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      大卫·贾格, 1891 – 1958

      大卫·贾格:最著名的 23 幅画作

      在大卫·贾格的所有画作中,The Bolshevik (1918)最为著名;它现收藏于渥太华的加拿大战争博物馆。 紧随其后的是 Thomas Newbould (1845–1933) (1921) 和 Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935) (1936)。 在我们的目录中,大卫·贾格 的 23 件作品里,这 23 件是最负盛名的,每件作品都附有创作日期、馆藏机构及其背后的故事。

      排名依据为我们的热度评分,该评分综合了每件作品的搜索量、访问量及订单量。更新于 November 2026。

      大卫·贾格 肖像
      大卫·贾格 · 1891 – 1958
      生卒年份
      1891 – 1958, 基尔恩伍德希尔
      目录中的作品
      23
      最知名
      The Bolshevik (1918)
      馆藏作品最多于
      Towner

      大卫·贾格 最著名的10幅画作

      大卫·贾格 作品排名第 11 至 23

      大卫·贾格 的代表作

      这些画布上最常出现的四个主题,以及各自最受喜爱的代表作。

      大卫·贾格 的画作陈列于此

      收藏了本页中大部分画作的 8 家博物馆。

      博物馆 城市 大卫·贾格 的作品 此列表中的画作
      Towner, 伊斯特本Towner 伊斯特本 2 Alderman Miss Alice Hudson, JP, Mayor of Eastbourne (1925–1928 1943–1945), Alderman Lieutenant Colonel Roland Vaughan Gwynne, DSO, DL, JP, Mayor of Eastbourne (1928–1931)
      加拿大战争博物馆, 渥太华加拿大战争博物馆 渥太华 1 The Bolshevik
      沃克艺术馆, 利物浦沃克艺术馆 利物浦 1 Sewing
      Royal Hallamshire Hospital, SheffieldRoyal Hallamshire Hospital Sheffield 1 Henry Hall Bedford, JP, Chairman of the Board (1913–1924)
      The Scout Association, LondonThe Scout Association London 1 Lord Baden Powell (1857–1941), as World Chief Scout
      Nottingham Castle Museum And Art Gallery, 诺丁汉Nottingham Castle Museum And Art Gallery 诺丁汉 1 Jewish Refugee, Vienna
      Royal Holloway, EghamRoyal Holloway Egham 1 Miss Janet Ruth Bacon
      伯明翰大学, 伯明翰伯明翰大学 伯明翰 1 Sir Horace Clarke

      跨越十年:大卫·贾格 最负盛名的画作

      1. 1910s
        The Bolshevik (1918) 由 大卫·贾格
        第 1 / 共 23 名

        The Bolshevik

        年龄 19 – 28 · 加拿大战争博物馆
      2. 1920s
      3. 1930s
      4. 1940s
      5. 1950s

      关于 大卫·贾格 画作的常见问题解答

      大卫·贾格 最著名的画作是哪一幅?查看答案

      The Bolshevik (1918),加拿大战争博物馆, 渥太华。其后是Thomas Newbould (1845–1933) (1921)和Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935) (1936)。

      创作 The Bolshevik 时,大卫·贾格 的年龄是多少?查看答案

      大卫·贾格出生于1891,享年27岁:The Bolshevik创作于1918年。

      大卫·贾格 最著名的十幅画作是哪些?查看答案

      The Bolshevik, Thomas Newbould (1845–1933), Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935), Dr John George Graves (1866–1945), Portrait of a Man, The Late Cyrus Jones, Kathleen, Portrait of a Lady, Charles Jagger (1885–1934) 及 Charles Sargeant Jagger。上述排名中的每幅画布均附有创作年份及馆藏博物馆信息。

      已知 大卫·贾格 有多少幅作品?查看答案

      我们的目录中收录了 23 件 大卫·贾格 的作品,日期从 1917 到 1950。

      哪些博物馆收藏有 大卫·贾格 最著名的油画作品?查看答案

      多见于 Towner (伊斯特本), 加拿大战争博物馆 (渥太华) 及 沃克艺术馆 (利物浦);上表列出了各博物馆及其馆藏作品。

      大卫·贾格 在哪些年份创作了最著名的画作?查看答案

      在 1920s 时期,该页面 23 件作品中有 6 件出自该时期,其中包含 Thomas Newbould (1845–1933)。

      大卫·贾格 最著名的画作中,第一幅和最后一幅分别是哪几件?查看答案

      此处的早期画布作品为 Charles Jagger (1885–1934) (1917);最晚为 Michael Theodore Waterhouse (1888–1968), CBE, PRIBA (1950)。

      大卫·贾格 的画作中经常出现哪些主题?查看答案

      Portraits (2) 及 Men (2),共计 23 件作品。

      在 Towner 可以看到哪些 大卫·贾格 的作品?查看答案

      Towner, 伊斯特本收藏了本页中2件作品,其中包括Alderman Miss Alice Hudson, JP, Mayor of Eastbourne (1925–1928 1943–1945) 及 Alderman Lieutenant Colonel Roland Vaughan Gwynne, DSO, DL, JP, Mayor of Eastbourne (1928–1931)。

      大卫·贾格:画家故事

      A Legacy of Elegance: The Life of David Jagger

      Born in Kilnhurst, near Rotherham, David Jagger emerged as one of the most accomplished English portrait painters of his era. His journey into the world of fine art was deeply rooted in a family of immense creative talent; he was the son of colliery manager Enoch Jagger and Mary Sargeant, and grew up alongside siblings who would also leave their mark on the British art scene. His sister, Edith, became a noted landscape artist and textile designer, while his brother, Charles Sargeant Jagger, rose to prominence as a celebrated sculptor. This environment of artistic rigor shaped David’s early development, leading him to the Sheffield School of Art, where he honed the technical precision that would later define his professional career.

      As an accomplished draughtsman and skilled illustrator, Jagger’s talent was recognized early through accolades in mural design and painting. Following his formal education, he moved to London, a transition that marked the beginning of his ascent within the prestigious circles of British society. Initially balancing commercial art studio work with evening portrait commissions, he eventually established his own professional portrait studio in Chelsea, south of London. This period of his life was not only marked by professional growth but also by profound personal inspiration; his marriage to Catherine Gardiner brought a muse into his life whose features would grace many of his most accomplished works, often appearing under a pseudonym.

      Mastery of the Portrait

      Jagger’s work is characterized by a remarkable realism that, while highly detailed, maintained a soft, painterly quality that avoided the harshness of hard-edge styles. He possessed a rare ability to capture the essence of his subjects, whether they were members of the British aristocracy or figures of significant historical importance. His technical mastery allowed him to navigate the delicate balance between formal, official-looking commissions and more intimate, thoughtfully posed compositions. This skill earned him a place among the leading exhibitors of his time, with regular appearances at the Royal Academy, the Royal Society of British Artists, and the Royal Institute of Oil Painters.

      The breadth of his subject matter reflects the high society and civic authority of early 20th-century Britain. His portfolio includes a breathtaking array of notable figures, such as:

      • Robert Baden-Powell, whose 1929 portrait remains one of Jagger's most enduring legacies, with numerous copies displayed in Scouting premises worldwide.
      • Queen Mary, captured in significant works during 1930 and 1932.
      • Winston Churchill, a monumental subject for any portraitist of the era.
      • King George VI, documented in 1937.
      • Vivien Leigh, representing the glamour of the cinematic age in 1941.
      • Prince Philip, Duke of Edinburgh, one of his final notable subjects.

      Historical Significance and Artistic Standing

      Beyond the individual brilliance of his brushwork, David Jagger holds a significant place in the history of British portraiture due to his role in documenting the faces of an era. His ability to secure commissions from the highest echelons of power—ranging from royalty to political leaders—cemented his reputation as a premier chronicler of his time. His work serves as a visual record of the dignity, tradition, and shifting social landscape of mid-century England.

      His contribution to the art community was further solidified through his active membership in prestigious societies like the Royal Society of Portrait Painters. Through these institutions, Jagger helped maintain the high standards of oil painting and portraiture during a period of significant artistic transition. Today, his portraits remain cherished not only for their technical excellence but as windows into the character and prestige of the individuals who shaped the twentieth century.