Worship of Venus (1516) 是 巴托罗梅奥·布拉 最为人熟知的杰作；该作品收藏于 佛罗伦萨 的 乌菲兹美术馆。 Last Judgment (1499) 与 Noli Me Tangere (1506) 共同构成了这三件最受追捧的杰作。 我们的目录收录了 巴托罗梅奥·布拉 的 51 件作品。以下是其中最著名的 51 件，并附有每幅画作的创作年份、馆藏博物馆及背后的故事。
排名依据为我们的热度评分，该评分综合了每件作品的搜索量、访问量及订单量。更新于 October 2026。 此页面上的每幅画作均可订购为手工绘制在亚麻画布上的油画复制品，或根据您选择的尺寸制作的高级艺术版画。
Fra Bartolomeo’s “Worship of Venus,” painted in 1516 and currently residing within the hallowed halls of the Galleria degli Uffizi, is more than just a depiction of a classical myth; it's a vibrant snapshot of Renaissance humanism, artistic innovation, and the enduring fascination with beauty. This chalk drawing, rendered with a remarkable sensitivity to light and shadow – a hallmark of Fra Bartolomeo’s style – transports us to a bustling…
To stand before Fra Bartolomeo’s fresco of the Last Judgment is to confront the sublime terror and ultimate promise of human existence. This monumental work, executed around 1499, is not merely a depiction of an afterlife event; it is a profound theological meditation rendered in breathtaking color and dramatic composition. The scene unfolds with overwhelming energy, centering on the figure of Christ, who presides over the final reckoning. One feels…
Fra Bartolomeo's “Noli Me Tangere,” painted around 1506, transcends mere depiction; it embodies the profound spiritual essence of the High Renaissance. This serene tableau captures a pivotal scene from Holy Scripture – Jesus Christ and Mary Magdalene confronting each other at the tomb after his resurrection – offering viewers an unparalleled glimpse into faith’s transformative power.
Fra Bartolomeo's "The Incarnation with Six Saints," painted in 1515, is more than just a religious depiction; it’s a carefully constructed tableau of faith, hierarchy, and the profound mystery at the heart of Christian belief. Measuring a modest 96 x 76 cm, this painting transcends its size to offer a glimpse into the contemplative atmosphere favored by Florentine artists of the High Renaissance. The scene unfolds within a richly detailed…
Fra Bartolomeo’s “The Adoration of the Christ Child,” completed in 1499, stands as a testament to the artistic fervor of Florence during the High Renaissance. Currently residing within the Galleria Borghese, Rome, this tempera painting on wood transcends mere depiction; it embodies a profound meditation on faith and humility—themes central to humanist thought at the time.
The air feels still around the figures, held in a soft, directional light that spills from the left. A mother and her infant are caught in a private exchange, their faces illuminated against a deep, shadowy background that pulls all attention toward them. The Madonna leans inward, her gaze fixed upon the child with a look of serene contemplation. Her skin possesses a smooth, natural warmth, while the deep reddish-orange…
The composition unfolds within a hazy, atmospheric landscape, rendered in muted earth tones of ochre and sienna. At the center, a female figure draped in loosely gathered cloth holds an infant of considerable age, while a second youthful figure interacts at her feet. To the side, Adam is rendered in profile, his form remaining a drawn element without full tonal variation. This unfinished state reveals the artist's process, showing light…
Step closer and observe the man before us. He sits in a medium close-up, his gaze directed slightly to the right, away from the viewer, as if caught in a moment of private thought. There is a certain dignity in his posture, a stillness that suggests a life of reflection. The composition centers him against a landscape that recedes into the distance through subtle atmospheric perspective. You can see the…
The Madonna and Child emerges from the quietude of the High Renaissance, a period where balance and grace define the visual language. In this work, Fra Bartolomeo captures the Virgin Mary and the infant Jesus in a moment of profound stillness. The painting, dated 1516, belongs to the Italian Renaissance, reflecting the era's pursuit of harmony and idealized form. Every line and contour seems to breathe with a sense of…
The painting titled Holy Family emerged from the workshop of Fra Bartolomeo in 1497. This work captures a quiet moment of domesticity centered on the Holy Family. The figures occupy a space defined by stillness and the weight of their presence. It is a study of sacred kinship rendered during the transition of the Italian Renaissance.
In this Renaissance-style religious painting from 1498, we find Saint Jerome caught in a profound moment of penitence and devotion. The composition is vertically oriented within an arched…
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The Assumption of Mary is a Renaissance-style religious painting that presents a vertical composition divided into two distinct realms. The upper register is a celestial space where the…
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In 1516, Fra Bartolomeo painted The Madonna and Child in a landscape with Saint Elizabeth and the Infant Saint John the Baptist. The oil work captures a sacred…
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The delicate, monochromatic preparatory drawing titled Madonna and Child with the Infant Saint John the Baptist and Two Putti (recto); Madonna and Child with the Infant Saint John…
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The work is titled The Rest on the Flight into Egypt with St. John the Baptist. It was executed by the artist Fra Bartolomeo, also known as Baccio…
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To gaze upon this depiction of the Annunciation is to step directly into the luminous heart of the Italian Renaissance. The scene, rendered with exquisite grace by Fra…
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The work before us is titled Madonna and Child with Saint Anne and the patron saints of Florence. It is a significant example of religious art, rendered in…
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In the heart of the High Renaissance, where the boundaries between the earthly and the divine often blurred through the tip of a brush, Fra Bartolomeo captured a…
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To gaze upon this depiction of The Holy Family with St John the Baptist is to step directly into the luminous heart of Renaissance devotion. Fra Bartolomeo, masterfully…
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In the quiet corridors of the Museo Nazionale di San Marco in Florence, there exists a painting that transcends the mere depiction of a biblical moment to become…
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Fra Bartolomeo’s “Holy Family,” painted around 1490 in the heart of Florence, isn't merely a depiction of Christ, Mary, and Joseph; it’s an invitation to contemplate the quiet…
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This exquisite drawing offers an intimate glimpse into the creative process of one of the High Renaissance masters, Fra Bartolomeo. Depicting a woman kneeling in profound prayer, seen…
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In this oil-on-wood painting from 1516, a group of figures occupies a shallow architectural space. At the center, an elderly man named Simeon, dressed in a bright red…
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Fra Bartolomeo’s “Vision of St Bernard with Sts Benedict and John the Evangelist,” painted in 1504, is a profoundly moving testament to the spiritual fervor and artistic mastery…
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Fra Bartolomeo's "God the Father with Sts Catherine of Siena and Mary Magdalen," painted in 1509, is more than just a religious depiction; it’s a profound meditation on…
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In the heart of the High Renaissance, where the boundaries between the earthly and the divine often blurred through the tip of a brush, Fra Bartolomeo crafted one…
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Fra Bartolomeo's "The Adoration of the Christ Child," painted in 1499, is more than just a religious depiction; it’s a profound meditation on faith, humility, and the divine…
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In this oil painting from 1514, we find ourselves drawn into a quiet, intimate space where the boundaries between the earthly and the divine seem to soften. The…
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The composition centers on three figures arranged in a triangular formation. In the foreground, the Madonna is seated, her body angled toward the right as she cradles the…
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Fra Bartolomeo's "Prophet Job," painted circa 1516, is more than just a depiction of biblical narrative; it’s a profound meditation on suffering, faith, and the enduring power of…
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Fra Bartolomeo’s “The Nativity,” painted around 1507, is more than simply a depiction of the biblical birth of Christ; it's a profound meditation on faith, humility, and the…
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Fra Bartolomeo's “The Annunciation,” a diptych executed around 1500, transcends the boundaries of mere religious depiction; it’s an invitation into a profound dialogue between heaven and earth. This…
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Fra Bartolomeo's “Prophet Isaiah,” painted in 1516, is more than just a portrait; it’s a profound meditation on faith, divine judgment, and the enduring spirit of resistance. Captured…
将这份光影带回家 →这些画布上最常出现的四个主题，以及各自最受喜爱的代表作。
#12 Assumption of Mary
#13 The Madonna and Child in a landscape with Saint Elizabeth and the Infant Saint John the Baptist
#14 Madonna and Child with the Infant Saint John the Baptist and Two Putti (recto); Madonna and Child with the Infant Saint John the Baptist and a Putto (verso)
#15 The Rest on the Flight into Egypt with St. John the Baptist
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 巴托罗梅奥·布拉 的作品 | 此列表中的画作 |
|---|---|---|---|
 乌菲兹美术馆 |
佛罗伦萨 | 4 | Worship of Venus, Vision of St Bernard with Sts Benedict and John the Evangelist (detail), Vision of St Bernard with Sts Benedict and John the Evangelist |
 圣马可修道院 (Convent of San Marco) |
佛罗伦萨 | 3 | Last Judgment, Christ Crowned with Thorns, Portrait of Girolamo Savonarola |
 卢浮宫 |
巴黎 | 3 | Noli Me Tangere, The Incarnation with Six Saints, The Marriage of St Catherine of Siena |
 大都会艺术博物馆 |
纽约 | 3 | Portrait of a Man, Madonna and Child with the Infant Saint John the Baptist and Two Putti (recto); Madonna and Child with the Infant Saint John the Baptist and a Putto (verso), Madonna and Child with the Young Saint John the Baptist |
 柏林国家美术馆 |
柏林 | 3 | Penitent saint Jerome, Assumption of Mary, Mary with Child |
 帕拉蒂纳美术馆 |
佛罗伦萨 | 3 | Mystic Marriage of St Catherine, Christ with the Four Evangelists, Lamentation |
 博尔盖塞美术馆 |
罗马 | 2 | The Adoration of the Christ Child (detail), The Adoration of the Christ Child |
 维也纳艺术史博物馆 |
维也纳 | 2 | Madonna and Child, Presentation of Christ in the Temple |
To stand before Fra Bartolomeo’s fresco of the Last Judgment is to confront the sublime terror and ultimate promise of human existence. This monumental work, executed around 1499,…
Fra Bartolomeo's “Noli Me Tangere,” painted around 1506, transcends mere depiction; it embodies the profound spiritual essence of the High Renaissance. This serene tableau captures a pivotal scene…
Fra Bartolomeo’s “Worship of Venus,” painted in 1516 and currently residing within the hallowed halls of the Galleria degli Uffizi, is more than just a depiction of a…
Worship of Venus (1516)，乌菲兹美术馆, 佛罗伦萨。其后是Last Judgment (1499)和Noli Me Tangere (1506)。
巴托罗梅奥·布拉出生于1472，享年44岁：Worship of Venus创作于1516年。
Worship of Venus, Last Judgment, Noli Me Tangere, The Incarnation with Six Saints, The Adoration of the Christ Child (detail), Madonna and Child, Adam and Eve with Cain and Abel, Portrait of a Man, The Madonna and Child 及 Holy Family。上述排名中的每幅画布均附有创作年份及馆藏博物馆信息。
我们的目录中收录了 51 件 巴托罗梅奥·布拉 的作品，日期从 1490 到 1516。
多见于 乌菲兹美术馆 (佛罗伦萨), 圣马可修道院 (Convent of San Marco) (佛罗伦萨) 及 卢浮宫 (巴黎)；上表列出了各博物馆及其馆藏作品。
在 1510s 时期，该页面 51 件作品中有 18 件出自该时期，其中包含 Worship of Venus。
此处的早期画布作品为 Holy Family (1490)；最晚为 Worship of Venus (1516)。
Child (10), Woman (9) 及 Saints (8)，共计 51 件作品。
Oil On Panel，应用于本页 51 件作品中的 12 件。
正如本页面的画作所展示的，High renaissance。
乌菲兹美术馆, 佛罗伦萨收藏了本页中4件作品，其中包括Worship of Venus, Vision of St Bernard with Sts Benedict and John the Evangelist (detail) 及 Vision of St Bernard with Sts Benedict and John the Evangelist。
是的。本页面的每一幅画作都可以在其详情页进行定制，您可以根据所需尺寸，将其订购为手工绘制的油画复制品，或精美的艺术版画。
