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版权所有 此作品仍被视为受版权保护。Yoon Yongbin 出生于 1995，且无记载的逝世日期；版权在艺术家逝世后持续 70 年。此处展示图像仅供教学参考；相关权利仍归权利人所有。
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Amphibole Object — Yoon Yongbin
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关于此艺术品
Amphibole Object — Yoon Yongbin
This stone object was made of amphibole from the Jangsu region in Korea. Such an object has been used since the Joseon Dynasty (1392-1897), when objects made of amphibole from Jangsu were used on the king’s table. Infrared rays and minerals coming from the stone during the transfer of heat protect food nutrients and improve the taste of what we eat. Furthermore, the warmth of amphibole helps a person’s blood circulation. Amphibole is a healthy material that keeps the condition of both hot and cold foods as they are for a longer period of time.
艺术家与博物馆
出生地 Seoul, South Korea
In the vibrant heart of Seoul, a new creative voice is emerging that seeks to bridge the profound depths of Korean heritage with the sleek sensibilities of modern expression. Yoon Yongbin, known to many by his stage name Lee Sae-on, is an artist whose multidisciplinary journey reflects a rare synthesis of performance and plastic arts. Born in 1995, Yongbin’s early life was steeped in the cultural atmosphere of South Korea, where the echoes of history are never far from the surface. His formative years were deeply influenced by the legacy of the Yoon Dongju Memorial Hall, an encounter that instilled in him a reverence for the melancholic and poetic spirit of Korea's national bard. This early exposure to lyrical tragedy and beauty laid the groundwork for an artistic identity defined by emotional depth and symbolic weight.
While many recognize his presence through the lens of contemporary media—having debuted in the 2018 drama Inspector 2 of the Devil and gaining widespread visibility through his participation in Produce 101 Season 2—Yongbin’s true sanctuary lies in the tactile world of sculpture and conceptual form. His transition from the spotlight of the entertainment industry to the quiet intensity of the studio marks a profound evolution, moving from the ephemeral nature of performance to the enduring permanence of stone and mineral.
At the core of Yongbin’s artistic practice is a meticulous exploration of texture, history, and the elemental properties of the earth. His work is most notably characterized by his “Amphibole Object” series, a collection that serves as a profound dialogue between the Joseon Dynasty and the contemporary era. By utilizing amphibole—a specific stone from the Jangsu region of Korea—Yongbin invokes a lineage of craftsmanship that once graced the tables of Korean royalty. These objects are not merely sculptural forms; they are vessels of cultural memory, designed to honor the ancient techniques used to preserve nutrients and enhance the essence of life through heat and mineral transfer.
His technique is a deliberate study in minimalism and symbolic representation. In his hands, the heavy, rugged nature of Korean stone is transformed into something contemplative and ethereal. The artist focuses on:
Textural Detail: Capturing the raw, geological essence of the amphibole to emphasize the passage of time.
Symbolic Heritage: Using materials that historically connected the monarchy to the natural world to explore themes of transformation.
Minimalist Aesthetics: Stripping away the superfluous to allow the intrinsic beauty and "breath" of the stone to command the viewer's attention.
The significance of Yoon Yongbin’s work lies in its ability to act as a bridge. He does not merely replicate the past; he recontextualizes it for a modern audience that is often disconnected from ancestral traditions. Through his sculptural explorations, he invites viewers to contemplate the enduring beauty of natural materials and the cyclical nature of history. His art suggests that while the world moves toward rapid technological advancement, there remains an essential, grounding need to reconnect with the minerals and memories of our origins.
As his career continues to unfold, Yongbin stands as a testament to the versatility of the modern creator. Whether through the rhythmic movement of cultural performance or the silent, powerful presence of a stone vessel, his work remains anchored in a singular mission: to find the eternal within the contemporary and to ensure that the poetic soul of Korea continues to resonate in the modern age.
正在展出于 Seoul, South Korea
In the heart of Seoul, where the pulse of a hyper-modern metropolis meets the quiet echoes of antiquity, lies the Korea Craft & Design Foundation (KCDF). It is far more than a mere repository for artifacts; it is a vibrant, breathing sanctuary where the ancestral soul of Korea finds expression in the contemporary moment. To enter KCDF is to embark on a sensory pilgrimage, stepping into a space where the boundaries between historical preservation and avant-garde innovation dissolve. The foundation serves as a vital bridge, ensuring that the meticulous skills of master artisans are not lost to the passage of time but are instead reimagined for the modern lifestyle, making it an essential destination for those who seek beauty that is both deeply rooted and strikingly current.
The collection itself unfolds like a beautifully woven tapestry, offering a chronological journey through the very essence of Korean identity. One cannot help but be captivated by the ethereal grace of Goryeo celadon, whose jade-like glazes possess a translucent, otherworldly quality that seems to capture the very mist of a mountain morning. These ceramics stand in poetic contrast to the robust, earthy stoneware of earlier dynasties, which embody a sense of resilience and grounded strength. As one moves through the galleries, the tactile richness of Korean textiles takes center stage. The Hanbok fabrics, with their luminous hues and intricate patterns, do more than decorate; they communicate social hierarchies, Confucian values, and the rhythmic shifts of the seasons. Each embroidered screen and silken thread tells a story of devotion, where painstaking technique meets profound symbolic meaning.
Beyond the delicate allure of silk and porcelain, KCDF celebrates the structural mastery of woodcraft and metalwork. The museum showcases furniture that is a masterclass in functional artistry, where the natural grain of precious woods is honored through sophisticated carving and joinery. This architectural approach to object-making reflects a uniquely Korean aesthetic—one that finds harmony in the balance between utility and elegance. Similarly, the metalwork collection reveals how precious metals can be transformed into wearable art, blending ornamental splendor with cultural narratives. For the interior designer or collector, these pieces represent more than decoration; they are sculptural elements that bring a sense of historical depth and artisanal integrity to any contemporary space.
The architecture of the foundation itself mirrors this philosophy of harmonious fusion. The building’s sleek, minimalist design acts as a quiet, sophisticated canvas, allowing the intricate details of the crafts to command the viewer's full attention. Large, intentional windows invite natural light to flood the interiors, creating a seamless connection between the curated treasures within and the shifting landscape of Seoul outside. This transparency fosters an atmosphere of contemplation, inviting visitors to lose themselves in the subtle textures of clay, fiber, and metal.
What truly distinguishes KCDF is its proactive role as a cultural incubator. While much of the foundation's mission is dedicated to the preservation of fading traditions, there is an unmistakable energy directed toward the future. The institution does not merely look backward with nostalgia; it actively nurtures a thriving ecosystem for young makers and contemporary designers. Through groundbreaking exhibitions and collaborative projects, KCDF explores how traditional techniques can be reinterpreted through modern materials and digital sensibilities. This commitment to innovation ensures that Korean craft remains a living, evolving language rather than a static relic of the past.
Whether through workshops that revive forgotten skills or international showcases that bring Korean design to the global stage, the foundation continues to expand its influence. It is this unique ability to marry the ancient with the experimental that makes KCDF a singular cultural landmark. For the art lover, it offers a profound connection to Korea's cultural soul; for the designer, it provides an inexhaustible well of inspiration; and for the world, it presents a compelling vision of how heritage can drive the creative spirit of tomorrow.
topimpressionists.com/zh/art/download/yoon-yongbin-amphibole-object-DD28WC-en/
细致观察
Amphibole Object — Yoon Yongbin
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请围绕这件艺术品撰写一段简短的介绍。内容请结合本指南前文所述的事实以及您在上方提供的答案。
Yoon Yongbin 的《Amphibole Object》 属于 Contemporary Still Life 流派，创作于其作者的 Contemporary 时期。
Yoon Yongbin 也以 Lee Sae-On 等其他名称为人所知。
Yoon Yongbin 的《Amphibole Object》 的色彩饱和度记录为 Muted。