埃米尔·贝尔纳 最受喜爱的作品是《Iron Bridges at Asnières (1887)》，现收藏于纽约的纽约现代艺术博物馆。 紧随其后的是读者最熟悉的 Portrait of Marie Lemasson (1892) 和 Self-Portrait 1918 (1919) 画作。 我们的目录收录了 埃米尔·贝尔纳 的 201 件作品：以下是其中最著名的 100 件，每件作品均包含创作年份、馆藏机构及其艺术特色。
排名依据为我们的热度评分，该评分综合了每件作品的搜索量、访问量及订单量。更新于 October 2026。 此页面上的每幅画作均可订购为手工绘制在亚麻画布上的油画复制品，或根据您选择的尺寸制作的高级艺术版画。
The scene unfolds within the frame of Iron Bridges at Asnières, a work that captures a specific moment in the evolution of modern painting. Created in 1887, this piece emerges from the creative energy of the late nineteenth century. The artist, Émile Bernard, moves away from the fleeting light of earlier movements to find a new way of seeing the world. This Post-Impressionist work marks a departure from simple observation,…
Marie Lemasson sits before the viewer, a quiet presence anchored in a sea of teal and seafoam green. Her gaze is direct, meeting the eye with a stoic, unblinking calm. She wears a pale lavender-white blouse that catches the diffused light, a soft contrast to the deep burgundy of her skirt. The background is a rhythmic arrangement of vertical stripes, creating a shallow space that pushes her figure forward. There…
An intimate study of an aging artist, this oil on paper portrait captures a moment of profound introspection. The subject is positioned in a close-up view, his head and upper torso emerging from a deep, shadowed background. He holds a palette and brush, tools of his trade that anchor the composition in the act of creation. The lighting is highly directional, striking the face from the upper left and casting…
Buckwheat Harvesters at Pont Aven is an oil on canvas work by Émile Bernard, executed in 1888. The piece captures a scene of buckwheat harvesting within a rural landscape, focusing on the labor of women in the Brittany region. It is currently held at the Musée de Pont-Aven in Hastenparck.
In Après le bain (les nymphes), the artist Émile Bernard invites us into a quiet, secluded moment of repose. Three nude female figures occupy the scene, their bodies arranged in a way that suggests a lingering sense of intimacy. Based on the title, these women appear to be nymphs, mythical beings caught in a state of languid rest within a natural setting. The air feels still around them, as if…
The gaze of the subject meets the viewer in Portrait of a Black Woman, a work that captures a quiet, heavy stillness. Painted by Émile Bernard, this piece emerges from a period of intense creative exploration. It exists under the title Portrait of a Black Woman, though some records identify the work as Study Of A Mulatto Woman, 1895. This distinction offers a glimpse into how the subject is perceived…
The evening air feels heavy and alive in Night Festival, an oil painting by Émile Bernard. Created about 1888, this work captures a moment of communal celebration suspended in the dark. The scene pulls the viewer into a nocturnal gathering where the glow of light meets the deep shadows of the night. It is a piece that belongs firmly to the Post-Impressionist movement, marking a departure from the fleeting light…
In this 1908 oil on canvas, three figures occupy a tightly packed, studio-like environment. The composition is organized around a shallow depth of field, placing the subjects in…
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This 1888 oil on canvas, titled Self-Portrait, offers an intimate glimpse into the creative environment of Émile Bernard. Painted during his time in the French seaside village of…
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To gaze upon this depiction—a board lavishly adorned with tendrils and an exuberant profusion of blossoms—is to step directly into a moment suspended between vibrant life and delicate…
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This evocative watercolor, depicting the Landscape at Pont-Aven with Poplars, transports the viewer directly to the heart of Brittany in 1888. The scene is imbued with a profound…
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The artwork is titled Still life with flowers in a jug. It was executed by the artist Émile Bernard. This specific composition features a floral arrangement situated within…
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In the quiet, evocative depths of Émile Bernard’s 1889 woodcut, The Adoration of the Shepherds, one finds more than a mere retelling of a biblical milestone; one encounters…
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A Crimson Prelude to Breton Life Study for The Buckwheat Harvesters is far more than a mere preparatory sketch; it is a profound window into the soul of…
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这些画布上最常出现的四个主题，以及各自最受喜爱的代表作。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 埃米尔·贝尔纳 的作品 | 此列表中的画作 |
|---|---|---|---|
 梵高博物馆 |
阿姆斯特丹 | 11 | Self-Portrait 1918, Woman Sitting in a Field: Brittany, Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941) |
 Musée de Pont-Aven |
哈斯滕帕克 | 7 | Landscape at Pont-Aven with Poplars, The Adoration of the Shepherds, Study for The Buckwheat Harvesters |
 提森·博爾涅米薩博物館 |
馬德里 | 4 | The Annunciation, Inside a Shop in Pont-Aven, The Cliffs at Le Pouldu |
 Musée des Beaux-Arts de Quimper |
Quimper | 4 | Funeral palls 1, Funeral palls 2, Orchard at Pont Aven |
 羅爾富萊茨博物館 |
Köln | 3 | Loving Couple, Houses in Pont-Aven |
 达拉斯艺术博物馆 |
达拉斯 | 3 | The Salon, Bridge at Pont-Aven |
 兰斯美术馆 |
兰斯 | 3 | Fellah Women at the Bath, Toilet of Venus |
 Ackland Art Museum |
查珀尔希尔 | 2 | Victorine Lelopin, The Wave |
The scene unfolds within the frame of Iron Bridges at Asnières, a work that captures a specific moment in the evolution of modern painting. Created in 1887, this…
Marie Lemasson sits before the viewer, a quiet presence anchored in a sea of teal and seafoam green. Her gaze is direct, meeting the eye with a stoic,…
An intimate study of an aging artist, this oil on paper portrait captures a moment of profound introspection. The subject is positioned in a close-up view, his head…
Iron Bridges at Asnières (1887)，纽约现代艺术博物馆, 纽约。其后是Portrait of Marie Lemasson (1892)和Self-Portrait 1918 (1919)。
埃米尔·贝尔纳出生于1868，享年19岁：Iron Bridges at Asnières创作于1887年。
Iron Bridges at Asnières, Portrait of Marie Lemasson, Self-Portrait 1918, Buckwheat Harvesters at Pont Aven, Après le bain (les nymphes), Portrait of a Black Woman, Night Festival, The Harvest, Loving Couple 及 The Harvest at Saint-Briac。上述排名中的每幅画布均附有创作年份及馆藏博物馆信息。
我们的目录中收录了 201 件 埃米尔·贝尔纳 的作品，日期从 1885 到 1940。
多见于 梵高博物馆 (阿姆斯特丹), Musée de Pont-Aven (哈斯滕帕克) 及 提森·博爾涅米薩博物館 (馬德里)；上表列出了各博物馆及其馆藏作品。
在 1880s 时期，该页面 100 件作品中有 29 件出自该时期，其中包含 Iron Bridges at Asnières。
此处的早期画布作品为 Funeral palls 1 (1885)；最晚为 Breton Women (1940)。
Women (12), People (6) 及 Woman (4)，共计 100 件作品。
Oil On Canvas，应用于本页 100 件作品中的 8 件。
正如本页面的画作所展示的，Post-impressionism。
梵高博物馆, 阿姆斯特丹收藏了本页中10件作品，其中包括Self-Portrait 1918, Woman Sitting in a Field: Brittany 及 Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941)。
是的。本页面的每一幅画作都可以在其详情页进行定制，您可以根据所需尺寸，将其订购为手工绘制的油画复制品，或精美的艺术版画。
埃米尔·伯纳德（1868-1941）是法国后印象派运动中一位重要的画家，以其对色彩和形式的独特探索而闻名。他不仅是一位才华横溢的艺术家，也是一位富有思想的理论家，对现代艺术的发展产生了深远的影响。伯纳德的作品常常带有强烈的象征意义和情感表达，与同时代的梵高、高更等艺术家共同推动了绘画从客观现实向主观体验的转变。
