纸张尺寸
姓名 班级 日期

Guy Rose, Study for The Cathedral, Tours. 公有领域作品 在流动的光影下观察这幅画布:线条的笔触、清漆下的真实色彩、以及纯粹的颜料质感

详情介绍

艺术家
Guy Rose topimpressionists.com/zh/artists/guy-rose/
艺术家生卒年份
1867 – 1925
流派/运动
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

语境中

Study for The Cathedral, Tours — Guy Rose

此画作的创作年代可能为何时?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920

上行:年份。下行:艺术家在每个时间段开始与结束时的年龄 —— 出生时为 0,去世时为 58。

阴影:Guy Rose 的生卒年 (1867–1925) 每一幅带有日期的画作,按年代编排

此唱片目前尚无确切的年份记录 —— 根据艺术家的生卒年及作品风格,您会推测其属于哪个年代?

同类作品对比

从上方作品中任选其一:列出它与此件作品的两个共同点,以及一个不同点。

更多与此作品相媲美的佳作:topimpressionists.com/zh/art/similar/guy-rose-study-for-the-cathedral-tours-A269MP-en/

色彩

基于图像测量

    主色调

    Rosy Brown #c9b496

    已收录色板

    • #C9B496
    • #918477
    • #DEDDE2
    • #504F4F

    这些色彩尽在艺术家的完整调色盘之中 按颜色查找其他画作

    配色方案
    Neutrals 图像中的主导色系。
    主色调
    Rosy Brown
    饱和度
    Balanced 色彩的饱和度与多样性,涵盖了从单一柔和色调到多种明亮色彩的范围。
    对比度
    Bold 画面中色彩在明度与饱和度上的差异程度。
    和谐
    Softly Mixed Palette 色彩之间的协调程度,从冲突到完全统一。
    亮度
    Brilliant 画面整体的明暗程度,涵盖了从深邃阴影到明亮高光的变化。
    饱和度
    Subtle Color 色彩纯净且富有张力,从近乎灰调到极尽鲜艳。

    这幅画作在全球哪些地方被观赏?

    • 占比低于 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% 及以上
    仅凭这幅画作的记录访客数尚不足以绘制地图,因此该图表展示了过去十二个月内 Guy Rose 的每一件作品 —— 总计涵盖 6 个国家。 这些数据来源说明

    十大领先国家

    1. 1 中国 72.0%
    2. 2 阿尔及利亚 8.0%
    3. 3 新加坡 8.0%
    4. 4 西班牙 4.0%
    5. 5 英国 4.0%
    6. 6 突尼斯 4.0%

    在地图上找出颜色最深的三个国家。收藏这幅画作的博物馆是否位于其中之一?请写下一个让远方的人们想要观赏它的理由。

    Guy Rose 最受关注的 20 件作品

    1. 1 The model, (1919) 11.1%
    2. 2 Portrait of an Algerian, (1900) 11.1%
    3. 3 Tamarisk Trees in Early Sunlight 7.4%
    4. 4 Giverny willows, (1891) 7.4%
    5. 5 Monterey cypress 7.4%
    6. 6 Low tide honfleur 3.7%
    7. 7 Carmel seascape 3.7%
    8. 8 Point lobos trees, (1919) 3.7%
    9. 9 Point lobos, oak tree 3.7%
    10. 10 Giverny hillside, (1891) 3.7%
    11. 11 The oak 3.7%
    12. 12 La jolla cove 3.7%
    13. 13 The cabbage patch, (1891) 3.7%
    14. 14 My sister maud 3.7%
    15. 15 Early morning - summertime, (1920) 3.7%
    16. 16 17 mile drive, (1918) 3.7%
    17. 17 Carmel hills, (1920) 3.7%
    18. 18 The Blue Pool near Mt. Whitney 3.7%
    19. 19 The gondolier, venice, (1894) 3.7%
    20. Study for The Cathedral, Tours 此幅画作 0.0%

    这些作品共同占据了该艺术家画作在过去十二个月中所获关注度的 96.2%。该目录收录了 125 件该艺术家的作品,其中 20 件曾被至少浏览过一次。 此画作在此期间尚无浏览记录 —— 因此在列表中不显示排名。 逐月统计数据保持一致

    条形图衡量的是关注度,而非品质。请选择排在首位的作品以及这一件:列举一件除了绘画技巧之外,可能使一幅画作闻名遐迩的因素。

    艺术家与博物馆

    艺术家

    Guy Rose

    Guy Orlando Rose: A Life in Impressionism

    Early Life and Education

    Birth & Family: Guy Orlando Rose was born on March 3, 1867, in San Gabriel, California, the seventh child of Leonard John Rose, a prominent California senator, and Amanda Jones Rose. The family resided on an expansive ranch and vineyard in the San Gabriel Valley – the town of Rosemead bears their name.

    Early Trauma & Artistic Beginnings: At age nine, Guy was accidentally shot in the face during a hunting trip. During his convalescence, he began to sketch with watercolors and oils, discovering an early passion for art.

    Formal Training: He graduated from Los Angeles High School in 1884 before moving to San Francisco to study at the California School of Design (San Francisco Art Association) from 1885-1888. His instructors included Virgil Williams, Warren E. Rollins, and Emil Carlsen. He received accolades for his work during this period, including the Avery Gold Medal in oil painting.

    Parisian Studies: In September 1888, Rose enrolled at the Académie Julian in Paris, studying under Benjamin-Constant, Jules Lefebvre, Lucien Doucet, and Jean-Paul Laurens. He also attended the Académie Delacluse on scholarship, exhibiting work at the Paris Salons in 1890, 1891, 1894, 1900, and 1909.

    Artistic Development & Influences

    Early Style: Rose’s early work demonstrated a strong foundation in academic painting techniques honed during his training.

    Impressionist Turn: His move to Giverny, France, in 1899 marked a turning point. Living near Claude Monet, he became deeply influenced by Impressionism, adopting its emphasis on light, color, and plein air painting.

    Monet’s Mentorship: Rose developed a close friendship with Monet, who served as a mentor, further solidifying his commitment to the Impressionist style. His works from this period clearly reflect Monet's influence in their luminous quality and focus on atmospheric effects.

    Other Influences: He also maintained lifelong friendships with fellow artists Frank Vincent DuMond and Frederick Melville, exchanging ideas and artistic approaches.

    Career & Major Achievements

    Early Career (1890s): Rose worked as an illustrator for publications like Harper's, Scribner’s, and Century in New York City.

    Giverny Period (1904-1912): This was a highly productive period, with Rose creating many of his most celebrated Impressionist landscapes.

    California Return & Teaching: Due to health issues (lead poisoning), Rose and his wife returned to Los Angeles in 1914. He became Director of the Stickney Memorial School of Art in Pasadena, sharing his knowledge with aspiring artists.

    Carmel-by-the-Sea (1918-1920): Rose was an active member of the Carmel art colony, exhibiting his work and contributing to the local artistic community.

    Notable Works: Some of his most recognized paintings include “Point Lobos,” “The Saine Valley, Giverny”, "Oak Grove, Carmel", and numerous landscapes capturing the beauty of California and France.

    Historical Significance & Legacy

    American Impressionism: Guy Rose is considered a significant figure in American Impressionism, bridging European techniques with Californian landscapes.

    California Art Scene: He played an important role in developing the California art scene, both as an artist and educator.

    Lasting Influence: His paintings continue to be admired for their delicate handling of light, vibrant colors, and evocative depictions of nature.

    Posthumous Recognition: A memorial exhibition was held at the Stendahl Gallery in 1926 following his death on November 17, 1925, in Pasadena, California.

    更多阅读资讯

    在线获取详情

    链接至 Study for The Cathedral, Tours 下载页面的二维码

    topimpressionists.com/zh/art/download/guy-rose-study-for-the-cathedral-tours-A269MP-en/

    引用此作品

    MLA
    Rose, Guy. Study for The Cathedral, Tours. n.d., https://topimpressionists.com/zh/art/guy-rose-study-for-the-cathedral-tours-A269MP-en/
    APA
    Rose, Guy (n.d.). Study for The Cathedral, Tours [Painting]. https://topimpressionists.com/zh/art/guy-rose-study-for-the-cathedral-tours-A269MP-en/
    Chicago
    Guy Rose. Study for The Cathedral, Tours. n.d. https://topimpressionists.com/zh/art/guy-rose-study-for-the-cathedral-tours-A269MP-en/
    Harvard
    Rose, Guy (n.d.) Study for The Cathedral, Tours. Available at: https://topimpressionists.com/zh/art/guy-rose-study-for-the-cathedral-tours-A269MP-en/

    细致观察

    Study for The Cathedral, Tours — Guy Rose

    近距离观察

    请用自己的话来回答。这里没有标准答案——只有你能解释清楚的答案。

    1. 首先吸引你目光的是什么?为什么?
    2. 哪些色彩或形状营造了这种氛围——而这种氛围又是怎样的呢?
    3. 我们的目录将此作品归类于:landscape painting, cathedral architecture, french countryside。您认同吗?您会增加或删除哪些标签?
    4. 回看本指南前文提到的 Point lobos, oak tree,请指出它与此件作品共有之处的两点,以及不同之处的一点。
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. 在这件作品中,哪里可以观察到这一点?

    您的回复

    请围绕这件艺术品撰写一段简短的介绍。内容请结合本指南前文所述的事实以及您在上方提供的答案。

    问答详情

    Guy Rose 的《Study for The Cathedral, Tours》 属于哪种艺术流派?

    Guy Rose 的《Study for The Cathedral, Tours》 所属的艺术流派为 Impressionism。这一分类将该作品置于相关艺术家及艺术作品的语境之中。

    Guy Rose 的《Study for The Cathedral, Tours》 的色彩是鲜艳还是柔和?

    Guy Rose 的《Study for The Cathedral, Tours》 的色彩饱和度为 Subtle Color,色彩强度为 Balanced。

    在购买之前,我可以在自己的墙上预览 Guy Rose 的《Study for The Cathedral, Tours》 吗?

    Study for The Cathedral, Tours” 具备增强现实预览功能:通过作品的 AR 预览 页面,您可以在兼容设备上查看该作品呈现在您专属空间的效果。