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      约翰·莫尔, 1788 – 1841

      约翰·莫尔 最著名的 19 幅画作

      Robert Eden Scott (1769–1811) (1816) 是 约翰·莫尔 最为人熟知的杰作。 Lieutenant Colonel William Middleton (d.1843) (1804) 与 Mrs J. M. Robertson, Mother of John M. Robertson (1815) 共同构成了这三件最受追捧的杰作。 我们的目录收录了 约翰·莫尔 的 19 件作品。以下是其中最著名的 19 件,并附有每幅画作的创作年份、馆藏博物馆及背后的故事。

      排名依据为我们的热度评分,该评分综合了每件作品的搜索量、访问量及订单量。更新于 November 2026。 此页面上的每幅画作均可订购为手工绘制在亚麻画布上的油画复制品,或根据您选择的尺寸制作的高级艺术版画。

      约翰·莫尔 肖像
      约翰·莫尔 · 1788 – 1841
      生卒年份
      1788 – 1841, 彼得黑德
      目录中的作品
      19
      最知名
      Robert Eden Scott (1769–1811) (1816)
      馆藏作品最多于
      苏格兰国家肖像画廊

      约翰·莫尔 最受喜爱的十幅名作

      Robert Eden Scott (1769–1811) (1816) 作 约翰·莫尔
      1

      Robert Eden Scott (1769–1811)

      1816 · Oil

      A stern, well-dressed man emerges from a dark, indeterminate background, his presence defined by the sharp contrast of a white collar against a dark suit. The portrait captures a moment of quiet intensity, focusing on the intricate textures of his clothing and the specific lines of his facial features. His expression remains fixed and serious, projecting a sense of gravity that commands the viewer's attention. The composition relies on a…

      手工油画复刻版起价 $178 29 × 35 cm 与原作同尺寸 $291 62 × 76 cm 按原尺寸订购 →
      Lieutenant Colonel William Middleton (d.1843) (1804) 作 约翰·莫尔
      2

      Lieutenant Colonel William Middleton (d.1843)

      1804 · Oil · The Black Watch Castle - Museum, Perth

      In this portrait from 1804, we encounter Lieutenant Colonel William Middleton, a man whose presence is defined by a quiet, steady authority. He is presented in his military uniform, the deep red of his coat providing a sharp, authoritative contrast against the more muted tones of the background. A black tie and a well-groomed mustache frame a face that meets the viewer's gaze with a sense of composed confidence. There…

      手工油画复刻版起价 $178 29 × 35 cm 与原作同尺寸 $296 64 × 76 cm 按原尺寸订购 →
      Mrs J. M. Robertson, Mother of John M. Robertson (1815) 作 约翰·莫尔
      3

      Mrs J. M. Robertson, Mother of John M. Robertson

      1815 · Oil On Canvas

      This oil painting on canvas, dating from 1815, presents a formal portrait of Mrs. J. M. Robertson, mother of John M. Robertson. The subject is depicted from the upper body, seated and facing forward with her gaze directed toward the viewer. She is composed against a dark, minimal background that emphasizes her presence. Her attire features a white collar and cap, contrasted against deep black and brown tones in her…

      手工油画复刻版起价 $178 28 × 35 cm 与原作同尺寸 $296 64 × 76 cm 按原尺寸订购 →
      General Gordon (1817) 作 约翰·莫尔
      4

      General Gordon

      1817 · Oil

      The artwork titled General Gordon is a detailed portrait rendered in black and white. The subject is a man depicted in formal attire, wearing a suit complemented by a cravat around his neck, a style suggestive of the early 19th century. The painting captures the intricacies of the man's clothing and his overall appearance with significant detail.

      手工油画复刻版起价 $178 28 × 36 cm 与原作同尺寸 $335 69 × 89 cm 按原尺寸订购 →
      John M. Robertson (1815) 作 约翰·莫尔
      5

      John M. Robertson

      1815 · Oil On Canvas

      Mrs J. M. Robertson appears in a centered, formal pose. A ruffled white collar and cap frame her face, which holds a steady gaze directed toward the viewer. She is composed against a dark, minimal background, her attire rendered in deep black and brown tones. The light is diffused, catching the smooth, porcelain quality of her skin through careful, detailed brushwork. A quiet stillness holds her form.

      手工油画复刻版起价 $178 28 × 35 cm 与原作同尺寸 $296 64 × 76 cm 按原尺寸订购 →
      William Marshall (1748–1833), Violinist and Composer (1817) 作 约翰·莫尔
      6

      William Marshall (1748–1833), Violinist and Composer

      1817 · Oil · 苏格兰国家肖像画廊, Edinburgh

      In this 1817 portrait, we find ourselves in the presence of William Marshall, a man whose life was defined by the precision of both music and mechanics. He sits with a quiet, focused intensity, cradling a cello that seems to be an extension of his own frame. There is a gravity in his expression, the look of a man deeply immersed in the mathematics of melody. The composition is intimate,…

      手工油画复刻版起价 $178 28 × 36 cm 与原作同尺寸 $540 102 × 127 cm 按原尺寸订购 →
      Alexander Gordon (1743–1827), 4th Duke of Gordon, Keeper of the Great Seal of Scotland (1817) 作 约翰·莫尔
      7

      Alexander Gordon (1743–1827), 4th Duke of Gordon, Keeper of the Great Seal of Scotland

      1817 · Oil On Canvas · 苏格兰国家肖像画廊, Edinburgh

      The man gazes out from the canvas with a steady, unblinking composure. He sits enveloped in a heavy brown coat, its edges traced with fine gold trim that catches the light, suggesting a life of significant weight and responsibility. A crisp white shirt and a dark bow tie frame a face marked by a well-groomed beard and mustache, lending him an air of seasoned authority. There is a stillness here,…

      手工油画复刻版起价 $178 31 × 32 cm 与原作同尺寸 $296 64 × 76 cm 按原尺寸订购 →
      George Robinson (1743–1827), Provost of Banff (1784–1787, 1790–1793, 1796–1799, 1802–1805, 1808–1811, 1814–1817, 1820–1823 1826–1827) (1820) 作 约翰·莫尔
      8

      George Robinson (1743–1827), Provost of Banff (1784–1787, 1790–1793, 1796–1799, 1802–1805, 1808–1811, 1814–1817, 1820–1823 1826–1827)

      1820 · Oil On Canvas · Mintlaw Discovery Centre, Peterhead

      The portrait depicts George Robinson, a man who held the office of Provost of Banff through numerous terms between 1784 and 1827. He is seated in a chair with his legs crossed, positioned in a manner that suggests a moment of repose. He wears a dark suit and a tie, his gaze directed toward a point outside the frame of the composition. Behind him, a heavy red curtain hangs in…

      手工油画复刻版起价 $178 25 × 39 cm 与原作同尺寸 $1214 150 × 237 cm 按原尺寸订购 →
      Robert Hamilton, LLD (1829) 作 约翰·莫尔
      9

      Robert Hamilton, LLD

      1829 · Oil

      This 1829 painting presents a detailed black and white portrait of a man identified as Robert Hamilton, LLD. The subject is depicted wearing a suit with a yellow shirt visible underneath. He is shown with a beard and is positioned looking directly at the viewer. The intricate details of the man's facial features and the textures of his clothing are captured with significant precision.

      手工油画复刻版起价 $178 29 × 35 cm 与原作同尺寸 $296 63 × 77 cm 按原尺寸订购 →
      Thomas Gordon of Cairness (1788–1841) (1836) 作 约翰·莫尔
      10

      Thomas Gordon of Cairness (1788–1841)

      1836 · Oil On Canvas

      This portrait, titled Thomas Gordon of Cairness (1788–1841), was painted by John Moir in 1836. The subject is a man of significant history, a British army officer and historian who carried the weight of his lineage in his very name. He was born at Cairness House in Lonmay, Aberdeenshire, the son of Charles Gordon of Buthlaw and Cairness and Christian, née Forbes of Ballogie.

      手工油画复刻版起价 $178 28 × 35 cm 与原作同尺寸 $527 101 × 124 cm 按原尺寸订购 →

      约翰·莫尔:排名第 11 至 19 幅画布

      Mrs Jean Hamilton (1857) 作 约翰·莫尔

      A woman gazes directly from the canvas, her presence defined by the structured elegance of the mid-nineteenth century. She wears a red coat accented by a delicate lace…

      订购此油画 起 $178 →
      Jean Armour (1832) 作 约翰·莫尔
      #15

      Jean Armour

      1832 · Augustiner Museum

      The John Moir painting, Jean Armour, is a stunning oil on canvas artwork that showcases the artist's skillful use of color and composition. Created in 1832, this painting…

      将这份光影带回家 起 $178 →

      约翰·莫尔 的画作,按时期划分

      约翰·莫尔 的代表作

      这些画布上最常出现的四个主题,以及各自最受喜爱的代表作。

      约翰·莫尔 的画作陈列于此

      收藏了本页大部分画作的 7 家博物馆。

      博物馆 城市 约翰·莫尔 的作品 此列表中的画作
      苏格兰国家肖像画廊, Edinburgh苏格兰国家肖像画廊 Edinburgh 2 William Marshall (1748–1833), Violinist and Composer, Alexander Gordon (1743–1827), 4th Duke of Gordon, Keeper of the Great Seal of Scotland
      The Black Watch Castle - Museum, PerthThe Black Watch Castle - Museum Perth 1 Lieutenant Colonel William Middleton (d.1843)
      Mintlaw Discovery Centre, PeterheadMintlaw Discovery Centre Peterhead 1 George Robinson (1743–1827), Provost of Banff (1784–1787, 1790–1793, 1796–1799, 1802–1805, 1808–1811, 1814–1817, 1820–1823 1826–1827)
      Augustiner Museum, 弗赖堡Augustiner Museum 弗赖堡 1 Jean Armour
      苏格兰国家信托, 亨特利苏格兰国家信托 亨特利 1 Harriot Christian Leith Hay (d.1830), Wife of Sir Harry N. Lumsden, Bt
      爱丁堡皇家内科医学院, 爱丁堡爱丁堡皇家内科医学院 爱丁堡 1 John Arbuthnot (1667–1735) (copy after Godfrey Kneller)
      The National Trust For Scotland, 班夫The National Trust For Scotland 班夫 1 Margaret Dalrymple Horn Elphinstone, Daughter of General Robert Dalrymple Horn Elphinstone of Logie Elphinstone and Wife of Sir Robert Burnett of Leys

      历经数十年,约翰·莫尔 最负盛名的油画作品

      1. 1800s
        Lieutenant Colonel William Middleton (d.1843) (1804) 作 约翰·莫尔
        第 2 / 共 19 名

        Lieutenant Colonel William Middleton (d.1843)

        年龄 12 – 21 · The Black Watch Castle - Museum

        In this portrait from 1804, we encounter Lieutenant Colonel William Middleton, a man whose presence is defined by a quiet, steady authority. He is presented in his military…

      2. 1810s
        Robert Eden Scott (1769–1811) (1816) 作 约翰·莫尔
        第 1 / 共 19 项

        Robert Eden Scott (1769–1811)

        年龄 22 – 31

        A stern, well-dressed man emerges from a dark, indeterminate background, his presence defined by the sharp contrast of a white collar against a dark suit. The portrait captures…

      3. 1820s
      4. 1830s
        Thomas Gordon of Cairness (1788–1841) (1836) 作 约翰·莫尔
        第 10 / 共 19 项

        Thomas Gordon of Cairness (1788–1841)

        年龄 42 – 51

        This portrait, titled Thomas Gordon of Cairness (1788–1841), was painted by John Moir in 1836. The subject is a man of significant history, a British army officer and…

      5. 1840s
        John Milne of Bombay, MD (1841) 作 约翰·莫尔
        第 13 幅 / 共 19 幅画布

        John Milne of Bombay, MD

        年龄 52 – 53

        The painting depicts John Milne of Bombay, MD, a man appearing to be in his late thirties or early forties. He is captured in a moment of quiet…

      逐一探寻 约翰·莫尔 的画布

      哪幅画布最能代表 约翰·莫尔 的艺术成就?查看答案

      Robert Eden Scott (1769–1811) (1816),其次是 Lieutenant Colonel William Middleton (d.1843) (1804) 和 Mrs J. M. Robertson, Mother of John M. Robertson (1815)。

      Robert Eden Scott (1769–1811):创作这幅作品时,约翰·莫尔 有多大年纪?查看答案

      约翰·莫尔出生于1788,享年28岁:Robert Eden Scott (1769–1811)创作于1816年。

      约翰·莫尔 最著名的十幅画作是什么?查看答案

      Robert Eden Scott (1769–1811), Lieutenant Colonel William Middleton (d.1843), Mrs J. M. Robertson, Mother of John M. Robertson, General Gordon, John M. Robertson, William Marshall (1748–1833), Violinist and Composer, Alexander Gordon (1743–1827), 4th Duke of Gordon, Keeper of the Great Seal of Scotland, George Robinson (1743–1827), Provost of Banff (1784–1787, 1790–1793, 1796–1799, 1802–1805, 1808–1811, 1814–1817, 1820–1823 1826–1827), Robert Hamilton, LLD 及 Thomas Gordon of Cairness (1788–1841)。上述排名中的每幅画布均附有创作年份及馆藏博物馆信息。

      约翰·莫尔 创作了多少幅画作?查看答案

      我们的目录中收录了 19 件 约翰·莫尔 的作品,日期从 1804 到 1841。

      约翰·莫尔 最著名的画作现存于何处?查看答案

      多见于 苏格兰国家肖像画廊 (Edinburgh), The Black Watch Castle - Museum (Perth) 及 Mintlaw Discovery Centre (Peterhead);上表列出了各博物馆及其馆藏作品。

      约翰·莫尔 是在何时创作出那些最著名的画作的?查看答案

      在 1810s 时期,该页面 19 件作品中有 6 件出自该时期,其中包含 Robert Eden Scott (1769–1811)。

      哪位著名的 约翰·莫尔 油画创作于最早,哪位创作于最晚?查看答案

      此处的早期画布作品为 Lieutenant Colonel William Middleton (d.1843) (1804);最晚为 John Milne of Bombay, MD (1841)。

      约翰·莫尔 最常创作的主题是什么?查看答案

      Man (11), Suit (5) 及 Portrait (4),共计 19 件作品。

      约翰·莫尔 的作品中,哪种媒介出现的频率最高?查看答案

      Oil,应用于本页 19 件作品中的 8 件。

      苏格兰国家肖像画廊收藏了哪些约翰·莫尔的作品?查看答案

      苏格兰国家肖像画廊, Edinburgh收藏了本页中2件作品,其中包括William Marshall (1748–1833), Violinist and Composer 及 Alexander Gordon (1743–1827), 4th Duke of Gordon, Keeper of the Great Seal of Scotland。

      在哪里可以买到 约翰·莫尔 作品的复制品?查看答案

      是的。本页面的每一幅画作都可以在其详情页进行定制,您可以根据所需尺寸,将其订购为手工绘制的油画复制品,或精美的艺术版画。

      走进画家世界:约翰·莫尔

      John Moir (c.1776–1857): A Visionary Landscape Painter of Northumberland

      John Moir was born around 1776 in Peterhead, Aberdeenshire, Scotland—the son of the minister of Peterhead and the nephew of James Byres, the famed Scottish antiquarian residing in Rome. His formative years were marked by a profound connection to the rugged beauty of Northumberland, an influence that would permeate his artistic endeavors throughout his life. Early indications suggest he studied at King’s College, Aberdeen, honing his skills before embarking on a journey into Italy where he immersed himself in classical art and aesthetics. This exposure undoubtedly shaped his compositional sensibilities and fueled his desire to capture the grandeur of the natural world with meticulous detail.
      • Early Life & Education: Moir’s upbringing instilled in him a deep appreciation for both religious faith and scholarly pursuits, providing a foundation for his intellectual curiosity and artistic development.
      • Italian Influences: His time in Italy proved pivotal, exposing him to the techniques of Venetian landscape painters like Canaletto and influencing his approach to perspective and tonal gradation—elements that would become hallmarks of his distinctive style.

      The Landscape Painter’s Technique

      Moir's artistic technique was characterized by a dedication to realism combined with an expressive use of color and light. He meticulously observed the subtleties of Northumberland’s topography, painstakingly rendering mountains, valleys, and rivers with remarkable accuracy. However, he didn’t merely aim for photographic representation; rather, he sought to convey the emotional impact of these landscapes—the serenity of twilight skies, the drama of stormy weather, and the vibrant hues of autumnal foliage. His brushstrokes were deliberate and considered, layering pigments to achieve depth and luminosity that captured the essence of Northumberland's atmosphere. He frequently employed a glazing technique, applying thin washes of color over underlayers to build up tonal variations and create shimmering effects—a method favored by many Northern Romantic painters.
      • Glazing Technique: This layering process allowed Moir to achieve remarkable depth and luminosity, mirroring the atmospheric conditions he sought to depict.
      • Color Palette: His palette leaned heavily on earthy tones—greens, browns, ochres—reflecting the dominant colors of Northumberland’s landscape.

      Notable Works & Commissions

      Moir gained recognition for his portraits and landscapes alike, securing commissions from prominent figures across Northumberland and beyond. Among his most celebrated paintings are depictions of George Robinson, a landowner and diplomat, and William Marshall, Earl of Glamis—images that exemplify his mastery of portraiture and his ability to convey character through subtle gestures and expressions. Furthermore, he produced numerous landscape views showcasing the Northumberland countryside, capturing its dramatic vistas with breathtaking precision. His works reside in collections across Britain, including the National Gallery of Scotland and private residences, testament to their enduring appeal and artistic merit.
      • George Robinson Portrait: This piece showcases Moir’s skill in portraying aristocratic dignity and conveying inner emotion through facial expression.
      • William Marshall Landscape: Demonstrates his ability to capture the grandeur of Northumberland's scenery with masterful brushwork and tonal harmony.

      Legacy & Historical Significance

      John Moir’s contribution to British landscape painting is significant within the broader context of the Romantic movement. He embodies the spirit of Northern Romanticism—a fascination for untamed wilderness, a reverence for sublime beauty, and an aspiration to capture the emotional resonance of nature. His meticulous observation and expressive technique stand as an inspiration to subsequent generations of artists, cementing his place as one of Northumberland’s most distinguished visual chroniclers. Moir's work continues to resonate with viewers today, reminding us of the power of art to convey profound feelings about our relationship with the natural world—a connection that remains vitally important in the 21st century.