Carl Ebert, 1821 – 1885
Carl Ebert 最著名的 5 幅画作
Forest Landscape with Bathing Children (1867) 是 Carl Ebert 最为人熟知的杰作；该作品收藏于 慕尼黑 的 巴伐利亚州绘画收藏馆。 Evening Landscape (1875) 与 Landscape society in a park 共同构成了这三件最受追捧的杰作。 我们的目录收录了 Carl Ebert 的 5 件作品。以下是其中最著名的 5 件，并附有每幅画作的创作年份、馆藏博物馆及背后的故事。
排名依据为我们的热度评分，该评分综合了每件作品的搜索量、访问量及订单量。更新于 November 2026。 此页面上的每幅画作均可订购为手工绘制在亚麻画布上的油画复制品，或根据您选择的尺寸制作的高级艺术版画。
- 生卒年份
- 1821 – 1885, Stuttgart
- 目录中的作品
- 5
- 最知名
- Forest Landscape with Bathing Children (1867)
- 馆藏作品最多于
- 巴伐利亚州绘画收藏馆
Carl Ebert 最受喜爱的十幅名作
Carl Ebert 的画作陈列于此
收藏了本页中大部分画作的 2 家博物馆。
| 博物馆 | 城市 | Carl Ebert 的作品 | 此列表中的画作 |
|---|---|---|---|
 巴伐利亚州绘画收藏馆 |
慕尼黑 | 2 | Forest Landscape with Bathing Children, Evening Landscape |
 伦巴赫美术馆 |
慕尼黑 | 1 | Isar Landscape |
Carl Ebert 的传世名作，岁岁年年
十载画笔春秋，从 1867 到 1875：Carl Ebert 的岁月画作，年年岁岁。
-
1867
第 1 / 共 5 名
Forest Landscape with Bathing Children
-
1875
第 2 / 共 5 名Evening Landscape
逐一探寻 Carl Ebert 的画布
哪幅画布最能代表 Carl Ebert 的艺术成就？查看答案
Forest Landscape with Bathing Children (1867)，巴伐利亚州绘画收藏馆, 慕尼黑。其后是Evening Landscape (1875)和Landscape society in a park。
Forest Landscape with Bathing Children：创作这幅作品时，Carl Ebert 有多大年纪？查看答案
Carl Ebert出生于1821，享年46岁：Forest Landscape with Bathing Children创作于1867年。
Carl Ebert 创作了多少幅画作？查看答案
我们的目录中收录了 5 件 Carl Ebert 的作品，日期从 1867 到 1875。
Carl Ebert 最著名的画作现存于何处？查看答案
多见于 巴伐利亚州绘画收藏馆 (慕尼黑) 及 伦巴赫美术馆 (慕尼黑)；上表列出了各博物馆及其馆藏作品。
哪位著名的 Carl Ebert 油画创作于最早，哪位创作于最晚？查看答案
此处的早期画布作品为 Forest Landscape with Bathing Children (1867)；最晚为 Evening Landscape (1875)。
巴伐利亚州绘画收藏馆收藏了哪些Carl Ebert的作品？查看答案
巴伐利亚州绘画收藏馆, 慕尼黑收藏了本页中2件作品，其中包括Forest Landscape with Bathing Children 及 Evening Landscape。
在哪里可以买到 Carl Ebert 作品的复制品？查看答案
是的。本页面的每一幅画作都可以在其详情页进行定制，您可以根据所需尺寸，将其订购为手工绘制的油画复制品，或精美的艺术版画。
走进画家世界：Carl Ebert
Early Life and Artistic Training
Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.
In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.
Travels and Artistic Influences
Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.
His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.