在Theodore E. Pine的所有画作中，The Daughters of Daniel T. MacFarlan (1857)最为著名；它现收藏于纽约的大都会艺术博物馆。 紧随其后的是 Mr. and Mrs. Daniel T. MacFarlan (1858) 和 Kate Lyon Cornell (1856)。 在我们的目录中，Theodore E. Pine 的 3 件作品里，这 3 件是最负盛名的，每件作品都附有创作日期、馆藏机构及其背后的故事。
排名依据为我们的热度评分，该评分综合了每件作品的搜索量、访问量及订单量。更新于 November 2026。 此页面上的每幅画作均可订购为手工绘制在亚麻画布上的油画复制品，或根据您选择的尺寸制作的高级艺术版画。
In this 1857 oil on canvas, we find ourselves drawn into a private, sentimental moment from the mid-19th century. Two young girls, the daughters of Daniel T. MacFarlan, occupy a lush, atmospheric landscape that feels both expansive and deeply intimate. The composition is balanced with a gentle precision; the older girl stands to the left, while the younger child is seated upon a wooden bench to the right. A large,…
The oil on canvas titled Mr. and Mrs. Daniel T. MacFarlan captures a quiet moment of social standing. Theodore E. Pine rendered this portrait in 1858, fixing the likenesses of the couple within a formal composition. The subjects, Mr. and Mrs. Daniel T. MacFarlan, originated from Yonkers, New York, as noted in the records from 1857. They sit held within the frame, their presence defined by the steady hand of…
The portrait titled Kate Lyon Cornell brings a quiet presence into the room, capturing a specific moment of American history through the eyes of Theodore E. Pine. Created in 1856, this work presents a study of character and poise. The subject remains fixed in her elegant stance, her gaze meeting the viewer from a mid-19th-century perspective. There is a sense of stillness here, as if the air around her has…
这些画布上最常出现的四个主题，以及各自最受喜爱的代表作。
收藏了本页中大部分画作的 1 家博物馆。
| 博物馆 | 城市 | Theodore E. Pine 的作品 | 此列表中的画作 |
|---|---|---|---|
 大都会艺术博物馆 |
纽约 | 3 | The Daughters of Daniel T. MacFarlan, Mr. and Mrs. Daniel T. MacFarlan, Kate Lyon Cornell |
仅需 3 年，从 1856 到 1858，便能跨越 Theodore E. Pine 在此页面的岁月画卷：每一年的色彩都在这里。
The portrait titled Kate Lyon Cornell brings a quiet presence into the room, capturing a specific moment of American history through the eyes of Theodore E. Pine. Created…
In this 1857 oil on canvas, we find ourselves drawn into a private, sentimental moment from the mid-19th century. Two young girls, the daughters of Daniel T. MacFarlan,…
The oil on canvas titled Mr. and Mrs. Daniel T. MacFarlan captures a quiet moment of social standing. Theodore E. Pine rendered this portrait in 1858, fixing the…
The Daughters of Daniel T. MacFarlan (1857)，大都会艺术博物馆, 纽约。其后是Mr. and Mrs. Daniel T. MacFarlan (1858)和Kate Lyon Cornell (1856)。
Theodore E. Pine出生于1828，享年29岁：The Daughters of Daniel T. MacFarlan创作于1857年。
我们的目录中收录了 3 件 Theodore E. Pine 的作品，日期从 1856 到 1858。
多见于 大都会艺术博物馆 (纽约)；上表列出了各博物馆及其馆藏作品。
此处的早期画布作品为 Kate Lyon Cornell (1856)；最晚为 Mr. and Mrs. Daniel T. MacFarlan (1858)。
Tree (2), Landscape (2) 及 Clouds (2)，共计 3 件作品。
Oil On Canvas，应用于本页 3 件作品中的 3 件。
大都会艺术博物馆, 纽约收藏了本页中3件作品，其中包括The Daughters of Daniel T. MacFarlan, Mr. and Mrs. Daniel T. MacFarlan 及 Kate Lyon Cornell。
是的。本页面的每一幅画作都可以在其详情页进行定制，您可以根据所需尺寸，将其订购为手工绘制的油画复制品，或精美的艺术版画。
Theodore E. Pine lived through many different landscapes, moving his brushes from the established streets of New York City to the quieter corners of the American West and South. Born in 1828, he was a native of New Jersey, but his early training began under the eye of his father, James, in New York. This shared practice in the city laid the foundation for a career defined by steady, observant work. He later sought out further study in Europe, bringing those learned techniques back to the various places he called home.
His movements were frequent and varied. He kept studios in Chicago, Illinois; St. Louis, Missouri; Manito, Colorado; and Asheville, North Carolina. Each location offered a different light and a different set of faces to capture. By the time he reached his final years in Ogdensburg, New York, his life had been a long sequence of settling into new spaces, setting up his easel, and recording what he saw.
His work focused on the tangible presence of people and objects. He worked primarily with oil on canvas, applying paint to capture the weight of a figure or the stillness of a still life. There is a documentary quality to his approach, particularly when he looked toward the likenesses of others. In 1904, he produced a posthumous portrait of Robert E. Lee, using a full-length photograph taken by Julian Vannerson in 1864 as his guide. This piece was not about a moment captured from life, but rather a careful reconstruction of a recorded appearance.
The subjects of his paintings were often individuals caught in specific moments of their own histories:
He also turned his attention to the smaller details of a room, such as the depiction of furniture and home furnishings. His hands were used to render the textures of cloth and wood with a quiet, focused accuracy.
Theodore E. Pine died in 1905, leaving behind a body of work that remains held in various collections, such as the New-York Historical Society. His paintings do not rely on grand gestures but on the steady recording of figures and still lifes. Through his portraits, he provided a visual record of the people and eras he encountered during his travels across the United States.
