在大卫·贾格的所有画作中,The Bolshevik (1918)最为著名;它现收藏于渥太华的加拿大战争博物馆。 紧随其后的是 Thomas Newbould (1845–1933) (1921) 和 Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935) (1936)。 在我们的目录中,大卫·贾格 的 23 件作品里,这 23 件是最负盛名的,每件作品都附有创作日期、馆藏机构及其背后的故事。
排名依据为我们的热度评分,该评分综合了每件作品的搜索量、访问量及订单量。更新于 November 2026。
这些画布上最常出现的四个主题,以及各自最受喜爱的代表作。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 大卫·贾格 的作品 | 此列表中的画作 |
|---|---|---|---|
| 伊斯特本 | 2 | Alderman Miss Alice Hudson, JP, Mayor of Eastbourne (1925–1928 1943–1945), Alderman Lieutenant Colonel Roland Vaughan Gwynne, DSO, DL, JP, Mayor of Eastbourne (1928–1931) | |
| 渥太华 | 1 | The Bolshevik | |
| 利物浦 | 1 | Sewing | |
| Sheffield | 1 | Henry Hall Bedford, JP, Chairman of the Board (1913–1924) | |
| London | 1 | Lord Baden Powell (1857–1941), as World Chief Scout | |
| 诺丁汉 | 1 | Jewish Refugee, Vienna | |
| Egham | 1 | Miss Janet Ruth Bacon | |
| 伯明翰 | 1 | Sir Horace Clarke |
The Bolshevik (1918),加拿大战争博物馆, 渥太华。其后是Thomas Newbould (1845–1933) (1921)和Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935) (1936)。
大卫·贾格出生于1891,享年27岁:The Bolshevik创作于1918年。
The Bolshevik, Thomas Newbould (1845–1933), Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935), Dr John George Graves (1866–1945), Portrait of a Man, The Late Cyrus Jones, Kathleen, Portrait of a Lady, Charles Jagger (1885–1934) 及 Charles Sargeant Jagger。上述排名中的每幅画布均附有创作年份及馆藏博物馆信息。
我们的目录中收录了 23 件 大卫·贾格 的作品,日期从 1917 到 1950。
多见于 Towner (伊斯特本), 加拿大战争博物馆 (渥太华) 及 沃克艺术馆 (利物浦);上表列出了各博物馆及其馆藏作品。
在 1920s 时期,该页面 23 件作品中有 6 件出自该时期,其中包含 Thomas Newbould (1845–1933)。
此处的早期画布作品为 Charles Jagger (1885–1934) (1917);最晚为 Michael Theodore Waterhouse (1888–1968), CBE, PRIBA (1950)。
Portraits (2) 及 Men (2),共计 23 件作品。
Towner, 伊斯特本收藏了本页中2件作品,其中包括Alderman Miss Alice Hudson, JP, Mayor of Eastbourne (1925–1928 1943–1945) 及 Alderman Lieutenant Colonel Roland Vaughan Gwynne, DSO, DL, JP, Mayor of Eastbourne (1928–1931)。
Born in Kilnhurst, near Rotherham, David Jagger emerged as one of the most accomplished English portrait painters of his era. His journey into the world of fine art was deeply rooted in a family of immense creative talent; he was the son of colliery manager Enoch Jagger and Mary Sargeant, and grew up alongside siblings who would also leave their mark on the British art scene. His sister, Edith, became a noted landscape artist and textile designer, while his brother, Charles Sargeant Jagger, rose to prominence as a celebrated sculptor. This environment of artistic rigor shaped David’s early development, leading him to the Sheffield School of Art, where he honed the technical precision that would later define his professional career.
As an accomplished draughtsman and skilled illustrator, Jagger’s talent was recognized early through accolades in mural design and painting. Following his formal education, he moved to London, a transition that marked the beginning of his ascent within the prestigious circles of British society. Initially balancing commercial art studio work with evening portrait commissions, he eventually established his own professional portrait studio in Chelsea, south of London. This period of his life was not only marked by professional growth but also by profound personal inspiration; his marriage to Catherine Gardiner brought a muse into his life whose features would grace many of his most accomplished works, often appearing under a pseudonym.
Jagger’s work is characterized by a remarkable realism that, while highly detailed, maintained a soft, painterly quality that avoided the harshness of hard-edge styles. He possessed a rare ability to capture the essence of his subjects, whether they were members of the British aristocracy or figures of significant historical importance. His technical mastery allowed him to navigate the delicate balance between formal, official-looking commissions and more intimate, thoughtfully posed compositions. This skill earned him a place among the leading exhibitors of his time, with regular appearances at the Royal Academy, the Royal Society of British Artists, and the Royal Institute of Oil Painters.
The breadth of his subject matter reflects the high society and civic authority of early 20th-century Britain. His portfolio includes a breathtaking array of notable figures, such as:
Beyond the individual brilliance of his brushwork, David Jagger holds a significant place in the history of British portraiture due to his role in documenting the faces of an era. His ability to secure commissions from the highest echelons of power—ranging from royalty to political leaders—cemented his reputation as a premier chronicler of his time. His work serves as a visual record of the dignity, tradition, and shifting social landscape of mid-century England.
His contribution to the art community was further solidified through his active membership in prestigious societies like the Royal Society of Portrait Painters. Through these institutions, Jagger helped maintain the high standards of oil painting and portraiture during a period of significant artistic transition. Today, his portraits remain cherished not only for their technical excellence but as windows into the character and prestige of the individuals who shaped the twentieth century.