Schleissheim Linden (1908) 是 Robert Raudner 最为人熟知的杰作;该作品收藏于 慕尼黑 的 巴伐利亚州绘画收藏馆。 我们的目录收录了 Robert Raudner 的 1 件作品。以下是其中最著名的 1 件,并附有每幅画作的创作年份、馆藏博物馆及背后的故事。
排名依据为我们的热度评分,该评分综合了每件作品的搜索量、访问量及订单量。更新于 November 2026。 此页面上的每幅画作均可订购为手工绘制在亚麻画布上的油画复制品,或根据您选择的尺寸制作的高级艺术版画。
收藏了本页大部分画作的 1 家博物馆。
| 博物馆 | 城市 | Robert Raudner 的作品 | 此列表中的画作 |
|---|---|---|---|
| 慕尼黑 | 1 | Schleissheim Linden |
此页面中 Robert Raudner 的年代画作均出自 1908 年:以下按知名度排序。
Schleissheim Linden (1908)
Robert Raudner出生于1854,享年54岁:Schleissheim Linden创作于1908年。
我们的目录中收录了 1 件 Robert Raudner 的作品。
多见于 巴伐利亚州绘画收藏馆 (慕尼黑);上表列出了各博物馆及其馆藏作品。
是的。本页面的每一幅画作都可以在其详情页进行定制,您可以根据所需尺寸,将其订购为手工绘制的油画复制品,或精美的艺术版画。
January 1854 brings Robert Hermann Raudner into the world at Nimkau in Silesia. He is the son of a telegraphist. The path toward the canvas begins in earnest in October 1878, when he enters the Royal Academy of Fine Arts in Munich. He joins the antique class, focusing his early efforts on drawing after the antique.
The halls of the Academy place him alongside a specific cohort of emerging talents. His classmates include Gyula Benczúr, Alexander Strähuber, Johann Leonhard Raab, and Ludwig von Löfftz. These shared studies in Munich form the technical foundation for his later work in landscape and genre painting.
After completing his formal education, Raudner settles into the municipality of Schleißheim. His professional life becomes rooted here, centered on the meticulous demands of landscape painting and etching. He moves through the late nineteenth century with a focus on the natural world and the quiet details of genre scenes.
His presence in the Munich art scene is marked by specific appearances at the Munich Glass Palace. In 1897 and 1899, he presents his works to the public, demonstrating his skill as an etcher and painter. The technical breadth of his output includes:
The momentum of his career reaches its conclusion in Munich. On 14 January 1915, Raudner dies at the age of 60. His connection to the region remains etched into the geography of Schleißheim, where a street bears his name. He leaves behind a body of work defined by the Realism movement and the disciplined techniques learned in the Munich Academy.