纸张尺寸

学生作品指南

Time to Go

姓名 班级 日期

Herbert Rollett, Time to Go (1920), Ferens Art Gallery. 公有领域作品 在流动的光影下观察这幅画布:线条的笔触、清漆下的真实色彩、以及纯粹的颜料质感

详情介绍

艺术家
Herbert Rollett topimpressionists.com/zh/artists/herbert-rollett/
艺术家生卒年份
1872 – 1932
绘画
1920
原尺寸
64 x 77 cm
举办地点
Ferens Art Gallery topimpressionists.com/zh/museums/ferens-art-gallery-hull_zh/

语境中

Time to Go — Herbert Rollett

尺寸规格

原件尺寸为 64 × 77 厘米(高 × 宽),此处将其与一名平均身高的成年人并列展示。

创作年份

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930

上行:年份。下行:艺术家在每个时间段开始与结束时的年龄 —— 出生时为 0,去世时为 60。

创作于艺术家 48 岁时。 这位艺术家享年 60。 0 在我们目录中该艺术家的 3 件有明确日期的作品中,早于此件的作品。

阴影:Herbert Rollett 的生卒年 (1872–1932) ▲ 此作,1920 每一幅带有日期的画作,按年代编排

同类作品对比

  • Louth, Lincolnshire topimpressionists.com/zh/art/herbert-rollett-louth-lincolnshire-ARC7KT-en/
  • Blue Sky topimpressionists.com/zh/art/herbert-rollett-blue-sky-ARC7L3-en/
  • Woodland Scene topimpressionists.com/zh/art/herbert-rollett-woodland-scene-ARC7KX-en/

从上方作品中任选其一:列出它与此件作品的两个共同点,以及一个不同点。

更多与此作品相媲美的佳作:topimpressionists.com/zh/art/similar/herbert-rollett-time-to-go-ARC7KM-en/

色彩

基于图像测量

    主色调

    Celadon #b9bbb8

    已收录色板

    • #B9BBB8
    • #484A40
    • #606768
    • #A6A7A8

    这些色彩尽在艺术家的完整调色盘之中 按颜色查找其他画作

    配色方案
    Neutrals 图像中的主导色系。
    主色调
    Celadon
    饱和度
    Monochromatic 色彩的饱和度与多样性,涵盖了从单一柔和色调到多种明亮色彩的范围。
    对比度
    Balanced 画面中色彩在明度与饱和度上的差异程度。
    和谐
    Discordant Palette 色彩之间的协调程度,从冲突到完全统一。
    亮度
    Brilliant 画面整体的明暗程度,涵盖了从深邃阴影到明亮高光的变化。
    饱和度
    Muted 色彩纯净且富有张力,从近乎灰调到极尽鲜艳。

    这幅画作在全球哪些地方被观赏?

    • 占比低于 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% 及以上
    仅凭这幅画作的记录访客数尚不足以绘制地图,因此该图表展示了过去十二个月内 Herbert Rollett 的每一件作品 —— 总计涵盖 1 个国家。 这些数据来源说明

    十大领先国家

    1. 1 中国 100.0%

    在地图上找出颜色最深的三个国家。收藏这幅画作的博物馆是否位于其中之一?请写下一个让远方的人们想要观赏它的理由。

    Herbert Rollett 最受关注的 7 件作品

    1. 1 Time to Go, 1920 此幅画作 25.0%
    2. 2 Woodland Scene 16.7%
    3. 3 June Morning 16.7%
    4. 4 Landscape (verso) 16.7%
    5. 5 Louth, Lincolnshire 8.3%
    6. 6 Landscape (verso) 8.3%
    7. 7 Seascape 8.3%

    这些作品共同占据了该艺术家画作在过去十二个月中所获关注度的 100.0%。该目录收录了 16 件该艺术家的作品,其中 7 件曾被至少浏览过一次。 此画作在其中排名第 1,占据了 25.0% 的关注度。 逐月统计数据保持一致

    条形图衡量的是关注度,而非品质。请选择排在首位的作品以及这一件:列举一件除了绘画技巧之外,可能使一幅画作闻名遐迩的因素。

    艺术家与博物馆

    艺术家

    Herbert Rollett

    Herbert Rollett: The Lincolnshire Grocer Who Painted the Sky

    The story of Herbert Rollett is a remarkable one, a testament to the unexpected paths life can take and the enduring power of passion. Born in Gainsborough, Lincolnshire, in 1872, Rollett’s early life seemed destined for a predictable trajectory – a career in business, much like his father, a farmer. However, fate intervened, leading him down an extraordinary route: from running a successful grocery shop to becoming one of the most celebrated landscape artists of his era, all while maintaining his livelihood as a grocer.

    Rollett’s artistic journey began almost accidentally. Initially, he sought refuge in music and photography, hobbies that provided a welcome escape from the demands of his trade. It wasn't until his late thirties, around 1920, that he truly embraced painting, driven by an innate desire to capture the beauty of the Lincolnshire countryside – a region he deeply loved and knew intimately. He taught himself, dedicating hours each morning before opening his shop to sketching and experimenting with watercolors. This early dedication was fueled by a profound connection to his surroundings; as he famously stated, “I have painted in Scotland and the Lake District but have always returned with a feeling of relief to the scene of my old labour,” recognizing that Lincolnshire offered unique atmospheric qualities – expansive skies and a lack of dramatic hills that allowed for a heightened appreciation of light and color.

    A Unique Artistic Style

    Rollett’s style was distinctly post-impressionist, characterized by bold brushstrokes, vibrant colors, and an emphasis on capturing the fleeting effects of light. He wasn't interested in photographic realism; instead, he sought to convey a sense of mood and atmosphere, translating his subjective experience of the landscape onto canvas. His paintings are often described as “luministic,” reflecting the way he skillfully rendered the interplay of sunlight and shadow, creating an almost ethereal quality. He frequently depicted familiar Lincolnshire scenes – rolling fields, quaint villages, and dramatic skies – but always with a distinctive artistic flair.

    Influences on Rollett’s work are complex and somewhat debated. While he largely worked in isolation, his paintings bear traces of the Impressionists, particularly Monet and Pissarro, evident in their focus on capturing light and color. However, there's also a strong connection to the British Romantic tradition, with its emphasis on the sublime beauty of nature and the emotional response it evokes. The Kentish Yeomanry, a military unit that Rollett served in during World War I, undoubtedly shaped his perspective, instilling a deep appreciation for the ruggedness and resilience of the Lincolnshire landscape.

    Recognition and Legacy

    Despite his initial self-taught status, Rollett’s talent quickly gained recognition. His paintings were exhibited at prestigious venues throughout Britain, including the Royal Academy in London and the Royal Scottish Academy. In 1924, a pivotal moment arrived when ‘Killingholme Creek’ was accepted into the Paris Salon – a remarkable achievement for a largely unknown British artist. This success opened doors to further exhibitions and established Rollett as a significant figure in the British art scene.

    His work continued to be exhibited throughout the 1920s and 30s, earning him both critical acclaim and commercial success. He was particularly celebrated for his depictions of Lincolnshire’s skies – vast, dramatic canvases filled with swirling clouds and shifting light. Sadly, Rollett's career was cut short by illness in 1932, but his legacy endures. His paintings are now housed in several prominent museums, including the Owletts Greenwch Herbert Art Gallery and Museum in Coventry, where they continue to captivate viewers with their beauty and evocative power.

    The Grocer’s Studio

    It's important to remember that Rollett’s artistic pursuits were undertaken alongside his demanding business life. He ran three grocery shops throughout Grimsby, a town known for its bustling fishing industry. Balancing the responsibilities of shopkeeping with the dedication required for painting was an extraordinary feat – a testament to his discipline and unwavering passion. The image of “the grocer-artist” is a powerful one, challenging conventional notions of artistic identity and demonstrating that creativity can flourish in unexpected places.

    A Lasting Impression

    Herbert Rollett’s story is more than just the biography of an artist; it's a poignant reflection on the pursuit of dreams, the beauty of everyday life, and the enduring power of art. His paintings offer a unique window into the Lincolnshire landscape and a glimpse into the soul of a man who dared to transform his humble profession into a remarkable artistic vocation. Today, his work continues to inspire and delight, reminding us that even the most ordinary lives can hold extraordinary beauty.

    博物馆

    Ferens Art Gallery

    正在展出于 Hull, United Kingdom

    A Legacy Etched in Hull: The Soul of Ferens Art Gallery

    Nestled within the vibrant coastal embrace of Hull, United Kingdom, the

    Ferens Art Gallery

    stands as a profound testament to the transformative power of beauty and the enduring legacy of human creativity. To step through its doors is to embark on a journey that transcends time, moving seamlessly from the meticulous precision of the Old Masters to the evocative abstractions of the modern era. Established by the visionary industrialist

    Thomas Robinson Ferens

    , the gallery was born from a philanthropic dream to democratize art, ensuring that the treasures of the past and present remain accessible to all. It is not merely a repository for canvas and pigment; it is a living narrative of cultural evolution, where every brushstroke whispers stories of maritime adventure, societal shifts, and the eternal quest for aesthetic truth.

    The collection itself is a breathtaking tapestry of European excellence, anchored by works that define entire epochs. Visitors are often captivated by the gallery’s exceptional holdings in

    Dutch and Flemish art

    , where the masterful manipulation of light and shadow creates an almost tactile reality. One cannot help but feel the pulse of human emotion in the dynamic portraiture of

    Frans Hals

    , whose ability to capture a fleeting glance or a subtle smile remains unparalleled. This dialogue with light continues through the luminous Venetian landscapes of

    Canaletto

    , whose atmospheric perspectives transport the viewer to sun-drenched canals and bustling piazzas. For those drawn to the sea, the gallery’s collection of British Marine paintings offers a poignant connection to Hull’s own seafaring heritage, presenting dramatic scenes of naval life and the formidable, unpredictable force of the ocean.

    A Sanctuary of Light and Architectural Grandeur

    The architectural experience of the gallery is as much a part of the art as the paintings themselves. The building, a

    Grade II listed structure

    , exudes an understated grandeur and a sense of tranquil permanence. Following a significant restoration and extension in 1991 and a major £4.5 million makeover in preparation for the 2017 Turner Prize, the space has been transformed into a light-filled sanctuary designed for deep contemplation. The spacious galleries allow expansive canvases to breathe, while the architectural harmony of the building provides a serene backdrop that encourages visitors to linger.

    Beyond its permanent treasures, the gallery serves as a vital bridge to the 20th century and beyond, hosting significant temporary exhibitions that range from explorations of the Royal Collection to celebrated features on artists like

    Francis Bacon

    . This curated tension between tradition and innovation makes the gallery a sanctuary for both the seasoned art historian and the modern collector seeking inspiration. Whether wandering through the quietude of the permanent collections or engaging with the lively atmosphere of the children's gallery and cafe, one finds that the Ferens Art Gallery is an immersive experience where history, art, and architecture converge to inspire a lifelong passion for the sublime.

    更多阅读资讯

    在线获取详情

    链接至 Time to Go 下载页面的二维码

    topimpressionists.com/zh/art/download/herbert-rollett-time-to-go-ARC7KM-en/

    引用此作品

    MLA
    Rollett, Herbert. Time to Go. 1920, Ferens Art Gallery. https://topimpressionists.com/zh/art/herbert-rollett-time-to-go-ARC7KM-en/
    APA
    Rollett, Herbert (1920). Time to Go [Painting]. Ferens Art Gallery. https://topimpressionists.com/zh/art/herbert-rollett-time-to-go-ARC7KM-en/
    Chicago
    Herbert Rollett. Time to Go. 1920. Ferens Art Gallery. https://topimpressionists.com/zh/art/herbert-rollett-time-to-go-ARC7KM-en/
    Harvard
    Rollett, Herbert (1920) Time to Go. Ferens Art Gallery. Available at: https://topimpressionists.com/zh/art/herbert-rollett-time-to-go-ARC7KM-en/

    细致观察

    Time to Go — Herbert Rollett

    近距离观察

    请用自己的话来回答。这里没有标准答案——只有你能解释清楚的答案。

    1. 首先吸引你目光的是什么?为什么?
    2. 哪些色彩或形状营造了这种氛围——而这种氛围又是怎样的呢?
    3. 回看本指南前文提到的 Louth, Lincolnshire,请指出它与此件作品共有之处的两点,以及不同之处的一点。
    4. Herbert Rollett 在创作此作时大约 48 岁。作品中的哪些细节体现了艺术家这一阶段的创作特征?
    5. 艺术家或许想让你感受到什么?

    您的回复

    请围绕这件艺术品撰写一段简短的介绍。内容请结合本指南前文所述的事实以及您在上方提供的答案。

    问答详情

    "Time to Go" 的色彩之间是如何相互关联的?

    "Time to Go" 的色彩和谐度记录为 Discordant Palette。

    Herbert Rollett 的《Time to Go》 是人像、风景还是方形构图?

    Herbert Rollett 的《Time to Go》 是一幅 Landscape 构图的作品。在选择打印尺寸之前,建议先确认其比例。

    我能否更详细地查看“Time to Go”?

    您可以在作品的 X射线检测 页面上逐层探索 “Time to Go”;该交互式查看器的设计灵感源自修复师使用的光源台,通过十一层光学读数呈现图像细节。