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学生作品指南

Dragonfly

姓名 班级 日期

Alain Laboile, Dragonfly (2013), THAT'S CONTEMPORARY. 仅供参考;版权归权利持有人所有。 在流动的光影下观察这幅画布:线条的笔触、清漆下的真实色彩、以及纯粹的颜料质感

详情介绍

艺术家
Alain Laboile topimpressionists.com/zh/artists/alain-laboile/
艺术家生卒年份
1968 –
绘画
2013
举办地点
THAT'S CONTEMPORARY topimpressionists.com/zh/museums/that-s-contemporary-milan/

语境中

Dragonfly — Alain Laboile

创作年份

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000
  6. 2010

上方行:年份。下方行:艺术家在每个时间段开始及结束时的年龄(出生为0岁)。

创作于艺术家 45 岁时。 1 在我们目录中该艺术家的 4 件有明确日期的作品中,早于此件的作品。

▲ 此作,2013 每一幅带有日期的画作,按年代编排

同类作品对比

  • Le pont, 2011 topimpressionists.com/zh/art/alain-laboile-le-pont-D73UAT-en/
  • Pollock, 2016 topimpressionists.com/zh/art/alain-laboile-pollock-D73UA3-en/
  • La bouee, 2015 topimpressionists.com/zh/art/alain-laboile-la-bouee-D73U9F-en/

从上方作品中任选其一:列出它与此件作品的两个共同点,以及一个不同点。

更多与此作品相媲美的佳作:topimpressionists.com/zh/art/similar/alain-laboile-dragonfly-D73U8Z-en/

色彩

基于图像测量

    主色调

    Gray #787670

    已收录色板

    • #787670
    • #EDECE7
    • #282822
    • #BAB8B2

    这些色彩尽在艺术家的完整调色盘之中 按颜色查找其他画作

    配色方案
    Neutrals 图像中的主导色系。
    主色调
    Gray
    饱和度
    Monochromatic 色彩的饱和度与多样性,涵盖了从单一柔和色调到多种明亮色彩的范围。
    对比度
    Statement 画面中色彩在明度与饱和度上的差异程度。
    和谐
    Unified Palette 色彩之间的协调程度,从冲突到完全统一。
    亮度
    Brilliant 画面整体的明暗程度,涵盖了从深邃阴影到明亮高光的变化。
    饱和度
    Muted 色彩纯净且富有张力,从近乎灰调到极尽鲜艳。

    艺术家与博物馆

    艺术家

    Alain Laboile

    出生地 Bordeaux, France

    Alain Laboile: A Chronicle of Family and the Edge of the World

    Born in Bordeaux, France, in 1968, Alain Laboile’s artistic journey began not with formal training but with a quiet observation of life – specifically, his own family. Initially driven to document his sculptural endeavors with a digital camera in 2004, he soon found himself captivated by the unfolding drama of everyday existence within his home and surroundings. This shift marked a profound departure from purely technical pursuits, leading him to create a deeply personal visual narrative that has resonated profoundly with audiences worldwide.

    Laboile’s work is fundamentally rooted in a celebration of childhood and family life, yet it transcends simple documentation. He doesn't merely capture snapshots; he constructs entire worlds within his photographs – intimate, slightly surreal landscapes populated by his six children. These images are imbued with a sense of timelessness, as if frozen moments from a perpetually unfolding story. Influenced by the work of photographers like Sally Mann, who similarly explored the raw and vulnerable aspects of family life, Laboile’s approach is distinguished by its unique blend of realism and poetic sensibility.

    The genesis of his distinctive style can be traced back to his early fascination with insects – a passion that initially fueled his macrophotography. This meticulous attention to detail, honed through years of observing the intricate beauty of the natural world, translates seamlessly into his portraits of children, revealing a similar sensitivity to texture, light, and shadow. His work is not simply about recording appearances; it’s about capturing essence – the fleeting expressions, the subtle gestures that define human connection.

    The "At the End of the World" Monograph and Critical Recognition

    In 2015, Laboile's compelling body of work culminated in the publication of At the End of the World by Kehrer Verlag. This monograph served as a crucial validation of his artistic vision, bringing his distinctive style to a wider audience and establishing him as a significant voice within contemporary photography. The title itself speaks volumes about the subject matter – a deliberate positioning of his family’s existence on the periphery, suggesting a quiet resistance to the pressures and expectations of mainstream society.

    The monograph received considerable critical acclaim, with reviewers praising its evocative atmosphere, emotional depth, and masterful composition. Jeff Swartz, writing for Picture This (ABC News), described Laboile’s work as “a world reflected,” highlighting the photographer's ability to capture both the beauty and the melancholy of ordinary life. The success of At the End of the World solidified Laboile’s reputation as a thoughtful and perceptive observer, capable of transforming seemingly mundane moments into works of art.

    A Photographic Practice Rooted in Observation

    Unlike many contemporary photographers who rely on elaborate staging or carefully constructed narratives, Laboile's approach is remarkably understated. He eschews artificiality, preferring to capture his subjects in their natural environment – a small farmhouse nestled amidst the rolling hills of rural France. This commitment to authenticity is evident in the spontaneity and immediacy of his photographs, which feel less like posed portraits and more like glimpses into a lived experience.

    His photographic practice evolved organically over time, beginning with documentation of his sculptures and gradually shifting towards a focus on his family. He initially learned through experimentation and online communities, absorbing techniques and insights from fellow photographers. This self-taught approach has undoubtedly contributed to the unique character of his work – a blend of technical skill and intuitive sensibility.

    Themes and Legacy

    At its core, Laboile’s photography explores themes of family, childhood, time, and the relationship between humanity and nature. His images evoke a sense of nostalgia for simpler times, while also acknowledging the complexities and challenges of modern life. There's an underlying current of melancholy in his work – a recognition that these moments are fleeting and precious.

    Beyond its aesthetic qualities, Laboile’s photography offers a poignant commentary on contemporary society, suggesting a yearning for connection and authenticity in an increasingly disconnected world. His images invite viewers to reflect on their own childhood memories and the importance of family bonds. As his work continues to be exhibited and celebrated internationally, Alain Laboile's legacy as a sensitive and insightful observer of human experience is firmly established.

    博物馆

    THAT'S CONTEMPORARY

    正在展出于 Milan, Italy

    THAT'S CONTEMPORARY: A Milanese Hub for Contemporary Art

    Milan, Italy – THAT’S CONTEMPORARY stands as a singular testament to the evolving landscape of Italian art. Founded in 2011, this innovative cultural platform isn’t merely documenting contemporary artistic endeavors; it actively cultivates an independent network connecting artists, galleries, and audiences—a deliberate departure from traditional museum models. Its mission is simple yet profound: to illuminate Milan's dynamic creative spirit and foster a deeper appreciation for modern art forms.

    Mapping the Scene:

    Launched as a response to the need for centralized artistic mapping, THAT’S CONTEMPORARY swiftly established itself as the go-to resource for discovering exhibitions and emerging talent within Milan.

    Bridging Connections:

    Unlike conventional institutions focused on preservation, THIS platform prioritizes engagement—facilitating dialogues between artists and collectors alike.

    Collection Highlights & Artistic Explorations

    While lacking a permanent collection in the traditional sense, THAT’S CONTEMPORARY offers visitors an immersive journey into Milanese contemporary art. The platform champions exhibitions showcasing diverse mediums—photography, sculpture, installation art—often featuring groundbreaking perspectives on societal issues and artistic experimentation. Notably, explorations of architectural spaces like Viafarini contribute to this experience, highlighting innovative approaches to gallery design and fostering stimulating conversations about artistic presentation.

    Featured Works:

    Among the showcased pieces are captivating artworks such as Gerhard Richter’s ‘Domplatz, Mailand,’ a masterful black & white photograph capturing Milanese grandeur—a testament to realism infused with aged aesthetic qualities.

    Fashion Forward Inspiration:

    Águeda Isabel Ruiz de la Prada’s ‘Dress with Synthetic-Suede Squares,’ presented during Milan Fashion Week, exemplifies the platform's commitment to showcasing artistic collaborations and pushing creative boundaries.

    Notable Artists & Creative Voices

    THAT’S CONTEMPORARY spotlights Italian artists who are shaping the future of art. Massimo Kaufmann, renowned for his expansive paintings, embodies the spirit of Milanese artistic tradition while simultaneously embracing innovation. Similarly, elisabetta gut's sculptures and installations delve into themes of confinement and fragility—reflecting a thoughtful engagement with contemporary concerns. Daniele Innamorato’s collaborative work as founder of Kings Collective underscores the platform’s dedication to fostering collective creativity and pushing artistic boundaries.

    Viafarini: An Architectural Canvas

    The Viafarini gallery complex serves as an integral part of THAT’S CONTEMPORARY's narrative. Designed by architect Marco Zanuso Jr., this building embodies Milanese architectural modernity—a space deliberately conceived to stimulate artistic dialogue and showcase experimental exhibitions. Its expansive layout encourages exploration and contemplation, mirroring the platform’s ethos of fostering engagement with cutting-edge art.

    A Unique Perspective on Contemporary Art

    THAT'S CONTEMPORARY distinguishes itself from conventional museums by prioritizing active participation and disseminating knowledge beyond physical walls. It operates as a dynamic online resource—a vibrant hub for artistic discovery—solidifying its position as an indispensable guide for anyone wishing to experience Milan’s flourishing contemporary art scene.

    更多阅读资讯

    在线获取详情

    链接至 Dragonfly 下载页面的二维码

    topimpressionists.com/zh/art/download/alain-laboile-dragonfly-D73U8Z-en/

    引用此作品

    MLA
    Laboile, Alain. Dragonfly. 2013, THAT'S CONTEMPORARY. https://topimpressionists.com/zh/art/alain-laboile-dragonfly-D73U8Z-en/
    APA
    Laboile, Alain (2013). Dragonfly [Painting]. THAT'S CONTEMPORARY. https://topimpressionists.com/zh/art/alain-laboile-dragonfly-D73U8Z-en/
    Chicago
    Alain Laboile. Dragonfly. 2013. THAT'S CONTEMPORARY. https://topimpressionists.com/zh/art/alain-laboile-dragonfly-D73U8Z-en/
    Harvard
    Laboile, Alain (2013) Dragonfly. THAT'S CONTEMPORARY. Available at: https://topimpressionists.com/zh/art/alain-laboile-dragonfly-D73U8Z-en/

    细致观察

    Dragonfly — Alain Laboile

    近距离观察

    请用自己的话来回答。这里没有标准答案——只有你能解释清楚的答案。

    1. 首先吸引你目光的是什么?为什么?
    2. 哪些色彩或形状营造了这种氛围——而这种氛围又是怎样的呢?
    3. 回想一下本指南前文提到的 Le pont (2011)。请指出它与此件作品共有之处的两点,以及不同之处的一点。
    4. Alain Laboile 在创作此作时大约 45 岁。作品中的哪些细节体现了艺术家这一阶段的创作特征?
    5. 艺术家或许想让你感受到什么?

    您的回复

    请围绕这件艺术品撰写一段简短的介绍。内容请结合本指南前文所述的事实以及您在上方提供的答案。

    问答详情

    我可以使用增强现实技术在我的房间里预览 Alain Laboile 的《Dragonfly》 吗?

    通过兼容设备访问 Alain Laboile 的《Dragonfly》 的 AR 预览 页面,即可利用增强现实技术将艺术品呈现在您自己的空间中。

    “Dragonfly”提供下载吗?

    您可以在作品的下载页面下载Alain Laboile 的《Dragonfly》的图像:高分辨率数字图像下载。

    哪家博物馆收藏了《Dragonfly》的原作?

    Alain Laboile 的《Dragonfly》 目前正在 THAT'S CONTEMPORARY, Milan, Italy 展出。博物馆列表所指为原作,而非复制品。