纸张尺寸

学生作品指南

Black and White

姓名 班级 日期

James Brooks, Black and White (1965). 仅供参考;版权归权利持有人所有。

详情介绍

艺术家
James Brooks topimpressionists.com/zh/artists/james-brooks/
艺术家生卒年份
1906 – 1992
绘画
1965
原尺寸
25 x 36 cm

语境中

Black and White — James Brooks

尺寸规格

原件尺寸为 25 × 36 厘米(高 × 宽),此处将其与一名平均身高的成年人并列展示。

创作年份

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980
  10. 1990

阴影:James Brooks 的生卒年 (1906–1992) ▲ 此作,1965

同类作品对比

  • Number 13, 1965 topimpressionists.com/zh/art/james-brooks-number-13-D3FJ7Z-en/
  • Untitled, 1952 topimpressionists.com/zh/art/james-brooks-untitled-D7RA89-en/
  • Harmagh, 1967 topimpressionists.com/zh/art/james-brooks-harmagh-AQRGVX-en/

从上方作品中任选其一:列出它与此件作品的两个共同点,以及一个不同点。

更多与此作品相媲美的佳作:topimpressionists.com/zh/art/similar/james-brooks-black-and-white-AQRGVT-en/

色彩

基于图像测量

    主色调

    White #eaece6

    已收录色板

    • #EAECE6
    • #21221E
    • #AEAEA4
    • #64655D
    配色方案
    Neutrals 图像中的主导色系。
    主色调
    White
    饱和度
    Monochromatic 色彩的饱和度与多样性,涵盖了从单一柔和色调到多种明亮色彩的范围。
    对比度
    Statement 画面中色彩在明度与饱和度上的差异程度。
    和谐
    Unified Palette 色彩之间的协调程度,从冲突到完全统一。
    亮度
    Brilliant 画面整体的明暗程度,涵盖了从深邃阴影到明亮高光的变化。
    饱和度
    Muted 色彩纯净且富有张力,从近乎灰调到极尽鲜艳。

    艺术家与博物馆

    艺术家

    James Brooks

    出生地 St. Louis, United States of America

    Early Life and Education

    Born: October 18, 1906, St. Louis, Missouri

    Family moved to Dallas, Texas in 1916

    Studied art at Southern Methodist University (1922-1924)

    Private lessons with James A. Waddell and Martha Simkins in Dallas

    Moved to New York City in 1926

    Studied at the Art Students League under Boardman Robinson and Kimon Nicolaides

    Worked as a commercial artist to support himself

    The WPA Years and Early Murals

    Active in the Works Progress Administration (WPA) Federal Art Project from 1936-1942

    Painted three murals for the WPA, demonstrating social realist style.

    Flight (1940-1942): A significant mural at La Guardia Airport's Marine Air Terminal, depicting the history of aviation. It was the largest WPA mural and later restored after being painted over.

    Friendships with Jackson Pollock and Philip Guston during this period

    Abstract Expressionist Period: Style and Development

    Served as a combat artist in the U.S. Army (1942-1945)

    Returned to New York City in 1946, reconnected with Pollock and Krasner

    Shifted towards Abstract Expressionism, influenced by Surrealist principles

    Developed a unique staining technique: Experimenting with the bleed of paste through canvas.

    Early works showed influences of Synthetic Cubism.

    Palette initially featured browns, grays, blacks and vivid colors.

    Later work incorporated larger forms, broader strokes, and simpler compositions using acrylics.

    Often used numbers and letters to identify paintings, incorporating nonsense syllables as titles (e.g., Pask, Burwak, Jondol).

    Major Exhibitions and Recognition

    First solo exhibition at the Peridot Gallery in New York City (1949)

    Participated in the historic Ninth Street Exhibition (1951) – a key event in Abstract Expressionism.

    Featured in exhibitions such as Twelve Americans and New American Painting at the Museum of Modern Art.

    Documenta, Kassel, West Germany (1959).

    John Simon Guggenheim Memorial Foundation Fellowship (1969)

    Legacy and Historical Significance

    Considered a first-generation Abstract Expressionist painter.

    Known for his innovative staining techniques and lyrical abstraction.

    His work is held in prominent collections including the Art Institute of Chicago, The Museum of Modern Art, Tate Gallery, and National Gallery of Art.

    Brooks's artistic journey reflects the evolution of Abstract Expressionism and his willingness to experiment with new approaches to painting.

    Died on March 9, 1992, in East Hampton, New York.

    更多阅读资讯

    • 艺术家 James Brooks topimpressionists.com/zh/artists/james-brooks/
    • 相似作品 更多作品可供对比 topimpressionists.com/zh/art/similar/james-brooks-black-and-white-AQRGVT-en/

    在线获取详情

    链接至 Black and White 下载页面的二维码

    topimpressionists.com/zh/art/download/james-brooks-black-and-white-AQRGVT-en/

    引用此作品

    MLA
    Brooks, James. Black and White. 1965, https://topimpressionists.com/zh/art/james-brooks-black-and-white-AQRGVT-en/
    APA
    Brooks, James (1965). Black and White [Painting]. https://topimpressionists.com/zh/art/james-brooks-black-and-white-AQRGVT-en/
    Chicago
    James Brooks. Black and White. 1965. https://topimpressionists.com/zh/art/james-brooks-black-and-white-AQRGVT-en/
    Harvard
    Brooks, James (1965) Black and White. Available at: https://topimpressionists.com/zh/art/james-brooks-black-and-white-AQRGVT-en/

    细致观察

    Black and White — James Brooks

    近距离观察

    请用自己的话来回答。这里没有标准答案——只有你能解释清楚的答案。

    1. 首先吸引你目光的是什么?为什么?
    2. 哪些色彩或形状营造了这种氛围——而这种氛围又是怎样的呢?
    3. 你能找到多少张面孔?____(我们的目录统计了 1 张 —— 你同意吗?)
    4. 回想一下本指南前文提到的 Number 13 (1965)。请指出它与此件作品共有之处的两点,以及不同之处的一点。
    5. James Brooks 在创作此作时大约 59 岁。作品中的哪些细节体现了艺术家这一阶段的创作特征?

    您的回复

    请围绕这件艺术品撰写一段简短的介绍。内容请结合本指南前文所述的事实以及您在上方提供的答案。