traditional European painting techniques and the emerging forms of Abstract Expressionism. His legacy endures through the powerful intensity of his paintings, which continue to captivate viewers with their raw emotion, visceral energy, and profound sense of human experience.

      All 118 works by Хайм Сутін →