纸张尺寸

学生作品指南

Ploughing Time

姓名 班级 日期

John Guthrie Spence Smith, Ploughing Time (1924). 公有领域作品 在流动的光影下观察这幅画布:线条的笔触、清漆下的真实色彩、以及纯粹的颜料质感

详情介绍

艺术家
John Guthrie Spence Smith topimpressionists.com/zh/artists/john-guthrie-spence-smith/
艺术家生卒年份
1880 – 1951
绘画
1924
原尺寸
88 x 100 cm

语境中

Ploughing Time — John Guthrie Spence Smith

尺寸规格

原件尺寸为 88 × 100 厘米(高 × 宽),此处将其与一名平均身高的成年人并列展示。

创作年份

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950

上行:年份。下行:艺术家在每个时间段开始与结束时的年龄 —— 出生时为 0,去世时为 71。

创作于艺术家 44 岁时。 这位艺术家享年 71。 8 在我们目录中该艺术家的 32 件有明确日期的作品中,早于此件的作品。

阴影:John Guthrie Spence Smith 的生卒年 (1880–1951) ▲ 此作,1924 每一幅带有日期的画作,按年代编排

早期作品:至 1920 主要执业年份:1920–1940 晚期作品:始于 1940

这三段时期将本目录中记录的作品划分为第一季度、中期及最后季度。这些时期并非艺术家的全部创作:某些时期的作品稀少,可能源于记录的缺失,而非创作的停滞。 岁月流转,与艺术家的生命轨迹交相辉映

同类作品对比

  • Bakehouse Close, 1941 topimpressionists.com/zh/art/john-guthrie-spence-smith-bakehouse-close-AQUSHK-en/
  • Cir Mhor topimpressionists.com/zh/art/john-guthrie-spence-smith-cir-mhor-AQUSJ9-en/
  • Old Perth Buildings, 1932 topimpressionists.com/zh/art/john-guthrie-spence-smith-old-perth-buildings-AQUSHH-en/

从上方作品中任选其一:列出它与此件作品的两个共同点,以及一个不同点。

更多与此作品相媲美的佳作:topimpressionists.com/zh/art/similar/john-guthrie-spence-smith-ploughing-time-AQUSHD-en/

色彩

基于图像测量

    主色调

    Gray #75725e

    已收录色板

    • #75725E
    • #908D76
    • #5D563D
    • #3D3724

    这些色彩尽在艺术家的完整调色盘之中 按颜色查找其他画作

    主色调
    Gray
    饱和度
    Monochromatic 色彩的饱和度与多样性,涵盖了从单一柔和色调到多种明亮色彩的范围。
    对比度
    Gentle 画面中色彩在明度与饱和度上的差异程度。
    和谐
    Unified Palette 色彩之间的协调程度,从冲突到完全统一。
    亮度
    Balanced 画面整体的明暗程度,涵盖了从深邃阴影到明亮高光的变化。
    饱和度
    Subtle Color 色彩纯净且富有张力,从近乎灰调到极尽鲜艳。

    这幅画作在全球哪些地方被观赏?

    • 占比低于 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% 及以上
    仅凭这幅画作的记录访客数尚不足以绘制地图,因此该图表展示了过去十二个月内 John Guthrie Spence Smith 的每一件作品 —— 总计涵盖 2 个国家。 这些数据来源说明

    十大领先国家

    1. 1 中国 90.0%
    2. 2 英国 10.0%

    在地图上找出颜色最深的三个国家。收藏这幅画作的博物馆是否位于其中之一?请写下一个让远方的人们想要观赏它的理由。

    John Guthrie Spence Smith 最受关注的 10 件作品

    1. 1 A Midlothian Farm, 1925 18.2%
    2. 2 John Knox's House, High Street, Edinburgh, 1929 18.2%
    3. 3 Old Perth Buildings, 1932 9.1%
    4. 4 The Croft, Anstruther, 1920 9.1%
    5. 5 Red Roofs 9.1%
    6. 6 Mowbray House, High Street, Edinburgh, 1930 9.1%
    7. 7 St Monance Kirk, 1930 9.1%
    8. 8 St Monance Kirk, 1950 9.1%
    9. 9 Standing Female Nude 9.1%
    10. — Ploughing Time, 1924 此幅画作 0.0%

    这些作品共同占据了该艺术家画作在过去十二个月中所获关注度的 100.0%。该目录收录了 43 件该艺术家的作品,其中 9 件曾被至少浏览过一次。 此画作在此期间尚无浏览记录 —— 因此在列表中不显示排名。 逐月统计数据保持一致

    条形图衡量的是关注度,而非品质。请选择排在首位的作品以及这一件:列举一件除了绘画技巧之外,可能使一幅画作闻名遐迩的因素。

    艺术家与博物馆

    艺术家

    John Guthrie Spence Smith

    John Guthrie Spence Smith: A Visionary of Scottish Landscapes

    John Guthrie Spence Smith (1880-1951) remains a quietly significant figure in 20th-century British art, particularly within the rich tapestry of Scottish painting. Born in Perth, Scotland, into a family profoundly shaped by tragedy – his three older brothers succumbed to illness at young ages – Smith’s early life instilled a sensitivity and perhaps an unusual focus on observation. A childhood affliction robbed him of speech and hearing, a circumstance that arguably sharpened his visual perception and fostered a unique way of engaging with the world around him. This formative experience deeply influenced his artistic approach, imbuing his landscapes with a profound sense of stillness and quiet contemplation.

    Smith’s formal training began at Dundee College of Art, followed by studies at Edinburgh College of Art and the prestigious Royal Scottish Academy Life Drawing Classes under the tutelage of Robert Burns and Charles Hodge Mackie. These formative years exposed him to established artistic traditions while simultaneously nurturing his own distinctive style. He quickly distinguished himself as a talented artist, winning several prizes during his time at the RSA, demonstrating an early aptitude for capturing light, atmosphere, and the subtle nuances of the Scottish countryside. Crucially, he became involved with the Edinburgh Group, a collective of artists who challenged academic conventions and sought to forge a new path for modern art in Scotland. This association exposed him to innovative ideas and provided a platform for his work to be seen alongside other emerging talents.

    A Distinctive Style: Landscape and Streetscapes

    Smith’s artistic output is primarily characterized by meticulously rendered landscapes and evocative street scenes, predominantly depicting the familiar yet subtly transformed vistas of Perthshire, Angus, and the surrounding areas. He wasn't interested in dramatic, sweeping compositions; instead, he favored a measured approach, capturing the quiet dignity of rural life and the understated beauty of everyday settings. His palette was restrained, relying on muted earth tones – ochres, browns, greys, and blues – to create a sense of atmospheric depth and realism. He skillfully employed light and shadow to convey the changing moods of the Scottish weather, imbuing his paintings with a palpable sense of time and place. His work is often described as having a “colourist” quality, echoing the influence of artists like J.M. Whistler, though Smith’s approach was firmly rooted in his own unique vision.

    Influences and Artistic Development

    Smith's artistic journey reveals a complex interplay of influences. The traditional landscape painting of the Scottish Colourists – particularly their emphasis on capturing the essence of light and colour – undoubtedly shaped his early style. However, he also absorbed elements from Impressionism and Post-Impressionism, evident in his use of broken brushstrokes and his exploration of subjective perception. His time spent in France during World War I, though brief, provided a crucial opportunity to study the works of masters like Monet and Renoir, further expanding his artistic horizons. Following the war, he returned to Scotland, continuing to develop his distinctive style while maintaining close ties with the Edinburgh art community. His later work demonstrates an increasing confidence and maturity, reflecting a deeper understanding of both his subject matter and his own artistic voice.

    Legacy and Recognition

    Despite not achieving widespread fame during his lifetime, John Guthrie Spence Smith’s contribution to Scottish art is now increasingly recognized. His paintings are held in public collections across Scotland, including those of Glasgow, Paisley, Perth, and Greenock Museums, testament to the enduring quality of his work. His membership in the Royal Scottish Academy and his association with the Edinburgh Group cemented his place within a pivotal period of artistic innovation in Scotland. Smith’s legacy lies not only in his beautiful paintings but also in his quiet determination to pursue his artistic vision despite significant personal challenges. He represents a compelling example of an artist who found solace and expression through observation, capturing the essence of Scottish life with remarkable sensitivity and skill. His work continues to resonate with viewers today, offering a glimpse into a bygone era and a profound appreciation for the beauty of the Scottish landscape.

    Further Resources

    Art UK: https://artuk.org/discover/artists/smith-john-guthrie-spence-18801951

    Fleming Collection: https://www.flemingcollection.com/copy-of-spencer-richard-b

    Glasgow Museums Collections Online: https://collections.glasgowmuseums.com/mwebcgi/mweb?request=record;id=8890;type=701

    askART: https://www.askart.com/artist/john_guthrie_spence/11071253/john_guthrie_spence.aspx?alert=info

    更多阅读资讯

    在线获取详情

    链接至 Ploughing Time 下载页面的二维码

    topimpressionists.com/zh/art/download/john-guthrie-spence-smith-ploughing-time-AQUSHD-en/

    引用此作品

    MLA
    Smith, John Guthrie Spence. Ploughing Time. 1924, https://topimpressionists.com/zh/art/john-guthrie-spence-smith-ploughing-time-AQUSHD-en/
    APA
    Smith, John Guthrie Spence (1924). Ploughing Time [Painting]. https://topimpressionists.com/zh/art/john-guthrie-spence-smith-ploughing-time-AQUSHD-en/
    Chicago
    John Guthrie Spence Smith. Ploughing Time. 1924. https://topimpressionists.com/zh/art/john-guthrie-spence-smith-ploughing-time-AQUSHD-en/
    Harvard
    Smith, John Guthrie Spence (1924) Ploughing Time. Available at: https://topimpressionists.com/zh/art/john-guthrie-spence-smith-ploughing-time-AQUSHD-en/

    细致观察

    Ploughing Time — John Guthrie Spence Smith

    近距离观察

    请用自己的话来回答。这里没有标准答案——只有你能解释清楚的答案。

    1. 首先吸引你目光的是什么?为什么?
    2. 哪些色彩或形状营造了这种氛围——而这种氛围又是怎样的呢?
    3. 回想一下本指南前文提到的 Bakehouse Close (1941)。请指出它与此件作品共有之处的两点,以及不同之处的一点。
    4. John Guthrie Spence Smith 在创作此作时大约 44 岁。作品中的哪些细节体现了艺术家这一阶段的创作特征?
    5. 艺术家或许想让你感受到什么?

    您的回复

    请围绕这件艺术品撰写一段简短的介绍。内容请结合本指南前文所述的事实以及您在上方提供的答案。

    问答详情

    如何购买 John Guthrie Spence Smith 的《Ploughing Time》 的版画?

    “Ploughing Time”可通过 采用棉质帆布或档案级画布纸制作的艺术版画 进行购买。您可以在其 艺术版画 页面上根据您的需求选择尺寸并下单。

    在哪里可以找到与 John Guthrie Spence Smith 的《Ploughing Time》 风格相似的艺术品?

    与 John Guthrie Spence Smith 的《Ploughing Time》 相似的作品已汇集在作品的 相似作品 页面中。

    “Ploughing Time”被归于哪位艺术家名下?

    "Ploughing Time" 由 John Guthrie Spence Smith 创作。本页面的信息旨在介绍 John Guthrie Spence Smith 的原作。