在Daniel Hendrickson的所有画作中，Catharine Hendrickson (1770)最为著名；它现收藏于华盛顿的国家美术馆。 在我们的目录中，Daniel Hendrickson 的 1 件作品里，这 1 件是最负盛名的，每件作品都附有创作日期、馆藏机构及其背后的故事。
排名依据为我们的热度评分，该评分综合了每件作品的搜索量、访问量及订单量。更新于 November 2026。 此页面上的每幅画作均可订购为手工绘制在亚麻画布上的油画复制品，或根据您选择的尺寸制作的高级艺术版画。
A formal 18th-century portrait, this oil on canvas presents a woman in a three-quarter view, her gaze directed toward the viewer. She is positioned centrally against a stylized landscape of rolling hills and slender trees. Her attire is defined by a terracotta gown and an elaborate, fan-shaped white lace headdress adorned with floral motifs. Delicate lace textures appear at her sleeves and neckline, rendered with smooth brushwork. In her hands,…
收藏了本页中大部分画作的 1 家博物馆。
| 博物馆 | 城市 | Daniel Hendrickson 的作品 | 此列表中的画作 |
|---|---|---|---|
 国家美术馆 |
华盛顿 | 1 | Catharine Hendrickson |
在 1770 年，此页面收录了 Daniel Hendrickson 的所有带年份画布作品：按知名度由高到低排列如下。
A formal 18th-century portrait, this oil on canvas presents a woman in a three-quarter view, her gaze directed toward the viewer. She is positioned centrally against a stylized…
Catharine Hendrickson (1770)
Daniel Hendrickson出生于1723，享年47岁：Catharine Hendrickson创作于1770年。
我们的目录中收录了 1 件 Daniel Hendrickson 的作品。
多见于 国家美术馆 (华盛顿)；上表列出了各博物馆及其馆藏作品。
是的。本页面的每一幅画作都可以在其详情页进行定制，您可以根据所需尺寸，将其订购为手工绘制的油画复制品，或精美的艺术版画。
Daniel Hendrickson was born on January 5, 1723. He was the son of Daniel Hendricksen and Triinke Van Diik. His name appeared in his father's will on 16 November 1727, when he was still a young child. His life was tied to the local community and the family lines of the region.
On 22 Dec 1743, Daniel Hendrickson married Catarina Couwenhoven. She was the daughter of Cornelis Willemszen Van Kouwenhoven and Margaretta Roelofse Schenck. This union joined two established families. He lived through much of the mid-18th century, leaving behind a legacy tied to his kin and his home.
The end of his life came on March 24, 1788. He was 65 years, 5 months, and 19 days old at the time of his death. His passing marked the close of a long life spent within the social and familial structures of his era.
The work of Daniel Hendrickson is found in the quiet, functional objects of the mid-18th century. His hand is seen in three-dimensional pieces that belong to the tradition of primitive and folk painters. One such piece is a door from the Cornelius Couwenhoven House, a work that speaks to the practicalities of colonial life. These objects carry the weight of their era, shaped by the hands of someone working within the domestic and local landscape.
His contribution to portraiture is marked by a specific likeness. He is attributed with the oil on canvas portrait of Catharine Hendrickson of New Jersey, created about 1770. This work captures a member of his own family, rendered with the directness typical of the period. The painting remains a notable example of how personal history and visual record intersect in the colonial era.
Pieces by Daniel Hendrickson can be found within the collections of the Folk Art Museum. His contributions are held as part of the Three Dimensional Works collection, reflecting a tactile presence that moves beyond the flat surface of a canvas. Visitors looking for specific highlights can find his work featured in the eMuseum Collection Highlights.
One particular object preserved in the museum is a door from the Cornelius Couwenhoven House. This piece offers a look at the functional, physical side of his output from the mid-18th century. It remains a tangible link to the domestic life of Pleasant Valley.
