The cyclops (1914) 是 奥迪隆·雷东 最为人熟知的杰作；该作品收藏于 奧特洛 的 克羅勒爾·穆勒博物館。 The Black Pegasus 与 Woman and Centaur (1900) 共同构成了这三件最受追捧的杰作。 我们的目录收录了 奥迪隆·雷东 的 804 件作品。以下是其中最著名的 100 件，并附有每幅画作的创作年份、馆藏博物馆及背后的故事。
排名依据为我们的热度评分，该评分综合了每件作品的搜索量、访问量及订单量。更新于 October 2026。 此页面上的每幅画作均可订购为手工绘制在亚麻画布上的油画复制品，或根据您选择的尺寸制作的高级艺术版画。
Odilon Redon's "The Cyclops," painted around 1914, isn’t merely a depiction of the Greek myth; it’s an immersion into a profoundly personal and unsettling dream world. This arresting work, now housed in the Kröller-Müller Museum in Otterlo, Netherlands, transcends simple illustration, offering instead a glimpse into the artist's subconscious – a realm populated by shadowy figures, potent symbols, and a palpable sense of yearning.
To gaze upon Odilon Redon's The Black Pegasus is not merely to look at a painting; it is to step through a veil into the shimmering, melancholic landscape of the subconscious mind. This captivating oil on canvas transports the viewer beyond the mundane realities of the visible world, inviting an intimate communion with the realm of dreams and myth. The central figure—the magnificent black pegasus—is breathtaking in its impossible grace.…
To stand before Odilon Redon’s Woman and Centaur is to step across the threshold into a dreamscape, a place where the boundaries between myth, instinct, and profound human emotion dissolve. Created in the year 1900, this work is not merely a depiction of two figures; it is a visual poem rendered in ink and shadow, embodying the very spirit of Symbolism. Redon, an artist forever drawn to the unseen realms…
A nude male figure, Saint Sebastian, occupies the center of this Symbolist composition, his pale skin illuminated against a dark, atmospheric backdrop. He is pierced by arrows, a physical manifestation of martyrdom and spiritual endurance. Large, vertical forms resembling ancient trees or rocky outcroppings loom over him, creating a sense of enclosure. The background features patches of ochre, gold, and cool blues that suggest a nebulous, dreamlike space.
To stand before Odilon Redon's depiction of The Martyrdom of Saint Sebastian is to step across a threshold into the deep, resonant chambers of the Symbolist imagination. This 1910 oil on canvas does not merely record an event; it excavates a profound state of being—one caught between agonizing vulnerability and transcendent spiritual endurance. The composition immediately arrests the viewer with its intense chromatic drama. Saint Sebastian, bound to the base…
The Death of Ophelia is a captivating painting by the French artist Odilon Redon, created in 1905. This oil on canvas piece is a representation of the tragic death of Ophelia from Shakespeare's play Hamlet. The painting is a prime example of the Symbolist art movement, which sought to represent absolute truths symbolically through language and metaphorical images. Symbols and Metaphors The painting features a woman sitting on a rock…
The sea breathes with a quiet, rhythmic pulse as a figure begins to take shape upon the water. Venus lies reclined within a red boat, her form emerging from the depths of the ocean in a moment caught between sleep and awakening. The surface of the water reflects soft shades of blue and yellow, casting a warmth that settles over the scene like a gentle afternoon sun. There is a…
To gaze upon Odilon Redon's White Pegasus is to step across a threshold into a realm where myth breathes and the spirit takes flight. This captivating oil on canvas, dating from 1908, is far more than a mere depiction of a winged horse; it is a profound meditation on freedom, purity, and the sublime mystery that underpins our visible reality. The composition centers around the magnificent white Pegasus, poised atop…
To gaze upon Odilon Redon's Breton Village is not merely to observe a scene; it is to step through a veil into a meticulously crafted dream. Painted in 1890, this work stands as a profound testament to the Post-Impressionist spirit—a movement that dared to look beyond the fleeting shimmer of natural light and instead plumb the depths of human emotion and subjective experience. Redon eschews the purely objective record of…
To gaze upon Odilon Redon’s Sacred Heart is to step through a veil into a realm where the spiritual meets the exquisitely tangible. Painted in 1910, this masterpiece transcends mere portraiture; it is a profound meditation on divine love and boundless compassion. The composition immediately draws the eye to the central figures—a woman, perhaps evoking the timeless grace of Mary, cradling a child whose form, rendered in striking black and…
The painting La Barque Mystique emerges from the creative mind of Odilon Redon. Created between 1890 and 95, this work captures a moment of quietude on the water.…
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To gaze upon Odilon Redon's "Flower of Blood" is not merely to look at a painting; it is to step through a veil into a deeply personal, exquisitely…
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To stand before Odilon Redon's "The Green Horseman" is to step through a veil into a dreamscape painted with the delicate touch of memory and myth. Created in…
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A woman sits upon the earth, her form draped in a green dress. She holds her hands clasped before her, a quiet gesture of stillness. Above her, the…
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To gaze upon this scene is to step across the threshold into a moment suspended between day and night, where the vast expanse of the ocean meets the…
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To stand before Odilon Redon's Portrait of Madame Redon with Ari is to step through the veil into a world spun from twilight dreams and profound introspection. Created…
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The Black Sun is a post-impressionist work by Odilon Redon. The artist, born in 1840, moved through the shadows of his early years to find a new language…
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Odilon Redon's 1914 painting, *The Cyclops*, is not merely a depiction of the Greek myth; it’s an immersion into a profoundly personal and unsettling dream world. This arresting…
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To gaze upon Odilon Redon's "Underwater Flora" is to willingly surrender oneself to a dreamscape painted in pigment and shadow. This captivating work, characteristic of the French Symbolist…
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Death: My irony surpasses all others! is a lithograph created by Odilon Redon in 1889. This work belongs to the Symbolism movement, a period characterized by an emphasis…
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Odilon Redon’s ‘Arbre sur fond jaune’: A Double Vision of the Unseen A Masterpiece of Symbolism – “Arbre sur fond jaune,” created in 1901 by the visionary French…
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A quiet, meditative face emerges from a swirling darkness, caught in a moment of profound stillness. This figure, surrounded by a lush, chaotic arrangement of flora, seems to…
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The canvas holds a quiet communion. Two figures, a man and a woman, occupy a space where boundaries dissolve into shadow. She reaches for him, her arms encircling…
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A Realm of Shadows and Questions: Odilon Redon’s “On the Horizon, the Angel of Certitude, and in the Dark Sky, A Questioning Glance” Odilon Redon's "On the Horizon,…
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The Head with Flowers by Odilon Redon is a captivating oil on canvas painting that embodies the essence of Symbolism. Created in 1907, this masterpiece is a testament…
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We find ourselves before Le Bouddha (The Buddha), a significant religious painting by the French artist Odilon Redon. Created in 1905, this work represents a moment of profound…
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The Road to Peyrelebade is an oil on canvas painting by the artist Odilon Redon. This work is categorized within the Post-Impressionist movement. The piece features a composition…
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Odilon Redon’s “The Window,” painted in 1907, isn't merely a depiction of stained glass; it’s an immersion into the artist’s intensely personal and profoundly symbolic world. This oil…
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In "Lenor appears in front of the black sun of melancholy" by Odilon Redon, a profound sense of mystery unfolds through a monochromatic lens. The scene, captured in…
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The drawing is rendered in black and white, utilizing a range of grey tones and deep blacks to define its subjects. In the center of the composition, a…
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A folding screen made to order by Olivier Sancerre, a French government official and wealthy art lover. Based on the sketches of real wildflowers, they are transformed into…
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The gaze of Les Origines — Plate 2 meets the viewer from the depths of a silent, primordial era. Created by the French artist Odilon Redon in 1883,…
To stand before Odilon Redon's The Departure is to step into a suspended moment, a breath held between what was and what might be. This oil on panel…
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Odilon Redon’s ‘Veiled Woman,’ created in 1895, stands as a cornerstone of Symbolist art—a movement dedicated to conveying profound emotions and ideas beyond mere visual representation. Housed at…
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The Painting "CITE">Woman in Red, a captivating pastel work by Odilon Redon, is housed at the prestigious Musée d'Orsay in Paris, France. Created with meticulous attention to detail…
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Odilon Redon's "I am still the great Isis! None has yet lifted my veil! My fruit is the Sun!" (plate 16), created in 1896, isn’t merely a lithograph;…
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In this work, titled Saint George and the Dragon (Saint Georges et le dragon), the artist Odilon Redon explores the themes of religious art through a highly personal…
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In the quiet, shadowed corridors of late 19th-century Symbolism, few artists possessed the ability to bridge the gap between the visible world and the subconscious as masterfully as…
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Odilon Redon's The Dream, created in 1908, is a quintessential representation of the Symbolism movement. This painting, characterized by its dreamlike and often mystical themes, showcases the artist's…
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A monochromatic lithograph presents a central female figure positioned within a dark, void-like space. The image utilizes a grayscale palette consisting of deep blacks, light grays, and white.…
The Odilon Redon painting, The Mysterious Boat, is a captivating piece that showcases the artist's unique style and symbolism. Created in 1890, this drawing is a prime example…
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Odilon Redon’s “Yellow Tree,” completed in 1900, stands as a quintessential embodiment of Symbolism—a movement that sought to transcend mere representation and delve into the realm of psychological…
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In this oil on canvas, titled Christ and the Samaritan Woman (The White Flower Bouquet), Odilon Redon explores a moment of profound spiritual encounter. Painted around 1895, the…
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In the quiet, shadowy corridors of late 19th-century Symbolism, few works possess the haunting magnetism of Odilon Redon’s Profile of Light. Created in 1886, this lithograph serves as…
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Odilon Redon's 1907 painting, “Red Boat with Blue Sails,” is not merely a depiction of a vessel on the water; it’s an immersion into a realm of psychological…
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Introduction to the Artist and Painting Odilon Redon, a French symbolist painter, printmaker, draughtsman, and pastellist, created the captivating piece "Stained Glass Window". This charcoal drawing, measuring 87…
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Two forms collide within a dark, atmospheric space. A human figure and an angelic being are intertwined, their limbs locked in a physical and spiritual wrestling match. The…
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The painting presents a Venetian landscape featuring a city in the background under a blue sky. The scene includes several buildings, with one being larger and more prominent…
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Odilon Redon, who started out as an artist expressing the original world of
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A Vision of Serenity: Exploring Odilon Redon’s *Virgin of the Dawn* Odilon Redon's *Virgin of the Dawn*, painted in 1890, is a captivating example of Symbolist art—a movement…
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The artwork Vase of Flowers is a pastel painting from 1904 that presents a floral arrangement held within a sturdy, ochre-colored vase. The composition is centered, featuring a…
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A Glimpse into the Subconscious: Odilon Redon's "Cyclops" Step into a realm of dreams and myth with Odilon Redon’s captivating “Cyclops,” painted in 1898. This striking work exemplifies…
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Odilon Redon’s Landscape with Eve transports the viewer into a dreamscape where mythology intertwines seamlessly with the lush vitality of nature. This painting is far more than a…
由手工绘制 →这些画布上最常出现的四个主题，以及各自最受喜爱的代表作。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 奥迪隆·雷东 的作品 | 此列表中的画作 |
|---|---|---|---|
 奥赛博物馆 |
巴黎 | 29 | Saint Sebastian, Prayer, Face, Flowers, Woman in Red |
 克羅勒爾·穆勒博物館 |
奧特洛 | 7 | The cyclops, The Cyclops, Veiled Woman |
 国家美术馆 |
华盛顿 | 7 | Breton Village, Evocation of Roussel |
 Pola Museum of Art |
Hakone | 5 | The Chariot of Apollo, Flowers in a Japanese Vase |
 巴塞尔艺术博物馆 |
巴塞尔 | 2 | The Martyrdom of Saint Sebastian, Siren |
 纽约现代艺术博物馆 |
纽约 | 9 | I am still the great Isis! None has yet lifted my veil! My fruit is the Sun! (plate 16) |
 梵高博物馆 |
阿姆斯特丹 | 5 | Woman in a gothic arcade- woman with flowers |
 大英博物馆 |
伦敦 | 2 | Hantise (Obsession) |
The drawing is rendered in black and white, utilizing a range of grey tones and deep blacks to define its subjects. In the center of the composition, a…
Death: My irony surpasses all others! is a lithograph created by Odilon Redon in 1889. This work belongs to the Symbolism movement, a period characterized by an emphasis…
To gaze upon Odilon Redon's Breton Village is not merely to observe a scene; it is to step through a veil into a meticulously crafted dream. Painted in…
To stand before Odilon Redon’s Woman and Centaur is to step across the threshold into a dreamscape, a place where the boundaries between myth, instinct, and profound human…
Odilon Redon's "The Cyclops," painted around 1914, isn’t merely a depiction of the Greek myth; it’s an immersion into a profoundly personal and unsettling dream world. This arresting…
The cyclops (1914)，克羅勒爾·穆勒博物館, 奧特洛。其后是The Black Pegasus和Woman and Centaur (1900)。
奥迪隆·雷东出生于1840，享年74岁：The cyclops创作于1914年。
The cyclops, The Black Pegasus, Woman and Centaur, Saint Sebastian, The Martyrdom of Saint Sebastian, The Death of Ophelia, The Birth of Venus, White Pegasus, Breton Village 及 Sacred Heart。上述排名中的每幅画布均附有创作年份及馆藏博物馆信息。
我们的目录中收录了 804 件 奥迪隆·雷东 的作品，日期从 1865 到 1914。
多见于 奥赛博物馆 (巴黎), 克羅勒爾·穆勒博物館 (奧特洛) 及 国家美术馆 (华盛顿)；上表列出了各博物馆及其馆藏作品。
在 1900s 时期，该页面 100 件作品中有 29 件出自该时期，其中包含 Woman and Centaur。
此处的早期画布作品为 Woman and the mountain landscape (1865)；最晚为 The cyclops (1914)。
Dreamlike (12), Woman (10) 及 Flowers (8)，共计 100 件作品。
Oil On Canvas，应用于本页 100 件作品中的 18 件。
正如本页面的画作所展示的，Symbolism。
奥赛博物馆, 巴黎收藏了本页中5件作品，其中包括Saint Sebastian, Prayer, Face, Flowers 及 Woman in Red。
是的。本页面的每一幅画作都可以在其详情页进行定制，您可以根据所需尺寸，将其订购为手工绘制的油画复制品，或精美的艺术版画。
1840年4月20日，奥迪隆·雷东（原名贝尔特朗-让·雷东）出生于法国阿基坦大区的波尔多。这个男孩踏入世界时，其家族背景已悄然塑造了他的生命底色。他的母亲玛丽·于兰（Marie Guérin）是一位来自留比岛（Île Bourbon）的法属克里奥尔人，而他日后所使用的艺名，也正是从母亲的名字中演变而来的。即便在孩童时期，一种敏锐的视觉天赋便已初露锋芒；十岁那年，他便在学校赢得了绘画奖项，这一小小的胜利，预示了他日后投身艺术创作时那份细腻而深邃的感悟力。
通往艺术之路并非一帆风顺。尽管他在十五岁时便开始了系统的素描学习，但父亲的期望最初却将他引向了严谨的建筑学领域。这段求学之路将他带到了巴黎，并在1864年师从 让-莱昂·热罗姆 进行了短暂的绘画学习。然而，建筑学训练中那种刻板且严密的逻辑要求，终究无法契合他那自由且感性的灵魂。在未能通过美术学院（École des Beaux-Arts）的入学考试后，他选择回到故乡波尔多，试图在静谧中寻找一种全新的视觉表达方式。
在故乡宁静的氛围中，他的双手触碰到了全新的质感。他开始尝试雕塑，并逐渐掌握了蚀刻画与石版画这些充满阴影美感与复杂技巧的艺术形式。在 罗多夫·布雷丹 的悉心指导下，这些精湛的技术在他身上生根发芽，赋予了他探索人类心灵深处那些幽暗、模糊领域的利器。这些在线条与石材间的早期探索与实验，为他日后波澜壮阔的艺术生涯奠定了坚实的基石。
1870年，普法战争的爆发让奥迪隆·雷东的人生轨迹发生了意想不到的转折，他被迫投身军旅。这段服役经历虽然中断了他尚在成形中的艺术探索之路，却无法熄灭他内心深处涌动的幻象。归来之后，他的目光转向了阴影，在步入五十岁之前，几乎完全沉浸在黑白世界的探索之中。他将这些充满幻觉的作品称为他的noirs（黑色绘画），这个词精准地捕捉到了他探索中那种浓烈而幽暗的本质。通过这些单色研究，他试图为不可见之物赋予形态，脱离写实的物质世界，去寻找一种纯粹由光与暗交织而成的语言。
他的创作手法与其所召唤出的奇异生物一样丰富多变。他精通石版画艺术，并擅长利用木炭来构建构图，经常通过不同材质的叠加来营造特定的深度感。他会将藤条木炭与油性木炭结合，并辅以压缩木炭和黑色蜡笔来创造独特的视觉效果。这些工具使他能够描绘出那些仿佛从旋涡状迷雾中浮现的夜景，以及各种怪诞、梦幻的生物。他的双手带着一种专注而强烈的力度，利用硬质黑垩笔在柔软、富有氛围感的木炭笔触之上勾勒轮廓。这些作品不仅仅是简单的素描，更是通往一个私密、幽暗之境的窗户。
随着19世纪90年代的到来，一束全新的光芒开始照进奥迪隆·雷东的工作室。他早期作品中那些沉重、单色的阴影逐渐退去，取而代之的是对色彩的炽热拥抱。他开始尝试粉彩与油画，在这些媒介中，他找到了一种表达灵魂变幻莫测的情绪的新方式。这不仅仅是绘画技法的转变，更是其艺术视野的一次深刻扩张。他从炭笔画那种冷峻、写实的质感中抽离，转向一种梦幻般的抽象表达，使形体仿佛消融在光影与色调的交织之中。这一转变奠定了他在象征主义运动核心地位的基石，他试图通过色彩的语言，为那些不可名状的虚幻之物赋予形状。
这种全新的明亮感深受当时传入法国的日本艺术的影响。奥迪隆·雷东被日本版画的美学深深吸引，其扁平化的透视感和大胆的色彩运用令他赞叹不已。这种痴迷使他能够进一步跨越写实描绘的边界，进入一个充满暗示性的精神领域。他的构图开始反映出这种东方美学的印记，将神秘感与一种更具装饰性、更空灵的特质融合在一起。在他笔下的世界里，事物不再是坚实的实体，而是一个充满精神共鸣与情感回响的空间。
随着奥迪隆·雷东逐渐走出早年间那片浓重的阴影，他的画笔在那些同样痴迷于“不可见之物”的赞助人支持下，找到了全新的生命力。在这一时期，罗伯特·德·多梅西男爵成为了一个举足轻重的角色，他委托这位艺术家为自己的家人捕捉神韵。通过为多梅西男爵夫人及其女儿珍妮创作肖像，奥迪隆·雷东得以将他不断演进的光影感知应用于人体形态之上，试图在皮肤的表象之下，揭示出一种内在的生命律动。
他的想象力常常转向古老的神话，并透过梦幻般的抽象视角对其进行重构。在一幅著名的油画中，他描绘了波吕斐摩斯与宁芙纳伽拉忒亚的神话，即著名的《独眼巨人》。这件作品捕捉到了巨人正将他那只独眼投向沉睡少女的瞬间，这种构图体现了他将古典题材与心理神秘感完美融合的非凡能力。同样地，他于1900年创作的粉彩作品《玛丽·博特金肖像》，以一种柔和且富有光泽的笔触，引导观众去审视主体那静谧而内省的内心深度，这正是他晚期风格的典型体现。
在生命的最后岁月里，东方美学的影响变得愈发显著，促使他创作出更多具有装饰性且透视扁平化的作品。在1916年前后，即他生命的终点时期，他创作了《日本花瓶中的大花束》，这件作品深刻展示了日本艺术的原则是如何深度织入他的视觉语言之中的。这部晚期杰作展现了一位已经完全拥抱色彩力量、并以此来表达无形之物的艺术家形象。
奥迪隆·雷东以素描家、版画家和画家的多重身份穿梭于艺术世界，始终致力于将可见之物的逻辑置于不可见之物的服务之下。在早年的创作中，他在阴影中寻得了一种深邃的语言，主要以黑白两色进行创作。他精通石版画艺术，利用这种媒介实现细腻的色调渐变，使光芒得以从深邃的黑暗中浮现。为了追求更高的精准度，他经常在宽阔、柔和的木炭笔触之上，使用人工研磨的黑石墨来勾勒特定的构图元素。这些作品常被描述为噩梦与梦境的交织，在其中，现实与想象的边界变得模糊不清。
随着创作手法的日益纯熟，他对质感与光影的处理也发生了转变。他逐渐脱离了早期木炭研究中沉重、单色的深度，转向对粉彩和油画的运用。这一转变使他得以探索一种截然不同的光泽感，尽管他从未丧失对潜意识的痴迷。即便是在运用色彩进行创作时，他的构图往往仍保留着一种神秘感，仿佛主体是从一场梦境而非真实的自然景观中浮现出来的。他驾驭不同媒介的能力，使他能够将人类心灵中最难以捉摸的部分转化为触手可及的形态。
奥迪隆·雷东的艺术愿景所激起的涟漪，早已超越了象征主义圈子那静谧的沙龙，触及了即将到来的新世纪的基石。通过将目光转向内心，去绘制潜意识中那些奇异、非理性的疆域，他为超现实主义铺平了道路。他赋予梦境逻辑以形体的能力，为后来试图将心灵从理性束缚中解放出来的艺术家们——如马塞尔·杜尚和马克斯·恩斯特——提供了蓝图。他不仅仅是在描绘场景；他是在将人类思想中那些不可见的暗流视觉化，在可见世界与内在心灵之间架起了一座桥梁。
这种对主观经验以及“不可见之物”的情感重量的痴迷，也与表现主义画家产生了深远的共鸣。他的作品暗示，一个主题真正的本质在于它如何被感知，而非它如何被肉眼测量。除了他的油画与粉彩作品，他的版画艺术同样是一项深远的成就。他的石版画与素描——那些对黑暗与神秘领域的阴影探索——被视为十九世纪版画艺术中最具创新性的成就之一。他精通微妙的色调过渡，以此勾勒出那些既仿佛来自远古、又完全崭新的世界。
若想追寻他那瑰丽想象的足迹，人们必须前往欧洲艺术的殿堂。在巴黎，奥赛博物馆收藏有他的数件作品，让人得以窥见其艺术视野的演变历程。而对于那些渴望领略他后期绚烂色彩探索的观众来说，纽约市或许是更好的去处，现代艺术博物馆便珍藏着几件作品，生动地反映了他向更加明亮、光辉的审美风格的转变。
奥迪隆·雷东的影响力跨越了国界，在世界各地的艺术收藏中留下了印记。在荷兰，克勒勒-米勒博物馆收藏有《独眼巨人》，这件作品精准地捕捉到了他创作中后期那种神话色彩与梦幻交织的特质。与此同时，在大西洋的另一端，洛杉矶的盖蒂博物馆则保存着德·多梅西男爵夫人的肖像，这件作品诉说着那些塑造了他艺术生命的私人情感纽带与委托创作。
