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      帕尔马·韦基奥, 1480 – 1528

      100 幅最著名的 帕尔马·韦基奥 作品排名

      帕尔马·韦基奥 最受喜爱的作品是《Madonna and Child (1515)》,现收藏于圣彼得堡的冬宫博物馆。 紧随其后的是读者最熟悉的 Portrait of a Man (1512) 和 Judith (1525) 画作。 我们的目录收录了 帕尔马·韦基奥 的 107 件作品:以下是其中最著名的 100 件,每件作品均包含创作年份、馆藏机构及其艺术特色。

      排名依据为我们的热度评分,该评分综合了每件作品的搜索量、访问量及订单量。更新于 October 2026。 此页面上的每幅画作均可订购为手工绘制在亚麻画布上的油画复制品,或根据您选择的尺寸制作的高级艺术版画。

      帕尔马·韦基奥 肖像
      帕尔马·韦基奥 · 1480 – 1528
      生卒年份
      1480 – 1528, 塞里纳
      流派
      High renaissance
      目录中的作品
      107
      最知名
      Madonna and Child (1515)
      馆藏作品最多于
      维也纳艺术史博物馆

      帕尔马·韦基奥 十大名画:家喻户晓的传世杰作

      Madonna and Child (1515) 由 帕尔马·韦基奥
      1

      Madonna and Child

      1515 · Oil On Canvas · 冬宫博物馆, 圣彼得堡

      To stand before this depiction of the Madonna and Child is to be drawn into a moment suspended outside the rush of time—a sanctuary painted by the masterful hand of Palma Vecchio. This work, dating from 1515, transcends mere portraiture; it is an eloquent meditation on maternal love, divine connection, and the profound mystery of creation. The composition centers on the Virgin Mary, portrayed with a tender intimacy as she…

      The Adoration of the Shepherds with a Donor 由 帕尔马·韦基奥
      4

      The Adoration of the Shepherds with a Donor

      Oil On Canvas

      The air in the painting feels heavy with the scent of damp earth and hay. In a rural landscape of rolling hills and distant, pale buildings, a small light gathers around the Holy Family. Mary holds the infant Jesus close, her form a soft curve against the shadows. Beside them, Joseph stands as a steady presence. A shepherd boy kneels in the dirt, his posture a study in humility before…

      Lucretia (1520) 由 帕尔马·韦基奥
      5

      Lucretia

      1520 · Oil · 维也纳艺术史博物馆, 维也纳

      The air feels heavy, thick with the scent of velvet and the silent weight of an impending end. Lucretia sits before us, her pale skin luminous against a backdrop of deep, swallowing shadows. A sharp, diagonal line of a dagger presses against her chest, creating a point of tension that vibrates through the stillness. Her reddish-blonde hair flows in soft, organic waves, framing a face caught in a moment of…

      Portrait of a Gentleman (1520) 由 帕尔马·韦基奥
      6

      Portrait of a Gentleman

      1520 · Oil On Panel · 费城艺术博物馆, 费城

      In this 1520 portrait, we are met with a man whose steady gaze bridges the distance between his era and our own. He is positioned slightly off-center, a choice that lends a sense of naturalism to his posture, as if he has just paused in thought to acknowledge our presence. The composition is a medium close-up, focusing our attention on the quiet dignity of his features. His long, flowing brown…

      John the Baptist (1527) 由 帕尔马·韦基奥
      7

      John the Baptist

      1527 · Oil On Panel · 维也纳艺术史博物馆, 维也纳

      A single light source enters from the upper left, carving a face out of the heavy darkness. This is the world of Palma Vecchio, where deep browns and muted greens emerge from a nearly black background. The man, identified as John the Baptist, looks directly at the viewer with a piercing, steady gaze. His reddish-brown hair falls in soft, organic waves around a face marked by contemplation. A thin, dark…

      John the Evangelist (1528) 由 帕尔马·韦基奥
      8

      John the Evangelist

      1528 · Oil On Canvas · 维也纳艺术史博物馆, 维也纳

      An elderly man sits within a heavy shadow. His face, etched by time, turns toward an unseen light from the upper left. A thick, white beard flows over a deep green tunic. Over one shoulder, a red cloak rests with the weight of heavy wool. The skin of his hands and brow catches the glow, pulling him out from the dark, atmospheric background.

      The Holy Family with St Mary Magdalen (1514) 由 帕尔马·韦基奥
      9

      The Holy Family with St Mary Magdalen

      1514 · Oil On Panel · 阿什莫利博物馆, 牛津

      In this 1514 oil on panel, we find ourselves drawn into a private, outdoor moment of the Holy Family. The composition is intimate, centered on a man holding a child while a woman stands nearby, her hands resting upon a vase. This arrangement creates a sense of domesticity within a sacred context. The background, filled with the soft presence of trees, suggests a natural setting that allows the figures to…

      Young Woman in Profile (1512) 由 帕尔马·韦基奥
      10

      Young Woman in Profile

      1512 · Oil · 维也纳艺术史博物馆, 维也纳

      The portrait presents a young woman in a strict profile view, her head and shoulders occupying the majority of the frame. She is positioned against a dark, circular backdrop that creates a halo-like effect around her silhouette. The subject's skin is rendered in warm, fleshy tones, transitioning through soft shadows that define the structure of her face and neck. This technique, known as sfumato, allows for a gradual blending of…

      更多 帕尔马·韦基奥 帆布画,从 11 到 100

      John the Baptist (1528) 由 帕尔马·韦基奥
      #12

      John the Baptist

      1528 · 维也纳艺术史博物馆

      The figure of John the Baptist emerges from the shadows of history in this religious painting by Palma Vecchio. He stands alone, a solitary presence caught in a…

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      Saint Sebastian (1527) 由 帕尔马·韦基奥
      #13

      Saint Sebastian

      1527 · 维也纳艺术史博物馆

      This religious work, titled Saint Sebastian, was executed by the Venetian painter Palma Vecchio around 1527. The painting focuses on the Roman martyr, a figure venerated for his…

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      The Raising of Lazarus (1514) 由 帕尔马·韦基奥
      #14

      The Raising of Lazarus

      1514 · 费城艺术博物馆

      is a dramatic Renaissance oil painting that captures a crowded and dynamic biblical scene. The composition focuses on a central group of figures gathered around a stone tomb,…

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      The Three Sisters (1520) 由 帕尔马·韦基奥
      #15

      The Three Sisters

      1520 · 德累斯顿旧大师画廊

      “The Three Sisters” by Palma Vecchio, painted around 1520, stands as a captivating example of Venetian High Renaissance portraiture. This half-length composition depicts three young women, widely believed…

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      Sacred Conversation (detail) (1525) 由 帕尔马·韦基奥
      #37

      Sacred Conversation (detail)

      1525 · 威尼斯学院美术馆

      The air feels heavy with a silent, holy stillness as the Virgin Mary cradles the infant Jesus. She sits draped in a deep blue gown, her presence the…

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      Portrait of Paola Priuli (1527) 由 帕尔马·韦基奥
      #41

      Portrait of Paola Priuli

      1527 · Fondazione Querini Stampalia

      In the soft, luminous glow of the High Renaissance, few portraits capture the intersection of aristocratic poise and intimate vitality as masterfully as Palma Vecchio’s Portrait of Paola…

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      Sacred Conversation (1522) 由 帕尔马·韦基奥
      #43

      Sacred Conversation

      1522 · 维也纳艺术史博物馆

      In the quiet, hallowed atmosphere of Sacred Conversation, the viewer is transported directly into the heart of the Venetian High Renaissance. Painted around 1522 by the master Jacopo…

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      Sacred Conversation (1525) 由 帕尔马·韦基奥
      #53

      Sacred Conversation

      1525 · 威尼斯学院美术馆

      In the quiet, luminous atmosphere of Palma Vecchio’s Sacred Conversation, dated to 1525, the viewer is invited into a moment of profound spiritual intimacy. This masterpiece serves as…

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      De heilige familie 由 帕尔马·韦基奥
      #54

      De heilige familie

      国家博物馆

      The air within the scene feels heavy with a soft, twilight stillness. A group of five figures gathers in a serene, classical arrangement, their presence anchored by the…

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      Portrait of a Young Woman 由 帕尔马·韦基奥
      #55

      Portrait of a Young Woman

      布达佩斯美术博物馆

      A Glimpse into Renaissance Grace This captivating portrait by Palma il Vecchio offers a serene yet subtly poignant depiction of a young woman, embodying the ideals of beauty…

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      Venus in a Landscape (1520) 由 帕尔马·韦基奥
      #66

      Venus in a Landscape

      1520 · 柯尔德美术馆

      The Palma Il Vecchio painting, Venus in a Landscape, is a stunning example of Renaissance art. Created in 1520, this oil on canvas piece measures 78 x 153…

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      A Blonde Woman 由 帕尔马·韦基奥
      #67

      A Blonde Woman

      国家美术馆

      A single figure dominates the composition, her pale skin and long blonde hair emerging from a dark, indeterminate background. She gazes toward the viewer with a sidelong, pensive…

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      A Blonde Woman (1520) 由 帕尔马·韦基奥
      #68

      A Blonde Woman

      1520 · 国家美术馆

      To stand before Palma Vecchio's "A Blonde Woman" is to encounter a moment suspended in time—a breath held just before revelation. This portrait, dating from 1520, transcends a…

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      Portrait of a Woman (La Bella) (1518) 由 帕尔马·韦基奥
      #84

      Portrait of a Woman (La Bella)

      1518 · 提森·博爾涅米薩博物館

      The painting presents a portrait of a woman positioned in the center of the frame. She is depicted with long hair that cascades down her back, and she…

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      Venus (1520) 由 帕尔马·韦基奥
      #85

      Venus

      1520 · Gemäldegalerie

      The painting Venus by Palma Il Vecchio is a masterpiece of Renaissance art, showcasing the artist's skill in capturing the beauty and elegance of the female form. Created…

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      Judith with the Head of Holofernes (1523) 由 帕尔马·韦基奥
      #87

      Judith with the Head of Holofernes

      1523 · 乌菲兹美术馆

      In the quiet intensity of Palma Vecchio’s Judith with the Head of Holofernes, we encounter one of the most arresting portraits of the Italian High Renaissance. The painting…

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      Assumption of Mary (1512) 由 帕尔马·韦基奥
      #94

      Assumption of Mary

      1512 · 威尼斯学院美术馆

      In this oil on panel from 1512, we witness a moment of profound transition. The Virgin Mary occupies the center of the composition, her arms outstretched as she…

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      帕尔马·韦基奥 的画作,按时期划分

      帕尔马·韦基奥 的代表作

      这些画布上最常出现的四个主题,以及各自最受喜爱的代表作。

      帕尔马·韦基奥 的画作陈列于此

      收藏了本页中大部分画作的 8 家博物馆。

      博物馆 城市 帕尔马·韦基奥 的作品 此列表中的画作
      维也纳艺术史博物馆, 维也纳维也纳艺术史博物馆 维也纳 13 Lucretia, John the Baptist, John the Evangelist
      布达佩斯美术博物馆, 布达佩斯布达佩斯美术博物馆 布达佩斯 7 Madonna and Child with the Infant Saint John and a Bishop Saint, The Holy Family with a Female Saint and Saint Francis of Assisi, Portrait of a Young Woman
      威尼斯学院美术馆, 威尼斯威尼斯学院美术馆 威尼斯 6 Sacred Conversation (detail), Sacred Conversation (detail), Sacred Conversation
      柏林国家美术馆, 柏林柏林国家美术馆 柏林 5 The Holy Family, The Virgin and Child, Portrait of a young woman with bare chest
      国家美术馆, 伦敦国家美术馆 伦敦 4 A Blonde Woman, A Blonde Woman, Saint George and a Female Saint
      冬宫博物馆, 圣彼得堡冬宫博物馆 圣彼得堡 3 Madonna and Child, Portrait of a Man, Christ and the Woman Taken in Adultery
      乌菲兹美术馆, 佛罗伦萨乌菲兹美术馆 佛罗伦萨 3 Judith, Judith with the Head of Holofernes, The Holy Family with Mary Magdalene and the infant saint John
      费城艺术博物馆, 费城费城艺术博物馆 费城 3 Portrait of a Gentleman, The Raising of Lazarus, Allegory

      帕尔马·韦基奥 各年代最受追捧的油画作品

      1. 1500s
        Saint Magdalene (1504) 由 帕尔马·韦基奥
        第 17 幅 / 共 100 幅画布

        Saint Magdalene

        年龄 20 – 29 · 巴伐利亚州绘画收藏馆
      2. 1510s
        Madonna and Child (1515) 由 帕尔马·韦基奥
        第 1 幅 / 共 100 幅画布

        Madonna and Child

        年龄 30 – 39 · 冬宫博物馆

        To stand before this depiction of the Madonna and Child is to be drawn into a moment suspended outside the rush of time—a sanctuary painted by the masterful…

      3. 1520s
        Judith (1525) 由 帕尔马·韦基奥
        第 3 幅 / 共 100 幅画布

        Judith

        年龄 40 – 48 · 乌菲兹美术馆

      关于 帕尔马·韦基奥 的画布:为您答疑解惑

      帕尔马·韦基奥 最著名的画作是哪一幅?查看答案

      Madonna and Child (1515),冬宫博物馆, 圣彼得堡。其后是Portrait of a Man (1512)和Judith (1525)。

      创作Madonna and Child时,帕尔马·韦基奥是多少岁?查看答案

      帕尔马·韦基奥出生于1480,享年35岁:Madonna and Child创作于1515年。

      帕尔马·韦基奥 最著名的10幅画作是什么?查看答案

      Madonna and Child, Portrait of a Man, Judith, The Adoration of the Shepherds with a Donor, Lucretia, Portrait of a Gentleman, John the Baptist, John the Evangelist, The Holy Family with St Mary Magdalen 及 Young Woman in Profile。上述排名中的每幅画布均附有创作年份及馆藏博物馆信息。

      帕尔马·韦基奥 总共创作了多少件作品?查看答案

      我们的目录中收录了 107 件 帕尔马·韦基奥 的作品,日期从 1502 到 1528。

      在哪里可以欣赏到 帕尔马·韦基奥 最著名的油画作品?查看答案

      多见于 维也纳艺术史博物馆 (维也纳), 布达佩斯美术博物馆 (布达佩斯) 及 威尼斯学院美术馆 (威尼斯);上表列出了各博物馆及其馆藏作品。

      帕尔马·韦基奥 是在何时创作了这些广受赞誉的画作?查看答案

      在 1520s 时期,该页面 100 件作品中有 37 件出自该时期,其中包含 Judith。

      帕尔马·韦基奥 最早和最晚期的名作油画有哪些?查看答案

      此处的早期画布作品为 The Virgin and Child (1502);最晚为 John the Evangelist (1528)。

      帕尔马·韦基奥 最常创作的主题是什么?查看答案

      Woman (17), Man (15) 及 Landscape (13),共计 100 件作品。

      帕尔马·韦基奥 最常使用哪种媒介进行创作?查看答案

      Oil On Canvas,应用于本页 100 件作品中的 15 件。

      帕尔马·韦基奥 的画作属于哪种艺术流派?查看答案

      正如本页面的画作所展示的,High renaissance。

      维也纳艺术史博物馆 馆藏有哪些 帕尔马·韦基奥 的油画作品?查看答案

      维也纳艺术史博物馆, 维也纳收藏了本页中12件作品,其中包括Lucretia, John the Baptist 及 John the Evangelist。

      我可以购买 帕尔马·韦基奥 的帆布复刻画吗?查看答案

      是的。本页面的每一幅画作都可以在其详情页进行定制,您可以根据所需尺寸,将其订购为手工绘制的油画复制品,或精美的艺术版画。

      帕尔马·韦基奥:画笔下的生命历程

      A Venetian Master of Sensuality: The Life and Art of Palma Vecchio

      Jacopo Negretti, known to history as Palma Vecchio – “Palma the Elder” – emerged from the artistic landscape of early 16th-century Venice as a pivotal figure bridging the High Renaissance and the burgeoning Mannerist styles. Born around 1480 in Serina Alta near Bergamo, his career unfolded entirely within the vibrant Republic of Venice, a city already steeped in artistic innovation. While documented records are sparse regarding his earliest training, it’s believed he may have initially apprenticed under Andrea Previtali before gravitating towards the revolutionary approaches of Giovanni Bellini, and ultimately, the captivating worlds created by Giorgione and Titian. Palma's arrival in Venice coincided with a period of intense artistic competition; alongside Lorenzo Lotto, he quickly established himself as a formidable talent, absorbing the lessons of his predecessors while forging his own distinctive path.

      Early Influences and the Development of a Unique Style

      The initial stages of Palma’s career reveal a clear debt to Giovanni Bellini's refined technique and devotional style. However, it was the groundbreaking work of Giorgione – with its poetic atmosphere and enigmatic narratives – that truly ignited his artistic imagination. He swiftly embraced Giorgione’s use of color, light, and composition, infusing his own paintings with a similar sense of lyrical beauty. Yet, Palma wasn't merely an imitator; he possessed a unique gift for rendering the human form with a sensual grace and a captivating realism that set him apart. As Titian rose to prominence, Palma continued to evolve, demonstrating a remarkable ability to synthesize diverse influences into a harmonious and compelling visual language. This period saw the emergence of two primary themes in his oeuvre: the *sacra conversazione*, or holy conversation scenes, and half-length portraits of idealized women, often speculated to be depictions of Venice’s celebrated courtesans.

      The Allure of Myth and the Venetian Portrait

      Palma Vecchio became renowned for his ability to imbue classical mythology with a distinctly Venetian sensibility. His pastoral scenes are not simply recreations of ancient tales; they are vibrant celebrations of beauty, love, and earthly pleasure, set against lush landscapes teeming with life. These works catered to the tastes of wealthy Venetian patrons who sought art that reflected their sophisticated lifestyles and appreciation for sensual delights. Simultaneously, his portraits – particularly those of women – captivated audiences with their exquisite detail and psychological depth. He developed a signature type: blonde beauties possessing an alluring gaze and a subtle air of mystery. The identity of these sitters remains largely unknown, fueling speculation about their connection to the city’s demimonde. His mastery of color—transparent glazes that created luminous effects—was particularly celebrated, though sadly, many of these delicate layers deteriorated over time. The sheer painterly capacity in his handling of paint and color is often cited as a defining characteristic of his work.

      Major Achievements and Artistic Legacy

      Among Palma’s most significant achievements are the six paintings commissioned for the church of Santa Maria Formosa in Venice, centered around the *St. Barbara Altarpiece*. This monumental composition showcases his skill in depicting complex narratives and harmonious groupings of figures. His later works demonstrate a mastery of *contrapposto* – the elegant balance of opposing forces in a figure’s pose – and a refined palette that exudes dignity and grace. While he initially embraced influences from Central Italy, including Michelangelo, Palma ultimately forged a style uniquely his own. He was commissioned to paint a main altar at Sant'Elena in Venice in 1525, marking a significant milestone in his career. However, his sudden death in 1528 at the age of approximately 47 left numerous works unfinished, completed by his workshop and pupils. Despite this premature end, Palma Vecchio’s influence on Venetian painting was profound. He served as an important link between the High Renaissance masters like Titian and Giorgione and the emerging Mannerist generation, inspiring artists such as Bonifazio Pitati and Giovanni Busi.

      Historical Significance and Rediscovery

      For centuries, Palma Vecchio's work remained somewhat overshadowed by his more celebrated contemporaries. However, in recent decades, there has been a growing appreciation for his unique contributions to Venetian art. Scholars have reassessed attributions previously assigned to Giorgione and Titian, recognizing the distinctive qualities of Palma’s style. His paintings are now celebrated for their sensual beauty, technical brilliance, and ability to capture the spirit of Renaissance Venice. He represents a fascinating intersection of artistic influences, bridging the gap between generations and offering a compelling glimpse into the cultural values and aesthetic sensibilities of his time. Palma Vecchio stands as a testament to the enduring power of Venetian painting—a master whose work continues to captivate and inspire audiences today.

      帕尔马·韦基奥 的全部 107 件作品 →