在Ethel Wright的所有画作中，Dame Christabel Pankhurst (1909)最为著名；它现收藏于伦敦的国家肖像美术馆。 在我们的目录中，Ethel Wright 的 1 件作品里，这 1 件是最负盛名的，每件作品都附有创作日期、馆藏机构及其背后的故事。
排名依据为我们的热度评分，该评分综合了每件作品的搜索量、访问量及订单量。更新于 November 2026。 此页面上的每幅画作均可订购为手工绘制在亚麻画布上的油画复制品，或根据您选择的尺寸制作的高级艺术版画。
A formal, full-length portrait captures a woman emerging from a dark, indeterminate background. She is positioned slightly off-center, her presence defined by a luminous pale green gown that catches the light against the deep, muted tones of the shadows. A sash, striped in purple, white, and green, cuts a sharp diagonal across her torso, marking her affiliation with the suffrage movement. The lighting is dramatic, employing a chiaroscuro effect that…
收藏了本页中大部分画作的 1 家博物馆。
| 博物馆 | 城市 | Ethel Wright 的作品 | 此列表中的画作 |
|---|---|---|---|
 国家肖像美术馆 |
伦敦 | 1 | Dame Christabel Pankhurst |
在 1909 年，此页面收录了 Ethel Wright 的所有带年份画布作品：按知名度由高到低排列如下。
A formal, full-length portrait captures a woman emerging from a dark, indeterminate background. She is positioned slightly off-center, her presence defined by a luminous pale green gown that…
Dame Christabel Pankhurst (1909)
Ethel Wright出生于1866，享年43岁：Dame Christabel Pankhurst创作于1909年。
我们的目录中收录了 1 件 Ethel Wright 的作品。
多见于 国家肖像美术馆 (伦敦)；上表列出了各博物馆及其馆藏作品。
是的。本页面的每一幅画作都可以在其详情页进行定制，您可以根据所需尺寸，将其订购为手工绘制的油画复制品，或精美的艺术版画。
Caroline Elizabeth Wright, known to many as Ethel, began her time with art by walking through the National Gallery, copying the works of others. Her early training took place in the studio of John Seymour Lucas before she moved to Paris. There, at the Académie Julian, she studied under Rodolphe Julian. It was during these years that she developed a steady hand for portraiture and illustration.
Her life in London was marked by shifts in name and circumstance. She married Bernard Armiger Barczinsky in Liverpool in 1897, briefly exhibiting as Mrs. Armiger Barclay. After her marriage ended, she returned to the identity of Ethel Wright. In 1901, she traveled to the United States, where she found work as an illustrator for a few years before returning to England in 1905.
The studio often held subjects that ranged from the theatrical to the political. She had a particular interest in painting Pierrot and Pierrettes, works like Bonjour Pierrot! which appeared in various publications. Her canvases also captured society figures, such as Lady Ada Osborne and Beatrice, Lady Lever. Some of her work focused on allegorical images of women, often blending a sense of character with careful detail.
Her brushwork documented the faces of her era, including notable portraits like:
Beyond the easel, her life was shaped by the movements of her time. She became a supporter of the suffragettes and remained active in the Chelsea branch of the WSPU until 1927. Her paintings often reflected this growing political awareness, most notably in her portrait of Christabel Pankhurst. This work eventually found its place in the National Portrait Gallery.
During the First World War, she took on the role of a volunteer nurse at the Royal Free Hospital. This period of service left a lasting mark on her history. She died in London in 1939, leaving behind a body of work held in collections such as Tate Britain and the Atkinson Art Gallery.
