本页面内容说明
本页面展示了在本网站上访问 威廉·尼科尔森 相关页面的次数。每一次“访问”均代表有一位用户打开了该页面。下方的每个图表均附有简短说明。
统计数据已于 2026 年 7 月 1 日重置 —— 该日期之前的数据不可用。
威廉·尼科尔森 and the readers
Over twelve months, the canvas of 威廉·尼科尔森 most viewed on TopImpressionists.com was Study for 'Breakfast at Chartwell II' (Sir Winston Churchill, 1874–1965, and Clementine Ogilvy Hozier, 1885–1977, Lady Churchill, in the Dining Room at Chartwell, with Their Cat 'Tango'): 500 visits, 4% of all views of the painter. Album Copies of Old Masters and other Paintings (no.5, p.5) and Flowers in a Vase come next. 威廉·尼科尔森 drew 12800 visits in all: 1200 on the painter's page and 11600 on single canvases. Attention dimmed by 25% from Aug 2026 to Sep 2026. The brightest month was Jul 2026, with 11100 visits. Readers browse on computers (92%) and phones (8%). Readers are drawn to 怀旧复古 (氛围): 12% of the visits, for 0% of the painter's catalog.
The 10 canvases of 威廉·尼科尔森 that draw the most attention
Counted by visits over the last twelve months on TopImpressionists.com: the 10 canvases of 威廉·尼科尔森 that readers open most often, first place first.
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1
Study for 'Breakfast at Chartwell II' (Sir Winston Churchill, 1874–1965, and Clementine Ogilvy Hozier, 1885–1977, Lady Churchill, in the Dining Room at Chartwell, with Their Cat 'Tango'), 1933
500 visits · 4.0%
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2
Album Copies of Old Masters and other Paintings (no.5, p.5)
400 visits · 3.2%
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3
Flowers in a Vase, 1949
400 visits · 3.2%
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4
Indian Pinks, 1928
300 visits · 2.4%
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5
The Windmill, Brighton Downs (Brighton Downs, Rottingdean), 1910
300 visits · 2.4%
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6
Album Copies of Old Masters and other Paintings (no.74, p.32)
300 visits · 2.4%
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7
The Front Door and Porch of Chartwell, 1934
300 visits · 2.4%
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8
Title (Original): A Reduced Chart of Bombay Harbour, to form as an Index for the large one of Eight Sheets, by William Nichelson, Master of his Majesty’s Ship Elizabeth., 1763
200 visits · 1.6%
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9
'The Blue Butterflies' (Still Life with Geraniums and Other Flowers), 1913
200 visits · 1.6%
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10
Master Anthony Bacon, Aged 3 (Anthony W. Bacon, Son of Thomas W. Bacon, 1873–1950, of Ramsden Hall, Essex), 1905
200 visits · 1.6%
How many readers visit the page of 威廉·尼科尔森 each month?
每个柱状图代表一个月。它展示了在过去十二个月中，该艺术家的页面每月被访问的次数。
See the numbers
| Month | Artist page | Artwork pages |
|---|---|---|
| Oct 2025 | 0 | 0 |
| Nov 2025 | 0 | 0 |
| Dec 2025 | 0 | 0 |
| Jan 2026 | 0 | 0 |
| Feb 2026 | 0 | 0 |
| Mar 2026 | 0 | 0 |
| Apr 2026 | 0 | 0 |
| May 2026 | 0 | 0 |
| Jun 2026 | 200 | 100 |
| Jul 2026 | 900 | 10200 |
| Aug 2026 | 100 | 700 |
| Sep 2026 | 0 | 600 |
How often are the canvases of 威廉·尼科尔森 opened?
每个柱状图代表一个月。它统计了该艺术家所有作品页面在一年内逐月的访问量总和。
The monthly figures of both charts are in the first table, above.
What kind of canvases do the readers of 威廉·尼科尔森 choose?
Each star chart compares two things. The dotted shape is the artist's own work: fifty artworks taken at random, sorted by one feature. The solid shape is where the visits actually went during the last twelve months. Where the solid shape reaches further out than the dotted one, that kind of artwork attracts more attention than its share of the artist's work.
氛围
情感基调
亮度
色彩饱和度
配色方案
色彩强度
对比度
色彩和谐度
See the numbers
| 氛围 | Artworks of the artist | Visits |
|---|---|---|
| 典雅 | 32.3% | 27.5% |
| 浪漫 | 32.3% | 27.5% |
| 宁静 | 22.6% | 13.7% |
| 宁静 | 12.9% | 12.8% |
| 怀旧复古 | 0.0% | 11.8% |
| 经典 | 0.0% | 4.9% |
| 戏剧性 | 0.0% | 2.0% |
| 情感基调 | Artworks of the artist | Visits |
|---|---|---|
| 宁静 | 29.0% | 31.4% |
| 怀旧感 | 16.1% | 22.6% |
| 沉思 | 25.8% | 13.7% |
| 忧郁沉思 | 9.7% | 12.8% |
| 浪漫 | 9.7% | 3.9% |
| 抚慰人心 | 0.0% | 4.9% |
| 宁静 | 3.2% | 3.9% |
| 忧郁沉重 | 3.2% | 2.0% |
| 亮度 | Artworks of the artist | Visits |
|---|---|---|
| 暗色调 | 48.0% | 52.4% |
| 光影柔和 | 24.0% | 15.1% |
| 光影柔和 | 20.0% | 18.2% |
| 明亮均衡 | 6.0% | 10.3% |
| 明亮 | 2.0% | 4.0% |
| 色彩饱和度 | Artworks of the artist | Visits |
|---|---|---|
| 柔和 | 48.0% | 34.1% |
| 色彩柔和 | 20.0% | 20.6% |
| 柔和均衡 | 24.0% | 31.8% |
| 色彩鲜明 | 8.0% | 13.5% |
| 色彩鲜艳 | 0.0% | 0.0% |
| 配色方案 | Artworks of the artist | Visits |
|---|---|---|
| 大地色系 | 61.8% | 62.0% |
| 深沉色调 | 20.6% | 22.0% |
| 中性色调 | 17.6% | 16.0% |
| 色彩强度 | Artworks of the artist | Visits |
|---|---|---|
| 单色调 | 56.0% | 42.1% |
| 均衡 | 34.0% | 37.3% |
| 鲜艳 | 10.0% | 20.6% |
| 对比度 | Artworks of the artist | Visits |
|---|---|---|
| 宁静 | 18.0% | 19.1% |
| 柔和 | 32.0% | 36.5% |
| 均衡 | 12.0% | 16.7% |
| 鲜明 | 22.0% | 17.5% |
| 声明 | 16.0% | 10.3% |
| 色彩和谐度 | Artworks of the artist | Visits |
|---|---|---|
| 色彩冲突 | 20.0% | 15.9% |
| 色调柔和过渡 | 8.0% | 4.0% |
| 均衡和谐 | 8.0% | 9.5% |
| 色彩高度统一 | 32.0% | 39.7% |
| 和谐统一的色调 | 32.0% | 30.9% |
Which canvases of 威廉·尼科尔森 draw the most visits, month by month?
每一行代表一件热门艺术品。每个柱状图显示了该艺术品在单月内的访问量。柱体越高，表示该月的访问量越大。
See the numbers
| Artwork | Oct 2025 | Nov 2025 | Dec 2025 | Jan 2026 | Feb 2026 | Mar 2026 | Apr 2026 | May 2026 | Jun 2026 | Jul 2026 | Aug 2026 | Sep 2026 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Album Copies of Old Masters… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 400 | 0 | 0 |
| Album Copies of Old Masters… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 | 100 | 0 |
| Purple Grapes | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Field Marshal J. C. Smuts | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| The Rose crested Cockatoo | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Album Copies of Old Masters… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 | 0 | 0 |
| Album Copies of Old Masters… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 200 | 0 | 0 |
| Thomas Hamilton (1784–1858)… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 | 0 | 0 |
| Album Copies of Old Masters… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 | 0 | 0 |
| Album Copies of Old Masters… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 | 0 | 0 |
Which devices do readers use to follow 威廉·尼科尔森?
Each slice is one kind of device: phone, tablet or computer. The bigger the slice, the more visits came from that kind of device during the last twelve months.
See the numbers
| Device | Visits | Share |
|---|---|---|
| computers | 11800 | 92.2% |
| phones | 1000 | 7.8% |
In which languages is 威廉·尼科尔森 read?
每个扇区代表一种语言。扇区越大，表示在过去三十天内使用该语言访问网站的人数越多。图中仅显示前十名。
How many visits does 威廉·尼科尔森 get each day, and what is the forecast?
每一根柱状图代表一天。前方的柱状图统计了过去三周的访问量，而另一种颜色的柱状图则是我们对未来三周访问量的预测。
See the numbers
| Day | Visits |
|---|---|
| Sat 19 Sep | 0 |
| Sun 20 Sep | 0 |
| Mon 21 Sep | 0 |
| Tue 22 Sep | 0 |
| Wed 23 Sep | 100 |
| Thu 24 Sep | 0 |
| Fri 25 Sep | 0 |
| Sat 26 Sep | 0 |
| Sun 27 Sep | 0 |
| Mon 28 Sep | 0 |
| Tue 29 Sep | 100 |
| Wed 30 Sep | 0 |
| Thu 1 Oct | 0 |
| Fri 2 Oct | 0 |
| Sat 3 Oct | 0 |
| Sun 4 Oct | 0 |
| Mon 5 Oct | 0 |
| Tue 6 Oct | 0 |
| Wed 7 Oct | 0 |
| Thu 8 Oct | 0 |
| Fri 9 Oct | 0 |
| Sat 10 Oct (预测值) | 0 |
| Sun 11 Oct (预测值) | 0 |
| Mon 12 Oct (预测值) | 0 |
| Tue 13 Oct (预测值) | 0 |
| Wed 14 Oct (预测值) | 0 |
| Thu 15 Oct (预测值) | 0 |
| Fri 16 Oct (预测值) | 0 |
| Sat 17 Oct (预测值) | 0 |
| Sun 18 Oct (预测值) | 0 |
| Mon 19 Oct (预测值) | 0 |
| Tue 20 Oct (预测值) | 0 |
| Wed 21 Oct (预测值) | 0 |
| Thu 22 Oct (预测值) | 0 |
| Fri 23 Oct (预测值) | 0 |
| Sat 24 Oct (预测值) | 0 |
| Sun 25 Oct (预测值) | 0 |
| Mon 26 Oct (预测值) | 0 |
| Tue 27 Oct (预测值) | 0 |
| Wed 28 Oct (预测值) | 0 |
| Thu 29 Oct (预测值) | 0 |
| Fri 30 Oct (预测值) | 0 |
Questions about 威廉·尼科尔森
Which canvases of 威廉·尼科尔森 are the most popular?
- Study for 'Breakfast at Chartwell II' (Sir Winston Churchill, 1874–1965, and Clementine Ogilvy Hozier, 1885–1977, Lady Churchill, in the Dining Room at Chartwell, with Their Cat 'Tango') comes first, with 500 visits (4% of the views of 威廉·尼科尔森). The ranking above lists the 10 most viewed.
How many people read about 威廉·尼科尔森 on TopImpressionists.com?
- 12800 visits in twelve months, 1200 on the painter's page and 11600 on single canvases.
On which devices do readers follow 威廉·尼科尔森?
- Readers follow 威廉·尼科尔森 on computers (92%) and phones (8%); computers make 92% of the visits.
What kind of canvases do readers prefer in 威廉·尼科尔森?
- 怀旧复古 (氛围): 12% of the visits, against 0% of the catalog.