纸张尺寸

学生作品指南

Glass

姓名 班级 日期

Dod Procter, Glass (1935), Jerwood Gallery. 仅供参考;版权归权利持有人所有。

详情介绍

艺术家
Dod Procter topimpressionists.com/zh/artists/dod-procter/
艺术家生卒年份
1890 – 1972
绘画
1935
原尺寸
51 x 39 cm
流派/运动
Newlyn School
举办地点
Jerwood Gallery topimpressionists.com/zh/museums/jerwood-gallery-hastings/

语境中

Glass — Dod Procter

尺寸规格

原件尺寸为 51 × 39 厘米(高 × 宽),此处将其与一名平均身高的成年人并列展示。

创作年份

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970

阴影:Dod Procter 的生卒年 (1890–1972) ▲ 此作,1935

同类作品对比

  • Self Portrait topimpressionists.com/zh/art/dod-procter-self-portrait-AQSGUX-en/
  • Tolcarne Inn, 1935 topimpressionists.com/zh/art/dod-procter-tolcarne-inn-AQSGTT-en/
  • Aunt Lilla, 1943 topimpressionists.com/zh/art/dod-procter-aunt-lilla-AQSGU7-en/

从上方作品中任选其一:列出它与此件作品的两个共同点,以及一个不同点。

更多与此作品相媲美的佳作:topimpressionists.com/zh/art/similar/dod-procter-glass-AQSGTP-en/

色彩

基于图像测量

    主色调

    Rosy Brown #a7a8a2

    已收录色板

    • #A7A8A2
    • #C0C0B9
    • #686661
    • #8C8F8A
    配色方案
    Neutrals 图像中的主导色系。
    主色调
    Rosy Brown
    饱和度
    Monochromatic 色彩的饱和度与多样性,涵盖了从单一柔和色调到多种明亮色彩的范围。
    对比度
    Serene 画面中色彩在明度与饱和度上的差异程度。
    和谐
    Balanced Harmony 色彩之间的协调程度,从冲突到完全统一。
    亮度
    Brilliant 画面整体的明暗程度,涵盖了从深邃阴影到明亮高光的变化。
    饱和度
    Muted 色彩纯净且富有张力,从近乎灰调到极尽鲜艳。

    艺术家与博物馆

    艺术家

    Dod Procter

    出生地 Hampstead, United Kingdom

    Early Life and Education

    Born: Doris Margaret Shaw, 21 April 1890, Hampstead, United Kingdom

    Died: 31 July 1972

    Nationality: English

    Her father was a ship's doctor and her mother a former art student.

    The family moved to Tavistock, Cornwall in 1907.

    She enrolled at the School of Painting run by Elizabeth Forbes and Stanhope Forbes in Newlyn at age 15.

    Met Laura Knight, who became a lifelong friend and influence.

    Studied at Atelier Colarossi in Paris alongside Ernest Procter.

    Artistic Development and Influences

    Influenced by Impressionism and Post-Impressionism movements.

    Mentored by Elizabeth Forbes and Stanhope Forbes.

    Inspired by artists like Pierre-Auguste Renoir and Paul Cézanne.

    Developed a distinctive style characterized by sensual portraits of women and Cornish landscapes.

    Early works included illustrated "Nature Notes" sent to her father at sea.

    Major Works and Achievements

    Morning (1927): Her most famous work, a portrait of a fisherman's daughter that caused a sensation and was bought by the Daily Mail for the Tate Gallery.

    Early Morning: A smaller version of "Morning" held by the Royal Pavilion in Brighton.

    Series of simplified, monumental images of young women (c. 1922).

    Commissioned to decorate the Kokine Palace in Rangoon with her husband Ernest Procter.

    Exhibited at the Royal Academy on numerous occasions.

    Awarded "Picture of the Year" at the Royal Academy Summer Exhibition in 1927 for “Morning”.

    Later Life and Legacy

    After Ernest's death in 1935, she travelled extensively to the United States, Canada, Jamaica, and Africa.

    Became President of St Ives Society of Artists (STISA) in 1966.

    Member of several artists organizations including the Newlyn School.

    Buried next to her husband at St Hilary Church, Cornwall.

    Her work is recognized for its evocative portrayal of Cornish life and its contribution to early twentieth-century British art.

    Historical Significance

    A prominent figure in the Newlyn School of artists.

    Known for her unique vision and style that captured a sense of modernity.

    Her portrait "Morning" is considered a significant work of 20th-century British art, praised for its “sensuous but sombre style” and depiction of Cornish light.

    Contributed to the development of portraiture in Britain during the early 20th century.

    博物馆

    Jerwood Gallery

    正在展出于 Hastings, United Kingdom

    A Coastal Sanctuary of British Modernism

    Nestled where the rugged cliffs of East Sussex meet the rhythmic pulse of the English Channel, Hastings Contemporary stands as a breathtaking testament to the enduring power of British creativity. Once known as the Jerwood Gallery, this institution has evolved from a private philanthropic endeavor into a vital, independent beacon for contemporary art. To step inside is to enter a dialogue between the wild, salt-sprayed landscape of the Hastings coast and the sophisticated nuances of modern aesthetic thought. The museum does not merely display art; it breathes with the sea, offering a sanctuary where the horizon line of the ocean meets the infinite possibilities of the canvas.

    The architectural presence of the gallery is nothing short of sculptural. Designed by the visionary minds at HAT Projects, the building’s striking curvilinear form acts as a modern landmark against the historic backdrop of the Hastings Stade. Its sweeping lines mirror the ebb and flow of the tides, creating a seamless transition between the built environment and the natural world. For the interior designer or the lover of fine architecture, the space offers a masterclass in light and volume. Large, panoramic windows invite the shifting coastal light to dance across the gallery floors, ensuring that the atmosphere within is as dynamic and ever-changing as the weather over the North Sea.

    Masterworks and Symbolic Narratives

    The soul of the museum resides in its curated collection, a profound assembly of Modern and Contemporary British Art that speaks to both the visceral and the cerebral. Visitors are often captivated by the evocative landscapes of Julian Trevelyan, whose works like

    “Boat Race”

    capture a hauntingly beautiful connection to the maritime spirit. The collection serves as a bridge between eras, showcasing the raw energy of L.S. Lowry alongside the intricate, psychological depths found in the surrealist explorations of Mick Rooney. In pieces such as

    “The Truant Man”

    diptych, one finds a meticulous attention to detail that invites deep contemplation, revealing how art can transcend literal representation to touch upon the very essence of human experience.

    Beyond the permanent holdings, the museum is celebrated for its dynamic programming and its ability to foster contemporary discourse. The gallery’s history is marked by transformative moments, such as its 2019 rebranding, which solidified its identity as a fiercely independent institution. Recent exhibitions have pushed boundaries, ranging from intimate portraiture to large-scale installations that challenge our perceptions of space and identity. Whether it is the whimsical presence of Sir Quentin Blake’s drawings or the bold, contemporary strokes of international practitioners, the museum remains a vital stage for artists to present works that are both challenging and deeply rewarding.

    An Immersive Artistic Experience

    For the collector and the art enthusiast, Hastings Contemporary offers more than a mere viewing; it offers an immersion into a lifestyle of aesthetic appreciation. The experience extends beyond the exhibition rooms to the

    coquina

    restaurant, where Mediterranean-inspired flavors meet panoramic sea views, allowing for a moment of quiet reflection after engaging with complex artworks. This holistic approach—blending fine art, architectural brilliance, and sensory delight—makes the museum a destination of unparalleled prestige.

    The institution continues to thrive through its commitment to community engagement, offering everything from clay portraiture workshops to summer family days that celebrate the local fishing heritage. It is this unique intersection of high art and coastal tradition that defines Hastings Contemporary. It remains a place where the legacy of British Modernism is not just preserved in frames, but actively reimagined, inspiring wonder in every visitor who wanders through its light-filled halls.

    更多阅读资讯

    在线获取详情

    链接至 Glass 下载页面的二维码

    topimpressionists.com/zh/art/download/dod-procter-glass-AQSGTP-en/

    引用此作品

    MLA
    Procter, Dod. Glass. 1935, Jerwood Gallery. https://topimpressionists.com/zh/art/dod-procter-glass-AQSGTP-en/
    APA
    Procter, Dod (1935). Glass [Painting]. Jerwood Gallery. https://topimpressionists.com/zh/art/dod-procter-glass-AQSGTP-en/
    Chicago
    Dod Procter. Glass. 1935. Jerwood Gallery. https://topimpressionists.com/zh/art/dod-procter-glass-AQSGTP-en/
    Harvard
    Procter, Dod (1935) Glass. Jerwood Gallery. Available at: https://topimpressionists.com/zh/art/dod-procter-glass-AQSGTP-en/

    细致观察

    Glass — Dod Procter

    近距离观察

    请用自己的话来回答。这里没有标准答案——只有你能解释清楚的答案。

    1. 首先吸引你目光的是什么?为什么?
    2. 哪些色彩或形状营造了这种氛围——而这种氛围又是怎样的呢?
    3. 我们的目录将此作品归类于:still life painting, glass vessels art, monochrome composition。您认同吗?您会增加或删除哪些标签?
    4. 回看本指南前文提到的 Self Portrait,请指出它与此件作品共有之处的两点,以及不同之处的一点。
    5. Dod Procter 在创作此作时大约 45 岁。作品中的哪些细节体现了艺术家这一阶段的创作特征?

    您的回复

    请围绕这件艺术品撰写一段简短的介绍。内容请结合本指南前文所述的事实以及您在上方提供的答案。