纸张尺寸

学生作品指南

Squatters

姓名 班级 日期

Chaim Gross, Squatters (1932). 仅供参考;版权归权利持有人所有。 在流动的光影下观察这幅画布:线条的笔触、清漆下的真实色彩、以及纯粹的颜料质感

详情介绍

艺术家
Chaim Gross topimpressionists.com/zh/artists/chaim-gross/
艺术家生卒年份
1902 – 1991
绘画
1932
原尺寸
19 x 34 cm
流派/运动
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

语境中

Squatters — Chaim Gross

尺寸规格

原件尺寸为 19 × 34 厘米(高 × 宽),此处将其与一名平均身高的成年人并列展示。

创作年份

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980
  10. 1990

上行:年份。下行:艺术家在每个时间段开始与结束时的年龄 —— 出生时为 0,去世时为 89。

创作于艺术家 30 岁时。 这位艺术家享年 89。 6 在我们目录中该艺术家的 53 件有明确日期的作品中,早于此件的作品。

阴影:Chaim Gross 的生卒年 (1902–1991) ▲ 此作,1932 每一幅带有日期的画作,按年代编排

早期作品:至 1938 主要执业年份:1938–1965 晚期作品:始于 1965

这三段时期将本目录中记录的作品划分为第一季度、中期及最后季度。这些时期并非艺术家的全部创作:某些时期的作品稀少,可能源于记录的缺失,而非创作的停滞。 岁月流转,与艺术家的生命轨迹交相辉映

同类作品对比

  • Tumblers, 1963 topimpressionists.com/zh/art/chaim-gross-tumblers-AQTBAD-en/
  • Reflection, 1954 topimpressionists.com/zh/art/chaim-gross-reflection-AQTBBR-en/
  • Judith, 1960 topimpressionists.com/zh/art/chaim-gross-judith-AQTB9T-en/

从上方作品中任选其一:列出它与此件作品的两个共同点,以及一个不同点。

更多与此作品相媲美的佳作:topimpressionists.com/zh/art/similar/chaim-gross-squatters-AQZTLM-en/

色彩

基于图像测量

    主色调

    Putty #d7d7d7

    已收录色板

    • #D7D7D7
    • #797979
    • #B0B0B0
    • #323232

    这些色彩尽在艺术家的完整调色盘之中 按颜色查找其他画作

    配色方案
    Neutrals 图像中的主导色系。
    主色调
    Putty
    饱和度
    Monochromatic 色彩的饱和度与多样性,涵盖了从单一柔和色调到多种明亮色彩的范围。
    对比度
    Bold 画面中色彩在明度与饱和度上的差异程度。
    和谐
    Unified Palette 色彩之间的协调程度,从冲突到完全统一。
    亮度
    Brilliant 画面整体的明暗程度,涵盖了从深邃阴影到明亮高光的变化。
    饱和度
    Muted 色彩纯净且富有张力,从近乎灰调到极尽鲜艳。

    这幅画作在全球哪些地方被观赏?

    • 占比低于 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% 及以上
    仅凭这幅画作的记录访客数尚不足以绘制地图,因此该图表展示了过去十二个月内 Chaim Gross 的每一件作品 —— 总计涵盖 1 个国家。 这些数据来源说明

    十大领先国家

    1. 1 中国 100.0%

    在地图上找出颜色最深的三个国家。收藏这幅画作的博物馆是否位于其中之一?请写下一个让远方的人们想要观赏它的理由。

    Chaim Gross 最受关注的 13 件作品

    1. 1 Sketch for Sculpture ( 4), 1960 14.3%
    2. 2 Welders (sketch for relief panel, U.S. Federal Trade Commission Building), 1937 14.3%
    3. 3 Homage to Jacques Lipchitz, 1965 7.1%
    4. 4 (Two Nudes), 1939 7.1%
    5. 5 Nude Figure ( 7), 1965 7.1%
    6. 6 Proud Mother (study for sculpture), 1953 7.1%
    7. 7 Judith, 1960 7.1%
    8. 8 Acrobatic Performers, 1932 7.1%
    9. 9 Untitled (studies for sculpture), 1954 7.1%
    10. 10 Pitcher (study for sculpture), 1939 7.1%
    11. 11 In The Park, 1930 7.1%
    12. 12 Daydream In Love 7.1%
    13. — Squatters, 1932 此幅画作 0.0%

    这些作品共同占据了该艺术家画作在过去十二个月中所获关注度的 99.6%。该目录收录了 58 件该艺术家的作品,其中 12 件曾被至少浏览过一次。 此画作在此期间尚无浏览记录 —— 因此在列表中不显示排名。 逐月统计数据保持一致

    条形图衡量的是关注度,而非品质。请选择排在首位的作品以及这一件:列举一件除了绘画技巧之外,可能使一幅画作闻名遐迩的因素。

    艺术家与博物馆

    艺术家

    Chaim Gross

    Chaim Gross: Sculptor of Emotion and Family

    Chaim Gross (1902 – 1991) stands as a singular figure in American sculpture, recognized for his uncompromising approach to carving wood and bronze—a method he termed “direct carving.” Unlike many sculptors of his era who relied on molds or preparatory sketches, Gross meticulously shaped his figures from raw material, allowing the inherent qualities of the wood itself to inform the final form. This technique wasn’t merely stylistic; it represented a profound philosophical commitment to capturing the essence of human experience and familial bonds.

    Born in Brooklyn, New York, Gross's early life was marked by intellectual curiosity and a fascination with Jewish mysticism—Kabbalah—which profoundly shaped his artistic vision. He studied at Pratt Institute and later pursued postgraduate studies at Yale University under Josef Albers, absorbing influences from Bauhaus principles and exploring the intersection of abstraction and figuration. These formative experiences instilled in him a belief that art should strive for psychological depth and honesty.

    Gross’s sculptural output spanned decades, encompassing monumental works alongside intimate portraits. He consistently tackled themes of family—particularly mothers and daughters—often depicting figures intertwined in poses conveying tenderness, vulnerability, and unspoken emotion. His sculptures aren't simply representations of the human form; they are explorations of inner life, striving to convey feelings rather than merely replicating external appearances. Consider “Two Girls (11),” a poignant pencil drawing that exemplifies this dedication to capturing psychological nuance—a piece currently housed at the Smithsonian Institution. The delicate lines and subtle shading reveal Gross’s masterful ability to distill complex emotions onto paper.

    His artistic style evolved over time, moving from early Expressionist influences toward a more refined aesthetic characterized by organic forms and textured surfaces. However, his core conviction remained steadfast: sculpture should serve as a conduit for conveying profound human truths. Works like “Mother Playing,” completed in 1967, exemplify this commitment to capturing the palpable warmth of maternal love—a piece available for reproduction at AllPaintingsStore.com. The artist’s meticulous attention to detail and his masterful manipulation of material contribute to an enduring impression of emotional resonance.

    Gross's legacy extends beyond his individual artworks. He championed a sculptural method that prioritized intuition and responsiveness to the material, rejecting academic conventions in favor of a more visceral engagement with artistic creation. Furthermore, he established the Chaim Gross Sculpture Studio in Rye Brook, New York, fostering a tradition of teaching and mentoring aspiring sculptors—a testament to his belief in the transformative power of art education. Ultimately, Chaim Gross remains an artist whose work continues to inspire contemplation on themes of family, emotion, and the enduring beauty of honest artistic expression.

    更多阅读资讯

    在线获取详情

    链接至 Squatters 下载页面的二维码

    topimpressionists.com/zh/art/download/chaim-gross-squatters-AQZTLM-en/

    引用此作品

    MLA
    Gross, Chaim. Squatters. 1932, https://topimpressionists.com/zh/art/chaim-gross-squatters-AQZTLM-en/
    APA
    Gross, Chaim (1932). Squatters [Painting]. https://topimpressionists.com/zh/art/chaim-gross-squatters-AQZTLM-en/
    Chicago
    Chaim Gross. Squatters. 1932. https://topimpressionists.com/zh/art/chaim-gross-squatters-AQZTLM-en/
    Harvard
    Gross, Chaim (1932) Squatters. Available at: https://topimpressionists.com/zh/art/chaim-gross-squatters-AQZTLM-en/

    细致观察

    Squatters — Chaim Gross

    近距离观察

    请用自己的话来回答。这里没有标准答案——只有你能解释清楚的答案。

    1. 首先吸引你目光的是什么?为什么?
    2. 哪些色彩或形状营造了这种氛围——而这种氛围又是怎样的呢?
    3. 我们的目录将此作品归类于:industrial landscape, waterfront scene, monochrome painting。您认同吗?您会增加或删除哪些标签?
    4. 回想一下本指南前文提到的 Tumblers (1963)。请指出它与此件作品共有之处的两点,以及不同之处的一点。
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. 在这件作品中,哪里可以观察到这一点?

    您的回复

    请围绕这件艺术品撰写一段简短的介绍。内容请结合本指南前文所述的事实以及您在上方提供的答案。

    问答详情

    “Squatters”中的色彩呈现出多少光泽感?

    Chaim Gross 的《Squatters》 的亮度为 Bright Balance。亮度描述了色彩呈现出的反射光量。

    我可以在全屏幻灯片模式下观看“Squatters”吗?

    您可以在作品的幻灯片播放页面上观看“Squatters”的幻灯片展示。

    Chaim Gross 的《Squatters》 中占据主导地位的是哪些颜色?

    "Squatters" 的色彩基调由以 Putty (#d7d7d7) 为主的 Neutrals 色系构成。