学生作品指南
版权所有 此作品已进入公有领域。Vincenzo Irolli 于 1949 年逝世；版权在艺术家去世后延续 70 年，因此已于 2019 年届满。
语境中
At the window — Vincenzo Irolli
上行：年份。下行：艺术家在每个时间段开始与结束时的年龄 —— 出生时为 0，去世时为 89。
阴影：Vincenzo Irolli 的生卒年 (1860–1949) 每一幅带有日期的画作，按年代编排
此唱片目前尚无确切的年份记录 —— 根据艺术家的生卒年及作品风格，您会推测其属于哪个年代？
从上方作品中任选其一：列出它与此件作品的两个共同点，以及一个不同点。
更多与此作品相媲美的佳作：topimpressionists.com/zh/art/similar/vincenzo-irolli-at-the-window-9HATDM-en/
图像测量值
主色调
Espresso #6c5145
已收藏色板
十大领先国家
在地图上找出颜色最深的三个国家。收藏这幅画作的博物馆是否位于其中之一？请写下一个让远方的人们想要观赏它的理由。
这些作品共同占据了该艺术家画作在过去十二个月中所获关注度的 100.0%。该目录收录了 12 件该艺术家的作品，其中 4 件曾被至少浏览过一次。 此画作在其中排名第 3，占据了 25.0% 的关注度。 每月统计数据保持一致
条形图衡量的是关注度，而非品质。请选择排在首位的作品以及这一件：列举一件除了绘画技巧之外，可能使一幅画作闻名遐迩的因素。
艺术家与博物馆
出生于 Naples, Italy
Vincenzo Irolli was born on September 30, 1860, in Naples, Italy. He demonstrated an early aptitude for art, leading him to enroll at the Naples Institute of Fine Arts in 1877. There, he studied under the guidance of Gioacchino Toma, a prominent figure in Neapolitan painting. Irolli successfully completed his studies three years later, graduating in 1880 and laying the foundation for his artistic career.
Initially, Irolli focused on portraits and genre scenes, regularly exhibiting his work at the Naples Società Promotrice di Belle Arti from 1879 onwards. His style evolved over time, embracing elements of Impressionism while maintaining a strong foundation in realistic representation. He skillfully captured the nuances of everyday life, often depicting intimate moments within domestic settings.
Irolli’s talent quickly gained recognition beyond Naples. In 1884, he exhibited at Turin, showcasing works like Amore e dovere and Le Maddalene d' oggi. Further exhibitions followed in Milan (1880) and Venice (1887), where he presented numerous drawings from life. His participation extended internationally, with showings at the Salon in Paris – where he achieved considerable success – as well as London (1904), Munich (1909), and Barcelona (1911), earning a bronze medal in the latter.
Maternal Figures: Irolli frequently depicted mothers with their children, conveying tenderness and emotional depth.
Genre Scenes: He captured scenes of everyday life, offering glimpses into the social customs and routines of his time.
Portraits: His portraits were known for their realism and ability to capture the personality of the sitter.
Religious Works: Later in his career, Irolli also explored religious themes, as evidenced by his ten works presented at the Mostra di Arte Sacra in Naples (1936).
In 1890, Irolli became a member of the Circolo Artistico Napoletano. He collaborated with Vincenzo Migliaro and other local artists on decorative projects, most notably contributing to the embellishment of the renowned Caffè Gambrinus in Naples – a significant cultural hub.
Vincenzo Irolli’s work provides valuable insights into Italian society during the late 19th and early 20th centuries. His paintings offer a blend of realism, emotional sensitivity, and artistic skill. While not as widely celebrated as some of his contemporaries, he remains a notable figure in Neapolitan art history, appreciated for his ability to capture the beauty and complexity of everyday life. He passed away on November 27, 1949, leaving behind a rich artistic legacy.
topimpressionists.com/zh/art/download/vincenzo-irolli-at-the-window-9HATDM-en/
近距离观察
At the window — Vincenzo Irolli
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与“At the window”相似的作品已列在艺术品的 相似作品 页面中。
您可以通过 采用棉质帆布或档案级画布纸制作的艺术版画 购买 “At the window” 的版画。您可以前往其 艺术版画 页面，根据您的需求选择尺寸并下单。
Vincenzo Irolli 的《At the window》 属于 属于公有领域 —— 其版权已过期。此版权状态决定了该作品图像的复制方式。