于贝尔·罗贝尔 最受喜爱的作品是《The Pont du Gard (1787)》，现收藏于巴黎的卢浮宫。 紧随其后的是读者最熟悉的 The Finding of the Laocoön (1773) 和 Le port de Ripetta 画作。 我们的目录收录了 于贝尔·罗贝尔 的 415 件作品：以下是其中最著名的 100 件，每件作品均包含创作年份、馆藏机构及其艺术特色。
排名依据为我们的热度评分，该评分综合了每件作品的搜索量、访问量及订单量。更新于 October 2026。 此页面上的每幅画作均可订购为手工绘制在亚麻画布上的油画复制品，或根据您选择的尺寸制作的高级艺术版画。
In the soft, diffused light of a fading afternoon, Hubert Robert’s 1787 masterpiece, The Pont du Gard, invites the viewer into a world where history and imagination coalesce. This breathtaking work transcends a mere topographical record of the famous Roman aqueduct; instead, it serves as a profound meditation on the passage of time and the enduring spirit of human achievement. As the eye travels across the canvas, one is immediately…
The Finding of the Laocoön is an oil on canvas painting by the French artist Hubert Robert. Completed in 1773, the work was commissioned for Comte de Vaudreuil. The composition centers on the depiction of the ancient sculpture of Laocoön and his two sons, who are shown struggling against large serpents.
To gaze upon Hubert Robert’s depiction of "Le port de Ripetta" is to step across the threshold of time and into an idealized vision of classical antiquity meeting vibrant human life. This masterful scene does not merely record a harbor; it captures the very spirit of Roman grandeur, filtered through the romantic lens of an 18th-century imagination. The composition immediately draws the eye down the sweeping curve of the grand…
Hubert Robert’s “Projet d’aménagement de la Grande Galerie du Louvre,” a captivating oil on canvas, isn’t merely a depiction of a museum; it’s a meticulously crafted vision of an idealized Parisian space. Painted in 1796, during a period of profound transformation for France – the tumultuous years following the Revolution and the nascent ambition to establish a grand national museum – Robert offers us a glimpse into a future imagined…
Hubert Robert (1733-1808), a luminary of the French Romantic landscape movement, transcends mere depiction; he crafts immersive visions that capture the ethereal beauty of decay and the sublime grandeur of nature. His oeuvre stands apart for its meticulous attention to detail—particularly in his “capricci”—semi-fictitious scenes infused with imagination and imbued with an irresistible nostalgia for antiquity.
Hubert Robert's "The Grande Galerie (detail)" isn’t merely a painting; it’s a meticulously crafted illusion, a fleeting moment captured within the heart of the Louvre in 1795. This remarkable work transports us to a space brimming with artistic legacy and the burgeoning spirit of revolutionary France. The scene unfolds within the newly transformed Grande Galerie, a monumental hall designed to showcase the nation's vast collection of art – a project…
Hubert Robert's "The Maison Carée, the Arenas and the Magne Tower in Nimes," painted in 1787, isn’t merely a depiction of an ancient Roman monument; it’s a carefully constructed meditation on time, memory, and the enduring beauty of decay. This captivating oil painting transports us to the heart of southern France, specifically the dramatic landscape surrounding Nimes, where the imposing Maison Carée – a testament to Roman architectural prowess –…
Hubert Robert’s “The Grande Galerie,” completed in 1795, transcends mere depiction; it embodies a profound philosophical stance on art and memory. Painted during the turbulent years of the French Revolution, this monumental canvas isn't simply a record of the Louvre Museum—it’s an imaginative reimagining of classical grandeur filtered through the lens of Romantic sensibility.
Hubert Robert’s “The Ponte Solario,” completed in 1775, stands as a cornerstone of Romantic landscape painting—a genre that prioritized emotion and imagination over strict adherence to classical ideals. More than just a depiction of crumbling stone and weathered timbers, the canvas embodies Robert's fascination with ruins as symbols of time’s relentless passage and the sublime beauty inherent in decay.
Hubert Robert’s “Alexandre le Grand devant le tombeau d’Achille” (c. 1754-1757) is not merely a depiction of a historical scene; it's a carefully constructed tableau brimming with symbolic weight, rendered in the evocative style characteristic of the late 18th century. The painting transports us to a ruined Roman landscape – a deliberate choice by Robert that immediately establishes a dialogue between grandeur and transience. Here, Alexander the Great stands before…
The work before us is titled Civil Guard, an oil on panel created by Hubert Robert. This piece dates to about 1780 - 1785, a period when the…
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Hubert Robert's "Imaginary View of the Grande Galerie in the Louvre in Ruins" isn’t merely a depiction of decay; it’s a poignant meditation on memory, history, and the…
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A heavy silence hangs within the massive stone arches. Sunlight filters through the open colonnades, casting long shadows across the pitted masonry. Here, the monumental scale of a…
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A cavernous, multi-layered studio in Rome unfolds through a deep perspective, drawing the eye from a shadowed foreground toward a luminous, arched passageway. The composition relies on a…
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The oil on canvas depicts a scene set within the skeletal remains of a Roman temple. Massive, dark vertical columns occupy the foreground, framing a view that recedes…
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The scene unfolds within the grand scale of Landscape with the Ruins of the Round Temple, with a Statue of Venus and a Monument to Marcus Aurelius. Created…
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Hubert Robert's "Vue de la Grande Galerie du Louvre en Ruines" isn’t merely a depiction of a crumbling museum; it’s a carefully constructed meditation on time, memory, and…
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A warm, atmospheric genre scene unfolds within a rustic Italian interior, where the heavy weight of stone meets the soft glow of a hearth. Light emanates from a…
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Hermit in the Colosseum is a painting by Hubert Robert, executed in 1790. The work belongs to the Dallas Museum of Art collection.
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Hubert Robert's "Wandering Minstrels," painted in 1777, is more than just a picturesque landscape; it’s a meticulously constructed illusion, a fleeting moment captured with the artist’s signature blend…
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The scene unfolds through the painting titled Cypresses, a work that captures a specific moment of stillness in the landscape. Created in 1773, this piece emerges from the…
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The painting titled Hercules Farnese was created by Hubert Robert in 1790. This work captures the figure of Hercules from Roman mythology, or Heracles from Greek mythology, amidst…
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The composition is structured around the massive stone remains of a classical structure, identified as Villa Madama, situated near Rome. On the left, a large stone arcade rises,…
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In the quietude of 1775, Hubert Robert captures a moment of profound stillness within The Clearing. This French painter, who lived from 1733 to 1808, invites the viewer…
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A Shadow of Stone The obelisk rises through a heavy, vaulted archway, a sharp vertical needle piercing the pale light. It sits within a courtyard of weathered stone…
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A massive limestone cliff dominates the frame, its pale, jagged edges carving deep into an overcast sky. The rock is a heavy presence, a vertical landscape of ochre…
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In the evocative masterpiece Terrasse d'un palais à Rome, the viewer is transported to an era where the remnants of antiquity whispered tales of lost empires. Hubert Robert,…
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This magnificent depiction, The Draughtsman of the Borghese Vase, transports the viewer into an imagined moment suspended between scholarly pursuit and convivial repose. At its heart lies a…
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Orator in Prison is an oil painting by the French artist Hubert Robert. This work was created about 1764. The piece depicts a solitary male figure within a…
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A jagged precipice rises on the left, crowned by the ruined Temple of the Sibyl. It sits precariously against a pale, expansive sky. Below, a wooden bridge spans…
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In the quietude of Hubert Robert’s 1775 masterpiece, The Old Bridge, we encounter more than a mere landscape; we step into a profound meditation on the passage of…
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In this 1775 oil painting, we find ourselves standing before a monumental stone bridge, its massive arches casting deep, heavy shadows that anchor the composition. The structure dominates…
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Ruined Bridge with Figures Crossing is a work by the French artist Hubert Robert. Created in 1767, the painting emerged during a period when the artist was establishing…
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The artwork titled The Fire of Hôtel-Dieu in Paris, 1772 is a painting by the artist Hubert Robert. This specific piece is categorized as a cityscape and was…
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Step closer to observe how the light settles upon these crumbling stones. In this scene from 1779, we find ourselves in a landscape where the architectural remains of…
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Hubert Robert, a name often whispered in the halls of 18th-century art, possessed a singular gift – the ability to conjure fleeting moments of beauty and melancholy within…
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Hubert Robert's 1777 painting, “The Fountain,” isn’t merely a depiction of a picturesque Italian landscape; it’s an immersive experience, a carefully constructed illusion designed to evoke the grandeur…
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The scene unfolds within LA FONTAINE, a work painted by Hubert Robert in 1784. This piece emerges from a specific creative sequence, forming part of a series of…
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In this large-scale oil on canvas, we find ourselves standing before a grand architectural fantasy. The scene presents a monumental arrangement of Roman ruins, where massive triumphal arches…
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The Fountain by Hubert Robert invites the viewer into a quiet, sun-drenched moment where the weight of history meets the lightness of a summer afternoon. Created between 1777…
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Landscape with a Temple is an oil on canvas by the French artist Hubert Robert (1733–1808). Created ca. 1765-1800, the work presents an imaginary grouping of ancient monuments…
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In the quietude of Hubert Robert’s Roman Ruins, one finds more than a mere depiction of crumbling stone; one encounters a profound meditation on the relentless passage of…
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The Grotto of Pausilippe is an oil painting by Hubert Robert, executed in 1760. This work emerged during a significant period in the artist's life, a time when…
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To gaze upon this preparatory study for the Projet d'Aménagement de la Rotonde de Mars au Louvre is to step directly into the creative mind of an éminence…
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The Pyramid in the Gardens of Mauperthuis is a painting on canvas by Hubert Robert. Born in Paris, France, in 1733, Robert developed a specific sensitivity to the…
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Architectural Capriccio with the Colonnades of St. Peter in Rome is a painting by Hubert Robert. This work, an oil on canvas, captures a specific sense of architectural…
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Hubert Robert produced Ruined Temple in 1775. This architectural painting belongs to the capriccio style, a genre where the artist constructs semi-fictitious landscapes through the arrangement of classical…
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The Landing Place emerges from the canvas as a grand vision of antiquity, brought to life by the hand of Hubert Robert. Painted in 1788, this oil on…
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The painting titled Fountain and Collonades in a Park was executed by the artist Hubert Robert. This work originated in France and is dated about 1788. The composition…
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Hubert Robert's "Demilishing the Buildings on the Pont Notre-Dame in Paris, 1786" isn’t merely a painting; it’s a captured breath of a city undergoing radical change. Completed in…
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In the twilight of the eighteenth century, as the echoes of the French Revolution began to settle into the broader European consciousness, Hubert Robert captured a vision of…
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A long, receding colonnade of massive Corinthian columns dominates this composition, creating a deep linear perspective that draws the eye toward an arched opening in the background. The…
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Hubert Robert's "Demolition of the Houses on the Pont Notre-Dame in 1786" isn't merely a painting; it’s a poignant snapshot of a rapidly changing Paris, a city grappling…
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Landscape with a Stairs and Obelisk is a work by the French artist Hubert Robert. Born in Paris, France, in 1733, Robert spent his life navigating the intersection…
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这些画布上最常出现的四个主题，以及各自最受喜爱的代表作。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 于贝尔·罗贝尔 的作品 | 此列表中的画作 |
|---|---|---|---|
 卢浮宫 |
巴黎 | 43 | The Pont du Gard, PROJET D'AMENAGEMENT DE LA GRANDE GALERIE DU LOUVRE, VUE D'UN PARC.LE JET D'EAU |
 冬宫博物馆 |
圣彼得堡 | 32 | Landscape with the Ruins of the Round Temple, with a Statue of Venus and a Monument to Marcus Aurelius, Cypresses, Decorative Landscape with an Obelisk |
 Petit Palais |
巴黎 | 9 | Hercules Farnese, The Laundry, Sculptor working on the statue of a saint at Saint-Pierre de Rome |
 芝加哥艺术学院 |
芝加哥 | 4 | The Obelisk, The Fountains, The Landing Place |
 国家博物馆 |
斯德哥尔摩 | 7 | Ruins of a Circular Temple with Apollo di Belvedere, Orator in Prison, The Fire of Hôtel-Dieu in Paris, 1772 |
 卡纳瓦勒博物馆 |
巴黎 | 19 | View of a Fire, The Resupply of Prisoners at the Prison of Saint-Lazare |
 大都会艺术博物馆 |
纽约 | 12 | Wandering Minstrels, The Fountain |
 辛辛那提艺术博物馆 |
辛辛那提 | 6 | The Clearing, The Glade |
A heavy silence hangs within the massive stone arches. Sunlight filters through the open colonnades, casting long shadows across the pitted masonry. Here, the monumental scale of a…
The Finding of the Laocoön is an oil on canvas painting by the French artist Hubert Robert. Completed in 1773, the work was commissioned for Comte de Vaudreuil.…
In the soft, diffused light of a fading afternoon, Hubert Robert’s 1787 masterpiece, The Pont du Gard, invites the viewer into a world where history and imagination coalesce.…
Hubert Robert's "The Grande Galerie (detail)" isn’t merely a painting; it’s a meticulously crafted illusion, a fleeting moment captured within the heart of the Louvre in 1795. This…
The Pont du Gard (1787)，卢浮宫, 巴黎。其后是The Finding of the Laocoön (1773)和Le port de Ripetta。
于贝尔·罗贝尔出生于1733，享年54岁：The Pont du Gard创作于1787年。
The Pont du Gard, The Finding of the Laocoön, Le port de Ripetta, PROJET D'AMENAGEMENT DE LA GRANDE GALERIE DU LOUVRE, VUE D'UN PARC.LE JET D'EAU, The Grande Galerie (detail), The Maison Carée, the Arenas and the Magne Tower in Nimes, The Grande Galerie, The Ponte Solario 及 Alexandre le Grand devant le tombeau d'Achille。上述排名中的每幅画布均附有创作年份及馆藏博物馆信息。
我们的目录中收录了 415 件 于贝尔·罗贝尔 的作品，日期从 1750 到 1805。
多见于 卢浮宫 (巴黎), 冬宫博物馆 (圣彼得堡) 及 Petit Palais (巴黎)；上表列出了各博物馆及其馆藏作品。
在 1750s 时期，该页面 100 件作品中有 22 件出自该时期，其中包含 The Ruined Temple. Landscape around a Cauldron。
此处的早期画布作品为 The Ruined Temple. Landscape around a Cauldron (1750)；最晚为 A Fishing Party (1805)。
Ruins (31), Sky (21) 及 People (17)，共计 100 件作品。
Oil On Canvas，应用于本页 100 件作品中的 45 件。
正如本页面的画作所展示的，Romanticism 及 Neoclassicism。
卢浮宫, 巴黎收藏了本页中13件作品，其中包括The Pont du Gard, PROJET D'AMENAGEMENT DE LA GRANDE GALERIE DU LOUVRE 及 VUE D'UN PARC.LE JET D'EAU。
是的。本页面的每一幅画作都可以在其详情页进行定制，您可以根据所需尺寸，将其订购为手工绘制的油画复制品，或精美的艺术版画。
1733年出生于巴黎的于贝尔·罗伯特，踏入了一个家族地位与服侍权贵紧密相连的世界。他的父亲尼古拉斯·罗伯特在一位显赫人物的府邸中任职，这段深厚的社会联系，最终为这位年轻人日后跻身法国上流社会奠定了基础。早年的生活环境为他提供了接受正统教育的土壤，他在纳瓦尔学院（Collège de Navarre）严谨的学术氛围中完成了学业。到1751年，他在耶稣会士的指导下完成了学业，在将目光转向视觉艺术之前，他已具备了深厚的知识底蕴与自律的思维方式。
然而，他最初的艺术之路并非通往画布。他曾进入雕塑家米歇尔-安热·斯洛茨的画室，在那里的训练重点在于严谨的设计原则与透视规律。尽管雕塑那种触手可及的质感是他艺术起点的初衷，但斯洛茨敏锐地察觉到了这个少年身上独特的潜质。这位导师预见到了他截然不同的天赋，于是鼓励他放下手中的凿子，转而拿起画笔。正是这次从雕塑的三维厚重感向绘画的氛围感之美的转变，彻底定义了他此后一生的艺术轨迹。
1754年，于贝尔·罗伯特离开了法国前往罗马，随同埃蒂安-弗朗索瓦·德·楚瓦瑟尔的随行团一同开启了这段旅程。这次迁徙绝非简单的变换风景，而是一场长达十年的、对古典文明核心地带的深度沉浸。在意大利的十一年间，他居住在法国学院，这段时光让他得以全方位地吸收这座城市宏伟的建筑精髓。他并非仅仅从远处遥望这些古迹，而是真正生活在它们之间，与这些过去的物质遗存建立起了一种深厚的情感纽带。
他在 乔瓦尼·保罗·帕尼尼 的工作室中度过的时光，进一步塑造了他的艺术走向。通过这段师承关系，于贝尔·罗伯特开始磨炼自己诠释古典世界的能力。他不再满足于对现有建筑进行简单的记录，而是学会了如何通过操纵光影来暗示历史的厚重感。他在这座城市留下的印记是如此深刻，以至于据传在1767年，他曾在斗兽场的墙壁上刻下自己的名字——在那些他倾尽一生去研究的废墟面前，这是一种带有温情色彩的、试图在永恒中留下痕迹的人性化举动。
1765年，当于贝尔·罗伯特重返巴黎时，他发现这座城市正渴望着他在意大利岁月中所积累的独特视角。他在法国艺术界的崛起之路异常迅速。1766年，他通过展示一幅 罗马幻想曲 (Roman capriccio) 成功进入皇家绘画雕塑学院，这标志着他艺术地位的正式确立。这种官方的认可为他打开了通往法国上流社会的大门，在那里，他将建筑的精准性与充满想象力的风景画相结合的能力，恰好迎合了当时公众对“如画美感”日益增长的审美需求。
随着职业生涯的深入，他的生活与法国王室的命运愈发紧密地交织在一起。他获得了一系列享有盛誉的任命，这不仅体现了国家对其精湛技艺的认可，也彰显了对其艺术品位的信任。他曾担任国王花园的设计师，随后又出任国王画作保管员。这些职务使他能够深度参与并影响君主制的视觉景观，在创造全新设计与守护现有馆藏之间游刃有余。他的影响力甚至渗透到了那些将在未来一个世纪定义法国艺术走向的核心机构之中。
随着政治局势的剧烈变迁，他的职责也变得愈发沉重且复杂。他被任命为博物馆馆长及学院顾问，这一身份使他置身于国家文化行政管理的核心地带。此时，他的生命意义已不再仅仅局限于一位画家，更像是一位历史的守护者。即便在旧制度的结构开始崩塌之际，他在 卢浮宫 halls 中的身影依然如常，使他成为了法国艺术体制转型过程中举足轻重的人物。
于贝尔·罗伯特的笔触如同他试图捕捉的风景一般变幻万千。他在素描者的精准与画家的灵动之间游刃有余，运用极其丰富的媒介进行创作。他的技法储备涵盖了蚀刻画、钢笔淡彩、黑垩笔、红垩笔以及水彩，同时也精通传统的布面油画。他经常运用alla prima（一次完成法）进行创作，以一种直接且自发的方式涂抹色彩，为他的构图赋予了一种即时性的生命力。这种广博的技法造诣，使他能够轻而易举地在复杂的建筑形态与变幻莫测的柔和天空之间，找到完美的平衡。
他的创作方法建立在现实观察与想象幻境的微妙平衡之上。虽然他的作品植根于极其细致的细节和严谨的透视理解，但它们绝非单纯的地形记录。相反，他巧妙地运用大气透视法来柔化远方的地平线，营造出一种触手可及的深度感与光影感。他对于错觉艺术有着非凡的掌控力，通过光影的交织来操纵观众对空间的感知。通过将细致的观察与高度发达的想象力相结合，他构建出的场景——无论是石拱门的物质真实感，还是断壁残垣的颓败之美——都被一种精心编排的、近乎戏剧化的氛围所升华。
“废墟之罗伯特”这一绰号绝非仅仅是一个简单的称谓，它更像是一种深刻的认可，致敬着这位在过去文明的残垣断壁中找到了灵魂表达的艺术家。在18世纪末的艺术版图中，于贝尔·罗伯特以浪漫主义画派的先驱姿态游走，这种独特的艺术立场使他能够超越对建筑进行写实记录的局限。他并不满足于仅仅记录一座建筑的现状，而是试图在建筑的崩塌与瓦解中，挖掘出一种凄美的诗意。他的作品常常呈现出一种半虚构的、如画般的废墟图景，无论是意大利那古老而永恒的景观，还是法国不断变迁的城市肌理，都在他的笔下化作了永恒的艺术主题。
这种艺术愿景的核心，在于他对 capriccio* 幻想曲 风格的精妙驾驭。在这些构图中，他刻意将截然不同的元素并置在一起——古老的纪念碑、梦幻般的自然景观以及理想化的人物形象——从而创造出一种游走于现实与想象张力之间的奇幻场景。他笔下的画作并非对客观存在的简单临摹，而是在构建一种交织着忧郁与惊叹的氛围。通过将严谨的建筑细节与虚构的场景相融合，他创造出一种既真实可感又如梦似幻的历史感。正是这种创作手法，让他能够透过石材的纹理与光影的变幻，去深刻地探讨时间的流逝。
法国大革命的汹涌浪潮为于贝尔·罗伯特带来了突如其来的个人危机。在恐怖统治时期，他曾经历了一段短暂的监禁生活，这段痛苦的经历在他的一系列记录囚禁生活的素描中留下了深刻的印记。尽管时代动荡不安，他的专业地位依然举足轻重。他被任命为新成立的中央艺术博物馆（Muséum Central des Arts）的馆长——这一机构在后来演变成了举世闻名的卢浮宫博物馆——他在那里致力于整理并编目国家日益丰富的艺术藏品。
他与卢浮宫之间的纽带深厚且持久。从1778年到1802年，他一直居住在博物馆的围墙之内，生活在他曾参与装饰与保护的艺术殿堂中。这段漫长的居住经历使他处于变革中的法国中心，见证了从旧制度君主制向拿破仑时代的转型。直到生命最后的时刻，他始终保持着高产的创作状态。1808年4月15日，于贝尔·罗伯特在巴黎因中风去世，为他那充满想象力的艺术生涯画上了句号。
于贝尔·罗伯特惊人的创作规模，映射出他一生都在与过去进行着永无止境的对话。他那极其丰沛的创作才华，留下了约1,000幅油画和10,000幅素描，如此庞大的创作量使他能够通过无数次的尝试，去细腻地探索光影的细微变化与建筑颓败之美。他在艺术生涯早期的成功，很大程度上得益于《罗马港口》这一作品，这幅罗马“capriccio”风格的画作确立了他在法国艺术界的核心地位。这部作品展现了他超越单纯地形记录的能力，转而构建出一种能够与那个时代审美情感产生共鸣的古典幻景。
随着艺术生涯的推进，他的创作主题从纯粹的古典主义转向了将历史建筑融入更为多样的风景之中。大约在1773年，他创作了乡村庄园的柱廊，这件作品充分展示了他对透视法与氛围营造的卓越掌控力。随后，他对古代工程壮丽感的痴迷，在约1787年创作的高卢水道桥中得到了完美体现。这些作品不仅体现了他在处理宏大叙事与细腻局部时的技术精湛，更常常通过薄薄的色层叠加，营造出一种深邃的色调感与流动的光泽感。
在生命的晚年，他开始记录那些他曾参与管理的文化机构。大约在1795年，他创作了大画廊，这幅作品捕捉了巴黎历史上一个特定且具有变革意义的瞬间。在这一人生阶段，他始终在文化记忆的守护与剧变国家的现实之间寻找平衡。无论是通过油画画布上的色彩，还是通过钢笔墨水勾勒出的精准线条，他描绘这些空间的能力，都确保了他在法国风景画史上不可撼动的地位。
于贝尔·罗伯特那如潮水般丰沛的艺术创作，如今散落在世界各大顶尖艺术殿堂之中，无声地诉说着他在十八世纪末那跨越国界的深远影响力。若要寻找他最核心的艺术灵魂，巴黎无疑是首选之地，卢浮宫博物馆便珍藏着他多达43件杰作。在这里，观众可以近距离凝视他那些精细入微的建筑研究，或是沉浸在他对大画廊（Grande Galerie）那充满戏剧性的描绘中——从废墟中的空旷回响，到约1798或1799年间正在修复中的宏伟景象，每一幅都仿佛是时间的切片。
除了法国，他的艺术气息也渗透在世界各地的名馆之中。在圣彼得堡的冬宫博物馆，收藏着包括有人居住的废墟与画家在内的四幅名作。跨越重洋来到美国，纽约的大都会艺术博物馆也珍藏着三件作品，其中包括《乡村庄园的门廊》与流浪艺人。他的影响力同样延伸至德意志与瑞士，例如德国的卡尔斯鲁厄国立美术馆便收藏有三件作品，其中便包含一幅迷人的《罗马幻景画》。
