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      Ян Асселейн, 1610 – 1652

      76 найвідоміших картин Ян Асселейн за рейтингом

      Найвідоміший витвір Ян Асселейн — це The Threatened Swan (1652), який експонується в Рейксмюзеум, Амстердам. Наступними серед полотен, які найкраще знають читачі, є King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632 (1634) та Landscape with a Bridge in the Italian Countryside (1652). Наш каталог містить 84 робіт Ян Асселейн: перед вами 76 найвідоміших, з указанням року створення, музею та особливостей, що роблять кожну з них незабутньою.

      Рейтинг сформовано на основі нашого показника популярності, що поєднує кількість пошукових запитів, переглядів та замовлень для кожної роботи. Оновлено Жовтень 2026. Кожну картину на цій сторінці можна замовити як олійну репродукцію, написану вручну на лляному полотні, або як художній принт, виготовлений за обраним вами розміром.

      Портрет Ян Асселейн
      Ян Асселейн · 1610 – 1652
      Народився · помер
      1610 – 1652, Дьєпп
      Рух
      Dutch golden age
      Роботи в нашому каталозі
      84
      Найвідоміші
      The Threatened Swan (1652)
      Найбільше робіт у
      Рейксмюзеум

      10 найкращих картин Ян Асселейн: полотна, які знають усі

      The Threatened Swan (1652) роботи Ян Асселейн
      1

      The Threatened Swan

      1652 · Рейксмюзеум, Амстердам

      Jan Asselijn’s “The Threatened Swan,” completed around 1650, stands as a testament to the artistic fervor of the Dutch Golden Age and embodies a profound symbolic message rooted in political turmoil. More than just a depiction of avian behavior, this monumental oil painting on canvas is an intricate allegory reflecting the anxieties surrounding Johan de Witt’s leadership during a period marked by internal dissent and external threats.

      Hand-painted oil reproduction from $178 35 × 29 cm Same size as the original $889 171 × 144 cm Order at original size →
      King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632 (1634) роботи Ян Асселейн
      2

      King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632

      1634 · Oil On Canvas · Statens Museum For Kunst, Копенгаген

      Jan Asselijn's “King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632” isn’t merely a painting; it’s a visceral plunge into the heart of a pivotal moment in European history. Completed in 1634, this monumental work captures the chaotic fury and strategic brilliance of the Battle of Lutzen, fought on August 17th of that year, a clash that cemented Gustav Adolf II's reputation as a military genius and…

      Hand-painted oil reproduction from $178 36 × 28 cm
      Landscape with a Bridge in the Italian Countryside (1652) роботи Ян Асселейн
      3

      Landscape with a Bridge in the Italian Countryside

      1652 · Oil On Canvas · Cannon Hall Museum, Barnsley

      A stone bridge with arched spans anchors this serene landscape, crossing a calm body of water that reflects the soft, overcast sky. To the left, a solitary figure sits upon a barrel, watching the quiet movement of the scene. On the right, the composition gathers around a horse and carriage; a person guides the animal toward the water's edge while another observer stands nearby. A dog occupies the foreground, grounding…

      Hand-painted oil reproduction from $178 34 × 30 cm
      King Gustav Adolf II in the Battle of Lutzen on November 6,1632 (1632) роботи Ян Асселейн
      4

      King Gustav Adolf II in the Battle of Lutzen on November 6,1632

      The air is thick with the scent of wet earth and sulfur. In the center of the chaos, King Gustav Adolf II of Sweden rides a horse through the fray, his sword a flash of cold light against the darkening sky. The Battle of Lutzen is not a quiet affair; it is a collision of muscle and metal. Soldiers on foot and mounted on horseback press against one another in…

      Hand-painted oil reproduction from $178 38 × 26 cm
      Four Figures (1615) роботи Ян Асселейн
      5

      Four Figures

      1615 · Oil · Groeningemuseum, Brugge

      In Four Figures, Jan Asselijn organizes a group of men in period attire within a dimly lit, atmospheric setting. The composition centers on this cluster of figures, who are arranged in a loose, triangular formation. This structural choice draws the viewer's eye toward the middle of the group, where the subjects interact in a moment of quietude. One man is captured drinking from a vessel, while another stands holding a…

      Hand-painted oil reproduction from $228 32 × 31 cm
      King Gustav Adolf II of Sweden, Battle near Lutzen 1632 (1635) роботи Ян Асселейн
      6

      King Gustav Adolf II of Sweden, Battle near Lutzen 1632

      1635 · Oil On Panel · Gemäldegalerie, Берлін

      The artwork titled King Gustav Adolf II of Sweden, Battle near Lutzen 1632 is a work by the artist Jan Asselijn. Dated about 1635, this oil on panel painting belongs to the genre of military history. The subject matter focuses on the Battle of Lützen, a significant conflict from the Thirty Years' War. The scene captures the king amidst the movement of a large-scale military engagement.

      Hand-painted oil reproduction from $228 38 × 26 cm
      The Tiber River with the Ponte Molle at Sunset (1650) роботи Ян Асселейн
      7

      The Tiber River with the Ponte Molle at Sunset

      The sun hangs low over the horizon, casting a sharp, golden light through the four massive stone arches of the Ponte Molle. This light slices through the atmosphere, painting the sky in a gradient that shifts from a warm, glowing amber on the right to a pale, tranquil aquamarine as the eye moves toward the left. The river below remains placid, reflecting the changing colors of the sky, while the…

      Hand-painted oil reproduction from $178 36 × 27 cm Same size as the original $215 54 × 41 cm Order at original size →
      Italian Landscape (1638) роботи Ян Асселейн
      9

      Italian Landscape

      1638 · Oil On Canvas · Statens Museum For Kunst, Копенгаген

      The artwork titled Italian Landscape is a painting by the Dutch Golden Age painter Jan Asselijn. Created in 1638, this work represents a specific period in the artist's career. Asselijn was born in Dieppe, France, around 1610, before his family relocated to Amsterdam. His development as a painter was shaped by the artistic environment of the Dutch Golden Age, a time when landscape painting was evolving toward more atmospheric depictions.

      Hand-painted oil reproduction from $178 38 × 26 cm Same size as the original $734 169 × 115 cm Order at original size →
      Fight against Robbers (1638) роботи Ян Асселейн
      10

      Fight against Robbers

      1638 · Oil On Panel · Statens Museum For Kunst, Копенгаген

      A violent skirmish unfolds across a rugged, rocky landscape, captured in a dramatic monochrome palette. The composition relies on a sharp diagonal arrangement, pulling the eye from the foreground into a chaotic center-right where figures engage in combat. Mounted riders and infantrymen clash amidst dense foliage and spindly, skeletal trees. The atmosphere is heavy with mist and swirling smoke, creating a sense of tension and movement. Light filters through an…

      Hand-painted oil reproduction from $253 37 × 27 cm Same size as the original $324 67 × 50 cm Order at original size →

      Більше полотен Ян Асселейн, від 11 до 76

      Бідні перед римським литейным горном (1638) роботи Ян Асселейн

      Ян Асселийн, художник эпохи Нидерландского Золотого Века (1610-1652), оставил неизгладимый след в истории европейской живописи. Его жизнь была полна путешествий и творческих поисков, тесно переплетенных с религиозными потрясениями…

      Принесіть це світло у свій дім from $178 →

      Полотно Ян Асселейн за періодами творчості

      Найпопулярніші роботи Ян Асселейн

      Чотири найпопулярніші сюжети на цих полотнах, кожен із найкращими зразками.

      Де виставляються полотна Ян Асселейн

      8 музеїв, у яких зберігається найбільша кількість картин із цього списку.

      Музеї Місто Твори Ян Асселейн Картини з цього списку
      Рейксмюзеум, АмстердамРейксмюзеум Амстердам 9 The Threatened Swan, Drovers with Cattle under an Arch of the Colosseum in Rome, Jan Asselijn, 1640 - 1652, Muleteers beside an Italian Ruin
      Statens Museum For Kunst, КопенгагенStatens Museum For Kunst Копенгаген 5 King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632, Italian Landscape, Fight against Robbers
      Academy of Fine Arts Vienna, ВіденьAcademy of Fine Arts Vienna Відень 5 Landscape with Ruins and Hunting Party, River Bank with Herdsmen, Coastal Scene with Resting Riders (detail)
      Gemäldegalerie, БерлінGemäldegalerie Берлін 3 King Gustav Adolf II of Sweden, Battle near Lutzen 1632, The restoration of the Diemerdijk or Muiderdijk near Amsterdam in 1651, Breach of a Dyke by Storm Surge on March 5 1651
      Лувр, ПарижЛувр Париж 3 PAYSAGE AVEC UN TROUPEAU TRAVERSANT UNE RIVIERE, PAYSAGE AVEC UNE TOUR, RUINE ET CABANE DE BERGERS
      Cannon Hall Museum, BarnsleyCannon Hall Museum Barnsley 2 Landscape with a Bridge in the Italian Countryside, Landscape with a Bridge in the Italian Countryside
      Yale University Art Gallery, Нью-ХейвенYale University Art Gallery Нью-Хейвен 2 Peasants by a River Bank, River Landscape with the Fort Saint-Jean and the Chateau Pierre-Scize in Lyon
      Державний музей-заповідник «Ермітаж», Санкт-ПетербургДержавний музей-заповідник «Ермітаж» Санкт-Петербург 2 Riders Gallopping towards the Gates of the Fortress, Winter Landscape

      Найулюбленіші полотна Ян Асселейн кожної десятиліття

      1. 1620s
        Hangout in Italy (1620) роботи Ян Асселейн
        58 з 76

        Hangout in Italy

        Вік 10 – 19 років · Рейксмюзеум

        Jan Asselijn's "Hangout in Italy," painted around 1620, isn’t merely a depiction of a picturesque scene; it’s an invitation. An invitation to step into a moment of quiet…

      2. 1630s
      3. 1640s
      4. 1650s
        The Threatened Swan (1652) роботи Ян Асселейн
        Місце в рейтингу: 1 із 76

        The Threatened Swan

        Вік 40 – 42 років · Рейксмюзеум

        Jan Asselijn’s “The Threatened Swan,” completed around 1650, stands as a testament to the artistic fervor of the Dutch Golden Age and embodies a profound symbolic message rooted…

      Про полотна Ян Асселейн: відповіді на ваші запитання

      Яка найвідоміша картина Ян Асселейн?Прочитати відповідь

      The Threatened Swan (1652), Рейксмюзеум, Амстердам. Далі — King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632 (1634) та Landscape with a Bridge in the Italian Countryside (1652).

      Скільки років було Ян Асселейн, коли було написано The Threatened Swan?Прочитати відповідь

      Ян Асселейн, народився у 1610, мав 42 років: The Threatened Swan датована 1652 роком.

      Які 10 найвідоміших картин Ян Асселейн?Прочитати відповідь

      The Threatened Swan, King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632, Landscape with a Bridge in the Italian Countryside, King Gustav Adolf II in the Battle of Lutzen on November 6,1632, Four Figures, King Gustav Adolf II of Sweden, Battle near Lutzen 1632, The Tiber River with the Ponte Molle at Sunset, Ruined Building with Shepherd and Sheep, Italian Landscape та Fight against Robbers. Кожне полотно в рейтингу вище має зазначений рік створення та музей.

      Скільки всього робіт написав Ян Асселейн?Прочитати відповідь

      У нашому каталозі представлено 84 робіт автора Ян Асселейн, датованих періодом з 1620 по 1652.

      Де я можу побачити найвідоміші полотна Ян Асселейн?Прочитати відповідь

      Переважно в Рейксмюзеум (Амстердам), Statens Museum For Kunst (Копенгаген) та Academy of Fine Arts Vienna (Відень); у списку вище наведено назву кожного музею та його полотна.

      Коли Ян Асселейн написав свої найвідоміші полотна?Прочитати відповідь

      У 1650s, що охоплює 24 із 76 робіт на цій сторінці, серед них — The Threatened Swan.

      Які найранніші та найпізніші відомі полотна Ян Асселейн?Прочитати відповідь

      Найдавніший холст тут датований Hangout in Italy (1620), а найновіший — The Threatened Swan (1652).

      Що найчастіше писав Ян Асселейн?Прочитати відповідь

      Landscape (25), Sky (6) та Figures (5), у 76 роботах на цій сторінці.

      Якою технікою найчастіше користувався Ян Асселейн?Прочитати відповідь

      Oil On Canvas, використано у 11 з 76 робіт на цій сторінці.

      До якого напряму належить картина Ян Асселейн?Прочитати відповідь

      Dutch golden age та Baroque, як свідчать полотна на цій сторінці.

      Які полотна Ян Асселейн виставлені в Рейксмюзеум?Прочитати відповідь

      У Рейксмюзеум, Амстердам зберігається 9 творів із цієї сторінки, серед яких The Threatened Swan, Drovers with Cattle under an Arch of the Colosseum in Rome, Jan Asselijn, 1640 - 1652 та Muleteers beside an Italian Ruin.

      Чи можу я купити репродукцію полотна Ян Асселейн?Прочитати відповідь

      Так. Кожну картину на цій сторінці можна замовити на її окремій сторінці як рукописну олійну репродукцію або як художній принт у обраному вами розмірі.

      Ян Асселейн: життя у фарбах

      A Life Forged in Landscape: The World of Jan Asselijn

      Jan Asselin, born around 1610 in Dieppe, France, embarked on an artistic journey marked by religious upheaval and a profound engagement with the burgeoning landscape tradition of the Dutch Golden Age. His family, Huguenots fleeing persecution, relocated to Amsterdam in 1621—a vibrant epicenter of commerce and artistic innovation—where young Jean was immersed in an environment acutely attuned to capturing the grandeur and subtleties of nature. This pivotal move instilled within him a fascination for landscape painting that would define his entire career. Initially apprenticed under Jan Martszen the Younger, Asselijn honed his skills in battle scenes before discovering his true passion: portraying animals with remarkable realism and conveying atmospheric depth—qualities that would become hallmarks of his distinctive style.

      Early Training & Influences

      His formative years were shaped by exposure to the Dutch light and expansive skies—a characteristic he would consistently strive to emulate throughout his artistic life. This influence is particularly evident in his early works, demonstrating a meticulous attention to detail and an understanding of perspective that foreshadowed the stylistic developments of later masters. Notably, Asselijn’s training with Jan Martszen instilled in him a disciplined approach to composition and technique—skills he would carry forward into his exploration of diverse subjects. However, it was a journey to Italy around 1635 that truly catalyzed his artistic vision. Drawn to the humanist ideals and artistic fervor of Rome, Asselijn embraced the *Italianate* style—a genre characterized by sun-drenched vistas, classical ruins, and pastoral scenes imbued with Romantic sensibilities. He joined the ranks of the *Bentvueghels*, a bohemian society of Dutch and Flemish artists who championed direct observation and rejected studio conventions. Within this spirited milieu, Asselijn earned the moniker “Krabbetje” (little crab) due to a congenital deformity affecting his hand—a physical challenge that paradoxically fueled his creativity and prompted him to develop innovative techniques for overcoming limitations. He absorbed the stylistic innovations of artists like Pieter van Laer (Bamboccio), whose depictions of Roman peasant life and landscapes resonated deeply with Asselijn’s evolving aesthetic sensibilities.

      The Italianate Style & Artistic Innovation

      This period witnessed a significant transformation in Asselijn's artistic practice—a decisive shift toward capturing the emotional resonance of natural environments. He meticulously studied the works of artists such as Claude Lorraine and Frederik de Moucheron, incorporating their techniques for rendering atmospheric perspective and conveying mood into his own compositions. His paintings are distinguished by an unparalleled sensitivity to light—particularly its ability to illuminate textures and create dramatic contrasts—a hallmark that distinguishes him from many of his contemporaries. Among his most celebrated achievements is The Threatened Swan (circa 1640s), a monumental canvas depicting a swan fiercely defending its nest against encroaching predators. This work exemplifies Asselijn’s mastery of composition, color palette, and expressive brushwork—elements that contribute to its enduring power as a symbol of Dutch resilience during the Thirty Years' War. Furthermore, his meticulous anatomical studies of animals—particularly birds—demonstrate an unwavering commitment to scientific accuracy combined with artistic artistry.

      Legacy & Recognition

      Asselijn’s influence extended beyond his own prolific output and cemented his place within the canon of Dutch Baroque art. He served as a mentor to Frederik de Moucheron, fostering a collaborative spirit that enriched the artistic landscape of Amsterdam. His works are now housed in prominent museums across Europe—including the Rijksmuseum in Amsterdam—where they continue to inspire admiration for their beauty, technical virtuosity, and profound engagement with the natural world. Jan Asselijn died prematurely in 1652, leaving behind a legacy that transcends mere artistic accomplishment; he embodies the spirit of innovation and perseverance characteristic of the Dutch Golden Age—a testament to his enduring contribution to European art history.