纸张尺寸

学生作品指南

Trees by a Wall

姓名 班级 日期

Edward Robert King, Trees by a Wall. 公有领域作品 在流动的光影下观察这幅画布:线条的笔触、清漆下的真实色彩、以及纯粹的颜料质感

详情介绍

艺术家
Edward Robert King topimpressionists.com/zh/artists/edward-robert-king/
艺术家生卒年份
1862 – 1951
原尺寸
30 x 38 cm

语境中

Trees by a Wall — Edward Robert King

尺寸规格

原件尺寸为 30 × 38 厘米(高 × 宽),此处将其与一名平均身高的成年人并列展示。

此画作的创作年代可能为何时?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930
  9. 1940
  10. 1950

上行:年份。下行:艺术家在每个时间段开始与结束时的年龄 —— 出生时为 0,去世时为 89。

阴影:Edward Robert King 的生卒年 (1862–1951) 每一幅带有日期的画作,按年代编排

早期作品:至 1941 主要执业年份:1941–1946 晚期作品:始于 1946

这三段时期将本目录中记录的作品划分为第一季度、中期及最后季度。这些时期并非艺术家的全部创作:某些时期的作品稀少,可能源于记录的缺失,而非创作的停滞。 岁月流转,与艺术家的生命轨迹交相辉映

此唱片目前尚无确切的年份记录 —— 根据艺术家的生卒年及作品风格,您会推测其属于哪个年代?

同类作品对比

从上方作品中任选其一:列出它与此件作品的两个共同点,以及一个不同点。

更多与此作品相媲美的佳作:topimpressionists.com/zh/art/similar/edward-robert-king-trees-by-a-wall-AQUDVB-en/

色彩

基于图像测量

    主色调

    Driftwood #938455

    已收录色板

    • #938455
    • #605C4E
    • #B29F7A
    • #E1C8A8

    这些色彩尽在艺术家的完整调色盘之中 按颜色查找其他画作

    配色方案
    Neutrals 图像中的主导色系。
    主色调
    Driftwood
    饱和度
    Vivid 色彩的饱和度与多样性,涵盖了从单一柔和色调到多种明亮色彩的范围。
    对比度
    Gentle 画面中色彩在明度与饱和度上的差异程度。
    和谐
    Strong Color Unity 色彩之间的协调程度,从冲突到完全统一。
    亮度
    Brilliant 画面整体的明暗程度,涵盖了从深邃阴影到明亮高光的变化。
    饱和度
    Balanced Soft 色彩纯净且富有张力,从近乎灰调到极尽鲜艳。

    这幅画作在全球哪些地方被观赏?

    • 占比低于 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% 及以上
    仅凭这幅画作的记录访客数尚不足以绘制地图,因此该图表展示了过去十二个月内 Edward Robert King 的每一件作品 —— 总计涵盖 4 个国家。 这些数据来源说明

    十大领先国家

    1. 1 中国 44.4%
    2. 2 英国 44.4%
    3. 3 美国 7.4%
    4. 4 新加坡 3.7%

    在地图上找出颜色最深的三个国家。收藏这幅画作的博物馆是否位于其中之一?请写下一个让远方的人们想要观赏它的理由。

    Edward Robert King 最受关注的 20 件作品

    1. 1 Pembroke Road, Portsmouth, 1942 10.7%
    2. 2 Ruins of St Thomas' Street, Portsmouth, 1942 7.1%
    3. 3 Ruins in Oyster Street, Portsmouth, 1946 7.1%
    4. 4 Hyde Park Corner, 1946 7.1%
    5. 5 Oyster Street, Portsmouth, 1941 7.1%
    6. 6 Outbuildings at St James' Hospital, No.3 7.1%
    7. 7 London Street Children, 1904 3.6%
    8. 8 Hampshire and Jubilee Terraces, Portsmouth, 1946 3.6%
    9. 9 Outbuildings at St James' Hospital, No.6, 1950 3.6%
    10. 10 Surrey Street, the Guildhall, Portsmouth, 1946 3.6%
    11. 11 Houseboats at Milton, No.4, 1949 3.6%
    12. 12 High Street, Portsmouth, 1941 3.6%
    13. 13 High Street, Old Portsmouth, 1942 3.6%
    14. 14 Houseboats at Milton, No.5 3.6%
    15. 15 Houseboats at Milton with a Dinghy and Sawhorse in the Foreground 3.6%
    16. 16 The Guildhall, 1941 3.6%
    17. 17 Palmerston Road, Portsmouth, 1946 3.6%
    18. 18 Trees by a Wall 此幅画作 3.6%
    19. 19 Self Portrait 3.6%
    20. 20 Houseboats at Milton, No.27 3.6%

    这些作品共同占据了该艺术家画作在过去十二个月中所获关注度的 96.6%。该目录收录了 58 件该艺术家的作品,其中 21 件曾被至少浏览过一次。 此画作在其中排名第 18,占据了 3.6% 的关注度。 逐月统计数据保持一致

    条形图衡量的是关注度,而非品质。请选择排在首位的作品以及这一件:列举一件除了绘画技巧之外,可能使一幅画作闻名遐迩的因素。

    艺术家与博物馆

    艺术家

    Edward Robert King

    The Quiet Observer: The Life and Legacy of Edward Robert King

    Born in the heart of London in 1862, Edward Robert King emerged from a lineage that traced its roots back to the era of Elizabethan England. The son of a solicitor, Robert King, Edward was raised in an environment where intellectual discipline and precision were paramount. While his upbringing suggested a path toward the legal profession, his spirit was irrevocately drawn to the canvas. This early tension between the structured world of law and the fluid beauty of art would later manifest in his unique ability to marry meticulous detail with the soft, atmospheric qualities of the Impressionist movement. His formative years, enriched by travels across continental Europe, allowed him to witness firsthand the shifting tides of European art, fostering a lifelong fascination with how light interacts with the natural world.

    King’s formal artistic identity was forged at the prestigious Slade School of Fine Art in London. Under the tutelage of the legendary Frederic Leighton, King absorbed the principles of the Beaux Arts tradition, learning to command composition and form with academic rigor. However, he was not content to remain a mere traditionalist. While his early works often reflected Leighton’s influence through their careful attention to detail—particularly in his coastal scenes of Cornwall—King began to experiment with looser brushstrokes and a more emotive use of color. This evolution allowed him to capture the fleeting, ephemeral moments of light that define the Edwardian era, moving beyond mere representation toward a profound sense of atmosphere.

    A Mastery of Landscape and Light

    The soul of King’s oeuvre lies in his deep connection to the British landscape, specifically the rugged and enchanting coastlines of Cornwall. As a prolific watercolorist and oil painter, he became a master of capturing the tranquility of the English countryside. Unlike the turbulent, dramatic Romanticism championed by contemporaries like J.M.W. Turner, King sought a different kind of power: the power of stillness. His paintings of windswept beaches, dramatic cliffs, and sun-drenched villages are characterized by an observational grace that invites the viewer into a state of peaceful contemplation.

    His technical repertoire was remarkably versatile, allowing him to navigate various moods and historical moments:

    Impressionistic Landscapes: In works such as Houseboats at Milton, King utilized soft, blended tones to evoke the shimmering reflections of water and the gentle movement of coastal life.

    Historical Realism: During the tumultuous years of the mid-20th century, his work took on a more poignant, documentary quality. Pieces like Cathedral Amongst the Ruins in the High Street and High Street, Old Portsmouth serve as powerful testaments to resilience, capturing the devastation of London and Portsmouth during World War II with an unflinching yet beautiful realism.

    Portraiture and Detail: Beyond the landscape, his ability to render human presence and architectural detail provided a sense of permanence to his otherwise atmospheric scenes.

    Historical Significance and Enduring Resonance

    Though Edward Robert King may have been overlooked by the mainstream art market during much of his lifetime, his historical significance has undergone a profound reassessment in recent decades. He stands as a vital bridge between the disciplined academic traditions of the Victorian era and the more emotive, light-focused sensibilities of the early 20th century. His work does more than merely document landscapes; it preserves the emotional essence of a vanished era—the Edwardian period’s sense of social refinement and its deep-seated reverence for the natural beauty of the British Isles.

    Today, scholars and collectors alike look to King’s paintings as windows into the past. His ability to find tranquility amidst devastation—a theme particularly evident in his wartime oils—ensures that his work remains relevant. Through his mastery of watercolor and oil, King achieved a rare feat: he captured the ephemeral nature of light while creating a permanent, evocative record of the English spirit. His legacy continues to resonate through the quiet strength of his compositions and the enduring beauty of his vision.

    更多阅读资讯

    在线获取详情

    链接至 Trees by a Wall 下载页面的二维码

    topimpressionists.com/zh/art/download/edward-robert-king-trees-by-a-wall-AQUDVB-en/

    引用此作品

    MLA
    King, Edward Robert. Trees by a Wall. n.d., https://topimpressionists.com/zh/art/edward-robert-king-trees-by-a-wall-AQUDVB-en/
    APA
    King, Edward Robert (n.d.). Trees by a Wall [Painting]. https://topimpressionists.com/zh/art/edward-robert-king-trees-by-a-wall-AQUDVB-en/
    Chicago
    Edward Robert King. Trees by a Wall. n.d. https://topimpressionists.com/zh/art/edward-robert-king-trees-by-a-wall-AQUDVB-en/
    Harvard
    King, Edward Robert (n.d.) Trees by a Wall. Available at: https://topimpressionists.com/zh/art/edward-robert-king-trees-by-a-wall-AQUDVB-en/

    细致观察

    Trees by a Wall — Edward Robert King

    近距离观察

    请用自己的话来回答。这里没有标准答案——只有你能解释清楚的答案。

    1. 首先吸引你目光的是什么?为什么?
    2. 哪些色彩或形状营造了这种氛围——而这种氛围又是怎样的呢?
    3. 回想一下本指南前文提到的 London Street Children (1904)。请指出它与此件作品共有之处的两点,以及不同之处的一点。
    4. 艺术家或许想让你感受到什么?
    5. 若能就此作品向艺术家提一个问题,您会问什么?

    您的回复

    请围绕这件艺术品撰写一段简短的介绍。内容请结合本指南前文所述的事实以及您在上方提供的答案。

    问答详情

    Edward Robert King 的《Trees by a Wall》 的构图以什么颜色为主导?

    Edward Robert King 的《Trees by a Wall》 的主色调为 Driftwood (#938455)。

    哪些色调与主导色彩定义了“Trees by a Wall”?

    Edward Robert King 的《Trees by a Wall》 的色彩特征:Neutrals 色调,以 Driftwood (#938455) 为主导。

    在哪里可以找到与 Edward Robert King 的《Trees by a Wall》 风格相似的艺术品?

    Edward Robert King 的《Trees by a Wall》 相似的作品已汇集在作品的 相似作品 页面中。