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      吉尔伯特·斯图尔特, 1755 – 1828

      100 幅最著名的 吉尔伯特·斯图尔特 作品排名

      吉尔伯特·斯图尔特 最受喜爱的作品是《George Washington (The Athenaeum Portrait) (1796)》,现收藏于伦敦的国家肖像美术馆。 紧随其后的是读者最熟悉的 George Washington (8) (1820) 和 George Washington (The Landsdowne Portrait) (1796) 画作。 我们的目录收录了 吉尔伯特·斯图尔特 的 349 件作品:以下是其中最著名的 100 件,每件作品均包含创作年份、馆藏机构及其艺术特色。

      排名依据为我们的热度评分,该评分综合了每件作品的搜索量、访问量及订单量。更新于 October 2026。 此页面上的每幅画作均可订购为手工绘制在亚麻画布上的油画复制品,或根据您选择的尺寸制作的高级艺术版画。

      吉尔伯特·斯图尔特 肖像
      吉尔伯特·斯图尔特 · 1755 – 1828
      生卒年份
      1755 – 1828, 北金斯敦
      流派
      Neoclassicism
      目录中的作品
      349
      最知名
      George Washington (The Athenaeum Portrait) (1796)
      馆藏作品最多于
      哈佛艺术博物馆

      吉尔伯特·斯图尔特 十大名画:家喻户晓的传世杰作

      George Washington (The Athenaeum Portrait) (1796) 由 吉尔伯特·斯图尔特
      1

      George Washington (The Athenaeum Portrait)

      1796 · Painting · 国家肖像美术馆, 伦敦

      To gaze upon Gilbert Stuart's depiction of George Washington is not merely to observe a likeness; it is to encounter the very spirit of an era, the embodiment of nascent American ideals. This portrait, painted in 1796, transcends simple portraiture, becoming instead a monumental testament to leadership and enduring vision. Stuart captured the first President of the United States at a pivotal moment—a man whose quiet dignity belied the immense…

      George Washington (8) (1820) 由 吉尔伯特·斯图尔特
      2

      George Washington (8)

      1820 · Oil On Panel · 国家美术馆, 华盛顿

      In the hallowed halls of the Rhode Island School of Design Museum of Art, there resides a window into the very soul of early American identity. George Washington (8), an exquisite oil on panel painted by the master Gilbert Stuart in 1820, serves as more than just a likeness; it is a profound encounter with the weight of history. Through Stuart’s masterful hand, we are not merely looking at the…

      George Washington (The Landsdowne Portrait) (1796) 由 吉尔伯特·斯图尔特
      3

      George Washington (The Landsdowne Portrait)

      1796 · Oil On Canvas

      The Majesty of a Republic: Encountering the Lansdowne Portrait To stand before Gilbert Stuart’s George Washington (The Lansdowne Portrait) is to encounter the very soul of early American identity. Painted in 1796, this masterpiece transcends mere portraiture, serving as a profound visual manifesto of a nascent nation. Stuart, a master of the Neoclassical style, does not merely capture a likeness; he constructs an icon. The composition presents Washington in a…

      George Washington (1732-1799), LL.D. 1781 (1800) 由 吉尔伯特·斯图尔特
      4

      George Washington (1732-1799), LL.D. 1781

      1800 · Oil On Canvas · 耶鲁大学艺术馆, 纽黑文

      A formal Neoclassical portrait captures George Washington in a three-quarter view bust composition. He faces the viewer's left, though his gaze remains directed forward. The palette relies on restrained, somber tones: deep blacks in the clothing and neutral dark browns in the background. This darkness provides a sharp contrast to the bright white of the powdered wig and the cravat. Directional lighting from the upper left creates subtle highlights on…

      George Washington (1798) 由 吉尔伯特·斯图尔特
      5

      George Washington

      1798 · Oil On Canvas · 大都会艺术博物馆, 纽约

      To stand before this portrait is to encounter the quiet gravity of a man who carried the weight of a new nation upon his shoulders. The composition focuses on a bust-length view of George Washington, positioned slightly off-center as he faces toward the right, though his gaze remains fixed forward. There is a certain stoicism in his expression, a sense of authority that does not need to shout to be…

      Admiral Sir Charles Morice Pole (1757–1830), Bt (1786) 由 吉尔伯特·斯图尔特
      6

      Admiral Sir Charles Morice Pole (1757–1830), Bt

      1786 · Oil On Canvas · 国家信托, Plymouth

      To stand before this portrait is to step directly into the refined drawing rooms and grand halls of late eighteenth-century England. Gilbert Stuart, the master chronicler of American and British elite life, has captured not merely a likeness, but an entire persona—that of Admiral Sir Charles Morice Pole. The subject commands attention with a natural bearing, his posture radiating the quiet authority expected of a man of naval distinction and…

      Thomas Robinson (1738–1786), 2nd Baron Grantham (1785) 由 吉尔伯特·斯图尔特
      7

      Thomas Robinson (1738–1786), 2nd Baron Grantham

      1785 · Oil On Canvas · 国家信托, Plymouth

      To stand before this portrait of Thomas Robinson, the 2nd Baron Grantham, is to step directly into the refined drawing rooms of late eighteenth-century England. Painted in 1785 by the masterful hand of Gilbert Stuart, the work transcends a mere likeness; it is a carefully constructed monument to status, intellect, and enduring masculine dignity. The subject gazes out with an unwavering directness that seems to challenge the viewer, inviting an…

      Mrs. Aaron Lopez and Her Son Jushua (1773) 由 吉尔伯特·斯图尔特
      8

      Mrs. Aaron Lopez and Her Son Jushua

      1773 · Oil On Canvas · 底特律艺术学院, 底特律

      This captivating portrait, dating from 1773, offers an intimate window into the social graces and evolving portraiture tastes of late eighteenth-century America. Gilbert Stuart, a master chronicler of his time, has captured not merely two figures—Mrs. Aaron Lopez and her young son Jushua—but a moment suspended in time. The composition immediately draws the viewer into its warmth, presenting a scene steeped in quiet dignity. Notice the careful arrangement: the mother…

      George Washington (1795) 由 吉尔伯特·斯图尔特
      9

      George Washington

      1795 · Oil · 大都会艺术博物馆, 纽约

      A Vision of Command: The Portrait of George Washington George Washington stands before us not merely as a historical figure, but as an enduring symbol of dignity and resolute leadership. In this striking portrait, the first president of the United States is captured with a profound sense of presence that transcends the canvas. Clad in a formal suit featuring a crisp white collar and tie, his countenance is framed by…

      George Washington (1796) 由 吉尔伯特·斯图尔特
      10

      George Washington

      1796 · Oil On Canvas · 斯特灵和弗兰西斯·克拉克艺术馆, 威廉斯堡

      To stand before a portrait of George Washington is not merely to observe a likeness; it is to encounter the very embodiment of a nascent nation's spirit. Gilbert Stuart, the master chronicler of America's founding fathers, captured more than just the features of the first President; he immortalized an epoch. This painting, dating from 1796, presents Washington with a dignity that transcends the passing years. The subject is rendered in…

      更多 吉尔伯特·斯图尔特 帆布画,从 11 到 100

      Henry Rice (1815) 由 吉尔伯特·斯图尔特
      #11

      Henry Rice

      1815 · 大都会艺术博物馆

      In the quiet, commanding presence of Gilbert Stuart’s 1815 portrait, Henry Rice, one finds much more than a mere historical record; it is an intimate window into the…

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      Martha Dandridge Custis Washington (1825) 由 吉尔伯特·斯图尔特
      #13

      Martha Dandridge Custis Washington

      1825 · 国家肖像美术馆

      To gaze upon this portrait of Martha Dandridge Custis Washington is to encounter not merely a likeness, but an embodiment of early American grace and enduring social stature.…

      由手工绘制 →
      George Washington (1795) 由 吉尔伯特·斯图尔特
      #15

      George Washington

      1795 · 大都会艺术博物馆

      Gilbert Stuart's “George Washington” is more than just a portrait; it’s an embodiment of the nascent American republic, a carefully constructed symbol of leadership and the promise of…

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      Louis-Marie, Vicomte de Noailles (1798) 由 吉尔伯特·斯图尔特
      #16

      Louis-Marie, Vicomte de Noailles

      1798 · 大都会艺术博物馆

      A Portrait of Power: Gilbert Stuart’s Louis-Marie Vicomte de Noailles The canvas holds an arresting image – Louis-Marie Vicomte de Noailles, a figure embodying military prestige and aristocratic…

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      George Washington (1796) 由 吉尔伯特·斯图尔特
      #17

      George Washington

      1796 · 波士顿美术馆

      Gilbert Stuart's "George Washington," painted in 1796, isn’t merely a likeness; it’s an embodiment of nascent American leadership and the very spirit of a nation forging its identity.…

      将这份光影带回家 →
      George Washington (Lansdowne Portrait) (1796) 由 吉尔伯特·斯图尔特
      #19

      George Washington (Lansdowne Portrait)

      1796 · 国家肖像美术馆

      Gilbert Stuart's "George Washington (Lansdowne Portrait)," painted in 1796, is more than just a portrait; it’s a meticulously crafted embodiment of nascent American ideals. Commissioned by Henry Philipes…

      由手工绘制 →
      Josiah Quincy (1824) 由 吉尔伯特·斯图尔特
      #20

      Josiah Quincy

      1824 · 波士顿美术馆

      Gilbert Stuart's portrait of Josiah Quincy, completed in 1824, is more than just a likeness; it’s a carefully constructed embodiment of the burgeoning intellectual and political landscape of…

      将这份光影带回家 →
      George Washington (Lansdowne Portrait) (1796) 由 吉尔伯特·斯图尔特
      #21

      George Washington (Lansdowne Portrait)

      1796 · 国家肖像美术馆

      In the grand tapestry of American iconography, few images command as much reverence and silent authority as Gilbert Stuart’s 1796 masterpiece, the Lansdowne Portrait. This is not merely…

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      John Adams (1800) 由 吉尔伯特·斯图尔特
      #23

      John Adams

      1800 · 国家美术馆

      Gilbert Stuart’s 1800 portrait of John Adams, currently residing in the National Gallery of Art in Washington D.C., is more than just a likeness; it's a carefully constructed…

      将这份光影带回家 →
      George Washington (1796) 由 吉尔伯特·斯图尔特
      #24

      George Washington

      1796 · 弗里克收藏

      Gilbert Stuart's "George Washington," painted in 1796, isn’t merely a portrait; it’s a carefully constructed embodiment of the nascent American republic. This remarkable work, now housed within the…

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      William Porter Jr. (1788-1818) (1807) 由 吉尔伯特·斯图尔特
      #25

      William Porter Jr. (1788-1818)

      1807 · 哈佛艺术博物馆

      A young man emerges from a dark, undifferentiated void, his presence defined by the soft collision of light and shadow. He sits in a three-quarter view, his gaze…

      由手工绘制 →
      Fisher Ames (1758-1808) (1810) 由 吉尔伯特·斯图尔特
      #27

      Fisher Ames (1758-1808)

      1810 · 哈佛艺术博物馆

      The man sits in a three-quarter view, his gaze fixed forward with a steady, somber composure. He is a figure of quiet weight, anchored by the dark folds…

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      Sir John Dick (1783) 由 吉尔伯特·斯图尔特
      #31

      Sir John Dick

      1783 · 国家美术馆

      A single man occupies the center of this 1783 oil on canvas, his body angled toward the viewer while his gaze drifts to the left. He wears the…

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      Portrait of William Gray (1800) 由 吉尔伯特·斯图尔特
      #33

      Portrait of William Gray

      1800 · 皮博迪埃塞克斯博物馆

      In the "Portrait of William Gray" by Gilbert Stuart, a sense of quiet dignity fills the space. This three-quarter length portrait captures the subject in a moment of…

      由手工绘制 →
      Fisher Ames (1807) 由 吉尔伯特·斯图尔特
      #35

      Fisher Ames

      1807 · 国家肖像画廊

      Fisher Ames sits in a three-quarter view, his gaze meeting the viewer with a steady, somber composure. The portrait, executed around 1807, captures the subject in a moment…

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      Samuel King Williams (1785-1874) (1824) 由 吉尔伯特·斯图尔特
      #41

      Samuel King Williams (1785-1874)

      1824 · 哈佛艺术博物馆

      This bust-length oil portrait, executed in 1824, presents a formal and dignified depiction of a middle-aged man. The subject is positioned slightly off-center, facing towards the right while…

      由手工绘制 →
      John Jay (1784) 由 吉尔伯特·斯图尔特
      #43

      John Jay

      1784 · 国家肖像画廊

      In this oil on canvas, Gilbert Stuart captures the likeness of John Jay, a prominent American statesman. The subject sits with a quiet, heavy presence, his form anchored…

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      Colonel Isaac Barre (1785) 由 吉尔伯特·斯图尔特
      #45

      Colonel Isaac Barre

      1785 · 耶鲁英国艺术中心

      The gaze of Colonel Isaac Barre meets the viewer through this portrait by Gilbert Stuart, captured around 1785. He appears not merely as a figure of history, but…

      由手工绘制 →
      Captain John MacBride (1788) 由 吉尔伯特·斯图尔特
      #46

      Captain John MacBride

      1788 · 耶鲁英国艺术中心

      In this portrait of Captain John MacBride by Gilbert Stuart, the subject is presented from the chest up within a formal oval vignette format. He is positioned at…

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      Margaret Spear Smith (1800) 由 吉尔伯特·斯图尔特
      #47

      Margaret Spear Smith

      1800 · 国家肖像画廊

      The portrait of Margaret Spear Smith is an oil on canvas work executed around 1800. The subject is positioned in a three-quarter view, shown from the waist up…

      由手工绘制 →
      Mrs. John Ashley (1798) 由 吉尔伯特·斯图尔特
      #50

      Mrs. John Ashley

      1798 · 达拉斯艺术博物馆

      Mrs. John Ashley is a portrait painted by the artist Gilbert Stuart. This work, executed on canvas, depicts a woman who was the wife of a wealthy merchant.…

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      William Hale (1794-1821) (1820) 由 吉尔伯特·斯图尔特
      #51

      William Hale (1794-1821)

      1820 · 哈佛艺术博物馆

      This formal oil portrait, executed in 1820, presents a bust-length depiction of a young man named William Hale. The subject is positioned slightly off-center, facing toward the viewer's…

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      Mrs. Blades and her Daughter (1781) 由 吉尔伯特·斯图尔特
      #52

      Mrs. Blades and her Daughter

      1781 · 国家博物馆

      In this intimate portrait, titled Mrs. Blades and her Daughter, the artist Gilbert Stuart presents a quiet study of familial connection. The work captures an adult woman and…

      由手工绘制 →
      Edward Everett (1794-1865) (1820) 由 吉尔伯特·斯图尔特
      #53

      Edward Everett (1794-1865)

      1820 · 哈佛艺术博物馆

      A young man is positioned in a three-quarter view, his body angled slightly away from the viewer while his gaze remains directed forward. He holds a book against…

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      Samuel Smith (1800) 由 吉尔伯特·斯图尔特
      #54

      Samuel Smith

      1800 · 国家肖像画廊

      This oil on canvas portrait, titled Samuel Smith, was executed by the artist Gilbert Stuart around 1800. The subject of the painting is Samuel Smith, a man who…

      由手工绘制 →
      Reverend William Ellery Channing (1815) 由 吉尔伯特·斯图尔特
      #56

      Reverend William Ellery Channing

      1815 · 旧金山美术馆

      Reverend William Ellery Channing is a portrait by Gilbert Stuart, executed in the United States. The work dates to circa 1815. Stuart, a prominent figure in American Neoclassicism,…

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      John Adams (1826) 由 吉尔伯特·斯图尔特
      #58

      John Adams

      1826 · 史密森尼美国艺术博物馆

      The gaze of the second US President meets the viewer through this 1826 oil on canvas by Gilbert Stuart. In this portrait of John Adams, the subject appears…

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      John Quincy Adams (1767-1848) (1827) 由 吉尔伯特·斯图尔特
      #59

      John Quincy Adams (1767-1848)

      1827 · 哈佛艺术博物馆

      To stand before this full-length portrait of John Quincy Adams is to encounter the very essence of early American authority. Painted around 1825–30, the work captures the sixth…

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      John Ashley, Esq. (1798) 由 吉尔伯特·斯图尔特
      #60

      John Ashley, Esq.

      1798 · 达拉斯艺术博物馆

      The oil on canvas titled John Ashley, Esq. was painted by the American artist Gilbert Stuart. Created about 1798, the portrait captures the likeness of the gentleman John…

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      Portrait of George Washington's Cook (1796) 由 吉尔伯特·斯图尔特
      #61

      Portrait of George Washington's Cook

      1796 · 提森·博爾涅米薩博物館

      The oil on canvas work titled Portrait of George Washington's Cook is attributed to the artist Gilbert Stuart. This portrait, dated 1796, presents a bust-length view of a…

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      Henry Nicols (1810) 由 吉尔伯特·斯图尔特
      #62

      Henry Nicols

      1810 · 卡内基美术馆

      This portrait depicts Henry Nicols, a single male figure presented in a bust-length composition. Created by the American artist Gilbert Stuart, the work is dated about 1810. The…

      由手工绘制 →
      Washington Allston (1818) 由 吉尔伯特·斯图尔特
      #63

      Washington Allston

      1818 · 大都会艺术博物馆

      Gilbert Stuart’s Reverent Portrait of Washington Allston Gilbert Stuart, arguably America's foremost portrait painter during the early 19th century, achieved unparalleled renown for his ability to capture not…

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      Portrait of Rufus King (1819) 由 吉尔伯特·斯图尔特
      #64

      Portrait of Rufus King

      1819 · 国家肖像画廊

      The Portrait of Rufus King is an oil on panel painted by Gilbert Stuart. Created between 1819 and 1820, the work captures the likeness of Rufus King. The…

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      Portrait of a Gentleman (1810) 由 吉尔伯特·斯图尔特
      #78

      Portrait of a Gentleman

      1810 · 圣路易斯艺术博物馆

      This oil on canvas work is titled Portrait of a Gentleman and was executed by the American artist Gilbert Stuart. Created in the United States, the painting is…

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      Dr. William Aspinwall (1815) 由 吉尔伯特·斯图尔特
      #94

      Dr. William Aspinwall

      1815 · 纳尔逊-阿特金斯艺术博物馆

      Gilbert Stuart painted Dr. William Aspinwall around 1815. The subject, William Aspinwall, is presented in a formal bust-length composition. He is identified by his professional occupation as a…

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      吉尔伯特·斯图尔特 的画作,按时期划分

      吉尔伯特·斯图尔特 的代表作

      这些画布上最常出现的四个主题,以及各自最受喜爱的代表作。

      吉尔伯特·斯图尔特 的画作陈列于此

      收藏了本页中大部分画作的 8 家博物馆。

      博物馆 城市 吉尔伯特·斯图尔特 的作品 此列表中的画作
      哈佛艺术博物馆, 剑桥哈佛艺术博物馆 剑桥 15 William Porter Jr. (1788-1818), Fisher Ames (1758-1808), Joseph Coolidge (1747-1820)
      大都会艺术博物馆, 纽约大都会艺术博物馆 纽约 26 George Washington, George Washington, Henry Rice
      宾夕法尼亚美术学院, 费城宾夕法尼亚美术学院 费城 11 Portrait of "Philadelphia Hannah", Dr. John Fothergill, James Greenleaf
      国家美术馆, 华盛顿国家美术馆 华盛顿 33 George Washington (8), George Washington (The Vaughan Portrait), John Adams
      国家肖像美术馆, 伦敦国家肖像美术馆 伦敦 12 George Washington (The Athenaeum Portrait), Martha Dandridge Custis Washington, George Washington (Lansdowne Portrait)
      国家肖像画廊, 华盛顿特区国家肖像画廊 华盛顿特区 7 Fisher Ames, John Jay, Margaret Spear Smith
      国家信托, Plymouth国家信托 Plymouth 6 Admiral Sir Charles Morice Pole (1757–1830), Bt, Thomas Robinson (1738–1786), 2nd Baron Grantham, Admiral the Honourable Samuel Barrington (1729–1800)
      波士顿美术馆, 波士顿波士顿美术馆 波士顿 47 George Washington, Josiah Quincy, John Park

      吉尔伯特·斯图尔特 各年代最受追捧的油画作品

      1. 1770s
        Mrs. Aaron Lopez and Her Son Jushua (1773) 由 吉尔伯特·斯图尔特
        第 8 / 共 100 项

        Mrs. Aaron Lopez and Her Son Jushua

        年龄 15 – 24 · 底特律艺术学院

        This captivating portrait, dating from 1773, offers an intimate window into the social graces and evolving portraiture tastes of late eighteenth-century America. Gilbert Stuart, a master chronicler of…

      2. 1780s
        Admiral Sir Charles Morice Pole (1757–1830), Bt (1786) 由 吉尔伯特·斯图尔特
        第 6 / 共 100 名

        Admiral Sir Charles Morice Pole (1757–1830), Bt

        年龄 25 – 34 · 国家信托

        To stand before this portrait is to step directly into the refined drawing rooms and grand halls of late eighteenth-century England. Gilbert Stuart, the master chronicler of American…

      3. 1790s
        George Washington (The Athenaeum Portrait) (1796) 由 吉尔伯特·斯图尔特
        第 1 / 共 100 项

        George Washington (The Athenaeum Portrait)

        年龄 35 – 44 · 国家肖像美术馆

        To gaze upon Gilbert Stuart's depiction of George Washington is not merely to observe a likeness; it is to encounter the very spirit of an era, the embodiment…

      4. 1800s
        George Washington (1732-1799), LL.D. 1781 (1800) 由 吉尔伯特·斯图尔特
        第 4 / 共 100 名

        George Washington (1732-1799), LL.D. 1781

        年龄 45 – 54 · 耶鲁大学艺术馆

        A formal Neoclassical portrait captures George Washington in a three-quarter view bust composition. He faces the viewer's left, though his gaze remains directed forward. The palette relies on…

      5. 1810s
        Henry Rice (1815) 由 吉尔伯特·斯图尔特
        第 11 / 共 100 项

        Henry Rice

        年龄 55 – 64 · 大都会艺术博物馆

        In the quiet, commanding presence of Gilbert Stuart’s 1815 portrait, Henry Rice, one finds much more than a mere historical record; it is an intimate window into the…

      6. 1820s
        George Washington (8) (1820) 由 吉尔伯特·斯图尔特
        第 2 / 共 100 项

        George Washington (8)

        年龄 65 – 73 · 国家美术馆

        In the hallowed halls of the Rhode Island School of Design Museum of Art, there resides a window into the very soul of early American identity. George Washington…

      关于 吉尔伯特·斯图尔特 的画布:为您答疑解惑

      吉尔伯特·斯图尔特 最著名的画作是哪一幅?查看答案

      George Washington (The Athenaeum Portrait) (1796),国家肖像美术馆, 伦敦。其后是George Washington (8) (1820)和George Washington (The Landsdowne Portrait) (1796)。

      创作George Washington (The Athenaeum Portrait)时,吉尔伯特·斯图尔特是多少岁?查看答案

      吉尔伯特·斯图尔特出生于1755,享年41岁:George Washington (The Athenaeum Portrait)创作于1796年。

      吉尔伯特·斯图尔特 最著名的10幅画作是什么?查看答案

      George Washington (The Athenaeum Portrait), George Washington (8), George Washington (The Landsdowne Portrait), George Washington (1732-1799), LL.D. 1781, George Washington, Admiral Sir Charles Morice Pole (1757–1830), Bt, Thomas Robinson (1738–1786), 2nd Baron Grantham, Mrs. Aaron Lopez and Her Son Jushua, George Washington 及 George Washington。上述排名中的每幅画布均附有创作年份及馆藏博物馆信息。

      吉尔伯特·斯图尔特 总共创作了多少件作品?查看答案

      我们的目录中收录了 349 件 吉尔伯特·斯图尔特 的作品,日期从 1773 到 1827。

      在哪里可以欣赏到 吉尔伯特·斯图尔特 最著名的油画作品?查看答案

      多见于 哈佛艺术博物馆 (剑桥), 大都会艺术博物馆 (纽约) 及 宾夕法尼亚美术学院 (费城);上表列出了各博物馆及其馆藏作品。

      吉尔伯特·斯图尔特 是在何时创作了这些广受赞誉的画作?查看答案

      在 1790s 时期,该页面 100 件作品中有 35 件出自该时期,其中包含 George Washington (The Athenaeum Portrait)。

      吉尔伯特·斯图尔特 最早和最晚期的名作油画有哪些?查看答案

      此处的早期画布作品为 Mrs. Aaron Lopez and Her Son Jushua (1773);最晚为 John Quincy Adams (1767-1848) (1827)。

      吉尔伯特·斯图尔特 最常创作的主题是什么?查看答案

      Man (34), White cravat (22) 及 Portrait (21),共计 100 件作品。

      吉尔伯特·斯图尔特 最常使用哪种媒介进行创作?查看答案

      Oil On Canvas,应用于本页 100 件作品中的 47 件。

      吉尔伯特·斯图尔特 的画作属于哪种艺术流派?查看答案

      正如本页面的画作所展示的,Neoclassicism。

      哈佛艺术博物馆 馆藏有哪些 吉尔伯特·斯图尔特 的油画作品?查看答案

      哈佛艺术博物馆, 剑桥收藏了本页中10件作品,其中包括William Porter Jr. (1788-1818), Fisher Ames (1758-1808) 及 Joseph Coolidge (1747-1820)。

      我可以购买 吉尔伯特·斯图尔特 的帆布复刻画吗?查看答案

      是的。本页面的每一幅画作都可以在其详情页进行定制,您可以根据所需尺寸,将其订购为手工绘制的油画复制品,或精美的艺术版画。

      吉尔伯特·斯图尔特:画笔下的生命历程

      吉尔伯特·斯图尔特:肖像画中的传奇一生

      • 出生:1755年12月3日,罗德岛州,桑德斯敦
      • 逝世:1828年7月9日,马萨诸塞州,波士顿
      • 国籍:美国
      • 艺术流派:新古典主义
      • 成就:肖像画大师,尤以描绘早期美国历史上的杰出人物而闻名。

      早年岁月与艺术启蒙

      吉尔伯特·斯图尔特的生命轨迹始于一个拥有苏格兰血统的家庭;他的父亲同名也叫吉尔伯特,是一位发明家,曾在罗德岛州建立了首个鼻烟磨坊。这种创造性的基因在斯图尔特身上转化为了惊人的艺术天赋,他在孩提时代便展现出了非凡的绘画技巧。年仅14岁时,他便创作了《亨特博士的猎犬》,这幅作品预示了他未来的艺术潜力。约1771年,他远赴苏格兰追随科斯莫·亚历山大学习;然而,随着亚历山大于1enc1775年逝世,他的求学之路也随之转折。随后,在1775年至1780年间,他在伦敦师从当时定居英国的著名美国画家本杰明·威斯特。这段伦敦岁月对他而言至关重要,不仅磨炼了他的艺术风格,更让他开始在皇家艺术学院崭露头角。

      艺术生涯与传世巨作

      随着美国革命的硝烟弥漫,斯图尔特的职业生涯也遭遇了动荡,迫使他在1775年移居英国。尽管身处异乡,他仍凭借1782年的作品《滑冰者》赢得了早期的成功,并由此奠定了其艺术名望。然而,真正让他名垂青史的是那幅未完成的乔治·华盛顿肖像——即著名的《雅典娜神庙肖像》(始作于1796年)。这幅影像已成为一个时代的图腾,广泛出现在美国的货币与邮票之上。为了满足美国及欧洲赞助人的需求,斯图尔特曾为该作品创作了大量摹本。除了华盛顿,他的画笔还记录了约翰·亚当斯、托马斯·杰斐逊、詹姆斯·麦迪逊以及众多联邦党精英的容颜。斯图尔特的艺术风格深受新古典主义影响,强调写实主义,力求捕捉受画者的神韵与性格;他常通过戏剧性的光影对比,赋予肖像画一种震撼人心的生命力。

      艺术影响与技法演进

      斯图尔特的艺术造诣是多方熏陶的结果。科斯莫·亚历山大为他在技法与构图方面奠定了坚实的基础;而本杰明·威斯特的影响则更为深远,重塑了他对肖像画本质及艺术原则的理解。同时,新古典主义运动所倡导的古典形式与理想美学,也深刻地渗透进他的创作灵魂。除了导师的教诲,斯图尔特对受画者的细致观察与深度交流,为其作品注入了心理层面的厚度与真实感。他追求的不仅仅是形似,更是要通过笔触捕捉那些历史人物内在的性格与灵魂。

      历史地位与艺术遗产

      作为美国最卓越的肖像画家之一,吉尔伯特·斯图尔特在记录美利坚合众国建国初期的历史进程中扮演了不可替代的角色。那幅《雅典娜神庙乔治·华盛顿肖像》已然升华为美国身份认同与领导力精神的永恒象征。他的作品不仅是珍贵的历史文献,让我们得以窥见18世纪末至19世纪初杰出人物的生活面貌,更是一场跨越时空的视觉对话。如今,斯图尔特的作品收藏于美国及欧洲各大博物馆,确保了他的艺术遗产能够被后世世代传颂。他成功地开创了一种独特的美国肖像画风格,将欧洲精湛的绘画技法与美利坚特有的审美情怀完美融合。

      吉尔伯特·斯图尔特 的全部 349 件作品 →