纸张
姓名 班级 日期

William Bell Scott, Thomas Evans (1840), Treasurer's House, York. 公有领域 在流动的光影下观察这幅画布:线条的笔触、清漆下的真实色彩、以及纯粹的颜料质感

基本信息

艺术家
William Bell Scott topimpressionists.com/zh/artists/william-bell-scott-1/
艺术家生卒年
1811 – 1890
绘画
1840
原尺寸
49.5 x 42.0cm
举办地点
Treasurer's House, York topimpressionists.com/zh/museums/treasurer-s-house-york/

语境中

Thomas Evans — William Bell Scott

尺寸大小

原件尺寸为 50 × 42 厘米(高 × 宽),此处将其与一名平均身高的成年人并列展示。

此作创作于何时?

  1. 1810
  2. 1820
  3. 1830
  4. 1840
  5. 1850
  6. 1860
  7. 1870
  8. 1880
  9. 1890

上行:年份。下行:艺术家在每个时间段开始与结束时的年龄 —— 出生时为 0,去世时为 79。

创作于艺术家 29 岁时。 这位艺术家享年 79。 0 在我们目录中该艺术家的 16 件有明确日期的作品中,早于此件的作品。

阴影:William Bell Scott 的生卒年 (1811–1890) ▲ 此作,1840 每一幅带有日期的画作,按年代编排

早期作品:至 1857 主要执业年份:1857–1864 晚期作品:始于 1864

这三个阶段将本目录中已有明确日期的作品划分为第一季度、中期及最后季度。这些时期并不代表艺术家的全部创作:某些时期的作品稀少,可能源于记录的缺失,而非创作的停滞。 岁月流转,与艺术家的生命轨迹交相辉映

对比相似作品

从上方作品中任选其一:列出它与此件作品的两个共同点,以及一个不同点。

更多与此作品相媲美的佳作:topimpressionists.com/zh/art/similar/thomas-evans-by-william-bell-scott/

配色方案

图像测量值

    主色调

    Walnut #694e2c

    已收藏色板

    • #694E2C
    • #B19A71
    • #0E0D09
    • #D6D0B0

    这些色彩尽在艺术家的完整调色盘之中 按颜色查找其他画作

    色调
    Earthy 图像中的主导色系。
    主色名称
    Walnut
    饱和度
    Monochromatic 色彩的饱和度与多样性,涵盖了从单一柔和色调到多种明亮色彩的范围。
    对比度
    Statement 画面中色彩在明度与饱和度上的差异程度。
    和谐
    Balanced Harmony 色彩之间的协调程度,从冲突到完全统一。
    亮度
    Deep_shadow 画面整体的明暗程度,涵盖了从深邃阴影到明亮高光的变化。
    饱和度
    Muted 色彩纯净且富有张力,从近乎灰调到极尽鲜艳。

    艺术家与博物馆

    艺术家

    William Bell Scott

    出生于 Edinburgh, United Kingdom

    A Life of Art and Letters

    William Bell Scott was a Scottish artist, painter, writer, poet, graphic artist, art historian, exlibrist, and print collector. Born in Edinburgh, United Kingdom, he was the son of the engraver Robert Scott and the brother of the painter David Scott. His artistic journey took him from his upbringing in Edinburgh to London, and later to Newcastle upon Tyne, where he served as the principal of the government School of Art from 1843 to 1864. During his tenure in Newcastle, he expanded his repertoire of landscapes and history painting to include industrial subjects, becoming one of the first British artists to extensively depict the processes of the Industrial Revolution.

    Beyond his visual work, Scott was a prolific writer and poet. His literary contributions included:

    Artistic Commissions and Portraits

    Scott's decorative work is notably represented in historical cycles. For Wallington Hall in Northumberland, he produced eight large pictures illustrating Northumbrian history, featuring life-size figures, alongside eighteen pictures on The Ballad of Chevy Chase. He also executed a historical cycle for Penkill Castle in Ayrshire, Scotland, illustrating James I's poem The Kingis Quair.

    While he did not focus heavily on portraiture, his striking portrait of the poet Algernon Charles Swinburne remains an iconic image. His etchings were primarily designed to serve as illustrations for his books. In his later years, after resigning from his appointment under the Science and Art Department in 1885, he focused on his writing until his death in South Ayrshire.

    博物馆

    Treasurer's House, York

    展出于 United Kingdom

    The History and Origins of the House

    Treasurer's House, York is a Grade I listed historic house located in Minster Yard, directly to the north of York Minster. The site's history is deeply connected to the ecclesiastical administration of the Minster. The office of Treasurer was established by Archbishop of York Thomas of Bayeux, and the first Treasurer for York Minster was appointed in 1091. For several centuries, the building functioned as a grand residence for the Treasurer, providing a space to entertain important guests. This specific function continued until 1547, when the Reformation of the English Church brought the office of Treasurer to an end.

    The physical foundations of the house reflect the long occupation of the site. The structure was built directly over one of the main Roman roads that led out of Roman York to the North. During major structural changes carried out by Frank Green, four Roman column bases were uncovered. One of these remains in-situ in the cellar. The house is currently owned and maintained by the National Trust.

    The Restoration by Frank Green

    In 1897, Frank Green, a wealthy local industrialist, began the process of acquiring the various parts of the house. He purchased each section between 1897 and 1898, aiming to unify the subdivided properties into a single residence. To achieve this, he appointed Temple Moore to oversee the restoration. The architectural work involved removing numerous earlier additions to return the structure to a more cohesive state. This extensive project was largely completed by 1900.

    Green intended the house to function as a setting for his personal collection of antique furniture, paintings, and objets d’art. He was an exacting man who maintained the house with strict attention to order and tidiness. The resulting interior reflects his specific vision for a grand town house. In 1930, Green donated both the house and his entire collection to the National Trust, ensuring the property and its contents remained intact.

    The Architecture and Interior Rooms

    Located in Minster Yard directly to the north of York Minster, the house possesses a layered architectural character. The structure features a symmetrical front that was added during the early 17th century. While the building's origins reach back to medieval times, the current configuration reflects the extensive transformations undertaken at the end of the 19th century. By 1900, the property had been converted into an elaborately decorated town house.

    The interior is composed of thirteen period rooms. These spaces represent a variety of different styles and eras, creating a specific domestic arrangement. The layout reflects the transition from a subdivided set of tenements back into a unified residence. The arrangement of these rooms was intended to display a curated collection of antique furniture and objects.

    Mrs Halliwell as an Old Woman, 1840 - William Bell Scott

    Thomas Evans, 1840 - William Bell Scott

    'Frisk' a Skye Terrier, 1875 - Richard S. Moseley

    Lady Charlotte Harley - Richard Westall

    Landscape with a Lake, Cattle and a Figure on Horseback, 1801 - Charles Towne

    Mr Halliwell on Horseback, 1794 - Charles Towne

    Exhibitions and Visiting Information

    The house is open to the public for an admission fee. Visitors may access the garden and the café without charge. During certain periods, the site hosts specific displays to examine the history of the property. The exhibition titled 'Demolition and Restoration' opened on May 6 and remains available until the end of the year.

    Daily opening hours are from 11am to 4.30pm. The house is located in Minster Yard, directly to the north of York Minster. Access to the interior is managed through the National Trust. The site remains open to the public throughout the year, though specific tour availability may vary by season.

    更多阅读资讯

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    在线查看详情

    链接至 Thomas Evans 下载页面的二维码

    topimpressionists.com/zh/art/download/thomas-evans-by-william-bell-scott/

    引用此作品

    MLA
    Scott, William Bell. Thomas Evans. 1840, Treasurer's House, York. https://topimpressionists.com/zh/art/thomas-evans-by-william-bell-scott/
    APA
    Scott, William Bell (1840). Thomas Evans [Painting]. Treasurer's House, York. https://topimpressionists.com/zh/art/thomas-evans-by-william-bell-scott/
    Chicago
    William Bell Scott. Thomas Evans. 1840. Treasurer's House, York. https://topimpressionists.com/zh/art/thomas-evans-by-william-bell-scott/
    Harvard
    Scott, William Bell (1840) Thomas Evans. Treasurer's House, York. Available at: https://topimpressionists.com/zh/art/thomas-evans-by-william-bell-scott/

    近距离观察

    Thomas Evans — William Bell Scott

    细致观赏

    请用自己的话来回答。这里没有标准答案——只有你能解释清楚的答案。

    1. 首先吸引你目光的是什么?为什么?
    2. 哪些色彩或形状营造了这种氛围——而这种氛围又是怎样的呢?
    3. 你能找到多少张面孔?____(我们的目录统计了 1 张 —— 你同意吗?)
    4. 回想一下本指南前文提到的 Una and the Lion (from Spenser's 'The Faerie Queene') (1860)。请指出它与此件作品共有之处的两点,以及不同之处的一点。
    5. William Bell Scott 在创作此作时大约 29 岁。作品中的哪些细节体现了艺术家这一阶段的创作特征?

    您的回复

    请围绕这件艺术品撰写一段简短的介绍。内容请结合本指南前文所述的事实以及您在上方提供的答案。

    常见问题与解答

    William Bell Scott 的《Thomas Evans》 的色彩是鲜艳夺目还是柔和低调?

    "Thomas Evans" 的色彩饱和度为 Muted。

    "Thomas Evans" 的明暗对比是否强烈?

    William Bell Scott 的《Thomas Evans》 在明暗区域之间呈现出 Statement 的对比度。

    我该如何获取William Bell Scott 的《Thomas Evans》的数字文件?

    若想获取 William Bell Scott 的《Thomas Evans》 的数字版文件,请前往其 高分辨率数字图像 页面进行 高分辨率数字图像下载。